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Credit Line Yale Center for British Art, Paul Mellon Collection

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Period 18th century

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Subject Terms grazing

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1. Knock Ninney and Lough Erne from Bellisle, County Fermanagh, Ireland

Knock Ninney and Lough Erne from Bellisle, County Fermanagh, Ireland
Creator:
Thomas Roberts, 1748–1778
Date:
1771
Materials & Techniques:
Oil on canvas
Dimensions:
22 1/2 x 36 inches (57.2 x 91.4 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

2. Saint Vincents, near West Malling, Kent

Saint Vincents, near West Malling, Kent
Creator:
Dominic Serres, 1722–1793
Date:
ca. 1779
Materials & Techniques:
Oil on canvas
Dimensions:
12 1/2 × 18 inches (31.8 × 45.7 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

3. Landscape with a Shepherd

Landscape with a Shepherd
Creator:
Charles Towne, 1763–1840
Date:
ca. 1800
Materials & Techniques:
Oil on canvas
Dimensions:
24 1/2 × 32 1/4 inches (62.2 × 81.9 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

4. Haycart Passing a Ruined Abbey

Haycart Passing a Ruined Abbey
Creator:
John Wootton, 1682–1764
Date:
ca. 1745
Materials & Techniques:
Oil on canvas
Dimensions:
22 x 22 inches (55.9 x 55.9 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

5. House on a Common

House on a Common
Creator:
unknown artist
Date:
between 1770 and 1780
Materials & Techniques:
Oil on canvas
Dimensions:
26 1/4 x 33 1/4 inches (66.7 x 84.5 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

6. Wooded Hilly Landscape

Wooded Hilly Landscape
Creator:
Abraham Pether, 1756–1812
Date:
1785
Materials & Techniques:
Oil on canvas
Dimensions:
24 3/4 x 28 1/2 inches (62.9 x 72.4 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

7. The Shepherd (Plate 4)

The Shepherd (Plate 4)
Creator:
Print made by William Blake, 1757–1827
Date:
1789
Materials & Techniques:
Relief etching printed in green ink, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. The Chimney Sweeper (Plate 10)

The Chimney Sweeper (Plate 10)
Creator:
Print made by William Blake, 1757–1827
Date:
1789
Materials & Techniques:
Relief etching printed in green ink, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. Infant Joy (Plate 14)

Infant Joy (Plate 14)
Creator:
Print made by William Blake, 1757–1827
Date:
1789
Materials & Techniques:
Relief etching printed in brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/2 x 5 3/8 inches (19.1 x 13.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. On Anothers Sorrow (Plate 24)

On Anothers Sorrow (Plate 24)
Creator:
Print made by William Blake, 1757–1827
Date:
1789
Materials & Techniques:
Relief etching printed in brown ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/2 x 5 3/8 inches (19.1 x 13.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. The City of Bath taken from the London Road

The City of Bath taken from the London Road
Creator:
Print made by John Robert Cozens, 1752–1797
Date:
1773
Materials & Techniques:
Etching, hand colored with gray wash on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 11 1/16 × 15 inches (28.1 × 38.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. Bath: The South Parade

Bath: The South Parade
Creator:
Print made by John Robert Cozens, 1752–1797
Date:
1773
Materials & Techniques:
Etching, hand colored with gray wash on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 11 1/8 × 15 3/8 inches (28.2 × 39.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13. Hagley Hall

Hagley Hall
Creator:
Print made by James Caldwall, 1739–1819
Date:
undated
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 3/8 x 11 7/16 inches (21.3 x 29.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. Ham Court, the Seat of John Martin, Esq.

Ham Court, the Seat of John Martin, Esq.
Creator:
Print made by James Caldwall, 1739–1819
Date:
undated
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 1/4 x 10 1/4 inches (28.6 x 26 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

15. The Ruins of the College of Lincluden, Near Dumfries

The Ruins of the College of Lincluden, Near Dumfries
Creator:
Thomas Hearne, 1744–1817
Date:
ca. 1778
Materials & Techniques:
Watercolor and gray ink over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/8 x 10 inches (18.1 x 25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16. The Cheesecake House, Hyde Park

The Cheesecake House, Hyde Park
Creator:
Thomas Hearne, 1744–1817
Date:
ca. 1795
Materials & Techniques:
Watercolor and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 13 1/8 × 10 1/4 inches (33.3 × 26 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17. Design for a Pavilion in a Deer Park

Design for a Pavilion in a Deer Park
Creator:
William Kent, ca.1686–1748
Date:
ca. 1735
Materials & Techniques:
Brown wash, graphite, and pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 6 5/8 × 11 5/8 inches (16.8 × 29.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18. Study for a Stable Court of Kirkdale, Wigtownshire, Scotland

Study for a Stable Court of Kirkdale, Wigtownshire, Scotland
Creator:
Robert Adam, 1728–1792
Date:
between 1770 and 1780
Materials & Techniques:
Watercolor, pen and black ink, gouache, and graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 11 7/8 × 18 5/8 inches (30.2 × 47.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

19. London from Highgate Hill

London from Highgate Hill
Creator:
Thomas Girtin, 1775–1802
Date:
1792
Materials & Techniques:
Watercolor with pen and black ink over graphite on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 13 3/8 x 19 1/4 inches (34 x 48.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20. The Meeting of the Rivers Severn and Wye, near Chepstow

The Meeting of the Rivers Severn and Wye, near Chepstow
Creator:
Edward Dayes, 1763–1804
Date:
1795
Materials & Techniques:
Watercolor over graphite on thick, slightly textured, beige wove paper
Dimensions:
Sheet: 12 3/4 x 16 13/16in. (32.4 x 42.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21. Views in the Levant: Cattle Grazing with Distant View of Houses and the Sea, St. Lawrence, Isle of Wight

No cover image available
Creator:
unknown artist
Date:
ca. 1785
Materials & Techniques:
Watercolor, graphite, pen and gray ink, and black ink on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 7 × 10 5/8 inches (17.8 × 27 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection