Credit Line: Yale Center for British Art, Paul Mellon Collection / Date: 1822

Francis Danby, 1793–1861

Landscape near Clifton

1822 to 1823

Not on view

John Constable, 1776–1837

Cloud Study

1822

Not on view

John Constable, 1776–1837

Cloud Study

1822

Not on view

John Whessell, 1760–ca. 1823

A Boat Race on the River Isis, Oxford

1822

Not on view

Thomas Daniell, 1749–1840

Indian Temple, Said to Be the Mosque of Abo-ul-Nabi, Muttra

1827

Not on view

John Glover, 1767–1849

Sandown Bay, from near Shanklin Chine, Isle of Wight

ca. 1827

Not on view

John Linnell, 1792–1882

The Rest on the Flight into Egypt

ca. 1827

Not on view

Alexander Nasmyth, 1758–1840

A View of Edinburgh from the West

1822 to 1826

Not on view

unknown artist

Yacht Racing on the Solent

ca. 1827

Not on view

unknown artist

Street with Church and Figures

1822 to 1825

Not on view

unknown artist

?Petit Andeleys on the Seine

1822 to 1825

Not on view

Benjamin Marshall, 1768–1835

Broodmare with Foal, and a Terrier

1822

Not on view

George Garrard, 1760–1826

One of George Lane Fox's Winning Greyhounds: the Black and White Greyhound Bitch, Juno, also called Elizabeth

1822

Not on view

George Garrard, 1760–1826

Turk, a greyhound, the property of George Lane Fox

1822

Not on view

Samuel Palmer, 1805–1881

A Moonlit Scene with a Winding River

ca. 1827

Samuel Palmer, 1805–1881

A Shepherd and his Flock under the Moon and Stars

ca. 1827

unknown artist

Heidelberg

1822

Print made by William Bernard Cooke, 1778–1855

Margate

1822

Print made by William Bernard Cooke, 1778–1855

Margate

1822

Print made by Samuel Middiman, ca. 1750–1831

Moss Dale Fall

1822

Print made by Henry Le Keux, 1787–1868

Simmer Lake near Askrig

1822

Print made by William Radclyffe, 1780–1855

Hornby Castle from Tatham Church

1822

Print made by Edward Goodall, 1795–1870

Tantallon Castle

1822

Print made by Edward Goodall, 1795–1870

Tantallon Castle

1822

Print made by Edward Goodall, 1795–1870

Tantallon Castle

1822

Print made by Robert Wallis, 1794–1878

Linlithgow Palace

1822

Sir George Hayter, 1792–1871

Kitchen: Interior, Stone Crouch

1822

James Ward, 1769–1859

A Stunted Oak

1822

Joseph Nash, 1808–1878

Street Activity

ca. 1827

Joseph Nash, 1808–1878

Fashionable Men and Women Conversing

ca. 1827

Aaron Edwin Penley, 1807–1870

Sheet of Studies of Deer, Figures and Landscape

undated

Aaron Edwin Penley, 1807–1870

Cloud Study

undated

Bartholomew Howlett, 1767–1827

Interior of the Choir of St. Barts the Great

1822

unknown artist

West View of the Interior of St. Barts the Great

1822

Bartholomew Howlett, 1767–1827

Interior of the Choir of the Priory Church of St. Barts the Great

1822

unknown artist

Sale Notice of Capel House above (c)

