Credit Line: Yale Center for British Art, Paul Mellon Collection / Period: 19th century / Subject Terms: island

1. The Victory Returning from Trafalgar, in Three Positions

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: ca. 1803–6
Materials & Techniques:: Oil on canvas
Dimensions:: 26 3/8 x 39 1/2 inches (67 x 100.3 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

2. Staffa, Fingal's Cave

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: exhibited 1832
Materials & Techniques:: Oil on canvas
Dimensions:: 35 3/4 x 47 3/4 inches (90.8 x 121.3 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

3. Philae, Egypt

Creator:: Edward Lear, 1812–1888
Date:: 1863
Materials & Techniques:: Oil on canvas
Dimensions:: 10 13/16 x 21 inches (27.5 x 53.3 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

4. The Caledonian Coursing Meeting

Creator:: Richard Ansdell, 1815–1885
Date:: 1844
Materials & Techniques:: Oil on canvas
Dimensions:: 61 1/8 × 119 15/16 inches (155.3 × 304.6 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

5. Sandown Bay, from near Shanklin Chine, Isle of Wight

Creator:: John Glover, 1767–1849
Date:: ca. 1827
Materials & Techniques:: Oil on canvas
Dimensions:: 36 x 52 inches (91.4 x 132.1 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

6. The Giudecca, Venice

Creator:: David Roberts, 1796–1864
Date:: 1854
Materials & Techniques:: Oil on canvas
Dimensions:: 22 × 51 inches (55.9 × 129.5 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

7. St. Michael's Mount, Cornwall

Creator:: Thomas Creswick, 1811–1869
Date:: ca. 1838
Materials & Techniques:: Oil on panel
Dimensions:: 9 x 6 3/4 inches (22.9 x 17.1 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

8. Ailsa Craig

Creator:: William Bell Scott, 1811–1890
Date:: 1860
Materials & Techniques:: Oil on canvas
Dimensions:: 12 13/16 x 19 1/4 inches (32.5 x 48.9 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

9. The Summer Bower, Derwent Water

Creator:: Thomas Creswick, 1811–1869
Date:: ca. 1838
Materials & Techniques:: Oil on panel
Dimensions:: 9 x 7 inches (22.9 x 17.8 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

10. L'Ospedale Civile, Venice

Creator:: Walter Richard Sickert, 1860–1942
Date:: ca. 1901
Materials & Techniques:: Oil on canvas
Dimensions:: 26 x 18 1/2 inches (66 x 47 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

11. A View of Eton and the Fellows Eyot

Creator:: William James Muller, 1812–1845
Date:: ca. 1840
Materials & Techniques:: Oil on paper on panel
Dimensions:: 6 1/2 x 10 1/4 inches (16.5 x 26 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

12. Monaco at Sunset from the Southwest

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: 1838
Materials & Techniques:: Watercolor and scratching out on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 5 1/2 x 7 3/8 inches (14 x 18.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

13. Holy Island Cathedral

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1808
Materials & Techniques:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 1/2 × 16 7/8 inches (29.2 × 42.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

14. "To labours mighty, with vast strength..." (Plate 11)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief and white-line etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15. Water (Plate 4)

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Etching and engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 13 3/4 inches (34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16. "The Atlantic Mountains where Giants dwelt..." Chapter 2 Tailpiece (Plate 50)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief and white-line etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. The Flood

Creator:: Print made by Edward Calvert, 1799–1883
Date:: 1829
Materials & Techniques:: Lithograph on medium, smooth, cream wove paper
Dimensions:: Mount: 16 3/8 x 12 1/2 inches (41.6 x 31.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. The Flood

Creator:: Print made by Edward Calvert, 1799–1883
Date:: 1829
Materials & Techniques:: Lithograph on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 2 7/8 x 3 3/4 inches (7.3 x 9.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. View of Pont St. Michel, Taken from Pont Neuf

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Soft-ground etching, first engraver's proof, touched in graphite by the artist on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 15/16 x 16 1/2 inches (22.7 x 41.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. View of Pont Neuf, The Mint etc.

Creator:: Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Soft-ground etching and drypoint, engraver's proof on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 9 3/4 × 23 inches (24.8 × 58.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. Farne Island - Shipwreck

Creator:: Print made by James Tibbits Willmore, 1800–1863
Date:: 1853-1874
Materials & Techniques:: Etching and engraving with chine-collé; engraver's proof on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 1/4 × 12 7/8 inches (38.7 × 32.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. View on the River Liris at Isola di Sora

Creator:: Sir Richard Colt Hoare, 1758–1838
Date:: 1791
Materials & Techniques:: Graphite, pen and brown ink, and brown wash on moderately thick, moderately textured, cream laid paper mounted on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 15 9/16 x 21 1/8 inches (39.5 x 53.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. Pomare, Queen of Tahiti

Creator:: Print made by George Baxter, 1804–1867
Date:: 1845
Materials & Techniques:: Aquatint and stipple engraving with color woodcut on moderately thick, slightly textured, cream wove paper, laid on contemporary mount made of thick, smooth, discolored cream card
Dimensions:: Mount: 14 13/16 x 11 13/16 inches (37.6 x 30 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. George Pritchard, Her Britannic Majesty's Consul

Creator:: Print made by George Baxter, 1804–1867
Date:: 1845
Materials & Techniques:: Aquatint, stipple engraving, and etching with colored woodcut on moderately thick, slightly textured, cream wove paper
Dimensions:: Mount: 16 1/4 x 12 1/2 inches (41.2 x 31.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. The Reception of the Rev. J. Williams at Tanna in the South Seas, the Day before He Was Massacred

Creator:: Print made by George Baxter, 1804–1867
Date:: 1841
Materials & Techniques:: Stipple engraving, aquatint, and etching with woodcut on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 8 11/16 × 12 7/8 inches (22 × 32.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. St. Herbert's Chapel

Creator:: Print made by Henry Le Keux, 1787–1868
Date:: 1834
Materials & Techniques:: Etching and engraving; first published state on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 11 5/8 × 6 7/8 inches (29.5 × 17.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. The Bending Pillars at Staffa (from Smith's Geography)

Creator:: Alfred William Warren, active 1791–1809
Date:: 1810
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. On the Medway

Creator:: Print made by Miles Edmund Cotman, 1810–1858
Date:: ca. 1838
Materials & Techniques:: Etching on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 5 × 7 1/8 inches (12.7 × 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. Fingal's Cave, Staffa

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1834
Materials & Techniques:: Etching and engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 × 6 7/8 inches (25.4 × 17.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. Fingal's Cave, Staffa

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1833
Materials & Techniques:: Etching and engraving with chine collé; second state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 × 10 1/2 inches (36.8 × 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. The Mew Stone at the Entrance of Plymouth Sound

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1815
Materials & Techniques:: Etching and engraving with chine collé; engraver's proof on thick, moderately textured, cream wove paper
Dimensions:: Sheet: 11 × 16 5/16 inches (27.9 × 41.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. Adam and Eve

Creator:: attributed to John Martin, 1789–1854
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, graphite, and white gouache on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 2 1/8 x 2 3/4 inches (5.4 x 7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. The Mew Stone at the Entrance of Plymouth Sound

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1815
Materials & Techniques:: Etching and engraving; first published state on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 14 9/16 × 22 5/16 inches (37 × 56.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. The Mew Stone at the Entrance of Plymouth Sound

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1815
Materials & Techniques:: Etching; open etched state on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 5/8 × 16 inches (32.1 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. Clovelly Bay and Lundy Island

Creator:: Print made by William Miller, 1796–1882
Date:: 1824
Materials & Techniques:: Etching and engraving with chine collé; engraver's proof on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 5/8 × 17 5/8 inches (29.5 × 44.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. Clovelly Bay and Lundy Island

Creator:: Print made by William Miller, 1796–1882
Date:: 1814 to 1826
Materials & Techniques:: Etching with chine collé; open etched state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 5/8 × 16 inches (29.5 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. Clovelly Bay and Lundy Island

Creator:: Print made by William Miller, 1796–1882
Date:: 1814 to 1826
Materials & Techniques:: Etching and engraving with chine collé; engraver's proof (II) on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 × 16 7/8 inches (27.9 × 42.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. View of Castle Cornet, Guernsey, Channel Islands, with Shipping

Creator:: John Thomas Serres, 1759–1825
Date:: ca. 1800
Materials & Techniques:: Watercolor, pen and black ink, and graphite on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 9 3/8 x 26 1/4 inches (23.8 x 66.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. Riverside, St. Joseph

Creator:: Michel Jean Cazabon, 1813–1888
Date:: 1857
Materials & Techniques:: Pen and black ink, gray ink, gray wash, black wash, graphite, gouache and scratching out on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 7 1/8 × 10 1/8 inches (18.1 × 25.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. View from Laventille Hill

Creator:: Michel Jean Cazabon, 1813–1888
Date:: 1857
Materials & Techniques:: Pen and black ink, gray ink, gray wash, black wash, graphite, and gouache on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 × 10 inches (17.8 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. Los Gallos, Icacos Bay

Creator:: Michel Jean Cazabon, 1813–1888
Date:: 1857
Materials & Techniques:: Pen and black ink, gray ink, gray wash, black wash, graphite, gouache and scratching out on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 7 × 10 inches (17.8 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. Residence at Orange Grove Estate, Tacarigua

Creator:: Michel Jean Cazabon, 1813–1888
Date:: 1857
Materials & Techniques:: Pen and black ink, gray ink, gray wash, black wash, graphite and gouache on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 7 × 10 inches (17.8 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. Ross Castle

Creator:: Capt. Thomas Hastings, 1778–1854
Date:: 1841
Materials & Techniques:: Graphite and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/4 × 14 1/4 inches (26 × 36.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. O'Donoghue's Prison, 4 September 1841

Creator:: Capt. Thomas Hastings, 1778–1854
Date:: 1841
Materials & Techniques:: Graphite and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/4 × 14 1/4 inches (26 × 36.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. Karakakao Bay, Owhyee

Creator:: Matthew Dubourg, active 1786–1838
Date:: 1814
Materials & Techniques:: Aquatint, hand-colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. Innisfallen Abbey, 4 September 1841

Creator:: Capt. Thomas Hastings, 1778–1854
Date:: 1841
Materials & Techniques:: Graphite and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/4 × 14 1/4 inches (26 × 36.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. Fingal's Cave, Staffa

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1834
Materials & Techniques:: Etching with chine collé; open etched state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 3/4 × 11 inches (42.5 × 27.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. View of Frocklan Island

Creator:: William Daniell, 1769–1837
Date:: 1815
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 5/8 x 9 1/8 inches (16.8 x 23.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. From Loch Creran, Pass of Jura

Creator:: William Daniell, 1769–1837
Date:: 1815
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 1/8 × 9 1/8 inches (15.6 × 23.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. Shipping off Staffa

Creator:: Anthony Vandyke Copley Fielding, 1787–1855
Date:: 1842
Materials & Techniques:: Watercolor, pen, brown ink, gray ink, black ink, gouache, gum, and graphite, with scraping on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 12 1/4 × 16 3/8 inches (31.1 × 41.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. View of Macao

Creator:: George Chinnery, 1774–1852
Date:: between 1826 and 1852
Materials & Techniques:: Graphite and brown ink on smooth, moderately thick, cream wove paper
Dimensions:: Sheet: 15 1/4 × 23 7/8 inches (38.7 × 60.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. Near Weston-Super-Mare with Steep Holme Island

Creator:: George Cumberland, 1754–1848
Date:: 1816
Materials & Techniques:: Watercolor with pen and black ink and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 6 1/8 × 8 7/8 inches (15.6 × 22.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. Loch Scavaig, Isle of Skye

Creator:: William Daniell, 1769–1837
Date:: ca. 1819
Materials & Techniques:: Watercolor with gouache and scraping over graphite on medium, slightly textured, cream wove paper, pasted on very thick, slightly textured, cream card
Dimensions:: Mount: 9 1/8 × 13 3/8 inches (23.2 × 34 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. Isle Maguleonne Near Montpellier

Creator:: Charles Hamilton Smith, 1776–1859
Date:: undated
Materials & Techniques:: Watercolor and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 16 1/8 × 12 7/8 inches (41 × 32.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. Kilchurn Castle, Argyllshire

Creator:: William Leighton Leitch, 1804–1883
Date:: 1865
Materials & Techniques:: Watercolor, gouache, graphite, and scratching out on thick, textured, cream wove paper, mounted on wood
Dimensions:: Sheet: 26 × 40 inches (66 × 101.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

Refine your search

Search Constraints

Credit Line Yale Center for British Art, Paul Mellon Collection

Period 19th century

Subject Terms island

Search Results

1. The Victory Returning from Trafalgar, in Three Positions

2. Staffa, Fingal's Cave

3. Philae, Egypt

4. The Caledonian Coursing Meeting

5. Sandown Bay, from near Shanklin Chine, Isle of Wight

6. The Giudecca, Venice

7. St. Michael's Mount, Cornwall

8. Ailsa Craig

9. The Summer Bower, Derwent Water

10. L'Ospedale Civile, Venice

11. A View of Eton and the Fellows Eyot

12. Monaco at Sunset from the Southwest

13. Holy Island Cathedral

14. "To labours mighty, with vast strength..." (Plate 11)

15. Water (Plate 4)

16. "The Atlantic Mountains where Giants dwelt..." Chapter 2 Tailpiece (Plate 50)

17. The Flood

18. The Flood

19. View of Pont St. Michel, Taken from Pont Neuf

20. View of Pont Neuf, The Mint etc.

21. Farne Island - Shipwreck

22. View on the River Liris at Isola di Sora

23. Pomare, Queen of Tahiti

24. George Pritchard, Her Britannic Majesty's Consul

25. The Reception of the Rev. J. Williams at Tanna in the South Seas, the Day before He Was Massacred

26. St. Herbert's Chapel

27. The Bending Pillars at Staffa (from Smith's Geography)

28. On the Medway

29. Fingal's Cave, Staffa

30. Fingal's Cave, Staffa

31. The Mew Stone at the Entrance of Plymouth Sound

32. Adam and Eve

33. The Mew Stone at the Entrance of Plymouth Sound

34. The Mew Stone at the Entrance of Plymouth Sound

35. Clovelly Bay and Lundy Island

36. Clovelly Bay and Lundy Island

37. Clovelly Bay and Lundy Island

38. View of Castle Cornet, Guernsey, Channel Islands, with Shipping

39. Riverside, St. Joseph

40. View from Laventille Hill

41. Los Gallos, Icacos Bay

42. Residence at Orange Grove Estate, Tacarigua

43. Ross Castle

44. O'Donoghue's Prison, 4 September 1841

45. Karakakao Bay, Owhyee

46. Innisfallen Abbey, 4 September 1841

47. Fingal's Cave, Staffa

48. View of Frocklan Island

49. From Loch Creran, Pass of Jura

50. Shipping off Staffa

51. View of Macao

52. Near Weston-Super-Mare with Steep Holme Island

53. Loch Scavaig, Isle of Skye

54. Isle Maguleonne Near Montpellier

55. Kilchurn Castle, Argyllshire