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Credit Line Yale Center for British Art, Paul Mellon Collection

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Date 1823

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1. Stormy Sea, Brighton

Stormy Sea, Brighton
Creator:
John Constable, 1776–1837
Date:
ca. 1828
Materials & Techniques:
Oil on paper laid on canvas
Dimensions:
6 1/2 × 10 1/2 inches (16.5 × 26.7 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

2. Inside the Main Entrance of the Purana Qila, Delhi

Inside the Main Entrance of the Purana Qila, Delhi
Creator:
Robert Smith, 1787–1873
Date:
1823
Materials & Techniques:
Oil on canvas
Dimensions:
30 1/16 × 42 inches (76.4 × 106.7 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

3. Lord Glamis and his Staghounds

Lord Glamis and his Staghounds
Creator:
Dean Wolstenholme, 1757–1837
Date:
1823
Materials & Techniques:
Oil on canvas
Dimensions:
51 x 81 inches (129.5 x 205.7 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

4. Horses in a Thunderstorm

Horses in a Thunderstorm
Creator:
Thomas Woodward, 1801–1852
Date:
1823
Materials & Techniques:
Oil on panel
Dimensions:
12 x 14 inches (30.5 x 35.6 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

5. Old Billy, a Draught Horse, Aged 62

Old Billy, a Draught Horse, Aged 62
Creator:
Charles Towne, 1763–1840
Date:
1823
Materials & Techniques:
Oil on panel
Dimensions:
4 x 4 3/8 inches (10.2 x 11.1 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

6. George James Welbore Agar-Ellis, later first Baron Dover

George James Welbore Agar-Ellis, later first Baron Dover
Creator:
Sir Thomas Lawrence, 1769–1830
Date:
1823 to 1824
Materials & Techniques:
Oil on canvas
Dimensions:
36 x 29 inches (91.4 x 73.7 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

7. Rhodes

Rhodes
Creator:
Joseph Mallord William Turner, 1775–1851
Date:
between 1823 and 1824
Materials & Techniques:
Watercolor, gouache, and scraping out on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 5 1/4 x 8 7/8in. (13.3 x 22.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. The Sheep of His Pasture

The Sheep of His Pasture
Creator:
Print made by Edward Calvert, 1799–1883
Date:
ca. 1828
Materials & Techniques:
Engraving with chine collé on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 2 3/8 x 4 1/16 inches (6.1 x 10.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. Shields on the River Tyne

Shields on the River Tyne
Creator:
Print made by Charles Turner, 1774–1857
Date:
1823
Materials & Techniques:
Mezzotint with brown ink; touched proof, Turner's copies on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 13 3/8 × 20 1/8 inches (34 × 51.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. Shields on the River Tyne

Shields on the River Tyne
Creator:
Print made by Charles Turner, 1774–1857
Date:
1823
Materials & Techniques:
Mezzotint with white chalk and graphite; touched engraver's proof (a) on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 10 1/2 × 14 7/8 inches (26.7 × 37.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. Newcastle-on-Tyne

Newcastle-on-Tyne
Creator:
Print made by Thomas Goff Lupton, 1791–1873
Date:
1823
Materials & Techniques:
Soft-ground etching with chine collé on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 12 × 17 1/8 inches (30.5 × 43.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. Shields on the River Tyne

Shields on the River Tyne
Creator:
Print made by Charles Turner, 1774–1857
Date:
1823
Materials & Techniques:
Mezzotint; engraver's proof on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 12 3/4 × 17 1/4 inches (32.4 × 43.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13. Newcastle-on-Tyne

Newcastle-on-Tyne
Creator:
Print made by Thomas Goff Lupton, 1791–1873
Date:
1823
Materials & Techniques:
Mezzotint and soft-ground etching; Turner's copies on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 13 1/4 × 20 1/2 inches (33.7 × 52.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. Dartmouth Castle, on the River Dart

Dartmouth Castle, on the River Dart
Creator:
Print made by Thomas Goff Lupton, 1791–1873
Date:
1823 to 1827
Materials & Techniques:
Mezzotint; engraver's proof (b) on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 10 × 14 1/8 inches (25.4 × 35.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

15. Brougham Castle, near the Junction of the Rivers Eamont and Lowther

Brougham Castle, near the Junction of the Rivers Eamont and Lowther
Creator:
Print made by William Say, 1768–1834
Date:
1823 to 1827
Materials & Techniques:
Mezzotint, with graphite and scraping out; touched engraver's proof (b) on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 3/4 × 15 inches (29.8 × 38.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16. Brougham Castle, near the Junction of the Rivers Eamont and Lowther

Brougham Castle, near the Junction of the Rivers Eamont and Lowther
Creator:
Print made by William Say, 1768–1834
Date:
1823 to 1827
Materials & Techniques:
Mezzotint; engraver's proof (c) on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 1/2 × 17 1/4 inches (29.2 × 43.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17. Brougham Castle, near the Junction of the Rivers Eamont and Lowther

Brougham Castle, near the Junction of the Rivers Eamont and Lowther
Creator:
Print made by William Say, 1768–1834
Date:
1823 to 1827
Materials & Techniques:
Mezzotint, with graphite and scratching out; touched engraver's proof (a) on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 10 3/4 × 15 1/2 inches (27.3 × 39.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18. Kirkstall Abbey, on the River Aire

Kirkstall Abbey, on the River Aire
Creator:
Print made by James Bromley, 1801–1838
Date:
1823 to 1827
Materials & Techniques:
Mezzotint and soft ground etching; engraver's proof on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 12 1/2 × 18 inches (31.8 × 45.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

19. Kirkstall Abbey, on the River Aire

Kirkstall Abbey, on the River Aire
Creator:
Print made by James Bromley, 1801–1838
Date:
1823 to 1827
Materials & Techniques:
Etching and soft ground etching with chine collé; etched state on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 1/8 × 16 3/4 inches (28.3 × 42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20. Warkworth Castle on the River Coquet

Warkworth Castle on the River Coquet
Creator:
Print made by Thomas Goff Lupton, 1791–1873
Date:
1823 to 1827
Materials & Techniques:
Mezzotint with chine collé; engraver's proof (b) on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 13 × 20 1/8 inches (33 × 51.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21. Warkworth Castle on the River Coquet

Warkworth Castle on the River Coquet
Creator:
Print made by Thomas Goff Lupton, 1791–1873
Date:
1823 to 1827
Materials & Techniques:
Mezzotint; engraver's proof (between a&b) on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 12 3/4 × 17 1/4 inches (32.4 × 43.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22. Mouth of the River Humber

Mouth of the River Humber
Creator:
Print made by George H. Phillips, active 1819–1825
Date:
1823 to 1827
Materials & Techniques:
Mezzotint and graphite; touched engraver's proof (a) on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 1/2 × 12 5/8 inches (24.1 × 32.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

23. Mouth of the River Humber

Mouth of the River Humber
Creator:
Print made by George H. Phillips, active 1819–1825
Date:
1823 to 1827
Materials & Techniques:
Mezzotint, with graphite and scratching out; touched engraver's proof on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 11 × 15 1/8 inches (27.9 × 38.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24. Mouth of the River Humber

Mouth of the River Humber
Creator:
Print made by George H. Phillips, active 1819–1825
Date:
1823 to 1827
Materials & Techniques:
Mezzotint; engraver's proof (b) on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 12 1/8 × 15 3/8 inches (30.8 × 39.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25. Arundel Castle, on the River Arun

Arundel Castle, on the River Arun
Creator:
Print made by George H. Phillips, active 1819–1825
Date:
1823 to 1827
Materials & Techniques:
Mezzotint and etching with chine collé; engraver's proof on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 12 × 15 1/8 inches (30.5 × 38.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26. Kirkstall Lock, on the River Aire

Kirkstall Lock, on the River Aire
Creator:
Print made by William Say, 1768–1834
Date:
1823 to 1827
Materials & Techniques:
Mezzotint, with graphite and scratching out; touched engraver's proof (a) on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 1/4 × 10 5/8 inches (21 × 27 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

27. Kirkstall Lock, on the River Aire

Kirkstall Lock, on the River Aire
Creator:
Print made by William Say, 1768–1834
Date:
1823 to 1827
Materials & Techniques:
Mezzotint; engraver's proof (c) on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 13 1/4 × 20 1/8 inches (33.7 × 51.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28. Totnes, on the River Dart

