Credit Line: Yale Center for British Art, Paul Mellon Collection / Date: 1832 / Image Available: Available

1. Josiah Andrew Hudleston (1799-1865)

Creator:: George Chinnery, 1774–1852
Date:: 1832
Materials & Techniques:: Oil on canvas
Dimensions:: 12 x 10 3/8 inches (30.5 x 26.4 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

2. Study of Poppies

Creator:: James Inskipp, 1790–1868
Date:: 1832
Materials & Techniques:: Oil and graphite on board
Dimensions:: 16 x 9 inches (40.6 x 22.9 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

3. Westminster Abbey from Tothill Fields

Creator:: John Varley, 1778–1842
Date:: 1832
Materials & Techniques:: Oil on panel
Dimensions:: 7 1/4 x 10 inches (18.4 x 25.4 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

4. Lord Edward Thynne’s Snuff Box, Decorated with Foxhunting Scenes by John Ferneley

Creator:: Attributed to John Ferneley, 1782–1860
Date:: 1832 or 1833
Materials & Techniques:: Oil on gold
Dimensions:: Sheet: 1 1/2 x 3 3/8 inches (3.8 x 8.6 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

5. Venice, The Mouth of the Grand Canal

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: 1832
Materials & Techniques:: Watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 3/4 x 12 1/2 inches (22.2 x 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

6. A Weasel

Creator:: Edward Lear, 1812–1888
Date:: 1832
Materials & Techniques:: Watercolor with pen in brown ink, with gouache and gum over graphite on medium, smooth, cream wove paper
Dimensions:: Sheet: 7 3/8 x 11 inches (18.7 x 27.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. View of Tonbridge During the Late Election, December 18, 1832

Creator:: Print made by Joseph Josiah Dodd, 1809–1894
Date:: after 1832
Materials & Techniques:: Lithograph with chine collé and hand coloring in watercolor on thick, slightly textured, cream card
Dimensions:: Sheet: 11 9/16 × 16 7/16 inches (29.3 × 41.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

8. Haymakers

Creator:: Louisa Anne Beresford, 1818–1891
Date:: undated
Materials & Techniques:: Graphite, watercolor and gouache on very thick, moderately textured, cream wove paper
Dimensions:: Sheet: 8 3/8 × 19 1/2 inches (21.3 × 49.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9. The Summer Lodden, Sept. 1832: A Still Life Study of Three Apples

Creator:: James Sillett, 1764–1840
Date:: 1832
Materials & Techniques:: Graphite and watercolor on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 5 11/16 × 7 13/16 inches (14.4 × 19.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

10. A Seated Figure on Horseback

Creator:: attributed to Richard Dadd, 1817–1886
Date:: undated
Materials & Techniques:: Watercolor, gouache, and graphite on thick, rough, beige wove paper
Dimensions:: Sheet: 10 x 7 7/8 inches (25.4 x 20 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11. London Bridge--- Demolition

Creator:: Edward William Cooke, 1811–1880
Date:: 1832
Materials & Techniques:: Engraving
Dimensions:: Sheet: 13 x 16 3/4in. (33 x 42.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12. Demolition of Old London Bridge

Creator:: Edward William Cooke, 1811–1880
Date:: 1832
Materials & Techniques:: Engraving
Dimensions:: Sheet: 12 7/8 x 16 5/8in. (32.7 x 42.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

13. Ruins of the Crypt of St. Thomas on Old London Bridge

Creator:: Edward William Cooke, 1811–1880
Date:: 1832
Materials & Techniques:: Engraving
Dimensions:: Sheet: 9 5/8 x 11 5/8in. (24.4 x 29.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

14. Near East Cowes, Wednesday, 10 July 1832

Creator:: Capt. Thomas Hastings, 1778–1854
Date:: 1832
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 1/8 × 12 3/4 inches (23.2 × 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15. Shorwell, Friday, 3 August 1832

Creator:: Capt. Thomas Hastings, 1778–1854
Date:: 1832
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 1/4 × 12 7/8 inches (23.5 × 32.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16. Program Cover for a Performance of Sacred Music at St. Saviours Church

Creator:: Thomas Talbot Bury, 1811–1877
Date:: 1832
Materials & Techniques:: Hand colored engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. St. Dunstan's Church, Fleet Street

Creator:: George Cooke, 1781–1834
Date:: 1832
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. Plan of the Former Hall of the Dyers' Company, removed 1838

Creator:: C. F. Kell, active 1882
Date:: undated
Materials & Techniques:: Photolithograph
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. The Theatre and Covered Seats in White Conduit Gardens

Creator:: unknown artist
Date:: 1832
Materials & Techniques:: Reproduction
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. R. P. Bonington

Creator:: Edward Scriven, 1775–1841
Date:: 1832
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. New London Bridge from Billingsgate (low water)

Creator:: Edward William Cooke, 1811–1880
Date:: 1832
Materials & Techniques:: Hand colored engraving
Dimensions:: Sheet: 11 13/16 x 15 5/8in. (30 x 39.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. Part of Waterloo Bridge with the Shot Tower and Company

Creator:: George Cooke, 1781–1834
Date:: 1832
Materials & Techniques:: Engraving
Dimensions:: Sheet: 10 1/8 x 6 7/8in. (25.7 x 17.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. Near Shorwell, Isle of Wight

Creator:: Capt. Thomas Hastings, 1778–1854
Date:: 1832
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 1/8 × 12 1/2 inches (23.2 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. Shorwell, Isle of Wight

Creator:: Capt. Thomas Hastings, 1778–1854
Date:: 1832
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 1/8 × 3 5/8 inches (15.6 × 9.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. Memo of Medina River, Isle of Wight

Creator:: Capt. Thomas Hastings, 1778–1854
Date:: 1832
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/4 × 5 3/4 inches (13.3 × 14.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. Sketch of Trees, Shorwell, Isle of Wight

Creator:: Capt. Thomas Hastings, 1778–1854
Date:: 1832
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 1/4 × 3 5/8 inches (15.9 × 9.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. Sketch of a Tree-lined Road and Bridge, Shorwell

Creator:: Capt. Thomas Hastings, 1778–1854
Date:: 1832
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 5/8 × 3 5/8 inches (14.3 × 9.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. Padmore, Isle of Wight

Creator:: Capt. Thomas Hastings, 1778–1854
Date:: 1832
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 5/8 × 6 3/4 inches (11.7 × 17.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. Millfield, East Cowes, 25 May 1832

Creator:: Capt. Thomas Hastings, 1778–1854
Date:: 1832
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 5/8 × 6 3/4 inches (11.7 × 17.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. Shorwell, 3 August 1832

Creator:: Capt. Thomas Hastings, 1778–1854
Date:: 1832
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 3/8 × 3 5/8 inches (13.7 × 9.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. Archery Ground, Carisbrooke

Creator:: Capt. Thomas Hastings, 1778–1854
Date:: 1832
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 5/8 × 13 1/2 inches (21.9 × 34.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. Carisbrooke Castle, Isle of Wight

Creator:: Capt. Thomas Hastings, 1778–1854
Date:: 1832
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 1/2 × 13 1/8 inches (24.1 × 33.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. Near East Cowes, 15 September 1832

Creator:: Capt. Thomas Hastings, 1778–1854
Date:: 1832
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 5/8 × 6 7/8 inches (11.7 × 17.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. Appuldurcombe, Isle of Wight

Creator:: Capt. Thomas Hastings, 1778–1854
Date:: 1832
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 3 1/2 × 6 1/4 inches (8.9 × 15.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. Millfield, East Cowes, Sunday 27 May 1832

Creator:: Capt. Thomas Hastings, 1778–1854
Date:: 1832
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 5/8 × 6 3/4 inches (11.7 × 17.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. The Royal Palace, Madrid, 1832

Creator:: David Roberts, 1796–1864
Date:: 1832
Materials & Techniques:: Graphite, watercolor, and gouache on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 6 3/8 × 9 7/8 inches (16.2 × 25.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. Chorister. The Winner of the Great St. Leger Stakes at Doncaster 1831

Creator:: Edward Duncan, 1803–1882
Date:: 1832
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 12 1/4 x 16 1/2in. (31.1 x 41.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. St. Giles. Winner of the Derby Stakes at Epsom, 1832

Creator:: Edward Duncan, 1803–1882
Date:: 1832
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 14 3/4 x 20 1/4in. (37.5 x 51.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. A pair [Angling]: 1. Evening - October

Creator:: Henry Pyall, 1795–1833
Date:: 1832
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 5 1/8 x 11 5/8in. (13 x 29.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. Steeple-chasing [set of six]: St. Albans Grand Steeple Chase. / 8 March 1832. Plate 1. Preparing to Start ...

Creator:: Charles Hunt, 1803–1877
Date:: 1832
Materials & Techniques:: Aquatint printed in colors, except for hand colored sky
Dimensions:: Sheet: 15 3/4 x 19 7/8in. (40 x 50.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. Opposition Coaches at Speed

Creator:: Frederick Rosenberg, active 1816–1832
Date:: 1832
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 13 1/16 x 17 3/4in. (33.2 x 45.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. [Key to plate 2] Steeple-chasing [set of six]: St. Albans Grand Steeple Chase. 8 March 1832

Creator:: Charles Bentley, 1806–1854
Date:: 1832
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 11 x 13 15/16in. (27.9 x 35.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. The Acropolis of Athens

Creator:: Print made by John Cousen, 1804–1880
Date:: 1832-1834
Materials & Techniques:: Etching and engraving with chine collé; engraver's proof on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 11 3/16 × 16 1/16 inches (28.4 × 40.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. The Drachenfels

Creator:: Print made by William Finden, 1787–1852
Date:: 1832-1834
Materials & Techniques:: Etching and engraving with chine collé; first published state on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 10 15/16 × 16 5/8 inches (27.8 × 42.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. Land Discovered by Columbus

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1832-1834
Materials & Techniques:: Etching and engraving; first published state on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 11 5/8 × 6 5/16 inches (29.5 × 16 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. Worcester Cathedral. View from the North East

Creator:: John Le Keux, 1783–1846
Date:: 1832
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. Anatomical Study of a Horse, Founded on `Eclipse', Nov. 26, 1832

Creator:: William Mulready, 1786–1863
Date:: 1832
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 3 1/16 × 4 3/8 inches (7.8 × 11.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. St. George's Chapel, Windsor, West End, July 19, 1832, 10 am

Creator:: Dr. William Crotch, 1775–1847
Date:: 1832
Materials & Techniques:: Graphite, watercolor, and gouache on medium, slightly textured, cream wove paper
Dimensions:: Mount: 12 7/8 × 10 7/16 inches (32.7 × 26.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. Windsor Castle View - King George IV Gate and the Round Tower, July 28, 1832, 11:30 am

Creator:: Dr. William Crotch, 1775–1847
Date:: 1832
Materials & Techniques:: Graphite and watercolor on medium, smooth, cream laid paper
Dimensions:: Mount: 10 3/8 × 12 3/8 inches (26.4 × 31.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. St. George's Chapel and The Castle Wall From Bier Lane, July 18, 1832, 1 pm

Creator:: Dr. William Crotch, 1775–1847
Date:: 1832
Materials & Techniques:: Graphite, watercolor and gouache on medium, slightly textured, cream wove paper
Dimensions:: Mount: 13 7/16 × 10 3/8 inches (34.1 × 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. Windsor Castle From Above the Bridge, July 18, 1832, 12 Noon

Creator:: Dr. William Crotch, 1775–1847
Date:: 1832
Materials & Techniques:: Graphite, watercolor, and gouache on medium, smooth, cream wove paper
Dimensions:: Sheet: 5 1/16 × 8 7/8 inches (12.9 × 22.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. Windsor Castle - Devil's Tower, July 17, 1832 - 11 am

Creator:: Dr. William Crotch, 1775–1847
Date:: 1832
Materials & Techniques:: Graphite and watercolor on medium, slightly textured, cream wove paper
Dimensions:: Mount: 9 1/8 × 13 inches (23.2 × 33 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. Hampstead Heath

Creator:: Print made by David Lucas, 1802–1881
Date:: 1832
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. River Scene, Aldercar

Creator:: Print made by Miles Edmund Cotman, 1810–1858
Date:: ca. 1837
Materials & Techniques:: Etching on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 3 1/2 x 8 inches (8.9 x 20.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. Deerhound and Bitch Cornering a Stag at the Edge of a Woodland Pool

Creator:: Newton Limbird Smith Fielding, 1799–1856
Date:: 1832
Materials & Techniques:: Watercolor, gum arabic, gouache, pen and brown ink, and black ink on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 11 1/8 × 17 3/16 inches (28.3 × 43.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. Santa Maria della Spina, Pisa

Creator:: Print made by Edward Francis Finden, 1791–1857
Date:: 1832-1834
Materials & Techniques:: Etching and engraving with chine collé; engraver's proof on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 16 5/16 × 10 13/16 inches (41.4 × 27.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. Gate of Theseus, Athens

Creator:: Print made by Edward Francis Finden, 1791–1857
Date:: 1832
Materials & Techniques:: Etching and engraving with chine collé; third state on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 11 3/4 × 8 5/8 inches (29.8 × 21.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. The Plain of Troy

Creator:: Print made by Edward Francis Finden, 1791–1857
Date:: 1832
Materials & Techniques:: Etching and engraving; third state on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 11 1/8 × 8 3/16 inches (28.3 × 20.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

59. Bacharach on the Rhine

Creator:: Print made by Edward Francis Finden, 1791–1857
Date:: 1832
Materials & Techniques:: Etching and engraving with chine collé; third state on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 11 3/8 × 8 5/8 inches (28.9 × 21.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. The Castle of St. Angelo

Creator:: Print made by Edward Francis Finden, 1791–1857
Date:: 1832
Materials & Techniques:: Etching and engraving; third state on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 11 × 8 3/16 inches (27.9 × 20.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. Corinth from the Acropolis

Creator:: Print made by Edward Francis Finden, 1791–1857
Date:: 1832
Materials & Techniques:: Etching and engraving with chine collé; third state on medium, slightly textured, beige wove pape
Dimensions:: Sheet: 11 3/8 × 8 3/8 inches (28.9 × 21.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. The Bernese Alps

Creator:: Print made by Edward Francis Finden, 1791–1857
Date:: 1832-1834
Materials & Techniques:: Etching and engraving with chine collé; first published state on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 16 1/2 × 11 inches (41.9 × 27.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

63. The Bridge of Sighs, Venice

Creator:: Print made by Edward Francis Finden, 1791–1857
Date:: 1832-1834
Materials & Techniques:: Etching and engraving with chine collé; first published state on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 16 3/4 × 11 1/4 inches (42.5 × 28.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. Genoa

Creator:: Print made by Edward Francis Finden, 1791–1857
Date:: 1832-1834
Materials & Techniques:: Etching and engraving with chine collé; first published state on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 16 1/4 × 9 7/8 inches (41.3 × 25.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

65. Cologne

Creator:: Print made by Edward Francis Finden, 1791–1857
Date:: 1832-1834
Materials & Techniques:: Etching and engraving with chine collé; first published state on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 16 1/2 × 11 inches (41.9 × 27.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

66. Part of Waterloo Bridge with the Shot Tower, &c.

Creator:: Print made by George Cooke, 1781–1834
Date:: 1832
Materials & Techniques:: Etching and line engraving with chine collé on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 17 1/2 x 11 13/16 inches (44.5 x 30 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

67. Red-Scar, the Residence of William Cross, Esquire

Creator:: Thomas Higham, 1796–1844
Date:: 1832
Materials & Techniques:: Etching on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 8 x 10 3/4 inches (20.3 x 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

68. The Opening of the Seventh Seal

Creator:: John Martin, 1789–1854
Date:: ca. 1837
Materials & Techniques:: Mezzotint
Dimensions:: Sheet: 15 1/2 x 16 inches (39.4 x 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

69. Devils Tower - Looking towards Carrow Bridge from Norwich

Creator:: Thomas Lound, 1802–1861
Date:: c.1832
Materials & Techniques:: Etching
Dimensions:: Sheet: 4 x 5in. (10.2 x 12.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