1822

George Cooke, 1781–1834

Opening of Waterloo Bridge

1822

unknown artist

View of the New Custom House Taken from the River Thames

1822

unknown artist

West View of the Interior of the Chapel

1822

John Baverstock Knight, 1785–1859

Studland Dock Yard

1822

Print made by William Bernard Cooke, 1778–1855

Margate

1822

Print made by J. C. Varrall, active 1815–1827

Merrick Abbey, Swaledale

1822

Print made by Samuel Middiman, ca. 1750–1831

Moss Dale Fall

1822

Print made by Samuel Middiman, ca. 1750–1831

Moss Dale Fall

1822

Print made by Samuel Middiman, ca. 1750–1831

Moss Dale Fall

1822

Print made by Charles Heath, 1785–1848

Ingleborough, from Hornby Castle Terrace

1822

Print made by George Cooke, 1781–1834

Crichton Castle

1822

Print made by Henry Le Keux, 1787–1868

Heriot's Hospital

1822

Print made by Robert Wallis, 1794–1878

Linlithgow Palace

1822

Print made by W. R. Smith, active 1819–1851

Saltash, Cornwall

ca. 1827

William Henry Hunt, 1790–1864

A Dead Hare and a Cooked Lobster on a Bench

ca. 1827

Aaron Edwin Penley, 1807–1870

River Landscape

undated

Henry Morton, ca. 1807–1825

The Fish Ponds

undated

Henry Morton, ca. 1807–1825

St. Thomas' Church, Winchelsea

undated

Henry Morton, ca. 1807–1825

Ore Church and House

undated

Henry Morton, ca. 1807–1825

Strand Gateway, Winchelsea

undated

Henry Morton, ca. 1807–1825

Windmill on the Sea Coast Near Hastings

undated

Thomas Henry Wyatt, 1807–1880

Design for the Mechanics' Institution, Basingstoke: Elevation

undated

Print made by W. R. Smith, active 1819–1851

Heriot's Hospital

1822

John Buckler FSA, 1770–1851

South West View of Thornbury Castle, Gloucestershire

1822

John Buckler FSA, 1770–1851

North View of Thornbury Castle, Gloucestershire

1822

John Buckler FSA, 1770–1851

West Front of Thornbury Catle, Gloucestershire

1822

Sir George Hayter, 1792–1871

Sir George Hayter

1822

James Pollard, 1792–1867

Shooting [set of six]: 2. Pheasant Shooting

1822

James Pollard, 1792–1867

Fox-Hunting [set of three of four]: 2.The find

1822

James Pollard, 1792–1867

Shooting [set of six]: 3. Grouse Shooting

1822

Henry Thomas Alken, 1785–1851

Symptoms: of Being Drawn, of a Fine Song, of Troting, of Being In, of Being Out, of a Recoil

between 1822 and 1827

Henry Thomas Alken, 1785–1851

Symptoms: of Being Wanted, of Anxiety, of a Has Been, of Duck Catching

between 1822 and 1827

Henry Thomas Alken, 1785–1851

Symptoms: of Tragedy, of Comedy, of What Do You Say, of Can't You Hear, of the Ornamental, of the Old Story,

between 1822 and 1827

Henry Thomas Alken, 1785–1851

Symptoms: of The Manager's Judgement, of Being on Board a Packet, of Having Enough to Live Upon, of the Laddle Mis-Placed

between 1822 and 1827

Henry Thomas Alken Symptoms: of Doubtful Amusement - or Craneing, of Anxious Amusement - or Sure of a Bite, of Public Amusement - or No Taxes, Dangerous Amusement - or a Slapper, Private Amusement - or Cruelty

Henry Thomas Alken, 1785–1851

Symptoms: of Doubtful Amusement - or Craneing, of Anxious Amusement - or Sure of a Bite, of Public Amusement - or No Taxes, Dangerous Amusement - or a Slapper, Private Amusement - or Cruelty

between 1822 and 1827

Henry Thomas Alken Symptoms: of Sporting Friends Likely-to Go Together, of a Double Entendre, of Sporting Friends Likely-to Seperate, of Sure to HIt the Mark.

Henry Thomas Alken, 1785–1851

Symptoms: of Sporting Friends Likely-to Go Together, of a Double Entendre, of Sporting Friends Likely-to Seperate, of Sure to HIt the Mark

between 1822 and 1827

George Cruikshank, 1792–1878

Rumping - Kicking and Kissing - or - Cutting off the Privy Purse ---

1822

Henry Thomas Alken, 1785–1851

Foxhunting: The Meet

1822

Charles Turner, 1774–1857

The Hampshire Hunt

1822

Print made by Matthew Dubourg, active 1786–1838

Snipe Shooting

1822

Print made by Matthew Dubourg, active 1786–1838

Grouse Shooting

1822

Print made by Matthew Dubourg, active 1786–1838

Partridge Shooting

1822

Print made by Matthew Dubourg, active 1786–1838

Pheasant Shooting

1822

Attributed to William Capon, 1757–1827

Elevation of Buildings Fronting Westminster Hall

1822

John Buckler FSA, 1770–1851

South View of Thornbury Castle, Gloucestershire

1822

William Heath, 1795–1840

A bit of a Row in the East, EVERY COCK on this own DUNGHILL, or the Legitimates come to the charge

1822

Henry Thomas Alken, 1785–1851

Symptoms: of Taking Lessons, of Having Had Enough, of Earnest, of Fun

between 1822 and 1827

Henry Thomas Alken Symptoms: of Promising a Vote, of Reminding an Elector, of a Bang up Drive in a Lunday, of Spoiling a Chicken, of Breaking a Hunter, of Reminding a Member, of a Convenient Memory.

Henry Thomas Alken, 1785–1851

Symptoms: of Promising a Vote, of Reminding an Elector, of a Bang up Drive in a Lunday, of Spoiling a Chicken, of Breaking a Hunter, of Reminding a Member, of a Convenient Memory

between 1822 and 1827