Totnes, on the River Dart
Creator:
Print made by Charles Turner, 1774–1857
Date:
1823 to 1827
Materials & Techniques:
Mezzotint; engraver's proof (b) on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 11 1/2 × 17 inches (29.2 × 43.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

29. Stangate Creek, on the River Medway

Stangate Creek, on the River Medway
Creator:
Print made by Thomas Goff Lupton, 1791–1873
Date:
1823 to 1827
Materials & Techniques:
Mezzotint with chine collé; engraver's proof (d) on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 13 1/2 × 20 1/4 inches (34.3 × 51.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

30. Stangate Creek, on the River Medway

Stangate Creek, on the River Medway
Creator:
Print made by Thomas Goff Lupton, 1791–1873
Date:
1823 to 1827
Materials & Techniques:
Mezzotint; engraver's proof (d) on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 13 1/2 × 20 inches (34.3 × 50.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

31. Totnes, on the River Dart

Totnes, on the River Dart
Creator:
Print made by Charles Turner, 1774–1857
Date:
1823 to 1827
Materials & Techniques:
Mezzotint; engraver's proof (d) on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 13 1/4 × 19 1/4 inches (33.7 × 48.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32. Arundel Castle, with Rainbow

Arundel Castle, with Rainbow
Creator:
Print made by unknown artist
Date:
1823 to 1827
Materials & Techniques:
Mezzotint; engraver's proof on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 1/4 × 10 1/2 inches (21 × 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

33. Stangate Creek, on the River Medway

Stangate Creek, on the River Medway
Creator:
Print made by Thomas Goff Lupton, 1791–1873
Date:
1823 to 1827
Materials & Techniques:
Mezzotint; engraver's proof (a) on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 9 × 12 1/8 inches (22.9 × 30.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

34. Mount Blanc

Mount Blanc
Creator:
Print attributed to B. R. Davies, active ca. 1833
Date:
ca. 1828
Materials & Techniques:
Etching and engraving on medium, slightly textured, cream wove paper
Dimensions:
Frame: 7 1/8 × 8 × 1/2 inches (18.1 × 20.3 × 1.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

35. The Cadger's Trot (first State)

The Cadger's Trot (first State)
Creator:
Print made by Thomas Bewick, 1753–1828
Date:
1823
Materials & Techniques:
Lithograph on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 8 1/4 x 10 1/4 inches (21 x 26 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36. The Cadger's Trot

The Cadger's Trot
Creator:
Print made by Thomas Bewick, 1753–1828
Date:
1823
Materials & Techniques:
Lithograph on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 8 1/8 x 10 1/4 inches (20.7 x 26 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37. Claudio and Isabella

Claudio and Isabella
Creator:
Robert Smirke, 1752–1845
Date:
1823
Materials & Techniques:
Pen and brown ink, brown wash, gouache, and oil on moderately thick, slightly textured, cream wove paper pasted on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 5 1/8 x 4 inches (13 x 10.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

38. Leeds

Leeds
Creator:
Print made by James Duffield Harding, 1798–1863
Date:
1823
Materials & Techniques:
Lithograph
Dimensions:
Sheet: 11 3/4 x 17in. (29.8 x 43.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

39. Thornbury Castle, Gloucestershire

Thornbury Castle, Gloucestershire
Creator:
Louis Haghe, 1806–1885
Date:
between 1823 and 1835
Materials & Techniques:
Lithograph with chine collé and hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 9/16 x 13 11/16 inches (26.8 x 34.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

40. Text (unbound) for River Scenery

Text (unbound) for River Scenery
Creator:
Print made by William Bernard Cooke, 1778–1855
Date:
1823 to 1827
Materials & Techniques:
Letterpress
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

41. Front of Wrapper for Rivers of England (Number One)

Front of Wrapper for Rivers of England (Number One)
Creator:
Print made by William Bernard Cooke, 1778–1855
Date:
1823
Materials & Techniques:
Letterpress and engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