70. Plymouth, Devonshire

Creator:: Print made by William John Cooke, 1797–1865
Date:: 1832
Materials & Techniques:: Etching and engraving with chine collé; first state on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 7/16 × 15 11/16 inches (31.6 × 39.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

71. Malvern Abbey and Gate, Worcestershire

Creator:: Print made by John Horsburgh, 1791–1869
Date:: 1832
Materials & Techniques:: Etching and engraving with chine collé on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 15/16 × 14 7/8 inches (27.8 × 37.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

72. Plymouth, Devonshire

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1832
Materials & Techniques:: Etching and engraving with chine collé; first state on thick, smooth, cream wove paper
Dimensions:: Sheet: 10 5/8 × 14 5/8 inches (27 × 37.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

73. Richmond Hill and Bridge, Surrey

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1832
Materials & Techniques:: Etching and engraving with chine collé; second state on moderarely thick, slightly textured, beige wove paper
Dimensions:: Sheet: 10 13/16 × 14 5/8 inches (27.5 × 37.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

74. St. Catherine's Hill, near Guildford, Surrey

Creator:: Print made by James H. Kernot, 1802–1858
Date:: 1832
Materials & Techniques:: Etching and engraving with chine collé; second state on thick, slightly textured, beige wove paper
Dimensions:: Sheet: 10 11/16 × 14 15/16 inches (27.1 × 37.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

75. Margate, Kent

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1832
Materials & Techniques:: Etching and engraving; third state on moderately thick, smooth, beige wove paper
Dimensions:: Sheet: 10 7/8 × 15 inches (27.6 × 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

76. Chatham, Kent

Creator:: Print made by William Miller, 1796–1882
Date:: 1832
Materials & Techniques:: Etching and engraving; third state on moderately thick, smooth, beige wove paper
Dimensions:: Sheet: 10 5/8 × 14 3/4 inches (27 × 37.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

77. Ashby de la Zouch, Leicestershire

Creator:: Print made by William Radclyffe, 1780–1855
Date:: 1832
Materials & Techniques:: Etching and engraving with chine collé; first state on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 5/8 × 14 5/8 inches (27 × 37.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

78. Warwick Castle, Warwickshire

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1832
Materials & Techniques:: Etching and engraving; third state on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 10 1/2 × 14 5/8 inches (26.7 × 37.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

79. Warwick Castle, Warwickshire

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1832
Materials & Techniques:: Etching and engraving with chine collé; first state on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 15/16 × 15 inches (27.8 × 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

80. Ashby de la Zouch, Leicestershire

Creator:: Print made by William Radclyffe, 1780–1855
Date:: 1832
Materials & Techniques:: Etching and engraving; third state on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 10 1/2 × 14 11/16 inches (26.7 × 37.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

81. Brinkburn Priory, Northumberland

Creator:: Print made by J. C. Varrall, active 1815–1827
Date:: 1832
Materials & Techniques:: Etching and engraving; third state on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 10 5/8 × 14 3/4 inches (27 × 37.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

82. Tamworth Castle, Staffordshire

Creator:: Print made by James Tibbits Willmore, 1800–1863
Date:: 1832
Materials & Techniques:: Etching and engraving; third state on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 9/16 × 14 5/8 inches (26.8 × 37.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

83. Falls of the Rhine

Creator:: Print made by James C. Allen, active 1821–1831
Date:: 1832
Materials & Techniques:: Etching and engraving with chine collé; engraver's proof on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 6 7/16 × 8 13/16 inches (16.4 × 22.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

84. Falls of the Rhine

Creator:: Print made by James Baylis Allen, 1803–1876
Date:: 1832
Materials & Techniques:: Etching and engraving on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 4 9/16 × 7 7/16 inches (11.6 × 18.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

85. Felis Uncia

Creator:: Charles Hamilton Smith, 1776–1859
Date:: ca. 1837
Materials & Techniques:: Watercolor, pen and black ink and graphite, squared for transfer on medium, smooth, cream wove paper
Dimensions:: Sheet: 4 1/16 × 6 1/2 inches (10.3 × 16.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

86. Peruvian Paso

Creator:: Charles Hamilton Smith, 1776–1859
Date:: ca. 1837
Materials & Techniques:: Watercolor, pen and brown ink and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 4 × 6 3/8 inches (10.2 × 16.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

87. Brood Mare and Third Foal, with Marks of Quagga

Creator:: Charles Hamilton Smith, 1776–1859
Date:: ca. 1837
Materials & Techniques:: Watercolor, graphite, pen and black ink and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 3 7/8 × 6 1/2 inches (9.8 × 16.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

88. Wild Dog of Natolla

Creator:: Charles Hamilton Smith, 1776–1859
Date:: ca. 1837
Materials & Techniques:: Watercolor, pen and black ink, gray ink and graphite on medium, smooth, cream wove paper
Dimensions:: Sheet: 4 5/8 × 7 7/16 inches (11.7 × 18.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

89. Wolf of Southern States, North America

Creator:: Charles Hamilton Smith, 1776–1859
Date:: ca. 1837
Materials & Techniques:: Watercolor, pen and brown ink, gray ink, and graphite on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 4 7/8 × 7 5/8 inches (12.4 × 19.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

90. Fennec of Bruce and Red Backed Fennec

Creator:: Charles Hamilton Smith, 1776–1859
Date:: ca. 1837
Materials & Techniques:: Watercolor, pen and brown ink, black ink, gray ink, red ink and graphite on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 4 11/16 × 7 1/2 inches (11.9 × 19.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

91. Spotted Hyena

Creator:: Charles Hamilton Smith, 1776–1859
Date:: ca. 1837
Materials & Techniques:: Watercolor, pen and brown inki and graphite on medium, smooth, cream wove paper
Dimensions:: Sheet: 3 15/16 × 6 9/16 inches (10 × 16.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

92. Dog of the North American Indians

Creator:: Charles Hamilton Smith, 1776–1859
Date:: ca. 1837
Materials & Techniques:: Watercolor, pen and black ink and graphite on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 4 7/8 × 7 9/16 inches (12.4 × 19.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

93. The Gray Wolf

Creator:: Charles Hamilton Smith, 1776–1859
Date:: ca. 1837
Materials & Techniques:: Watercolor, pen and gray ink, black ink and graphite on medium, smooth, cream wove paper
Dimensions:: Sheet: 4 5/8 × 7 1/2 inches (11.7 × 19.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

94. The Hyena of Albara

Creator:: Charles Hamilton Smith, 1776–1859
Date:: ca. 1837
Materials & Techniques:: Watercolor, pen and gray ink, black ink, brown ink and graphite on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 4 1/2 × 7 1/8 inches (11.4 × 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

95. Aardwolf

Creator:: Charles Hamilton Smith, 1776–1859
Date:: ca. 1837
Materials & Techniques:: Watercolor, pen and brown ink and graphite on medium, smooth, cream wove paper
Dimensions:: Sheet: 4 3/16 × 6 11/16 inches (10.6 × 17 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

96. Maned Wolf

Creator:: Charles Hamilton Smith, 1776–1859
Date:: ca. 1837
Materials & Techniques:: Watercolor, pen and black ink, brown ink and graphite on medium, smooth, cream wove paper
Dimensions:: Sheet: 4 11/16 × 7 5/16 inches (11.9 × 18.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

97. North American Prairie Wolf

Creator:: Charles Hamilton Smith, 1776–1859
Date:: ca. 1837
Materials & Techniques:: Watercolor, pen and brown ink and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 3/16 × 6 9/16 inches (10.6 × 16.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

98. Black Wolf

Creator:: Charles Hamilton Smith, 1776–1859
Date:: ca. 1837
Materials & Techniques:: Watercolor, pen and gray ink and graphite on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 4 3/16 × 6 9/16 inches (10.6 × 16.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

99. The Brown Hyena

Creator:: Charles Hamilton Smith, 1776–1859
Date:: ca. 1837
Materials & Techniques:: Watercolor, pen and black ink, brown ink and graphite on medium, smooth, cream wove paper
Dimensions:: Sheet: 3 7/8 × 6 5/8 inches (9.8 × 16.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

100. The Gray Fox

Creator:: Charles Hamilton Smith, 1776–1859
Date:: ca. 1837
Materials & Techniques:: Watercolor, pen and brown ink, gray ink and graphite on medium, smooth, cream wove paper
Dimensions:: Sheet: 3 13/16 × 6 5/8 inches (9.7 × 16.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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Credit Line Yale Center for British Art, Paul Mellon Collection

Date 1832

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Search Results

1. Josiah Andrew Hudleston (1799-1865)

2. Study of Poppies

3. Westminster Abbey from Tothill Fields

4. Lord Edward Thynne’s Snuff Box, Decorated with Foxhunting Scenes by John Ferneley

5. Venice, The Mouth of the Grand Canal

6. A Weasel

7. View of Tonbridge During the Late Election, December 18, 1832

8. Haymakers

9. The Summer Lodden, Sept. 1832: A Still Life Study of Three Apples

10. A Seated Figure on Horseback

11. London Bridge--- Demolition

12. Demolition of Old London Bridge

13. Ruins of the Crypt of St. Thomas on Old London Bridge

14. Near East Cowes, Wednesday, 10 July 1832

15. Shorwell, Friday, 3 August 1832

16. Program Cover for a Performance of Sacred Music at St. Saviours Church

17. St. Dunstan's Church, Fleet Street

18. Plan of the Former Hall of the Dyers' Company, removed 1838

19. The Theatre and Covered Seats in White Conduit Gardens

20. R. P. Bonington

21. New London Bridge from Billingsgate (low water)

22. Part of Waterloo Bridge with the Shot Tower and Company

23. Near Shorwell, Isle of Wight

24. Shorwell, Isle of Wight

25. Memo of Medina River, Isle of Wight

26. Sketch of Trees, Shorwell, Isle of Wight

27. Sketch of a Tree-lined Road and Bridge, Shorwell

28. Padmore, Isle of Wight

29. Millfield, East Cowes, 25 May 1832

30. Shorwell, 3 August 1832

31. Archery Ground, Carisbrooke

32. Carisbrooke Castle, Isle of Wight

33. Near East Cowes, 15 September 1832

34. Appuldurcombe, Isle of Wight

35. Millfield, East Cowes, Sunday 27 May 1832

36. The Royal Palace, Madrid, 1832

37. Chorister. The Winner of the Great St. Leger Stakes at Doncaster 1831

38. St. Giles. Winner of the Derby Stakes at Epsom, 1832

39. A pair [Angling]: 1. Evening - October

40. Steeple-chasing [set of six]: St. Albans Grand Steeple Chase. / 8 March 1832. Plate 1. Preparing to Start ...

41. Opposition Coaches at Speed

42. [Key to plate 2] Steeple-chasing [set of six]: St. Albans Grand Steeple Chase. 8 March 1832

43. The Acropolis of Athens

44. The Drachenfels

45. Land Discovered by Columbus

46. Worcester Cathedral. View from the North East

47. Anatomical Study of a Horse, Founded on `Eclipse', Nov. 26, 1832

48. St. George's Chapel, Windsor, West End, July 19, 1832, 10 am

49. Windsor Castle View - King George IV Gate and the Round Tower, July 28, 1832, 11:30 am

50. St. George's Chapel and The Castle Wall From Bier Lane, July 18, 1832, 1 pm

51. Windsor Castle From Above the Bridge, July 18, 1832, 12 Noon

52. Windsor Castle - Devil's Tower, July 17, 1832 - 11 am

53. Hampstead Heath

54. River Scene, Aldercar

55. Deerhound and Bitch Cornering a Stag at the Edge of a Woodland Pool

56. Santa Maria della Spina, Pisa

57. Gate of Theseus, Athens

58. The Plain of Troy

59. Bacharach on the Rhine

60. The Castle of St. Angelo

61. Corinth from the Acropolis

62. The Bernese Alps

63. The Bridge of Sighs, Venice

64. Genoa

65. Cologne

66. Part of Waterloo Bridge with the Shot Tower, &c.

67. Red-Scar, the Residence of William Cross, Esquire

68. The Opening of the Seventh Seal

69. Devils Tower - Looking towards Carrow Bridge from Norwich

70. Plymouth, Devonshire

71. Malvern Abbey and Gate, Worcestershire

72. Plymouth, Devonshire

73. Richmond Hill and Bridge, Surrey