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Credit Line Yale Center for British Art, Paul Mellon Collection

Remove constraint Credit Line: Yale Center for British Art, Paul Mellon Collection

Period 18th century

Remove constraint Period: 18th century

Height [cm] 41

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George Stubbs Newmarket Heath, with the King's stables rubbing house at the finish of the Beacon Course
George Stubbs, 1724–1806
Newmarket Heath, with the King's stables rubbing house at the finish of the Beacon Course
ca. 1765
Not on view
Joseph Mallord William Turner A Limekiln, Possibly at Briton Ferry in South Wales
Joseph Mallord William Turner, 1775–1851
A Limekiln, Possibly at Briton Ferry in South Wales
ca. 1795-96
Not on view
Joseph Wright of Derby The Prisoner
Joseph Wright of Derby, 1734–1797
The Prisoner
1787 to 1790
Not on view
George Morland St. James's Park
George Morland, 1763–1804
St. James's Park
between 1788 and 1790
Not on view
Dominic Serres An English Two-Decker Lying Hove to, with Other Ships and Vessels in a Fresh Breeze
Dominic Serres, 1722–1793
An English Two-Decker Lying Hove to, with Other Ships and Vessels in a Fresh Breeze
1770
Not on view
George Smith of Chichester A Winter Landscape
George Smith of Chichester, 1714–1776
A Winter Landscape
1752
Not on view
George Smith of Chichester A View Near Arundel, Sussex, with Ruins by Water
George Smith of Chichester, 1714–1776
A View Near Arundel, Sussex, with Ruins by Water
mid-18th century
Not on view
Thomas Gainsborough Landscape with cottage and church
Thomas Gainsborough, 1727–1788
Landscape with cottage and church
between 1771 and 1772
Not on view
Peter Monamy Shipping in a Calm
Peter Monamy, 1681–1749
Shipping in a Calm
between 1700 and 1725
Not on view
John Flaxman Get Thee Behind Me, Satan
John Flaxman, 1755–1826
Get Thee Behind Me, Satan
between 1783 and 1787
On view at YUAG
William Hogarth Hogarth Painting the Comic Muse
Print made by William Hogarth, 1697–1764
Hogarth Painting the Comic Muse
1764
William Blake 'Tis greatly wise to talk with our past hours' (Page 31)
Print made by William Blake, 1757–1827
'Tis greatly wise to talk with our past hours' (Page 31)
ca. 1797
William Blake 'Teaching, we learn; and giving, we retain' (Page 35)
Print made by William Blake, 1757–1827
'Teaching, we learn; and giving, we retain' (Page 35)
ca. 1797
William Blake 'Love, and love only, is the loan for love' (Page 37)
Print made by William Blake, 1757–1827
'Love, and love only, is the loan for love' (Page 37)
ca. 1797
William Blake 'Angels should paint it, angels ever there' (Page 40)
Print made by William Blake, 1757–1827
'Angels should paint it, angels ever there' (Page 40)
ca. 1797
William Blake 'One radiant mark, – the death-bed of the just' (Page 41)
Print made by William Blake, 1757–1827
'One radiant mark, – the death-bed of the just' (Page 41)
ca. 1797
William Blake Night the Third. Narcissa; Title Page
Print made by William Blake, 1757–1827
Night the Third. Narcissa; Title Page
ca. 1797
William Blake 'Where sense runs savage broke from reason's chain' (Page 46)
Print made by William Blake, 1757–1827
'Where sense runs savage broke from reason's chain' (Page 46)
ca. 1797
William Blake 'Disease invades the chastest temperence' (Page 10)
Print made by William Blake, 1757–1827
'Disease invades the chastest temperence' (Page 10)
ca. 1797
William Blake 'The present moment terminates our sight' (Page 13)
Print made by William Blake, 1757–1827
'The present moment terminates our sight' (Page 13)
ca. 1797
William Blake 'Emblem of that which shall awake the dead' (Page 19)
Print made by William Blake, 1757–1827
'Emblem of that which shall awake the dead' (Page 19)
ca. 1797
William Blake 'O treacherous conscience!' (Page 27)
