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Credit Line Yale Center for British Art, Paul Mellon Collection

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Period 18th century

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Subject Terms bed

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1. William and Margaret from Percy's 'Reliques of Ancient English Poetry'

William and Margaret from Percy's 'Reliques of Ancient English Poetry'
Creator:
Joseph Wright of Derby, 1734–1797
Date:
ca. 1785
Materials & Techniques:
Oil on canvas
Dimensions:
48 x 55 inches (121.9 x 139.7 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

2. 'Angels should paint it, angels ever there' (Page 40)

'Angels should paint it, angels ever there' (Page 40)
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3. Introduction (Plate 34)

Introduction (Plate 34)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. Songs of Experience, Title Page (Plate 33)

Songs of Experience, Title Page (Plate 33)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. Fear & Hope Are -- Vision (Plate 15)

Fear & Hope Are -- Vision (Plate 15)
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Etching and engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 5 1/2 inches (14 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. 'We censure nature for a span too short' (Page 23)

'We censure nature for a span too short' (Page 23)
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. 'Like that, the dial speaks; and points to thee' (Page 33)

'Like that, the dial speaks; and points to thee' (Page 33)
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. 'Angels should paint it, angels ever there' (Page 40)

'Angels should paint it, angels ever there' (Page 40)
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. 'The present moment terminates our sight' (Page 13)

'The present moment terminates our sight' (Page 13)
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. Cupid & Psyche

No cover image available
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Etching
Dimensions:
Sheet: 12 1/4 x 9 1/2in. (31.1 x 24.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. Illustrations to Samuel Richardson's 'The Life of Pamela', illustrated by Joseph Highmore

Illustrations to Samuel Richardson's 'The Life of Pamela', illustrated by Joseph Highmore
Creator:
Guillaume Philippe Benoist, 1725–ca. 1770
Date:
1762
Materials & Techniques:
Engraving
Dimensions:
Plate: 11 3/4 x 14 13/16in. (29.8 x 37.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. Four O'Clock in the Country

Four O'Clock in the Country
Creator:
Thomas Rowlandson, 1756–1827
Date:
between 1788 and 1790
Materials & Techniques:
Watercolor, pen and black ink, gray ink and graphite on medium, slightly textured, cream wove paper
Dimensions:
Mount: 12 7/8 x 15 3/4 inches (32.7 x 40 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13. Imogen's Bedchamber in Cymbeline's Palace, 'Cymbeline,' Act II, Scene II

Imogen's Bedchamber in Cymbeline's Palace, 'Cymbeline,' Act II, Scene II
Creator:
Print made by Francesco Bartolozzi, 1728–1815
Date:
1786
Materials & Techniques:
Mezzotint and etching on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 12 13/16 x 16 3/4 inches (32.5 x 42.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. A View on the Island of Antigua: the English Barracks and Saint John's Church Seen from the Hospital

A View on the Island of Antigua: the English Barracks and Saint John's Church Seen from the Hospital
Creator:
Thomas Hearne, 1744–1817
Date:
ca. 1775
Materials & Techniques:
Watercolor and black ink over graphite on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 20 1/4 x 29 inches (51.4 x 73.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

15. Mr. Garrick and Miss Bellamy in the Characters of Romeo and Juliet

Mr. Garrick and Miss Bellamy in the Characters of Romeo and Juliet
Creator:
Simon François Ravenet, 1706–1774
Date:
1753
Materials & Techniques:
Line engraving and etching on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 16 7/8 × 21 5/8 inches (42.9 × 55 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16. Design for a Bed

Design for a Bed
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Graphite on two sheets of moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 13 × 8 1/2 inches (33 × 21.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17. Design for a Bed

Design for a Bed
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Pen and black ink, gray wash on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 14 1/8 × 9 3/16 inches (35.9 × 23.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18. Andromache Mourning the Death of Hector

Andromache Mourning the Death of Hector
Creator:
Gavin Hamilton, 1723–1798
Date:
between 1760 and 1763
Materials & Techniques:
Pen and brown ink with gray wash and brown wash on medium, slightly textured, cream wove paper mounted to medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 3/4 × 9 inches (17.1 × 22.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

19. Study of the Hermaphrodite

Study of the Hermaphrodite
Creator:
John Brown, 1749–1787
Date:
undated
Materials & Techniques:
Graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 5 3/8 x 8 3/4 inches (13.7 x 22.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20. Lady Macbeth, Sleepwalking

Lady Macbeth, Sleepwalking
Creator:
Mary Hoare, 1744–1820
Date:
1781
Materials & Techniques:
Watercolor with black ink, scraping, and gouache over graphite on thick, slightly textured cream wove paper mounted on moderately thick, slightly textured cream laid paper with contemporary drawn border
Dimensions:
Mount: 21 1/16 x 14 1/2 inches (53.5 x 36.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21. Lady Percy Watching the Sleeping Hotspur

Lady Percy Watching the Sleeping Hotspur
Creator:
Mary Hoare, 1744–1820
Date:
1781
Materials & Techniques:
Watercolor with black ink and scraping over graphite on thick, slightly textured cream laid paper mounted on moderately thick, slightly textured cream laid paper with contemporary drawn border
Dimensions:
Mount: 24 x 19 1/8 inches (61 x 48.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22. Cobham Hall, Kent: Sketch for a bed

No cover image available
Creator:
unknown artist
Date:
ca. 1790
Materials & Techniques:
Graphite, pen and black and brown ink on slightly textured, moderately thick, cream wove paper
Dimensions:
Sheet: 14 7/8 × 11 3/16 inches (37.8 × 28.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection