Credit Line: Yale Center for British Art, Paul Mellon Collection / Period: 19th century / Width [cm]: 62

1. Children by a Brook

Creator:: Francis Danby, 1793–1861
Date:: ca. 1822
Materials & Techniques:: Oil on panel
Dimensions:: 29 1/2 x 24 1/2 inches (74.9 x 62.2 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

2. Cloud Study

Creator:: John Constable, 1776–1837
Date:: 1822
Materials & Techniques:: Oil on paper laid on panel
Dimensions:: 11 1/4 × 19 inches (28.6 × 48.3 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

3. Cloud Study

Creator:: John Constable, 1776–1837
Date:: 1822
Materials & Techniques:: Oil on paper laid on canvas
Dimensions:: 12 x 20 inches (30.5 x 50.8 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

4. Interior of an Academy: The Critics

Creator:: William Stewart, active 1847–1856
Date:: 1848
Materials & Techniques:: Oil on canvas
Dimensions:: 32 x 24 1/2 inches (81.3 x 62.2 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

5. Ryelands Sheep, the King's Ram, the King's Ewe and Lord Somerville's Wether

Creator:: James Ward, 1769–1859
Date:: between 1801 and 1807
Materials & Techniques:: Oil on panel
Dimensions:: 17 3/4 x 24 1/4 inches (45.1 x 61.6 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

6. An Egyptian Poppy and a Water Mole

Creator:: Attributed to John Crome, 1768–1821
Date:: ca. 1812
Materials & Techniques:: Oil on canvas
Dimensions:: 29 1/2 × 24 1/4 inches (74.9 × 61.6 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

7. Lambeth Palace

Creator:: Henry Pether, active 1828–1865
Date:: 1858
Materials & Techniques:: Oil on canvas
Dimensions:: 18 1/4 × 24 1/4 inches (46.4 × 61.6 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

8. The Rhine at Constance (Konstanz-am-Rhein)

Creator:: Rev. Edward Thomas Daniell, 1804–1842
Date:: ca. 1830
Materials & Techniques:: Oil on canvas
Dimensions:: 14 1/2 x 24 3/8 inches (36.8 x 61.9 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

9. The Reapers

Creator:: James Ward, 1769–1859
Date:: 1800
Materials & Techniques:: Oil on canvas
Dimensions:: 18 1/8 x 24 1/4 inches (46 x 61.6 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

10. Hunting Scene: The Meet

Creator:: Henry Thomas Alken, 1785–1851
Date:: ca. 1840
Materials & Techniques:: Oil on canvas
Dimensions:: 18 x 24 1/4 inches (45.7 x 61.6 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

11. Hunting Scene: Drawing the Cover

Creator:: Henry Thomas Alken, 1785–1851
Date:: ca. 1840
Materials & Techniques:: Oil on canvas
Dimensions:: 18 x 24 1/4 inches (45.7 x 61.6 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

12. Hunting Scene: The Kill

Creator:: Henry Thomas Alken, 1785–1851
Date:: ca. 1840
Materials & Techniques:: Oil on canvas
Dimensions:: 18 x 24 1/4 inches (45.7 x 61.6 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

13. The Moselle Bridge, Coblenz

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: ca. 1842
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 19 1/8 x 24 1/4in. (48.6 x 61.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

14. The Deluge

Creator:: Print made by J. P. Quilley, active 1828
Date:: 1828
Materials & Techniques:: Mezzotint; first published state on medium, slightly textured, cream laid paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15. View of Edinburgh from Calton Hill

Creator:: Francis Nicholson, 1753–1844
Date:: 1811
Materials & Techniques:: Watercolor, gouache, and graphite with scratching out on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/2 × 24 1/4 inches (47 × 61.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16. A Fancy Ball, Winding up with Sir Roger de Coverley, in Appropriate Costume.

Creator:: Print made by John Doyle ('H.B.'), 1797–1868
Date:: 1846
Materials & Techniques:: Lithograph in tan and black ink on moderately thick, smooth, beige wove paper
Dimensions:: Sheet: 17 9/16 x 24 5/16 inches (44.6 x 61.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. Old British Camp in Bulstrode Park

Creator:: George Arthur Fripp, 1813–1896
Date:: 1860
Materials & Techniques:: Watercolor, gouache, graphite, and gum with scraping out on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 13 7/8 × 24 1/4 inches (35.2 × 61.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. A View of Pont Neuf, the Mint, & c.

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Soft-ground etching, drypoint and aquatint, published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 3/4 × 24 1/2 inches (40 × 62.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. Morning of the Gale, November 23 1824 in Catwater at Plymouth

Creator:: Thomas Sutherland, ca. 1785–1838
Date:: ca. 1825
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 19 x 24 1/2in. (48.3 x 62.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. Easter Monday. 2. A View of Fair Mead Bottom Epping Forest.

Creator:: James Pollard, 1792–1867
Date:: 1820
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 12 3/8 x 24 1/2in. (31.4 x 62.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. Easter Monday. 1. Turning out the Stag at Buckits Hill, Epping Forest

Creator:: James Pollard, 1792–1867
Date:: 1820
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 12 3/8 x 24 1/2in. (31.4 x 62.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. Fox-hunting: Who-hoop!

Creator:: John Harris, 1811–1865
Date:: 1844
Materials & Techniques:: Aquatint, printed in color and by hand
Dimensions:: Sheet: 16 5/8 x 24 1/4in. (42.2 x 61.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. Fox Hunting: Away!

Creator:: John Harris, 1811–1865
Date:: 1844
Materials & Techniques:: Aquatint, printed in color and by hand
Dimensions:: Sheet: 16 5/8 x 24 1/4in. (42.2 x 61.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. Design for Grosvenor House, London: South Elevation

Creator:: Thomas Cundy, 1790–1867
Date:: 1845
Materials & Techniques:: Graphite and wash on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 18 3/4 × 24 3/8 inches (47.6 × 61.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. Design for Grosvenor House, London: North Elevation

Creator:: Thomas Cundy, 1790–1867
Date:: 1845
Materials & Techniques:: Graphite and wash on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 17 1/4 × 24 3/8 inches (43.8 × 61.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. Francis Noel Clark Mundy and His Grandson, William

Creator:: Charles Turner, 1774–1857
Date:: 1810
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 19 13/16 × 24 1/4 inches (50.3 × 61.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. Launch of H.M.S. 'Resistance' at Isle of Dogs

Creator:: unknown artist
Date:: 1861
Materials & Techniques:: Lithograph
Dimensions:: Sheet: 17 x 24 1/4in. (43.2 x 61.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. Caligula's Palace and Bridge

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1842
Materials & Techniques:: Etching and line engraving, first published state on thick, moderately textured, beige wove paper, with cream chine collé
Dimensions:: Sheet: 25 1/4 × 36 1/8 inches (64.1 × 91.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. Caligula's Palace and Bridge

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1842
Materials & Techniques:: Etching and line engraving; engraver's proof (a) on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 26 1/8 × 36 3/8 inches (66.4 × 92.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. The Water Mill above the Bridge at Charenton 1803; Plate 20 from Views in Paris, the Emanuel Volume tracing of the plate B181.25.2629

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 3/4 × 24 1/2 inches (40 × 62.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. View of the Pont St. Michael, taken from the Pont Neuf

Creator:: Etched by Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Image: 10 x 17 7/8in. (25.4 x 45.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. View of the Louvre and Bridge of the Thuilleries, taken from Pont Neuf.

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 3/4 × 24 1/2 inches (40 × 62.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. View of the Thuilleries & Bridge & C. | taken from Pont de la Concorde

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 3/4 × 24 5/8 inches (40 × 62.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. A General View of Paris, taken from Chaillot 1803.

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 3/4 × 24 1/2 inches (40 × 62.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. View of Port Neuf, part of the Louvre, Notre Dame & the College of Four Nations

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 3/4 × 24 5/8 inches (40 × 62.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. View of Pont au Change, the City Theatre, Pont Neuf, Conciergerie Prison, & c. Taken from Pont Notre Dame.

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Soft-ground etching and aquatint, published state on medium, slightly textured, cream wove paper
Dimensions:: Plate: 11 3/4 × 22 1/4 inches (29.8 × 56.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. View of Pont de la Tournelle and Notre Dame, taken from the Arsenal 1802

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 3/4 × 24 1/2 inches (40 × 62.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. Views of the Pantheon, taken from the Arsenal

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Aquatint over soft ground etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 5/8 × 24 1/2 inches (39.7 × 62.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. The Water Works at Marli,and St. Germain en Laye Seen in the Distance.

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 1/2 × 24 1/2 inches (39.4 × 62.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. View of the Gate of St. Denis Taken from the Suburbs.

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Soft-ground etching and aquatint, published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 5/8 × 24 1/2 inches (39.7 × 62.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. View of the Village of Chaillot & C. taken from Pont de la Concorde

Creator:: Print made by Frederick Christian Lewis the Elder, 1779–1856
Date:: 1803
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 3/4 × 24 1/2 inches (40 × 62.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. View of St. Cloud and Mt. Calvary taken from Pont de Seve

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 3/4 × 24 1/2 inches (40 × 62.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. Colombo and Cabral (Floating Batteries Built for the Imperial Brazilian Navy)

Creator:: Thomas Goldsworth Dutton, 1819/20–1891
Materials & Techniques:: Lithograph
Dimensions:: Sheet: 14 1/2 x 24 1/2in. (36.8 x 62.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. Locomotive Engine and Train of the Birmingham and Liverpool Rail Road

Creator:: unknown artist
Date:: 1825
Materials & Techniques:: Aquatint on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 8 1/4 × 24 5/8 inches (21 × 62.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. The Old Téméraire

Creator:: Print made by James T. Willmore, 1800–1863
Date:: 1845
Materials & Techniques:: Etching; open etched state on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 3/4 × 24 1/2 inches (47.6 × 62.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. Harwich

Creator:: Charles Rosenberg, active 1828–1848
Date:: 1841
Materials & Techniques:: Colored aquatint on thick, moderately textured, cream wove paper
Dimensions:: Sheet: 19 9/16 × 26 1/2 inches (49.7 × 67.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. Representation of the Festival for the Return of Peace

Creator:: William Johnstone White, active 1804–died c.1870
Date:: 1814
Materials & Techniques:: Aquatint on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 20 3/8 × 24 9/16 inches (51.8 × 62.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. Morning of the Gale, November 23 1824 in Catwater at Plymouth

Creator:: Thomas Sutherland, ca. 1785–1838
Date:: ca. 1825
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 19 x 24 1/2in. (48.3 x 62.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. A Correct View of the Golden Lake Genuine Brewery

Creator:: Print made by William S. Barnard, 1774–1849
Date:: 1807
Materials & Techniques:: Mezzotint on slightly textured, medium, cream wove paper
Dimensions:: Sheet: 19 5/8 × 24 1/2 inches (49.8 × 62.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. Launch of the 'Edinburgh', Blackwall, Nov. 9, 1825

Creator:: Edward Duncan, 1803–1882
Date:: 1825
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 17 7/8 x 24 3/8in. (45.4 x 61.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. Reaping

Creator:: William Ward, 1766–1826
Date:: 1810
Materials & Techniques:: Mezzotint, proof before all letters
Dimensions:: Sheet: 19 x 24 1/4in. (48.3 x 61.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. The Parish Beadle

Creator:: Abraham Raimbach, 1784–1868
Date:: 1834
Materials & Techniques:: Engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 13/16 × 24 5/16 inches (47.8 × 61.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. This Celebrated Ewe was Bred and Fed, by Mr. Wilcox.

Creator:: Print made by unknown artist
Date:: undated
Materials & Techniques:: Etching and line engraving with hand coloring on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 20 x 24 3/8 inches (50.8 x 61.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. A South Down Ram; Aged 3 Years, bred by Mr. Thomas Crisp, Gedgrave Hall, Suffolk, for which a Prize of 30 Severeigns was awarded at the Annual Meeting of the R.A.S. at Cambridge, July 15th 1840

A South Down Ram; Aged 3 Years, bred by Mr. Thomas Crisp, Gedgrave Hall, Suffolk, for which a Prize of 30 Severeigns was awarded at the Annual Meeting of the R.A.S. at Cambridge, July 15th 1840

Creator:: William Henry Davis, active 1803–1849
Date:: 1840
Materials & Techniques:: Hand colored lithograph
Dimensions:: Sheet: 18 1/2 x 24 1/4in. (47 x 61.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. A View of Windsor Castle

Creator:: unknown artist
Date:: 1813
Materials & Techniques:: Colored aquatint
Dimensions:: Sheet: 19 1/2 x 24 1/2in. (49.5 x 62.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. View of the Port of Liverpool

Creator:: Richard Gilson Reeve, 1803–1889
Date:: 1836
Materials & Techniques:: Color printed etching and aquatint with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 21 1/4 × 27 1/8 inches (54 × 68.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. Representation of the Festival for the Return of Peace

Creator:: William Johnstone White, active 1804–died c.1870
Date:: 1815
Materials & Techniques:: Colored aquatint on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 19 3/4 × 24 7/16 inches (50.2 × 62.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. View of Old Aberdeen, Including King's College and the Cathedral

Creator:: Frederick Christian Lewis the Elder, 1779–1856
Date:: 1808
Materials & Techniques:: Colored aquatint on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 21 1/4 × 28 3/8 inches (54 × 72.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

59. The Death of Abercrombie

Creator:: Print made by Edward Mitchell, active 1805–1816
Date:: 1805
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 22 5/8 × 24 1/4 inches (57.5 × 61.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. The Murder of James I, King of Scotland

Creator:: Thomas Ryder, 1746–1810
Date:: 1792
Materials & Techniques:: Etching and stipple engraving on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 19 7/8 × 24 3/8 inches (50.5 × 61.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. View of the Tuilleries and Bridge taken from the Quay D'Orsai

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 1/4 × 24 1/2 inches (41.3 × 62.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. View of the Tuilleries and Bridge and etc. taken from Pont de la Concorde

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 1/4 × 24 7/8 inches (41.3 × 63.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

63. Distraining for Rent

Creator:: Abraham Raimbach, 1784–1868
Date:: 1828
Materials & Techniques:: Engraving on thick, moderately textured, cream laid paper with cream chine-collé
Dimensions:: Sheet: 21 5/8 × 27 7/8 inches (54.9 × 70.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. The Village Politicians

Creator:: Abraham Raimbach, 1784–1868
Date:: 1814
Materials & Techniques:: Engraving and etching
Dimensions:: Plate: 20 x 24 1/2in. (50.8 x 62.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

65. The Water Mill above the Bridge at Charenton

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 1/4 × 24 1/2 inches (41.3 × 62.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

66. A Shipwreck

Creator:: Print made by Theodore Henry Adolphus Fielding, 1781–1851
Date:: 1825
Materials & Techniques:: Etching and aquatint; first published state on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 21 × 27 1/2 inches (53.3 × 69.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

67. Corpus Christi College, Cambridge

Creator:: Richard Banks Harraden, 1778–1862
Date:: 1836
Materials & Techniques:: Watercolor, pen and gray ink, black ink, gouache, and graphite on medium, slightly textured, beige wove paper
Dimensions:: Cover: 18 3/4 × 24 3/8 inches (47.6 × 61.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

68. Flower Garden at Middleton Park, Oxfordshire

Creator:: Lewis Kennedy, active 1775–1811
Date:: 1811
Materials & Techniques:: Gray wash, pen and black ink, graphite on slightly textured, medium, white wove paper
Dimensions:: Sheet: 18 7/8 × 24 3/8 inches (47.9 × 61.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

69. The Great Fair in Hyde Park on the 28th of June 1838 to Celebrate the Coronation of her most gracious Majesty Queen Victoria the First

Creator:: John Howe, active 1838
Date:: 1838
Materials & Techniques:: Watercolor, gouache, and pen and black ink on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 9 3/8 × 24 1/2 inches (23.8 × 62.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

70. Dido Building Carthage

Creator:: Print made by Thomas Abiel Prior, 1809–1886
Date:: 1863
Materials & Techniques:: Etching and line engraving; first published state on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 24 3/8 × 31 5/8 inches (61.9 × 80.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

71. The Bay of Baiae - Apollo and the Sibyl

Creator:: Print made by Thomas Abiel Prior, 1809–1886
Date:: 1873
Materials & Techniques:: Etching and line engraving; first published state on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 27 1/4 × 39 7/8 inches (69.2 × 101.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

72. Battue Shooting

Creator:: George Archibald Turner, 1821–1845
Date:: 1840
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 20 1/2 x 24 3/8in. (52.1 x 61.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

73. The Straits of Dover

Creator:: Print made by William Chapman, 1817–1879
Date:: 1863
Materials & Techniques:: Etching and line engraving; first published state on moderately thick, moderately textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 27 × 34 3/8 inches (68.6 × 87.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

Refine your search

Search Constraints

Credit Line Yale Center for British Art, Paul Mellon Collection

Period 19th century

Width [cm] 62

Search Results

1. Children by a Brook

2. Cloud Study

3. Cloud Study

4. Interior of an Academy: The Critics

5. Ryelands Sheep, the King's Ram, the King's Ewe and Lord Somerville's Wether

6. An Egyptian Poppy and a Water Mole

7. Lambeth Palace

8. The Rhine at Constance (Konstanz-am-Rhein)

9. The Reapers

10. Hunting Scene: The Meet

11. Hunting Scene: Drawing the Cover

12. Hunting Scene: The Kill

13. The Moselle Bridge, Coblenz

14. The Deluge

15. View of Edinburgh from Calton Hill

16. A Fancy Ball, Winding up with Sir Roger de Coverley, in Appropriate Costume.

17. Old British Camp in Bulstrode Park

18. A View of Pont Neuf, the Mint, & c.

19. Morning of the Gale, November 23 1824 in Catwater at Plymouth

20. Easter Monday. 2. A View of Fair Mead Bottom Epping Forest.

21. Easter Monday. 1. Turning out the Stag at Buckits Hill, Epping Forest

22. Fox-hunting: Who-hoop!

23. Fox Hunting: Away!

24. Design for Grosvenor House, London: South Elevation

25. Design for Grosvenor House, London: North Elevation

26. Francis Noel Clark Mundy and His Grandson, William

27. Launch of H.M.S. 'Resistance' at Isle of Dogs

28. Caligula's Palace and Bridge

29. Caligula's Palace and Bridge

30. The Water Mill above the Bridge at Charenton 1803; Plate 20 from Views in Paris, the Emanuel Volume tracing of the plate B181.25.2629

31. View of the Pont St. Michael, taken from the Pont Neuf

32. View of the Louvre and Bridge of the Thuilleries, taken from Pont Neuf.

33. View of the Thuilleries & Bridge & C. | taken from Pont de la Concorde

34. A General View of Paris, taken from Chaillot 1803.

35. View of Port Neuf, part of the Louvre, Notre Dame & the College of Four Nations

36. View of Pont au Change, the City Theatre, Pont Neuf, Conciergerie Prison, & c. Taken from Pont Notre Dame.

37. View of Pont de la Tournelle and Notre Dame, taken from the Arsenal 1802

38. Views of the Pantheon, taken from the Arsenal

39. The Water Works at Marli,and St. Germain en Laye Seen in the Distance.

40. View of the Gate of St. Denis Taken from the Suburbs.

41. View of the Village of Chaillot & C. taken from Pont de la Concorde

42. View of St. Cloud and Mt. Calvary taken from Pont de Seve

43. Colombo and Cabral (Floating Batteries Built for the Imperial Brazilian Navy)

44. Locomotive Engine and Train of the Birmingham and Liverpool Rail Road

45. The Old Téméraire

46. Harwich

47. Representation of the Festival for the Return of Peace

48. Morning of the Gale, November 23 1824 in Catwater at Plymouth

49. A Correct View of the Golden Lake Genuine Brewery

50. Launch of the 'Edinburgh', Blackwall, Nov. 9, 1825

51. Reaping

52. The Parish Beadle

53. This Celebrated Ewe was Bred and Fed, by Mr. Wilcox.

54. A South Down Ram; Aged 3 Years, bred by Mr. Thomas Crisp, Gedgrave Hall, Suffolk, for which a Prize of 30 Severeigns was awarded at the Annual Meeting of the R.A.S. at Cambridge, July 15th 1840

55. A View of Windsor Castle

56. View of the Port of Liverpool

57. Representation of the Festival for the Return of Peace

58. View of Old Aberdeen, Including King's College and the Cathedral

59. The Death of Abercrombie

60. The Murder of James I, King of Scotland

61. View of the Tuilleries and Bridge taken from the Quay D'Orsai

62. View of the Tuilleries and Bridge and etc. taken from Pont de la Concorde

63. Distraining for Rent

64. The Village Politicians

65. The Water Mill above the Bridge at Charenton

66. A Shipwreck

67. Corpus Christi College, Cambridge

68. Flower Garden at Middleton Park, Oxfordshire

69. The Great Fair in Hyde Park on the 28th of June 1838 to Celebrate the Coronation of her most gracious Majesty Queen Victoria the First

70. Dido Building Carthage

71. The Bay of Baiae - Apollo and the Sibyl

72. Battue Shooting

73. The Straits of Dover