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Credit Line Yale Center for British Art, Paul Mellon Collection

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Period 19th century

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Subject Terms cloak

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1. Mary Freer

Mary Freer
Creator:
John Constable, 1776–1837
Date:
1809
Materials & Techniques:
Oil on canvas
Dimensions:
30 x 25 inches (76.2 x 63.5 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

2. Studies for the Duke of Wellington

Studies for the Duke of Wellington
Creator:
Sir George Hayter, 1792–1871
Date:
ca. 1820
Materials & Techniques:
Oil on millboard
Dimensions:
13 1/4 x 16 3/4 inches (33.7 x 42.5 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

3. A Soldier's Return

A Soldier's Return
Creator:
George Morland, 1763–1804
Date:
late 18th century
Materials & Techniques:
Oil on panel
Dimensions:
6 7/8 x 10 5/8 inches (17.5 x 27 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

4. Robert Stewart, Viscount Castlereagh

Robert Stewart, Viscount Castlereagh
Creator:
Sir Francis Leggatt Chantrey, 1781–1841
Date:
1821
Materials & Techniques:
Marble
Dimensions:
Overall: 30 x 22 x 8 1/4 inches (76.2 x 55.9 x 21 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

5. The Vine

The Vine
Creator:
Print made by Samuel Palmer, 1805–1881
Date:
1852
Materials & Techniques:
Etching and drypoint on thick, smooth, cream wove paper
Dimensions:
Sheet: 4 3/4 x 6 5/16 inches (12 x 16 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. The Vine

The Vine
Creator:
Print made by Samuel Palmer, 1805–1881
Date:
1852
Materials & Techniques:
Etching and drypoint, retouched with white watercolor, gouache or chalk on thick, smooth, cream wove paper
Dimensions:
Sheet: 11 9/16 x 8 1/4 inches (29.3 x 20.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. The Vine

The Vine
Creator:
Print made by Samuel Palmer, 1805–1881
Date:
1852
Materials & Techniques:
Etching and drypoint, retouched with graphite on thick, smooth, beige wove paper
Dimensions:
Sheet: 11 13/16 x 8 1/2 inches (30 x 21.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. The Bacchante

The Bacchante
Creator:
Print made by Edward Calvert, 1799–1883
Date:
ca. 1827
Materials & Techniques:
Wood-engraving on medium, smooth, cream Asian paper
Dimensions:
Sheet: 4 1/16 x 2 9/16 inches (10.3 x 6.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. Pierre de Vaivre

Pierre de Vaivre
Creator:
Print made by Richard Parkes Bonington, 1802–1828
Date:
1827
Materials & Techniques:
Lithograph with chine collé on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 14 13/16 x 11 13/16 inches (37.7 x 30 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. Ideal Pastoral Life

Ideal Pastoral Life
Creator:
Print made by Edward Calvert, 1799–1883
Date:
1829
Materials & Techniques:
Lithograph on medium, smooth, cream wove paper
Dimensions:
Mount: 16 5/16 x 12 7/16 inches (41.5 x 31.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. Ideal Pastoral Life

Ideal Pastoral Life
Creator:
Print made by Edward Calvert, 1799–1883
Date:
1829
Materials & Techniques:
Lithograph on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 4 13/16 x 5 9/16 inches (12.3 x 14.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. The Monk

The Monk
Creator:
Print made by James Charles Armytage, 1802–1897
Date:
between 1833 and 1853
Materials & Techniques:
Etching and engraving with chine collé on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 19 15/16 x 13 9/16 inches (50.6 x 34.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13. Fools; or Jesters

Fools; or Jesters
Creator:
Print made by John Augustus Atkinson, 1775–1831
Date:
1813
Materials & Techniques:
Etching and aquatint with hand coloring on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 14 7/16 x 10 1/16 inches (36.7 x 25.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. Reverend John Fisher, Bishop of Salisbury

Reverend John Fisher, Bishop of Salisbury
Creator:
Robert Dunkarton, 1744–1811
Date:
1811
Materials & Techniques:
Mezzotint on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 20 5/8 × 15 inches (52.4 × 38.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

15. The Footbridge

The Footbridge
Creator:
Thomas Shotter Boys, 1803–1874
Date:
undated
Materials & Techniques:
Watercolor, gum arabic, and scratching out on medium, slightly textured, cream wove paper, mounted on thick, moderately textured, cream wove paper
Dimensions:
Sheet: 2 7/8 × 4 5/8 inches (7.3 × 11.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16. The Murder of Duncan - The Sleeping Groom

The Murder of Duncan - The Sleeping Groom
Creator:
Benjamin Robert Haydon, 1786–1846
Date:
between 1809 and 1811
Materials & Techniques:
Black chalk on moderately thick, slightly textured, cream laid paper pasted on thick, slightly textured, cream laid paper
Dimensions:
Sheet: 4 3/8 x 6 7/8in. (11.1 x 17.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17. Here's Dada Coming. My Pretty Dada. Shoulder Arms. What Pretty Things.

Here's Dada Coming. My Pretty Dada. Shoulder Arms. What Pretty Things.
Creator:
Print made by Bradshaw & Blacklock, active ca.1850
Date:
after 1850
Materials & Techniques:
Aquatint, stipple engraving, etching and color woodcut on moderately thick, smooth, cream wove paper
Dimensions:
Image: 5 9/16 x 2 7/16 inches (14.1 x 6.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18. Scenes from Life in Paris: Man Seated and Man Carrying Basket

Scenes from Life in Paris: Man Seated and Man Carrying Basket
Creator:
Ambrose Poynter, 1796–1886
Date:
ca. 1835
Materials & Techniques:
Watercolor and graphite with pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 3 7/8 × 5 5/16 inches (9.8 × 13.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

19. Little Red Riding Hood

Little Red Riding Hood
Creator:
Print made by imitator of George Baxter, 1804–1867
Date:
after 1856
Materials & Techniques:
Aquatint and stipple engraving; color woodcut done by Le Blond & Co. on moderately thick, slightly textured, cream wove paper, laid on mount
Dimensions:
Sheet: 7 1/16 × 5 1/8 inches (17.9 × 13 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20. Daniel O'Connell, Esqr.

Daniel O'Connell, Esqr.
Creator:
Print made by Robert Cooper, active ca. 1800–1836
Date:
1825
Materials & Techniques:
Line engraving, stipple engraving, crayon manner, and etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 5/16 × 4 7/8 inches (18.5 × 12.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21. Sir David Wilkie

Sir David Wilkie
Creator:
Print made by James Charles Armytage, 1802–1897
Date:
after 1829
Materials & Techniques:
Line engraving, stipple engraving, and etching on thick, slightly textured, beige wove paper
Dimensions:
Sheet: 17 1/16 x 11 3/4 inches (43.4 x 29.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22. Van Dyck et Son Protecteur le Comte de Bristol

Van Dyck et Son Protecteur le Comte de Bristol
Creator:
Leopold Flameng, 1831–1911
Date:
undated
Materials & Techniques:
Etching and drypoint on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 9 13/16 × 11 1/4 inches (25 × 28.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

23. Sir Godfrey Kneller

Sir Godfrey Kneller
Creator:
Print made by John Corner, 1788–1825
Date:
1821
Materials & Techniques:
Etching and engraving with chine collé on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 7/8 x 8 1/4 inches (27.6 x 20.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24. A Head Keeper, Windsor Castle, 1826

A Head Keeper, Windsor Castle, 1826
Creator:
John Frederick Lewis, 1804–1876
Date:
1826
Materials & Techniques:
Black chalk, red chalk, conté crayon, graphite and white chalk on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 11 1/4 x 8 1/4 inches (28.6 x 21 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25. Anne Page and Slender

Anne Page and Slender
Creator:
Robert Smirke, 1752–1845
Date:
1821
Materials & Techniques:
Pen and brown ink with brown wash and gouache over graphite with gum on moderately thick, slightly textured, cream wove paper pasted on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 3/8 x 4 7/16 inches (18.8 x 11.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26. Falstaff Instructing Bardolph

Falstaff Instructing Bardolph
Creator:
Robert Smirke, 1752–1845
Date:
1825
Materials & Techniques:
Pen and brown ink with brown wash and gouache over graphite with gum on moderately thick, slightly textured, cream wove paper pasted on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 6 x 4 1/2 inches (15.2 x 11.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

27. Lysander Awakening to See Helena

Lysander Awakening to See Helena
Creator:
Robert Smirke, 1752–1845
Date:
1825
Materials & Techniques:
Pen and brown ink with brown wash and gouache over graphite with gum on moderately thick, slightly textured, cream wove paper pasted on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 6 1/2 x 4 1/4 inches (16.5 x 10.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28. Studies for Shylock

Studies for Shylock
Creator:
Richard Parkes Bonington, 1802–1828
Date:
1825
Materials & Techniques:
Pen and brown ink on thin, slightly textured, cream laid paper joined to thin, slightly textured, cream laid paper, mounted on card
Dimensions:
Mount: 15 × 18 7/8 inches (38.1 × 47.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

29. Study of Boats on Shore

Study of Boats on Shore
Creator:
Cornelius Varley, 1781–1873
Date:
1829
Materials & Techniques:
Graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 16 1/2 x 10 1/2 inches (41.9 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

30. The Show

The Show
Creator:
Print made by Rowney & Forster, active 1820–1822
Date:
after 1821
Materials & Techniques:
Lithograph with hand coloring on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 8 3/4 × 12 1/4 inches (22.3 × 31.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

31. E. Edwards, Associate and Teacher of Perspective in the Royal Academy

E. Edwards, Associate and Teacher of Perspective in the Royal Academy
Creator:
Print made by Anthony Cardon, 1772–1813
Date:
1808
Materials & Techniques:
Stipple engraving and etching on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 11 15/16 x 9 5/16 inches (30.3 x 23.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32. John Greenhill

John Greenhill
Creator:
Print made by George T Doo, 1800–1886
Date:
undated
Materials & Techniques:
Etching and engraving with chine collé on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 12 3/16 x 8 11/16 inches (30.9 x 22.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

33. Scottish Scenes. Albanian Scenes.

No cover image available
Creator:
Bradshaw & Blacklock, active ca.1850
Date:
after 1850
Materials & Techniques:
Aquatint and stipple engraving, with color woodcut on moderately thick, slightly textured, cream wove paper cut into six scenes and mounted on moderately thick, smooth, cream wove paper
Dimensions:
Image: 2 15/16 x 13/16 inches (7.4 x 2.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

34. Scottish Scenes. Albanian Scenes.

No cover image available
Creator:
Bradshaw & Blacklock, active ca.1850
Date:
after 1850
Materials & Techniques:
Aquatint and stipple engraving, with color woodcut on moderately thick, slightly textured, cream wove paper cut into two rows of five scenes and mounted on moderately thick, smooth, cream wove paper
Dimensions:
Image: 2 7/8 x 7/8 inches (7.3 x 2.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

35. At Penshurst Kent (view with cloaked figure)

No cover image available
Creator:
David Simson, 1803–1874
Date:
1863
Materials & Techniques:
Watercolor, gouache, graphite, with pen and red ink on thick, rough, beige wove paper
Dimensions:
Sheet: 9 15/16 × 13 9/16 inches (25.2 × 34.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection