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Credit Line Yale Center for British Art, Paul Mellon Collection
Remove constraint Credit Line: Yale Center for British Art, Paul Mellon CollectionPeriod 18th century
Remove constraint Period: 18th centurySubject Terms nude
Remove constraint Subject Terms: nudeSearch Results
1
- Dido
- 1781
- Not on view
2
- Allegory of Fortune
- ca. 1730
- Not on view
3
- Allegory of the Power of Great Britain by Sea, design for a decorative panel for George I's ceremonial coach
- ca. 1720
- Not on view
4
- The Salmon Leap, Leixlip
- 1783
- Not on view
5
- The Bathing Place at Ramsgate
- ca. 1788
- Not on view
6
- Allegory of the Power of Great Britain by Land, design for a decorative panel for George I's ceremonial coach
- ca. 1718
- Not on view
7
- Arches of Westminster Bridge
- ca. 1750
- Not on view
8
- A Leeward Islands Carib family outside a Hut
- ca. 1780
- Not on view
9
- West Indian Man of Color, Directing Two Carib Women with a Child
- ca. 1780
- Not on view
10
- Venus
- 1770s
- Not on view
11
- Adonis
- 1770s
- Not on view
12
- Cleopatra
- ca. 1723
- Not on view
13
- Omphale
- 1770s
- Not on view
14
- Ariadne
- ca. 1723
- Not on view
15
- Study of a Female Nude
- undated
16
- The Book of Thel, Title Page (Plate 2)
- 1789
17
- "A wond'rous boy shall Rinda bear, Who ne'er shall comb his raven hair..." (Design 83)
- between 1797 and 1798
18
- Spring (Plate 26)
- 1789
19
- The Lamb (Plate 8)
- 1789
20
- Night the Second. On Time, Death, and Friendship; Title Page (Page 17)
- 1797
21
- 'Emblem of that which shall awake the dead' (Page 19)
- 1797
22
- 'Behold him, when past by; what then is seen' (Page 25)
- 1797
23
- 'As if the sun could envy, check'd his beam' (Page 49)
- 1797
24
- The Christian Triumph; Title Page
- 1797
25
- 'Till death, that mighty hunter, earths them all' (Page 70)
- 1797
26
- 'That touch, with charm celestial heals the soul' (Page 90)
- 1797
27
- 'If angels tremble, 'tis at such a sight' (Page 93)
- 1797
28
- 'The goddess bursts in thunder and in flame' (Page 95)
- 1797
29
- Poems by Mr. Gray; Title Page
- between 1797 and 1798
30
- "To him the mighty mother did unveil Her awful face..." (Design 49)
- between 1797 and 1798
31
- There Is No Natural Religion; Frontispiece (Plate 1)
- ca. 1788
32
- I. "Man cannot naturally Percieve..."(Plate 3)
- ca. 1788
33
- 'But for the blessing wrestle not with heaven' (Page 88)
- 1797
34
- "Ambition this shall tempt to rise, The whirl the wretch from high..." (Design 19)
- between 1797 and 1798
35
- Ode on the Spring; Title Page
- between 1797 and 1798
36
- "Brush'd by the hand of rough Mischance, Or chill'd by Age..." (Design 5)
- between 1797 and 1798
37
- The Little Black Boy (Plate 30)
- 1789
38
- Songs of Innocence and of Experience: Shewing the Two Contrary States of the Human Soul
- 1789-1794
39
- The Bath of Bath-sheba
- early 1770s
40
- Achilles Wounded
- undated
41
- The Barbadoes Mulatto Girl
- 1779
42
- The West India Washer-Women
- 1779
43
- The Mighty Mother Sails Through the Air
- 1787
44
- Rinaldo and Armida
- 1775
45
- The Ceiling of the Banqueting House at Whitehall: The Union of the Crowns of England and Scotland
- 1720
46
- The Ceiling in the Banqueting House at Whitehall
- ca. 1720
47
- Annabella, Lady Blake, as Juno, Receiving the Cestus from Venus
- 1771
48
- Presages of the Millenium
- 1795
49
- At the Villa Aldobrandini at Rome
- undated
50
- Venus Chiding Cupid
- 1784
51
- Imogen's Bedchamber in Cymbeline's Palace, 'Cymbeline,' Act II, Scene II
- 1786
52
- Illustration from Orlando Furioso: "Che deb'bo sar? che poss'io sar qui sola? / che mi da ajuto, oime, che mi consola?"
- 1773
53
- The Pool of Bethesda
- 1772
54
- Anna lamenting the absence of Tobias (Tobit 10:7)
- 1723
55
- Study of the Hermaphrodite
- undated
56
- Design for Ceiling Walls and Staircase
- between 1712 and 1713
57
- Michael Rysbrack
- undated
58
- Bacchus
- 1776