Credit Line: Yale Center for British Art, Paul Mellon Collection / Period: 19th century / Height [cm]: 33

Francis Danby, 1793–1861

The Avon Gorge

between 1816 and 1818

Not on view

John Constable, 1776–1837

Dedham Vale

1802

Not on view

John Constable, 1776–1837

Harwich: The Low Lighthouse and Beacon Hill

ca. 1820

Not on view

John Constable, 1776–1837

Lane near Dedham

1802

Not on view

John Constable, 1776–1837

Hampstead Heath Looking Towards Harrow

1821

Not on view

George Chambers, 1803–1840

Port on a Stormy Day

1835

Not on view

William Bell Scott, 1811–1890

Ailsa Craig

1860

Not on view

Sir Augustus Wall Callcott, 1779–1844

Cottage by a country lane

ca. 1820

Not on view

John Linnell, 1792–1882

William Collins, R.A

1831

Not on view

Francis Calcraft Turner, active 1782–1846

Horses Grazing: a Grey Stallion Grazing with Mares in a Meadow

1830

Not on view

Francis Calcraft Turner, active 1782–1846

Horses Grazing: Mares and Foals in a Field

1830

Not on view

Samuel Palmer, 1805–1881

Tintern Abbey at Sunset

1861

Robert Polhill Bevan, 1865–1925

Horses Threshing, Pont Aven

1893

Etched by Joseph Mallord William Turner, 1775–1851

Glaucus and Scylla

1813 to 1823

Capt. Thomas Hastings, 1778–1854

In Lord Yarborough's Park, Appuldurcombe, Isle of Wight

1826

Capt. Thomas Hastings, 1778–1854

Within Carisbrooke Castle Grounds, Isle of Wight

between 1826 and 1830

John Thomas Smith, 1766–1833

Hogarth Carrying his Master's Sick Child Round Leicester Fields. The Spot of Ground Leicester House

1817

John Thomas Smith Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e

John Thomas Smith, 1766–1833

Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e

1817

John Thomas Smith, 1766–1833

Hogarth Declaring His Love to Miss Thornhill

1817

John Thomas Smith Hogarth Has Made Breakfast and Sends up a Cup to His Wife at the Same Time Ordering the Little Dog to be Admitted to her Mistress's Bedchamber

John Thomas Smith, 1766–1833

Hogarth Has Made Breakfast and Sends up a Cup to His Wife at the Same Time Ordering the Little Dog to be Admitted to her Mistress's Bedchamber

1817

John Thomas Smith, 1766–1833

The Smock Exposed

1817

John Thomas Smith Sir James Thornhill's Boy Entering His Master's Painting Room to Deliver the Bundle and a Letter in the Presence of Lady Thornhill

John Thomas Smith, 1766–1833

Sir James Thornhill's Boy Entering His Master's Painting Room to Deliver the Bundle and a Letter in the Presence of Lady Thornhill

1817

John Thomas Smith, 1766–1833

The Reconcilation

1817

John Thomas Smith, 1766–1833

Hogarth Painting in Vauxhall Gardens in the Presence of Jonathan Tyers

1817

John Thomas Smith, 1766–1833

Hogarth Painting His Picture of Captain Coram for the Foundling Hospital

1817

John Thomas Smith, 1766–1833

Hogarth Solicits His Patron Bishop Hoadley to Look Over His MS. 'Analysis of Beauty'

1817

John Thomas Smith Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him

John Thomas Smith, 1766–1833

Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him

1817

John Frederick Lewis, 1804–1876

Temple of Edfou, Upper Egypt

between 1841 and 1851

John Thomas Smith, 1766–1833

Hogarth at Old Slaughter's Hobbing with Highmore the Painter

1817

John Thomas Smith Hogarth Having Been Followed by Barry and a Friend was Caught Backing a Boy to Fight Purposely to Catch His Fearful Countenance

John Thomas Smith, 1766–1833

Hogarth Having Been Followed by Barry and a Friend was Caught Backing a Boy to Fight Purposely to Catch His Fearful Countenance

1817

John Thomas Smith, 1766–1833

The Eleventh Hour

1817

Print made by George Cooke, 1781–1834

Brighton

1814 to 1826

Print made by Edward Goodall, 1795–1870

Mount Edgecomb, Devonshire

1814 to 1826

Print made by Samuel Rawle, 1771–1860

Raby Castle, County of Durham

1820

Print made by John Landseer, 1769–1852

Fall of the Tees

1818-1823

Print made by John Scott, 1774–1828

Aske Hall

1818-1823

Lewis Vaslet, 1742–1808

The Spoiled Child, Scene VI

ca. 1802

Sir David Wilkie, 1785–1841

Garden of Gethsemane

1841

Walter Goodall, 1830–1889

Glencoe: A Shepherd Boy Crossing a Burn

1857

Sir David Wilkie, 1785–1841

The Manse, Cults, Fife: The Artist's Old Home

undated

Sir David Wilkie, 1785–1841

The Manse, Cults, Fife: The Artist's Old Home

undated

Sir David Wilkie, 1785–1841

The Manse, Cults, Fife: The Artist's Old Home

undated

unknown artist

Vale of Newlands, Cumberland

undated

George Edmund Street Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

George Edmund Street, 1824–1881

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

undated

George Edmund Street, 1824–1881

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

undated

William Simpson, 1823–1899

Sebastopol, Sketched From The Deck of H. M. S. Sidon, Feb. 1855

1855

unknown artist

Kirkeoch, Nun Mill

undated

unknown artist

Bishopton

undated

unknown artist

Brouckleugh; Mickle Sypeland

undated

unknown artist

Whinny Liggate; Balgredan

undated

unknown artist

Bishopton

undated

unknown artist

A View of the Waterloo Bridge

1816

Bartholomew Howlett, 1767–1827

Interior of the Choir of St. Barts the Great

1822

unknown artist

Inside of One of the Rooms Under the Hall, Bermondsey, Abbey

1820

unknown artist

Inside of a Room and Saxon Ornaments of Bermondsey Abbey

1820

unknown artist

Brooke and Crofford Memorial in Clapham Church

undated

unknown artist

Gateway of the Priory of the Holy Trinity, called Christchurch near Aldgate

1825

unknown artist

Rush Memorial in Clapham Church

undated

William Gauci, active 1825–1854

Monuments and Tablets in St. Dunstan's Church

unknown artist

Nevil Memorial in Fulham Church

undated

John Saddler, 1813–1892

The Interior of the Transepts of the Crystal Palace

1851

unknown artist

Inside of the Hall, Bermondsey Abbey

1820

William Haygarth, active 1810–1816

Mount Soratte from Civita Castellana

1816

William Haygarth, active 1810–1816

Crater of Vesuvius

1816

John Linnell, 1792–1882

Quarries near Ironbridge (Earthworks, Cambridge Terrace)

ca. 1816

unknown artist

North Nunton; South Nunton

undated

unknown artist

Kirkland, Drumcroy, Auchenfloor, Cannee, Barhill and Silvercroigs

undated

unknown artist

Copy of a Study for a Ceiling Decoration

undated

Print made by John Wykeham Archer, 1808–1864

Richmond Castle and Town

1820

Print made by Edward Goodall, 1795–1870

Land Discovered by Columbus

1834

Print made by Samuel Middiman, ca. 1750–1831

Moss Dale Fall

1822

Print made by Henry Le Keux, 1787–1868

Borthwick Castle

1819

Print made by James C. Allen, active 1821–1831

Dunbar

1824

Print made by Thomas Higham, 1796–1844

Wilton House

1825

George Edmund Street, 1824–1881

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

undated

John James Chalon, 1778–1854

Gil Blas, While Practising Medicine under Dr. Sangrado, Encounters Dr. Cuchillo at the Bedside of the Grocer

undated

William Callow, 1812–1908

The Luxor, Paris, December 1833

1833

William Henry Hunt, 1790–1864

Old Farm Buildings

ca. 1817

Thomas Sunderland, 1744–1828

Landscape at Ambleside

ca. 1800

John Thomas Smith, 1766–1833

Hogarth Engraving His Master's Shop-bill the Sign of the Angel

1817

John Thomas Smith Hogarth Being Out of His Time Draws His Companion's Figure on the Door of a Certain Place, to the Great Admiration of All His Friends

John Thomas Smith, 1766–1833

Hogarth Being Out of His Time Draws His Companion's Figure on the Door of a Certain Place, to the Great Admiration of All His Friends

1817

John Thomas Smith, 1766–1833

Hogarth Drawing Sarah Malcolm

1817

John Thomas Smith, 1766–1833

Hogarth painting 'The Lady's Last Stake,' in the Presence of Lord Charlemont

1817

John Thomas Smith, 1766–1833

Hogarth Sitting to Roubiliac for His Bust

1817

Thomas Henry Nicholson, Died 1870

Page of Sketches of Cavaliers, Horse's Head, and Plumes

ca. 1839

Engraved by Henry Le Keux, 1787–1868

High Street, Edinburgh

1819

James de Carle Sowerby, 1787–1871

Three Toucans

undated

Print made by Edward Goodall, 1795–1870

Cologne

1824

Print made by Edward Goodall, 1795–1870

Cologne

1824

Print made by Edward Goodall, 1795–1870

Cologne

1824

Studio of Sir Jeffry Wyatville, 1766–1840

A House of Assembly, Quebec: Plan

ca. 1812