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Credit Line Yale Center for British Art, Paul Mellon Collection
Remove constraint Credit Line: Yale Center for British Art, Paul Mellon CollectionPeriod 18th century
Remove constraint Period: 18th centuryHeight [cm] 44
Remove constraint Height [cm]: 44Search Results
1
- Sketch for 'The Last Supper,' St. Mary's, Weymouth
- between 1719 and 1720
- Not on view
2
- Catherine Howard (née Proctor), Countess of Effingham with Gun and Shooting Dogs
- 1787
- Not on view
3
- Pope's Villa, Twickenham
- ca. 1755
- Not on view
4
- Orleans House, Twickenham
- ca. 1750
- Not on view
5
- A Ship Running into Harbour with Other Craft at a Jetty
- 1788
- Not on view
6
- Free West Indian Dominicans
- ca. 1770
- Not on view
7
- A West Indian Flower Girl and Two other Free Women of Color
- ca. 1769
- Not on view
8
- The Four Times of Day, Plate IV: Night
- 1738
9
- The Polling, Plate III
- 1758
10
- Beggar's Opera, Act III
- c.1790
11
- The Lion and Stag
- 1770
12
- Bulls Fighting
- 1788
![William Woollett [Shooting] The Spanish Pointer](https://media.collections.yale.edu/thumbnail/ycba/4924513d-b23a-49c9-b6ee-370fa8d95392)
13
- [Shooting] The Spanish Pointer
- 1768
14
- Labourers
- 1790
15
- Shooting, Plate III
- 1770
16
- Shooting, Plate IV
- 1771
17
- Egyptian Vulture (Neophron percnopterus)
- Undated
18
- Valentine Green
- 1788
19
- The Scene Before Gilbraltar on the Morning of 14th September 1782
- 1789
20
- River Landscape with Cattle Wading and Watermill
- 1757
21
- Breaking the Ice
- 1798
22
- A Visit to the Child at Nurse
- 1788
23
- Twelve etchings of Characters from Shakespeare: 4) Richard II, from Richard II, Act III, Scene 2 (Catalogue Mortimer Exhibition 1968 - Number 79)
- 1775
24
- Ophelia, from Hamlet, Act IV, Scene 7
- 1775
25
- Part of the Bridge at Blackfriars
- 1777
26
- Henry Hope Esq. of Amsterdam
- 1788
27
- Battle of the Boyne, July 1st 1690
- undated
28
- Mrs. Williams Hope of Amsterdam
- 1788
29
- Royal Exchange, London
- 1741
30
- Mrs. Montagu
- 1776
31
- Hugh, Earl Percy
- 1777
32
- Sir Thomas Rawlinson
- 1719
33
- Margaret Georgiana Spencer, (née Poyntz), Countess Spencer, and Her Daughter, Georgiana Cavendish, (née Spencer), Duchess of Devonshire
- undated
34
- Lieutenant Colonel Henry Townshend
- undated
35
- Caleb Whitefoord Esq
- 1793
36
- View at Valmontone. November 1790
- 1790
37
- View on the river Vulturnus, Sept.r 1790
- 1790
38
- View in Abruzzo, May 1791
- 1791
39
- Ferry over the river Vulturnus, Sept.r 1790
- 1790
40
- The South Prospect of the Church of St. Clement's Danes
- 1714 to 1716
41
- Sweet China Oranges, Sweet China
- 1794
42
- New Mackrel, New Mackrel
- 1795
43
- Strawberrys, Scarlet Strawberries
- 1795
44
- Round & Sound, Five Pence a Pound, Duke Cherries
- 1795
45
- Old Chairs to Mend
- 1795
46
- Her Grace the duchess of Marlborough
47
- Headfort House, Ireland: Lady's Room Ceiling
- 1772
48
- John Hamilton Mortimer, Historical Painter, Self-Portrait (Note to number 4 of Catalogue Mortimer Exhibition 1968)
- 1782
49
- The Bank
- 1781
50
- View of Bloomsbury Square
- 1787
51
- The South East Prospect of Westminster Bridge
- undated
52
- A View of the Royal Dockyard at Deptford
- ca. 1789
53
- Peter the Wild Boy
- between 1765 and 1771
54
- Bellsane and Parcival under the Enchantment of Urma
- 1782
55
- Evening at Rest
- 1791
56
- Romeo and Juliet: Act IV, Scene III (A Monument Belonging to the Capulets)
- 1791
57
- King Richard III: Act III, Scene I (The Meeting of Edward V and His Brother, Richard, Duke of York)
- 1789
58
- Peter and John Going to the Sepulchre
- 1784
59
- The Three Marys Going to the Sepulchre
- 1784
60
- Blenheim House
- undated
61
- Niobe
- 1792
62
- A View of Part of the Garden at Hall Barn
- 1760
63
- A View of the Great Room, etc. at Hall-Barn
- 1760
64
- Alvise Pisani
- 1793
65
- The Royal Palace of Windsor
- 1745
66
- Rural Scene with Herdsboys and Three Cows, Large Tree in Foreground
- 1760
67
- Man Leading Tow Mules Supporting a Chair, Large Tree in Foreground
- 1759
68
- The Death of the Stag
- 1753
69
- Sensibility
- 1789
70
- Matlock
- 1795
71
- Taming of the Shrew, Act II Scene II
- 1795
72
- Camillus Rescuing Rome From Brennus
- 1763
73
- The Dead Soldier
- 1797
74
- Design after a Greek Vase
- undated
75
- View of Hanover Square
- 1787
76
- A Crane
- 1791
77
- St. James' Park, Summer
- 1796
78
- The Sailor's Departure
- ca. 1795
79
- 2 birds "Aroust el Bahar"
- ca. 1768
80
- The Northern Entrance of Gundecotta Pass
- ca. 1792
81
- Convent at Valmontone. November 1790
- 1790
82
- Nîmes from the Tour Magne
- ca. 1765
83
- Two Men on a Country Road
- 1793
84
- Rochester, Kent: from the North
- ca. 1790
85
- Design for a Ceiling
- undated
86
- The Earl of Chesterfield's State-Carriage
- 1800
87
- Sweet China Oranges, Sweet China!
- 1794
88
- New Mackrel
- 1795
89
- Old Chair to Mend
- 1795
90
- Two bunches a penny Primroses, two bunches a penny
- 1793
91
- Fresh gathered Peas. Young Hastings
- 1795
92
- Strawberries's Scarlet Strawberries
- 1795
93
- A New Love Song only Ha' Penny a Piece
- 1796
94
- Hot Spice Gingerbread, Smoking Hot
- 1796
95
- A Lady and Her Children Relieving a Cottager
- 1784
96
- Howe's Victory off Ushant
- 1795
97
- Painting
- 1783
98
- Valentine Green
- 1788
99
- "A View of Charles Town the Capital of South Carolina in North America," from Scenographia Americana
- 1758-1760
100
- Forest Scene
- 1771