42. River Scenery (Directions to the Binder)

River Scenery (Directions to the Binder)
Creator:
Print made by unknown artist
Date:
1823 to 1827
Materials & Techniques:
Letterpress
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

43. River Scenery (Directions to the Binder)

River Scenery (Directions to the Binder)
Creator:
Print made by unknown artist
Date:
1823 to 1827
Materials & Techniques:
Letterpress
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

44. Sir Christopher Hatton

Sir Christopher Hatton
Creator:
Edward Scriven, 1775–1841
Date:
1823
Materials & Techniques:
Engraving on medium, slightly textured, beige wove paper
Dimensions:
Mount: 24 × 17 1/8 inches (61 × 43.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

45. A View of the Eastside of London Bridge

A View of the Eastside of London Bridge
Creator:
R. Martin, active 1823–1840
Date:
undated
Materials & Techniques:
Reproduction lithograph
Dimensions:
Sheet: 13 5/16 x 21 3/8in. (33.8 x 54.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

46. A View of the West Side of London Bridge in 1823

A View of the West Side of London Bridge in 1823
Creator:
R. Martin, active 1823–1840
Date:
1823
Materials & Techniques:
Hand colored lithograph
Dimensions:
Sheet: 13 3/8 x 21 3/4in. (34 x 55.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

47. Bookplate

Bookplate
Creator:
unknown artist
Date:
1823
Materials & Techniques:
Steel engraving
Dimensions:
Sheet: 6 3/4 × 5 1/4 inches (17.1 × 13.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

48. Hampstead Heath

Hampstead Heath
Creator:
Capt. Thomas Hastings, 1778–1854
Date:
1823
Materials & Techniques:
Graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 × 7 3/4 inches (12.7 × 19.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

49. A North West View of St. Paul's Cathedral, London

A North West View of St. Paul's Cathedral, London
Creator:
John S. Muller, ca. 1715–1792
Date:
1823
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

50. View of Oldhourn-Hall and Ceiling

View of Oldhourn-Hall and Ceiling
Creator:
unknown artist
Date:
1823
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

51. South West View of the Old Academy, Homerton

South West View of the Old Academy, Homerton
Creator:
unknown artist
Date:
1823
Materials & Techniques:
Aquatint
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

52. Hammersmith

Hammersmith
Creator:
Charles J. Hullmandel, 1789–1850
Date:
1823
Materials & Techniques:
Lithograph
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

53. The Highgate Archway from the Turnpike Gate at Holloway

The Highgate Archway from the Turnpike Gate at Holloway
Creator:
unknown artist
Date:
1823
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

54. [Trade Card] S. & I. Fuller, Water Colour Paint Mfg., 34 Rathbone Place

[Trade Card] S. & I. Fuller, Water Colour Paint Mfg., 34 Rathbone Place
Creator:
Thomas Sutherland, ca. 1785–1838
Date:
1823
Materials & Techniques:
Aquatint
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

55. Kensington Palace

Kensington Palace
Creator:
Thomas Vivares, c.1735–c.1790
Date:
1823
Materials & Techniques:
Hand colored engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

56. A set of four - Shooting: Plate I. Going out

A set of four - Shooting: Plate I. Going out
Creator:
Thomas Sutherland, ca. 1785–1838
Date:
1823
Materials & Techniques:
Aquatint, hand-colored
Dimensions:
Sheet: 12 1/4 x 14 7/8in. (31.1 x 37.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

57. View of the Worcester Race-Course and Grand Stand

View of the Worcester Race-Course and Grand Stand
Creator:
George Hunt, active 1820–1840
Date:
1823
Materials & Techniques:
Aquatint, hand-colored
Dimensions:
Sheet: 15 7/16 x 23 7/8in. (39.2 x 60.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

58. A set of four - Shooting: Plate III. Dogs brought the Fame & reloading

A set of four - Shooting: Plate III. Dogs brought the Fame & reloading
Creator:
Thomas Sutherland, ca. 1785–1838
Date:
1823
Materials & Techniques:
Aquatint, hand-colored
Dimensions:
Sheet: 12 1/4 x 14 7/8in. (31.1 x 37.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