Print made by William Blake, 1757–1827
'O treacherous conscience!' (Page 27)
ca. 1797
William Blake 'As if the sun could envy, check'd his beam' (Page 49)
Print made by William Blake, 1757–1827
'As if the sun could envy, check'd his beam' (Page 49)
ca. 1797
William Blake 'Trembling each gulp, lest death should snatch the bowl' (Page 57)
Print made by William Blake, 1757–1827
'Trembling each gulp, lest death should snatch the bowl' (Page 57)
ca. 1797
William Blake 'This King of Terrors is the Prince of Peace' (Page 63)
Print made by William Blake, 1757–1827
'This King of Terrors is the Prince of Peace' (Page 63)
ca. 1797
William Blake 'Till death, that mighty hunter, earths them all' (Page 70)
Print made by William Blake, 1757–1827
'Till death, that mighty hunter, earths them all' (Page 70)
ca. 1797
William Blake 'Oft bursts my song beyond the bounds of life' (Page 16)
Print made by William Blake, 1757–1827
'Oft bursts my song beyond the bounds of life' (Page 16)
1797
William Blake 'Emblem of that which shall awake the dead' (Page 19)
Print made by William Blake, 1757–1827
'Emblem of that which shall awake the dead' (Page 19)
1797
William Blake 'Behold him, when past by; what then is seen' (Page 25)
Print made by William Blake, 1757–1827
'Behold him, when past by; what then is seen' (Page 25)
1797
William Blake 'O treacherous conscience! while she seems to sleep" (Page 27)
Print made by William Blake, 1757–1827
'O treacherous conscience! while she seems to sleep" (Page 27)
1797
William Blake 'Tis greatly wise to talk with our past hours' (Page 31)
Print made by William Blake, 1757–1827
'Tis greatly wise to talk with our past hours' (Page 31)
1797
William Blake 'Like that, the dial speaks; and points to thee' (Page 33)
Print made by William Blake, 1757–1827
'Like that, the dial speaks; and points to thee' (Page 33)
1797
William Blake 'Love, and love only, is the loan for love' (Page 37)
Print made by William Blake, 1757–1827
'Love, and love only, is the loan for love' (Page 37)
1797
William Blake 'Angels should paint it, angels ever there' (Page 40)
Print made by William Blake, 1757–1827
'Angels should paint it, angels ever there' (Page 40)
1797
William Blake 'One radiant mark, – the death-bed of the just' (Page 41)
Print made by William Blake, 1757–1827
'One radiant mark, – the death-bed of the just' (Page 41)
1797
William Blake Night the Third. Narcissa; Title Page
Print made by William Blake, 1757–1827
Night the Third. Narcissa; Title Page
1797
William Blake 'As if the sun could envy, check'd his beam' (Page 49)
Print made by William Blake, 1757–1827
'As if the sun could envy, check'd his beam' (Page 49)
1797
William Blake 'Trembling each gulp, lest death should snatch the bowl' (Page 57)
Print made by William Blake, 1757–1827
'Trembling each gulp, lest death should snatch the bowl' (Page 57)
1797
William Blake 'This King of Terrors is the Prince of Peace' (Page 63)
Print made by William Blake, 1757–1827
'This King of Terrors is the Prince of Peace' (Page 63)
1797
William Blake 'Till at Death's toll, whose restless iron tongue' (Page 7)
Print made by William Blake, 1757–1827
'Till at Death's toll, whose restless iron tongue' (Page 7)
1797
William Blake 'Death! great proprietor of all! 'tis thine' (Page 8)
Print made by William Blake, 1757–1827
'Death! great proprietor of all! 'tis thine' (Page 8)
1797
William Blake 'Disease invades the chastest temperence' (Page 10)
Print made by William Blake, 1757–1827
'Disease invades the chastest temperence' (Page 10)
1797
William Blake 'The present moment terminates our sight' (Page 13)
Print made by William Blake, 1757–1827
'The present moment terminates our sight' (Page 13)
1797
William Blake 'Teaching, we learn; and giving, we retain' (Page 35)
Print made by William Blake, 1757–1827
'Teaching, we learn; and giving, we retain' (Page 35)
1797
William Blake 'The longest night though longer far, would fail' (Page 15)
Print made by William Blake, 1757–1827
'The longest night though longer far, would fail' (Page 15)
1797
William Blake Pity
Print made by William Blake, 1757–1827
Pity
ca. 1795
William Blake 'Till at Death's toll, whose restless iron tongue' (Page 7)
Print made by William Blake, 1757–1827
'Till at Death's toll, whose restless iron tongue' (Page 7)
ca. 1797
William Blake 'The longest night though longer far, would fail' (Page 15)
Print made by William Blake, 1757–1827
'The longest night though longer far, would fail' (Page 15)
ca. 1797
Edward Rooker Perspective View of the Bridge at Sion
Edward Rooker, 1724–1774
Perspective View of the Bridge at Sion
1768
James Barry His Majesty Recommending a Law (Designs for the Walls of the Great Room of the Society for the Encouragement of the Arts)
James Barry, 1741–1806
His Majesty Recommending a Law (Designs for the Walls of the Great Room of the Society for the Encouragement of the Arts)
after 1783
James Barry A Grecian Harvest Home (Designs for the Walls of the Great Room of the Society for the Encouragement of the Arts)
James Barry, 1741–1806
A Grecian Harvest Home (Designs for the Walls of the Great Room of the Society for the Encouragement of the Arts)
after 1783
James Barry Orpheus instructing..in Theology (Designs for the Walls of the Great Room of Society for the Encouragement of the Arts)
James Barry, 1741–1806
Orpheus instructing..in Theology (Designs for the Walls of the Great Room of Society for the Encouragement of the Arts)
After 1783
James Barry The Diagorides Victors at Olympia (Design for the Walls of the Great Room of the Society for the Encouragement of the Arts)
James Barry, 1741–1806
The Diagorides Victors at Olympia (Design for the Walls of the Great Room of the Society for the Encouragement of the Arts)
after 1783
James Barry The Society for the Encouragement of the Arts (2 copies)
James Barry, 1741–1806
The Society for the Encouragement of the Arts (2 copies)
after 1783
James Barry The Queen or Domestic Education at Windsor (Designs for the Walls of the Great Room of the Society for the Encouragement of the Arts)
James Barry, 1741–1806
The Queen or Domestic Education at Windsor (Designs for the Walls of the Great Room of the Society for the Encouragement of the Arts)
after 1783
James Barry Philoctetes in the Island of Lemnos
James Barry, 1741–1806
Philoctetes in the Island of Lemnos
1777
Henry Swinburne Gates of the Alhambra: Puerta de los Siete Suelos
Henry Swinburne, 1743–1803
Gates of the Alhambra: Puerta de los Siete Suelos
1775 to 1776
Henry Swinburne Court of the Lions in the Alhambra of Granada
Henry Swinburne, 1743–1803
Court of the Lions in the Alhambra of Granada
1775 to 1776
Henry Swinburne Landscape of Buildings Along a Cliff
Henry Swinburne, 1743–1803
Landscape of Buildings Along a Cliff
undated
Henry Swinburne Castle of Elmo &c.
Henry Swinburne, 1743–1803
Castle of Elmo &c
1777 to 1778
Henry Swinburne Theatre of Sagunto, Spain
Henry Swinburne, 1743–1803
Theatre of Sagunto, Spain
1775 to 1776
Henry Swinburne Albano
Henry Swinburne, 1743–1803
Albano
1777 to 1778
Henry Swinburne Near Guadix
Henry Swinburne, 1743–1803
Near Guadix
1775 to 1776
Henry Swinburne Carmona
Henry Swinburne, 1743–1803
Carmona
1775 to 1776
Henry Swinburne Mürzzuschlag, Austria
Henry Swinburne, 1743–1803
Mürzzuschlag, Austria
1779
Henry Swinburne Málaga
Henry Swinburne, 1743–1803
Málaga
1775 to 1776
Henry Swinburne Landscape with Figure, Standing on Large Rock
Henry Swinburne, 1743–1803
Landscape with Figure, Standing on Large Rock
undated
Henry Swinburne View of an Inn
Henry Swinburne, 1743–1803
View of an Inn
undated
Henry Swinburne Mountain Landscape View of a River Flowing through a Town
Henry Swinburne, 1743–1803
Mountain Landscape View of a River Flowing through a Town
undated
Henry Swinburne A Waterfall
Henry Swinburne, 1743–1803
A Waterfall
undated
Henry Swinburne Valencia, Spain
Henry Swinburne, 1743–1803
Valencia, Spain
1775 to 1776
Henry Swinburne Leoben, Austria
Henry Swinburne, 1743–1803
Leoben, Austria
1779
Henry Swinburne Sketch of a Walled City
Henry Swinburne, 1743–1803
Sketch of a Walled City
undated
Henry Swinburne Sketch of a Villiage Set in in Hilly Landscape
Henry Swinburne, 1743–1803
Sketch of a Villiage Set in in Hilly Landscape
undated
Henry Swinburne Tynemouth Castle and Priory, England
Henry Swinburne, 1743–1803
Tynemouth Castle and Priory, England
undated
Henry Swinburne View of the Plains on Both Sides of the Ofanto River, Where the Battle of Cannae was Fought
Henry Swinburne, 1743–1803
View of the Plains on Both Sides of the Ofanto River, Where the Battle of Cannae was Fought
1777 to 1778
Henry Swinburne Paladi Pontine da Velletri
Henry Swinburne, 1743–1803
Paladi Pontine da Velletri
1777 to 1778
Henry Swinburne Bay of Naples
Henry Swinburne, 1743–1803
Bay of Naples
1777 to 1778
Henry Swinburne Capuchins of Our Lady of Médoux
Henry Swinburne, 1743–1803
Capuchins of Our Lady of Médoux
undated
Henry Swinburne Brindisi from the HIll South of the New Channel
Henry Swinburne, 1743–1803
Brindisi from the HIll South of the New Channel
1777 to 1780
Henry Swinburne Isle of Capri Seen on the South
Henry Swinburne, 1743–1803
Isle of Capri Seen on the South
1777 to 1778
Henry Swinburne Villeneuve-lès-Maguelone, France
Henry Swinburne, 1743–1803
Villeneuve-lès-Maguelone, France
undated
Henry Swinburne Palestrina, Italy
Henry Swinburne, 1743–1803
Palestrina, Italy
1777 to 1778
Henry Swinburne Lang House Farm
Henry Swinburne, 1743–1803
Lang House Farm
undated
Henry Swinburne Krieglach, Austria
Henry Swinburne, 1743–1803
Krieglach, Austria
1779
Henry Swinburne Ruins of a Circular Stone Keep
Henry Swinburne, 1743–1803
Ruins of a Circular Stone Keep
undated
Henry Swinburne Stone Bridge
Henry Swinburne, 1743–1803
Stone Bridge
undated
Henry Swinburne Château de Chaumont
Henry Swinburne, 1743–1803
Château de Chaumont
undated
Henry Swinburne Personalized Design
Henry Swinburne, 1743–1803
Personalized Design
1776
Henry Swinburne Landscape, with River and Church in the Distance
Henry Swinburne, 1743–1803
Landscape, with River and Church in the Distance
undated
Luigi Balugani Cynanchum altiscandens and Tacazzea venosa
Luigi Balugani, 1737–1770
Cynanchum altiscandens and Tacazzea venosa
undated
Charles Grignion A French Petit Maître and His Valet
Charles Grignion, 1717–1810
A French Petit Maître and His Valet
1771
Francis David Soiron Drummer
Francis David Soiron, Born 1764
Drummer
ca. 1791
William Dickinson The Gardens of Carleton House with Neapolitan Ballad Singers
William Dickinson, 1746–1823
The Gardens of Carleton House with Neapolitan Ballad Singers
1784
Edward Rooker The Magicians Marching off After the Success of their Incantations
Edward Rooker, 1724–1774
The Magicians Marching off After the Success of their Incantations
ca. 1763
Edward Rooker A Morning Scene of the Forest with Rinaldo on the Bank of the Enchanted River
Edward Rooker, 1724–1774
A Morning Scene of the Forest with Rinaldo on the Bank of the Enchanted River
ca. 1763
George Townly Stubbs Sharke
George Townly Stubbs, 1748–1815
Sharke
1794
George Townly Stubbs 'Volunteer'
George Townly Stubbs, 1748–1815
'Volunteer'
1794
George Townly Stubbs Anvil
Print made by George Townly Stubbs, 1748–1815
Anvil
1794
unknown artist Bob Blunt in Amaze, or Female Fashionable Fallies
unknown artist
Bob Blunt in Amaze, or Female Fashionable Fallies