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Credit Line Yale Center for British Art, Paul Mellon Collection
Remove constraint Credit Line: Yale Center for British Art, Paul Mellon CollectionPeriod 18th century
Remove constraint Period: 18th centuryWork Type drawing
Remove constraint Work Type: drawingSearch Results
1
- Study of a Clouded Moonlit Sky
- undated
- On view at YUAG
2
- A Procession of the Damned: Study for Dante's "Inferno"
- 1780s
- On view at YUAG
3
- A Prancing Horse, Facing Right
- ca. 1790
4
- A Foxhound on the Scent
- 1788
5
- Study for the Self-portrait in Enamel
- ca. 1781
6
- Get Thee Behind Me, Satan
- between 1783 and 1787
- On view at YUAG
7
- The Creation of the Heavens
- ca. 1790
- On view at YUAG
8
- Grotesque Female Head
- undated
9
- Grotesque Female Head
- undated
10
- Grotesque Male Head
- undated
11
- Grotesque Male Head
- undated
12
- Grotesque Female Head
- undated
13
- The First Stage of Cruelty
- ca. 1750
14
- Grotesque Male Head
- undated
15
- Grotesque Female Head
- undated
16
- Grotesque Male Head
- undated
17
- Grotesque Male Head
- undated
18
- Grotesque Male Head
- undated
19
- Grotesque Male Head
- undated
20
- Grotesque Female Head
- undated
21
- Grotesque Male Head
- undated
22
- Grotesque Male Head
- undated
23
- Grotesque Male Head
- undated
24
- Gabriel Hunt
- undated
25
- Hymen
- ca. 1748
26
- Study of a Female Nude
- undated
27
- Benjamin Read
- ca. 1757
28
- Operation Scene in a Hospital with Subsidiary Sketches in the Margin at the Lower Right
- undated
29
- George Taylor's Epitaph: Death Giving George Taylor a Cross Buttock
- ca. 1750
30
- George Taylor's Epitaph: George Taylor Breaking the Ribs of Death
- ca. 1750
31
- Study for the Foundlings
- ca. 1739
32
- View of Ely Cathedral
- ca. 1796
33
- Christ Church Gate, Canterbury
- ca. 1792–1794
34
- Clare Hall and King’s College Chapel, Cambridge, from the Banks of the River Cam
- 1793
35
- A Three Storied Georgian House in a Park
- ca. 1795
36
- South Porch and Tower of an Unidentified Church
- between 1790 and 1795
37
- The Bridge over the River Rye at Helmsley, with the Castle Beyond
- between 1798 and 1799
38
- Villa in a Valley near Vietri sul Mare
- ca. 1794
39
- Villa Salviati on the Arno
- between 1796 and 1797
40
- Sir William Hamilton's Villa
- ca. 1795
41
- Santa Lucia, A Convent near Caserta
- ca. 1795
42
- A River View near Grindelwald, Looking towards the Wetterhorn
- ca. 1794–7
43
- From the Isola Borromena, Lago Maggiore
- ca. 1795
44
- Landscape with Waterfall
- ca. 1796
45
- Landscape with Trees and Figures
- ca. 1796
46
- Dent de Lion, near Margate
- ca. 1791
47
- Villa d'Este
- ca. 1796
48
- Fisherman's Cottage, Dover
- ca. 1790s
49
- Man with Horse and Cart Entering a Quarry
- ca. 1797
50
- Autumn Sowing of the Grain
- ca. 1794
51
- Newark-upon-Trent
- ca. 1794
52
- The Hurries: Coal Boats Loading, Whitehaven
- ca. 1795
53
- St. Augustine's Gate, Canterbury
- between 1792 and 1793
54
- St. Augustine's Gate, Canterbury
- ca. 1793
55
- Interior of St. John's Palace, Eltham
- ca. 1793
56
- Tivoli with the Temple of the Sybil and the Cascades
- ca. 1794–97
57
- The Angler
- 1794
58
- North East View of Grantham Church, Lincolnshire
- ca. 1797
59
- A Great Tree
- ca. 1794
60
- Thel's Motto (Plate 1)
- 1789
61
- The Book of Thel, Title Page (Plate 2)
- 1789
62
- II. "O little Cloud the virgin said, I charge thee tell to me..." (Plate 5)
- 1789
63
- 'Tis greatly wise to talk with our past hours' (Page 31)
- ca. 1797
64
- 'Like that, the dial speaks; and points to thee' (Page 33)
- ca. 1797
65
- 'Teaching, we learn; and giving, we retain' (Page 35)
- ca. 1797
66
- 'Love, and love only, is the loan for love' (Page 37)
- ca. 1797
67
- 'Angels should paint it, angels ever there' (Page 40)
- ca. 1797
68
- 'One radiant mark, – the death-bed of the just' (Page 41)
- ca. 1797
69
- Night the Third. Narcissa; Title Page
- ca. 1797
70
- 'Where sense runs savage broke from reason's chain' (Page 46)
- ca. 1797
71
- The Divine Image (Plate 24)
- 1789
72
- The Little Girl Found (Plate 22)
- 1789
73
- Night (Plate 30)
- 1789
74
- Infant Joy (Plate 28)
- 1789
75
- A Cradle Song (Plate 26)
- 1789
76
- Introduction (Plate 34)
- 1794
77
- Songs of Experience, Frontispiece (Plate 32)
- 1794
78
- Songs of Experience, Title Page (Plate 33)
- 1794
79
- Nurses Song (Plate 37)
- 1794
80
- The Clod & the Pebble (Plate 36)
- 1794
81
- Visions of the Daughters of Albion; Frontispiece (Plate 1)
- 1793
82
- "And none but Bromian can hear my lamentations..." (Plate 6)
- 1793
83
- Visions of the Daughters of Albion; Title Page (Plate 2)
- 1793
84
- "In happy copulation; if in evening mild, wearied with work..." (Plate 10)
- 1793
85
- The Fly (Plate 48)
- 1794
86
- Night the First. On Life, Death, and Immortality; Title Page
- ca. 1797
87
- 'Swift on His Downy Pinion Flies from Woe' (Page 1)
- ca. 1797
88
- 'What, though my soul fantastick measures trod' (Page 4)
- ca. 1797
89
- 'Disease invades the chastest temperence' (Page 10)
- ca. 1797
90
- 'Its favours here are trials, not rewards' (Page 12)
- ca. 1797
91
- 'The present moment terminates our sight' (Page 13)
- ca. 1797
92
- Night the Second. On Time, Death, and Friendship; Title Page (Page 17)
- ca. 1797
93
- 'Emblem of that which shall awake the dead' (Page 19)
- ca. 1797
94
- 'O treacherous conscience!' (Page 27)
- ca. 1797
95
- 'As if the sun could envy, check'd his beam' (Page 49)
- ca. 1797
96
- 'The vale of death! that hush'd cimmerian vale' (Page 54)
- ca. 1797
97
- 'Ungrateful, shall we grieve their hovering shades' (Page 55)
- ca. 1797
98
- 'Trembling each gulp, lest death should snatch the bowl' (Page 57)
- ca. 1797
99
- 'This King of Terrors is the Prince of Peace' (Page 63)
- ca. 1797
100
- The Christian Triumph; Title Page
- ca. 1797