59. A set of four - Shooting: Plate IV. Refreshing

A set of four - Shooting: Plate IV. Refreshing
Creator:
Thomas Sutherland, ca. 1785–1838
Date:
1823
Materials & Techniques:
Aquatint, hand-colored
Dimensions:
Sheet: 12 1/4 x 14 7/8in. (31.1 x 37.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

60. A set of four - Shooting: Plate II. Game found

A set of four - Shooting: Plate II. Game found
Creator:
Thomas Sutherland, ca. 1785–1838
Date:
1823
Materials & Techniques:
Aquatint, hand-colored
Dimensions:
Sheet: 12 1/4 x 14 7/8in. (31.1 x 37.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

61. Quay at Dartmouth

Quay at Dartmouth
Creator:
John Baverstock Knight, 1785–1859
Date:
1823
Materials & Techniques:
Pen and black ink, graphite and gray wash on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 12 3/8 × 19 5/8 inches (31.4 × 49.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

62. Dartmouth

Dartmouth
Creator:
John Baverstock Knight, 1785–1859
Date:
1823
Materials & Techniques:
Watercolor and graphite on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 12 1/8 × 19 3/8 inches (30.8 × 49.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

63. Totness

Totness
Creator:
John Baverstock Knight, 1785–1859
Date:
1823
Materials & Techniques:
Graphite and gray wash on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 12 1/4 × 19 1/2 inches (31.1 × 49.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

64. View Near Arundel Castle

View Near Arundel Castle
Creator:
Thomas Shotter Boys, 1803–1874
Date:
1823 and 1874
Materials & Techniques:
Watercolor, with pen and brown ink, over graphite with scratching out on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 3 5/8 × 5 inches (9.2 × 12.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

65. Madonna with a Rabbit

Madonna with a Rabbit
Creator:
William Callow, 1812–1908
Date:
undated
Materials & Techniques:
Watercolor with gum arabic and gouache on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 4 3/4 x 6 3/4 inches (12.1 x 17.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

66. Landscape with Sheep

Landscape with Sheep
Creator:
William Callow, 1812–1908
Date:
undated
Materials & Techniques:
Watercolor over graphite, with gum arabic and goauche on medium, rough, gray wove paper
Dimensions:
Sheet: 5 1/8 × 10 inches (13 × 25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

67. Barnes Terrace

Barnes Terrace
Creator:
William Westall, 1781–1850
Date:
1823
Materials & Techniques:
Lithograph on slightly textured, moderately thick, cream wove paper
Dimensions:
Sheet: 10 3/16 × 15 7/16 inches (25.9 × 39.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

68. Mortlake

Mortlake
Creator:
William Westall, 1781–1850
Date:
1823
Materials & Techniques:
Lithograph on slightly textured, moderately thick, cream wove paper
Dimensions:
Sheet: 10 5/8 × 15 9/16 inches (27 × 39.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

69. St. John's House, Hoxton

St. John's House, Hoxton
Creator:
unknown artist
Date:
1823
Materials & Techniques:
Engraving
Dimensions:
Sheet: 12 3/8 x 10 1/8in. (31.4 x 25.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

70. Plymouth

Plymouth
Creator:
Print made by Thomas Goff Lupton, 1791–1873
Date:
ca. 1828
Materials & Techniques:
Mezzotint, with graphite and scraping out; touched engraver's proof (a) on medium, slightly textured, brown laid paper
Dimensions:
Sheet: 10 3/8 × 13 1/4 inches (26.4 × 33.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

71. Map of Dudley in Worcestershire

Map of Dudley in Worcestershire
Creator:
R. Martin, active 1823–1840
Date:
undated
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

72. The Famous Lincolnshire Ox

The Famous Lincolnshire Ox
Creator:
Print made by unknown artist
Date:
1823
Materials & Techniques:
Etching and aquatint with hand coloring on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 17 x 20 1/2 inches (43.2 x 52.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

73. Set of twelve with title page: The Necessary Qualifications of a Man of Fashion.

Set of twelve with title page: The Necessary Qualifications of a Man of Fashion.
Creator:
Daniel Thomas Egerton, c.1800–1842
Date:
1823
Materials & Techniques:
Aquatint, hand-colored
Dimensions:
Sheet: 7 5/8 x 5 1/4in. (19.4 x 13.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

74. [set of 16]: 1-12:Fox-hunting subjects (no titles)

[set of 16]: 1-12:Fox-hunting subjects (no titles)
Creator:
Richard Purcell, active 1746–1766
Date:
1823
Materials & Techniques:
Lithograph
Dimensions:
Sheet: 5 3/8 x 8 1/4in. (13.7 x 21cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

75. "Scraps", no. 34: Mounted Mameluke Pointing a Pistol

"Scraps", no. 34: Mounted Mameluke Pointing a Pistol
Creator:
Henry Thomas Alken, 1785–1851
Date:
1823
Materials & Techniques:
Graphite and red chalk on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 1/2 × 9 1/2 inches (16.5 × 24.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

76. "Scraps", no. 33: Mounted Mameluke Brandishing a Sword

"Scraps", no. 33: Mounted Mameluke Brandishing a Sword
Creator:
Henry Thomas Alken, 1785–1851
Date:
1823
Materials & Techniques:
Graphite and red chalk on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 9/16 × 9 3/16 inches (16.7 × 23.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

77. "Scraps", no. 32: Two Mamelukes Talking, One Mounted

"Scraps", no. 32: Two Mamelukes Talking, One Mounted
Creator:
Henry Thomas Alken, 1785–1851
Date:
1823
Materials & Techniques:
Graphite and red chalk on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 5/8 × 9 3/8 inches (16.8 × 23.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

78. "Scraps", No. 15: Racehorse with Jockey Up, Two Men Discussing the Horse

"Scraps", No. 15: Racehorse with Jockey Up, Two Men Discussing the Horse
Creator:
Henry Thomas Alken, 1785–1851
Date:
1823
Materials & Techniques:
Graphite and red chalk on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 5/8 × 9 1/2 inches (16.8 × 24.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

79. "Scraps", No. 28: Skittle Alley With Players and Spectators

"Scraps", No. 28: Skittle Alley With Players and Spectators
Creator:
Henry Thomas Alken, 1785–1851
Date:
1823
Materials & Techniques:
Graphite and red chalk on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 13/16 × 9 5/16 inches (17.3 × 23.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

80. "Scraps", No. 24: Hunting -Ttwo Riders, One Opening a Gate For Hounds

"Scraps", No. 24: Hunting -Ttwo Riders, One Opening a Gate For Hounds
Creator:
Henry Thomas Alken, 1785–1851
Date:
1823
Materials & Techniques:
Graphite and white gouache on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 3/16 × 9 3/16 inches (18.3 × 23.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

81. "Scraps", No. 27: Two Dismounted Riders Drinking at an Alehouse Door

"Scraps", No. 27: Two Dismounted Riders Drinking at an Alehouse Door
Creator:
Henry Thomas Alken, 1785–1851
Date:
1823
Materials & Techniques:
Graphite and white gouache on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 9/16 × 9 1/16 inches (16.7 × 23 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

82. "Scraps", No. 8: Scenes of a Lancer and Other Cavalry

"Scraps", No. 8: Scenes of a Lancer and Other Cavalry
Creator:
Henry Thomas Alken, 1785–1851
Date:
1823
Materials & Techniques:
Graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 13/16 × 9 3/8 inches (17.3 × 23.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

83. "Scraps", No. 39: Mounted Hussars

"Scraps", No. 39: Mounted Hussars
Creator:
Henry Thomas Alken, 1785–1851
Date:
1823
Materials & Techniques:
Graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 3/4 × 9 inches (17.1 × 22.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

84. Comparative Meltonians, as they Are, and as they Were: A Meltonian as he is

Comparative Meltonians, as they Are, and as they Were: A Meltonian as he is
Creator:
George Hunt, active 1820–1840
Date:
1823
Materials & Techniques:
Aquatint, hand-colored
Dimensions:
Sheet: 13 x 15 3/4in. (33 x 40cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

85. Comparative Meltonians, as they Are, and as they Were: Gone Away, A Meltonian as he is

Comparative Meltonians, as they Are, and as they Were: Gone Away, A Meltonian as he is
Creator:
George Hunt, active 1820–1840
Date:
1823
Materials & Techniques:
Aquatint, hand-colored
Dimensions:
Sheet: 13 x 15 3/4in. (33 x 40cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

86. Comparative Meltonians, as they Are, and as they Were: A Meltonian as he us'd to be

Comparative Meltonians, as they Are, and as they Were: A Meltonian as he us'd to be
Creator:
George Hunt, active 1820–1840
Date:
1823
Materials & Techniques:
Aquatint, hand-colored
Dimensions:
Sheet: 13 x 15 3/4in. (33 x 40cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

87. Comparative Meltonians, as they Are, and as they Were: Gone Away, A Meltonian as he was

Comparative Meltonians, as they Are, and as they Were: Gone Away, A Meltonian as he was
Creator:
George Hunt, active 1820–1840
Date:
1823
Materials & Techniques:
Aquatint, hand-colored
Dimensions:
Sheet: 13 x 15 3/4in. (33 x 40cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

88. Comparative Meltonians, as they Are, and as they Were: A Meltonian as he was

Comparative Meltonians, as they Are, and as they Were: A Meltonian as he was
Creator:
George Hunt, active 1820–1840
Date:
1823
Materials & Techniques:
Aquatint, hand-colored
Dimensions:
Sheet: 13 x 15 3/4in. (33 x 40cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

89. Comparative Meltonians, as they Are, and as they Were: Gone Away, A Meltonians as the are

Comparative Meltonians, as they Are, and as they Were: Gone Away, A Meltonians as the are
Creator:
George Hunt, active 1820–1840
Date:
1823
Materials & Techniques:
Aquatint, hand-colored
Dimensions:
Sheet: 13 x 15 3/4in. (33 x 40cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

90. The Cover

The Cover
Creator:
George Hunt, active 1820–1840
Date:
1823
Materials & Techniques:
Aquatint, printed in color and colored by hand
Dimensions:
Sheet: 13 3/4 x 17 7/8in. (34.9 x 45.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

91. Breaking Cover

Breaking Cover
Creator:
George Hunt, active 1820–1840
Date:
1823
Materials & Techniques:
Aquatint, printed in color and colored by hand
Dimensions:
Sheet: 13 3/4 x 17 7/8in. (34.9 x 45.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

92. The Death

The Death
Creator:
George Hunt, active 1820–1840
Date:
1823
Materials & Techniques:
Aquatint, printed in color and colored by hand
Dimensions:
Sheet: 13 3/4 x 17 7/8in. (34.9 x 45.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

93. Full Cry

Full Cry
Creator:
George Hunt, active 1820–1840
Date:
1823
Materials & Techniques:
Aquatint, printed in color and colored by hand
Dimensions:
Sheet: 13 3/4 x 17 7/8in. (34.9 x 45.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

94. Tree Study (Autumn Foliage)

Tree Study (Autumn Foliage)
Creator:
attributed to John Linnell, 1792–1882
Date:
ca. 1828
Materials & Techniques:
Gouache and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 9 7/8 x 12 1/8 inches (25.1 x 30.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

95. New Palace, Kew

New Palace, Kew
Creator:
Charles J. Hullmandel, 1789–1850
Date:
1823
Materials & Techniques:
Lithograph
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

96. At Isleworth

At Isleworth
Creator:
Charles J. Hullmandel, 1789–1850
Date:
1823
Materials & Techniques:
Lithograph
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

97. Chatsworth House, Derbyshire

Chatsworth House, Derbyshire
Creator:
William Henry Bartlett, 1809–1854
Date:
between 1823 and 1830
Materials & Techniques:
Pen and brown ink and brown wash over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 3/8 × 9 3/4 inches (16.2 × 24.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

98. Burgh Castle

Burgh Castle
Creator:
unknown artist
Date:
1823
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

99. Hertford Castle

Hertford Castle
Creator:
Print made by J. Francis Bouchelle, active 1823
Date:
1823
Materials & Techniques:
Lithograph on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 10 5/8 x 14 7/16 inches (27 x 36.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

100. Seat of the Earl of Cassilis, Isleworth

Seat of the Earl of Cassilis, Isleworth
Creator:
Charles J. Hullmandel, 1789–1850
Date:
1823
Materials & Techniques:
Lithograph
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection