Part of the Ruins Seen From the East End of the Church
undated
8
Henry Swinburne, 1743–1803
Wooded Landscape, Showing a View of a City, Built on a Hillside, in the background, and Two Figures Walking up a Dirt Path, in the Foreground
undated
9
Henry Swinburne, 1743–1803
Bagneres-de-Bigorre, France
undated
10
Luigi Balugani, 1737–1770
Gibara
undated
11
Luigi Balugani, 1737–1770
Abutilon Longicuspe
undated
12
Print made by Charles Cameron, 1742–1812
Two Studies of a Shell-Shaped Vessel Supported by Three Dolphins and Two Studies of a Hand Holding a Vase
1773
13
Print made by Henry Fuseli, 1741–1825
The Mighty Mother Sails Through the Air
1787
14
Hubert-François Gravelot, 1699–1773
Design for Medal: Both Hands Fil'd for Britain
undated
15
Paul Sandby, 1731–1809
James Gandon and Family
1780
16
Luigi Balugani, 1737–1770
Secretary Bird
undated
17
James Bruce, 1730–1794
Wolf
1764
18
William Hodges, 1744–1797
Sheet of Studies of Oriental Figures
undated
19
William Taverner, 1703–1772
Diana
undated
20
Louis Philippe Boitard, active 1734–1760
Man Asleep in a Bunk on Board a Ship
undated
21
Giles Hussey, 1710–1788
Study of classical sculpture of Faun with Pipes
between 1730 and 1768
22
Thomas Hearne, 1744–1817
Unloading Pit Props at Coalbrookdale
after 1790
23
Louis Philippe Boitard, active 1734–1760
View near Aldenham, Herts
undated
24
Giles Hussey, 1710–1788
Study of Classical figure holding broken sword
between 1730 and 1768
25
Francis Wheatley, 1747–1801
Soldiers and Country Women
undated
26
Dominic Serres, 1722–1793
Agropoli, The Temples of Paestum, and the Bay of Salerno
1758-1793
27
Thomas Carwitham, active 1723
Neptune and Coronis: Ovid, Metamorphoses, Book 2
1723
28
Monro School
Fanali di Villa Franca
ca. 1795
29
Francesco Bartolozzi, 1728–1815
Lord Burghersh as a Boy
1788
30
unknown artist
Westminster Bridge, Abbey and Church
1799
31
unknown artist
St. Pauls Cathedral
undated
32
William Lock II, 1767–1847
Portrait of the Pugilist Johnson
1790
33
Allan Ramsay, 1713–1784
Margaret Ramsay, the Artist's Second Wife (Died 1782)
1754
34
John Flaxman, 1755–1826
Seventeen Sketches chiefly of Mrs. Siddons in the Roles of Titania or Constance (King John) and including a Sketch of Kemble as Hamlet and a Study of Puck
ca. 1795
35
John Vanderbank, 1694–1739
Two Ladies and A Gentleman
1736
36
Thomas Carwitham, active 1723
The Daughters of Cecrops discover Ericthonius: Ovid, Metamorphoses, Book 2
1723
37
Thomas Carwitham, active 1723
Illustration to Homer's Iliad
1723
38
John Hamilton Mortimer, 1740–1779
Studies of Groups of Heads
undated
39
John Hamilton Mortimer, 1740–1779
Studies of Academics
undated
40
John Hamilton Mortimer, 1740–1779
Three Soldiers in Armour Sitting on Stone Blocks
undated
41
John Nixon, ca. 1760–1818
Eastbourne from Lord G.: Cavendish's Seat in the Park
1787
42
Hubert-François Gravelot, 1699–1773
Design for a Medal: Figure of Britannia (?) and Fortune (?) or Victory (?)
undated
43
Mauritius Lowe, 1746–1793
Allegorical Subject
undated
44
Michael "Angelo" Rooker, 1746–1801
View in Oxford
undated
45
James Bruce, 1730–1794
Studies of a Woman Wearing Headdress
undated
46
Print made by William Angus, 1752–1821
Fonthill House, Wiltshire
1800
47
Allan Ramsay, 1713–1784
Study of a Hand Holding a Hat
undated
48
P. Brown, c. 1760–1791
A European Goldfinch in a Snare
undated
49
Thomas Girtin, 1775–1802
View of Rochester
1791
50
Thomas Girtin, 1775–1802
Harrow-on-the-Hill, Middlesex
ca. 1794
51
John Michael Rysbrack, 1694–1770
Study of a Horse's Head
undated
52
Sawrey Gilpin, 1733–1807
Newmarket, 1760, Studies of Men's Heads
1760
53
Francesco Bartolozzi, 1728–1815
Cupid and Psyche
1789
54
Thomas Rowlandson, 1756–1827
The Love Letter
ca. 1790
55
Print made by Francesco Bartolozzi, 1728–1815
Ticket to a Concert of Ancient Vocal and Instrumental Music
1786
56
Print made by Francesco Bartolozzi, 1728–1815
Ticket to Concert of Ancient Vocal and Instrumental Music
1786
57
Rev. William Gilpin, 1724–1804
Classical Landscape with Ruin on Left, Two Figures on Right
between 1745 and 1748
58
Rev. William Gilpin, 1724–1804
Mountainous Landscape with River, Trees and Foliage in Foreground
between 1745 and 1748
59
Rev. William Gilpin, 1724–1804
Two Figures on a Road with Castle in Center Distance
between 1745 and 1748
60
Rev. William Gilpin, 1724–1804
Two Figures on a Road by a Lake
between 1745 and 1748
61
John Downman, 1750–1824
Portrait of a Divine Called Reverend John Wesley
ca. 1781
62
Sir William Chambers, 1723–1796
Headfort House: Alterations in the Cellar
1765
63
Sir William Chambers, 1723–1796
Headfort House: Alterations in the Ground Floor
1765
64
Rev. William Gilpin, 1724–1804
A Rocky Landscape
between 1745 and 1748
65
Rev. William Gilpin, 1724–1804
Landscape with a Ruined Castle on the Right
between 1745 and 1748
66
Rev. William Gilpin, 1724–1804
Landscape with a Castle on a Hill in Center Distance
between 1745 and 1748
67
Rev. William Gilpin, 1724–1804
Landscape with a Castle and a Bridge
between 1745 and 1748
68
Rev. William Gilpin, 1724–1804
A Lake with Mountains Rising Beyond
between 1745 and 1748
69
Joseph Farington, 1747–1821
Palace on a Cliff Above a River
1780-1789 (?)
70
Hubert-François Gravelot, 1699–1773
Design for a Coin: Chambre de Commerce de Picardie
1761
71
Samuel Hieronymus Grimm, 1733–1794
Departure from a French Inn: An Illustration for Sterne's Sentimental Journey
1775
72
Hubert-François Gravelot, 1699–1773
Design for a Medal: Boths Hand Fil'd for Britain
between 1734 and 1736
73
Hubert-François Gravelot, 1699–1773
Design for a Medal: St. Andrew
undated
74
Joseph Farington, 1747–1821
Landscape with Trees by a Lake
1780-1789
75
Hubert-François Gravelot, 1699–1773
Design for a Medal: Frederick and Augusta, Prince and Princess of Wales
undated
76
John White Abbott, 1763–1851
Slate Quarry at Widecombe, Devon
1792
77
Thomas Atwood, active ca. 1761–1766
A Yellow Wagtail
undated
78
Hubert-François Gravelot, 1699–1773
Design for a Medal: Frederick and Augusta, Prince and Princess of Wales
undated
79
Hubert-François Gravelot, 1699–1773
Design for an Engraving: Battle of Troy with the Trojan Horse
undated
80
Hubert-François Gravelot, 1699–1773
Design for a Royal Monument
undated
81
Thomas Rowlandson, 1756–1827
Comforts of Bath: The Concert
1798
82
Thomas Rowlandson, 1756–1827
Comforts of Bath: Coaches Arriving
1798
83
Thomas Rowlandson, 1756–1827
Comforts of Bath: The Pump Room
1798
84
Thomas Rowlandson, 1756–1827
Comforts of Bath: The Music Master
1798
85
Thomas Rowlandson, 1756–1827
Comforts of Bath: Private Practice Previous to the Ball
1798
86
Thomas Rowlandson, 1756–1827
Comforts of Bath: Gouty Persons Fall on Steep HIll
1798
87
James Seymour, 1702–1752
'The Danish Horse' in Training: Standing, with Trainer Holding a Whip
undated
88
James Seymour, 1702–1752
Sir Sidney Meadows Schooling a Horse
undated
89
James Seymour, 1702–1752
Le Piaffe (2): Training a Bridled and Saddled Horse at the Pillar
undated
90
James Seymour, 1702–1752
Victorious, with Jockey Up
undated
91
James Seymour, 1702–1752
Head of a Horse, Facing Left
undated
92
unknown artist
Design for a Candlestick
between 1770 and 1779
93
Peter Tillemans, 1684–1734
Foxhunting: The Kill
undated
94
Samuel Ireland, active 1760–died 1800
Leather Fullers Hall
1800
95
Print made by Charles Grignion, 1717–1810
House of Commons and the Entrance to the House of Lords with the Office of Ordnance
undated
96
Print made by R. Clamp, fl.1789–1798
John Taylor
1796
97
Print made by Thomas Chambars, ca. 1724–1789
Sir Godfrey Kneller and John Zackary Kneller
undated
98
John Nixon, ca. 1760–1818
Bathing Machine on the Common, near Southsea Castle