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Credit Line Yale Center for British Art, Paul Mellon Collection

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Date 1834

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Subject Terms landscape

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1. Epsom Races: The Betting Post

Epsom Races: The Betting Post
Creator:
James Pollard, 1792–1867
Date:
1834 to 1835
Materials & Techniques:
Oil on canvas
Dimensions:
12 1/8 x 18 5/8 inches (30.8 x 47.3 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

2. View near Arundel

View near Arundel
Creator:
John Constable, 1776–1837
Date:
between 1834 and 1835
Materials & Techniques:
Graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 x 8 1/4 inches (12.7 x 21 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3. Stoke Poges Church

Stoke Poges Church
Creator:
John Constable, 1776–1837
Date:
1834
Materials & Techniques:
Watercolor with pen and dark brown ink and scratching out on medium, smooth, cream wove paper
Dimensions:
Sheet: 8 1/2 x 7 1/8 inches (21.6 x 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. Fingal's Cave, Staffa

Fingal's Cave, Staffa
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1834
Materials & Techniques:
Etching and engraving with chine collé; early engraver's proof on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 13 3/4 × 9 3/4 inches (34.9 × 24.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. Mont-Valérien from Bois de Boulogne

Mont-Valérien from Bois de Boulogne
Creator:
William Callow, 1812–1908
Date:
1834
Materials & Techniques:
Watercolor with pen and brown ink over graphite, with scratching out on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 1/2 × 9 5/8 inches (11.4 × 24.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. An Elopement by Moonlight

An Elopement by Moonlight
Creator:
Charles B. Newhouse, fl. c.1820–1836
Date:
1834
Materials & Techniques:
Watercolor, pen and brown ink, black ink, red ink, gouache, and graphite on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 9 11/16 × 14 7/16 inches (24.6 × 36.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. Fingal's Cave, Staffa

Fingal's Cave, Staffa
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1834
Materials & Techniques:
Etching and engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 × 6 7/8 inches (25.4 × 17.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. Leicester Abbey, Leicestershire

Leicester Abbey, Leicestershire
Creator:
Print made by W. R. Smith, active 1819–1851
Date:
1834
Materials & Techniques:
Etching and engraving with chine collé; second state on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 3/4 × 15 inches (27.3 × 38.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. Leicester Abbey, Leicestershire

Leicester Abbey, Leicestershire
Creator:
Print made by W. R. Smith, active 1819–1851
Date:
1834
Materials & Techniques:
Etching and engraving; third state on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 × 15 inches (27.9 × 38.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. Alpine Landscape, possibly the Matterhorn

Alpine Landscape, possibly the Matterhorn
Creator:
William James Muller, 1812–1845
Date:
ca. 1834
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 x 11 1/2 inches (15.2 x 29.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. View of Paris from Charenton

View of Paris from Charenton
Creator:
William Callow, 1812–1908
Date:
1834
Materials & Techniques:
Watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 5/8 × 13 inches (11.7 × 33 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. Mountainous Landscape

Mountainous Landscape
Creator:
John Ruskin, 1819–1900
Date:
undated
Materials & Techniques:
Watercolor, white gouache, and graphite with pen and black ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 1/8 x 11 1/4 inches (23.2 x 28.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13. Hills and Sky

Hills and Sky
Creator:
attributed to John Ruskin, 1819–1900
Date:
undated
Materials & Techniques:
Watercolor and gouache on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 1/4 x 9 7/8 inches (10.8 x 25.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. Mountainous Landscape

Mountainous Landscape
Creator:
John Ruskin, 1819–1900
Date:
undated
Materials & Techniques:
Pen and brown ink, watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 5/8 x 9 1/4 inches (11.7 x 23.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

15. St. Germains

St. Germains
Creator:
Print made by James Baylis Allen, 1803–1876
Date:
1834
Materials & Techniques:
Etching and engraving with chine collé; engraver's proof (d) on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 3/4 × 17 1/4 inches (29.8 × 43.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16. Fingal's Cave, Staffa

Fingal's Cave, Staffa
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1834
Materials & Techniques:
Etching with chine collé; open etched state on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 16 3/4 × 11 inches (42.5 × 27.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17. A View of Snowdon from the Sands of Traeth Mawr, taken at the Ford Between Pont Aberglaslyn and Tremadoc

A View of Snowdon from the Sands of Traeth Mawr, taken at the Ford Between Pont Aberglaslyn and Tremadoc
Creator:
Anthony Vandyke Copley Fielding, 1787–1855
Date:
1834
Materials & Techniques:
Watercolor, gouache, blue chalk, graphite, and pen and brown ink on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 25 1/2 x 36 1/4 inches (64.8 x 92.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18. Morecambe Sands

Morecambe Sands
Creator:
David Cox, 1783–1859
Date:
mid to late 1830s
Materials & Techniques:
Watercolor over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 3 1/8 x 5 1/8 inches (7.9 x 13 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

19. Packington

Packington
Creator:
Attributed to Hon. Daniel Finch, 1789–1868
Date:
1834
Materials & Techniques:
Pen and brown ink, brown wash, and gray wash on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 × 10 1/4 inches (17.8 × 26 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20. Crossing Lancaster Sands

Crossing Lancaster Sands
Creator:
David Cox, 1783–1859
Date:
mid-1830s
Materials & Techniques:
Watercolor, gouache and graphite and scratching out on moderately thick, slightly textured, cream wove paper
Dimensions:
Mount: 14 5/16 × 20 1/16 inches (36.4 × 51 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21. The Lock

No cover image available
Creator:
Print made by David Lucas, 1802–1881
Date:
1834
Materials & Techniques:
Mezzotint on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 26 7/8 × 21 1/4 inches (68.3 × 54 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection