Horses Grazing: a Grey Stallion Grazing with Mares in a Meadow
1830
Not on view
9
Francis Calcraft Turner, active 1782–1846
Horses Grazing: Mares and Foals in a Field
1830
Not on view
10
Sir Augustus Wall Callcott, 1779–1844
Cottage by a country lane
ca. 1820
Not on view
11
George Chambers, 1803–1840
Port on a Stormy Day
1835
Not on view
12
William Bell Scott, 1811–1890
Ailsa Craig
1860
Not on view
13
John Linnell, 1792–1882
William Collins, R.A
1831
Not on view
14
Samuel Palmer, 1805–1881
Tintern Abbey at Sunset
1861
15
Robert Polhill Bevan, 1865–1925
Horses Threshing, Pont Aven
1893
16
Etched by Joseph Mallord William Turner, 1775–1851
Glaucus and Scylla
1813 to 1823
17
Print made by Abraham Raimbach, 1784–1868
Prince Amgiad and Prince Assad
1802
18
Print made by Samuel Freeman, 1773–1857
Mamma at Romps
1810
19
Edward Duncan, 1803–1882
H.M.S. Warspite 50 Guns
20
Print made by Charles Turner, 1774–1857
Norham Castle, on the River Tweed
1824
21
Print made by Thomas Goff Lupton, 1791–1873
Warkworth Castle on the River Coquet
1823 to 1827
22
Joseph Nash, 1808–1878
Levens, Westmoreland, The Small Drawing Room
1873
23
Print made by Richard Parkes Bonington, 1802–1828
Campos sur les bords du Rio das Velhas
1827
24
Print made by Richard Parkes Bonington, 1802–1828
Croix de Moulin les Planches
1827
25
Print made by Richard Parkes Bonington, 1802–1828
Rue du Gros Horloge
1824
26
Print made by Richard Parkes Bonington, 1802–1828
Tour du Gros Horloge, Batie Souis la Domination des Anglais en 1417
1824
27
Godefroy Engelmann, 1788–1839
Aloys Senefelder
1819
28
Print made by Raphael Lamar West, 1769–1850
Study of a Tree
1802, published 1807
29
Print made by John Hill, 1770–1850
West Front, Cassiobury
1816
30
B. Pym, active 1793–1805
Henry James Pye, Esq
1801
31
unknown artist
The London Workhouse, Bishopsgate Street
1819
32
Bartholomew Howlett, 1767–1827
Clerks-Well
1822
33
Thomas Sutherland, ca. 1785–1838
View of Blackfriars Bridge and St. Paul's
1803
34
Edward William Cooke, 1811–1880
The Southwark End of Old London Bridge
1831
35
Edward William Cooke, 1811–1880
London Bridge--- Demolition
1832
36
Edward William Cooke, 1811–1880
Demolition of Old London Bridge
1832
37
Edward William Cooke, 1811–1880
The Old and New London Bridge
1830
38
George Siegmund Facius, 1750–1804
West Window of the Chapel, New College Oxford: The Shepherd Offering, Nativity Scene
1805
39
John Summerfield, active 1817?
Sleeping Boy
1812
40
Sir Robert Smirke the younger, 1781–1867
Doric Order Septastyle Temple
between 1802 and 1804
41
Samuel William Reynolds, 1773–1835
James Hare
1804
42
James Watson, 1740–1790
Mary Bertie (née Panton) Duchess of Ancaster and Kesteven
1801
43
Charles Turner, 1774–1857
Dugald Stewart Esq
1808
44
Sir Robert Smirke the younger, 1781–1867
Castel Sant' Angelo
1802-1804
45
Print made by William Miller, 1796–1882
New Abbey, near Dumfries
1834
46
Augustus Welby Northmore Pugin, 1812–1852
Twenty Designs for Gothic Friezes
1830
47
Capt. Thomas Hastings, 1778–1854
Within Carisbrooke Castle Grounds, Isle of Wight
between 1826 and 1830
48
Capt. Thomas Hastings, 1778–1854
Crewkerne Abbey, 24 May 1833
1833
49
John Saddler, 1813–1892
The Interior of the Transepts of the Crystal Palace
1851
50
Bartholomew Howlett, 1767–1827
Interior of the Choir of St. Barts the Great
1822
51
unknown artist
Inside of One of the Rooms Under the Hall, Bermondsey, Abbey
1820
52
unknown artist
Inside of a Room and Saxon Ornaments of Bermondsey Abbey
1820
53
unknown artist
Inside of the Hall, Bermondsey Abbey
1820
54
unknown artist
Gateway of the Priory of the Holy Trinity, called Christchurch near Aldgate
1825
55
unknown artist
Rush Memorial in Clapham Church
undated
56
unknown artist
Brooke and Crofford Memorial in Clapham Church
undated
57
William Gauci, active 1825–1854
Monuments and Tablets in St. Dunstan's Church
58
unknown artist
Nevil Memorial in Fulham Church
undated
59
Print made by Luigi Schiavonetti, 1765–1810
Robert Blair, The Grave, Title Page
1808, published 1813
60
George Hunt, active 1820–1840
"Nonpareil" / The Property of Mr. John Dixon of Knightsbridge / This Wonderful Creature, Performed the unprecedented Match, of Trotting 100 Miles in harness on Sunbury Common, on Wednesday the 27th April, 1836. ..
1836
61
Print by John Scott, 1774–1828
[Shooting] The Pointer
1831
62
John Thomas Smith, 1766–1833
Hogarth Engraving His Master's Shop-bill the Sign of the Angel
1817
63
John Thomas Smith, 1766–1833
Hogarth Carrying his Master's Sick Child Round Leicester Fields. The Spot of Ground Leicester House
1817
64
John Thomas Smith, 1766–1833
Hogarth Declaring His Love to Miss Thornhill
1817
65
John Thomas Smith, 1766–1833
Hogarth Being Out of His Time Draws His Companion's Figure on the Door of a Certain Place, to the Great Admiration of All His Friends
1817
66
John Thomas Smith, 1766–1833
Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e
1817
67
John Thomas Smith, 1766–1833
Hogarth Has Made Breakfast and Sends up a Cup to His Wife at the Same Time Ordering the Little Dog to be Admitted to her Mistress's Bedchamber
1817
68
John Thomas Smith, 1766–1833
The Smock Exposed
1817
69
John Thomas Smith, 1766–1833
The Reconcilation
1817
70
John Thomas Smith, 1766–1833
Sir James Thornhill's Boy Entering His Master's Painting Room to Deliver the Bundle and a Letter in the Presence of Lady Thornhill
1817
71
John Thomas Smith, 1766–1833
Hogarth Drawing Sarah Malcolm
1817
72
John Thomas Smith, 1766–1833
Hogarth Painting in Vauxhall Gardens in the Presence of Jonathan Tyers
1817
73
John Thomas Smith, 1766–1833
Hogarth Painting His Picture of Captain Coram for the Foundling Hospital
1817
74
John Thomas Smith, 1766–1833
Hogarth Solicits His Patron Bishop Hoadley to Look Over His MS. 'Analysis of Beauty'
1817
75
John Thomas Smith, 1766–1833
Hogarth Sitting to Roubiliac for His Bust
1817
76
John Thomas Smith, 1766–1833
Hogarth painting 'The Lady's Last Stake,' in the Presence of Lord Charlemont
1817
77
John Thomas Smith, 1766–1833
Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him
1817
78
John Thomas Smith, 1766–1833
The Eleventh Hour
1817
79
John Thomas Smith, 1766–1833
Hogarth at Old Slaughter's Hobbing with Highmore the Painter
1817
80
John Thomas Smith, 1766–1833
Hogarth Having Been Followed by Barry and a Friend was Caught Backing a Boy to Fight Purposely to Catch His Fearful Countenance
1817
81
unknown artist
The Thames Tunnel
1830
82
unknown artist
A Ground Plan of Bermondsey Abbey
1822
83
Bartholomew Howlett, 1767–1827
A General View of the Remains of Bermondsey Abbey, Surrey
1820
84
unknown artist
Lord Henry Brougham, 1st Baron Brougham and Vaux
ca. 1830
85
unknown artist
The Hall, Bermondsey Abby
1820
86
unknown artist
Bermondsey Abby
1820
87
unknown artist
A View of the Waterloo Bridge
1816
88
Capt. Thomas Hastings, 1778–1854
A Fir Tree on the Way from East Cowes
between 1826 and 1830
89
Capt. Thomas Hastings, 1778–1854
In Lord Yarborough's Park, Appuldurcombe, Isle of Wight
1826
90
Print made by Bradshaw & Blacklock, active ca.1850
Bacharach and View near Bingen
after 1850
91
James de Carle Sowerby, 1787–1871
Three Toucans
undated
92
Print made by Thomas Goff Lupton, 1791–1873
Dover
1827
93
Print made by Thomas Goff Lupton, 1791–1873
Ramsgate
1827
94
Richard Gilson Reeve, 1803–1889
One Mile from Gretna, Our Governor in Sight, --with a screw loose!
1836
95
Frederick Rosenberg, active 1816–1832
Opposition Coaches at Speed
1832
96
Niccoló Schiavonetti, 1771–1813
Rustic Benevolence
1804
97
George Hunt, active 1820–1840
Comparative Meltonians, as they Are, and as they Were: A Meltonian as he is
1823
98
George Hunt, active 1820–1840
Comparative Meltonians, as they Are, and as they Were: Gone Away, A Meltonian as he is
1823
99
George Hunt, active 1820–1840
Comparative Meltonians, as they Are, and as they Were: A Meltonian as he us'd to be
1823
100
George Hunt, active 1820–1840
Comparative Meltonians, as they Are, and as they Were: Gone Away, A Meltonian as he was