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Credit Line Yale Center for British Art, Paul Mellon Collection
Remove constraint Credit Line: Yale Center for British Art, Paul Mellon CollectionPeriod 18th century
Remove constraint Period: 18th centuryClassification Prints
Remove constraint Classification: PrintsSearch Results
![George Stubbs A Lion [A recumbent Lion]](https://media.collections.yale.edu/thumbnail/ycba/a3e0a688-dd65-4193-b627-21b22d75629a)
1
- A Lion [A recumbent Lion]
- 1788
![George Stubbs A Lion [A Lion resting on a Rock]](https://media.collections.yale.edu/thumbnail/ycba/4c5b1084-9014-43da-bf2a-6ca3a5f42e03)
2
- A Lion [A Lion resting on a Rock]
- 1788
3
- A Tyger (Sleeping Leopard)
- 1788
4
- Hay-Makers
- 1791
5
- The Farmer's Wife and the Raven
- 1788
![George Stubbs Dog [A Foxhound on the Scent]](https://media.collections.yale.edu/thumbnail/ycba/67aa2d86-08f0-41e7-9421-a4c7134ec952)
6
- Dog [A Foxhound on the Scent]
- 1788
7
- A Horse Affrighted by a Lion
- 1788
8
- A Sleeping Leopard
- 1791
9
- A Tiger and a Sleeping Leopard
- 1788
10
- Tygers at Play
- 1780
11
- Painting of Pharoah's Daughter and Moses in the Foundling Hospital
- 1752
12
- Scholars at a Lecture (A Chorus of Singers)
- 1736
13
- The Four Times of Day, Plate I: Morning
- 1738
14
- The Four Times of Day, Plate II: Noon
- 1738
15
- The Four Times of Day, Plate IV: Night
- 1738
16
- A Midnight Modern Conversation
- 1733
17
- Southwark Fair
- 1733
18
- A Rake's Progress, Plate I: He Takes Possession
- 1735
19
- A Rake's Progress, Plate III: He Revels
- 1735
20
- A Rake's Progress, Plate II: His Levee
- 1735
21
- A Rake's Progress, Plate IV: Goes to Court
- 1735
22
- A Rake's Progress, Plate V: He Marries
- 1735
23
- Colombus breaking the Egg
- 1753
24
- A Rake's Progress, Plate VI: He Gambles
- 1735
25
- A Rake's Progress, Plate VIII: In Bedlam
- 1735
26
- A Rake's Progress, Plate VII: In Fleet Street Prison
- 1735
27
- A Consultation of Physicians
- 1736
28
- The Sleeping Congregation
- 1736
29
- The Stage Coach; Or Country Inn Yard
- 1747
30
- Strolling Actresses Dressing in a Barn
- 1738
31
- The Distrest(ed) Poet
- 1740
32
- The Enraged Musician
- 1741
33
- Subscription Ticket: Three Characters and Four Caricaturas
- 1743
34
- Gulielmus Hogarth
- 1749
35
- The First Stage of Cruelty: First, Children Torturing Animals
- 1751
36
- The Four Stages of Cruelty: The Reward of Cruelty (Anatomy Theatre)
- 1751
37
- The Second Stage of Cruelty: Second, Coachman Beating a Fallen Horse
- 1751
38
- Simon Lord Lovat
- 1746
39
- Analysis of Beauty, Plate I: A Statuary's Yard
- 1753
40
- Analysis of Beauty, Plate II: A Country Dance
- 1753
41
- The Invasion, Plate I: France
- 1756
42
- An Election Entertainment, Plate I
- 1755-58
43
- The Polling, Plate III
- 1758
44
- The Invasion, Plate II: England
- 1756
45
- Chairing the Members, Plate IV
- 1758
46
- The Four Stages of Cruelty: Cruelty in Perfection (The Murderer)
- 1751
47
- The Bench
- 1758
48
- The Cockpit
- 1759
49
- Hogarth Painting the Comic Muse
- 1764
50
- The Laughing Audience
- 1733
51
- Fair Scene
- 1733
52
- And the Child Grew, and She Brought Him unto Pharaohs Daughter, and He Became Her Son, and Called his name Moses
- 1752
53
- And as he Reasoned of Righteousness, Temperance, and Judgment to Come, Felix Trembled
- 1752
54
- Prospectus print "Crown & Mitre"
- 1754
55
- William Hogarth
- 1764
56
- Simon, Lord Lovat
- 1746
57
- Album Collection of Sixty-six Engravings after William Hogarth
58
- The Angel (Plate 40)
- 1794
59
- 'The goddess bursts in thunder and in flame' (Page 95)
- 1797
60
- The Christian Triumph; Title Page
- 1797
61
- Thel's Motto (Plate 1)
- 1789
62
- The Book of Thel, Title Page (Plate 2)
- 1789
63
- II. "O little Cloud the virgin said, I charge thee tell to me..." (Plate 5)
- 1789
64
- 'Teaching, we learn; and giving, we retain' (Page 35)
- 1797
65
- 'Love, and love only, is the loan for love' (Page 37)
- 1797
66
- 'Angels should paint it, angels ever there' (Page 40)
- 1797
67
- 'One radiant mark, – the death-bed of the just' (Page 41)
- 1797
68
- Night the Third. Narcissa; Title Page
- 1797
69
- 'Where sense runs savage broke from reason's chain' (Page 46)
- 1797
70
- 'As if the sun could envy, check'd his beam' (Page 49)
- 1797
71
- 'The vale of death! that hush'd cimmerian vale' (Page 54)
- 1797
72
- 'Ungrateful, shall we grieve their hovering shades' (Page 55)
- 1797
73
- 'Trembling each gulp, lest death should snatch the bowl' (Page 57)
- 1797
74
- 'This King of Terrors is the Prince of Peace' (Page 63)
- 1797
75
- 'Till death, that mighty hunter, earths them all' (Page 70)
- 1797
76
- 'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)
- 1797
77
- 'The Sun beheld it – No, the shocking scene' (Page 75)
- 1797
78
- 'The thunder, if in that the Almighty dwells' (Page 80)
- 1797
79
- 'His hand the good man fastens on the skies' (Page 86)
- 1797
80
- 'Tis greatly wise to talk with our past hours' (Page 31)
- ca. 1797
81
- 'Like that, the dial speaks; and points to thee' (Page 33)
- ca. 1797
82
- 'Teaching, we learn; and giving, we retain' (Page 35)
- ca. 1797
83
- 'Love, and love only, is the loan for love' (Page 37)
- ca. 1797
84
- 'Angels should paint it, angels ever there' (Page 40)
- ca. 1797
85
- 'One radiant mark, – the death-bed of the just' (Page 41)
- ca. 1797
86
- Night the Third. Narcissa; Title Page
- ca. 1797
87
- 'Where sense runs savage broke from reason's chain' (Page 46)
- ca. 1797
88
- The Divine Image (Plate 24)
- 1789
89
- The Little Girl Found (Plate 22)
- 1789
90
- Night (Plate 30)
- 1789
91
- Infant Joy (Plate 28)
- 1789
92
- A Cradle Song (Plate 26)
- 1789
93
- Introduction (Plate 34)
- 1794
94
- Songs of Experience, Frontispiece (Plate 32)
- 1794
95
- Songs of Experience, Title Page (Plate 33)
- 1794
96
- Earth's Answer (Plate 35)
- 1794
97
- Nurses Song (Plate 37)
- 1794
98
- London (Plate 39)
- 1794
99
- Holy Thursday (Plate 38)
- 1794
100
- The Clod & the Pebble (Plate 36)
- 1794