<< YCBA Home Yale Center for British Art Yale Center for British Art << YCBA Home

YCBA Collections Search

Search Constraints

Start Over
You searched for:

Credit Line Yale Center for British Art, Paul Mellon Collection

Remove constraint Credit Line: Yale Center for British Art, Paul Mellon Collection

Period 19th century

Remove constraint Period: 19th century

Subject Terms talking

Remove constraint Subject Terms: talking

Search Results

Joseph Mallord William Turner Christ and the Woman of Samaria
Etched by Joseph Mallord William Turner, 1775–1851
Christ and the Woman of Samaria
1819
John Bruce Chain Pier at Brighton
Print made by John Bruce, fl. 1826
Chain Pier at Brighton
ca. 1830
John Crome Front of the New Mills
Print made by John Crome, 1768–1821
Front of the New Mills
1813
Robert Dixon Cottage at Diss
Robert Dixon, 1780–1815
Cottage at Diss
1811
Rose Joseph Lemercier La Conversation
Print made by Rose Joseph Lemercier, 1803–1887
La Conversation
1826
Richard Parkes Bonington Tour aux Archives a Vernon
Print made by Richard Parkes Bonington, 1802–1828
Tour aux Archives a Vernon
1824
Robert Smirke Viola and Olivia
Robert Smirke, 1752–1845
Viola and Olivia
1822
Robert Smirke Master William Page and Sir Hugh Evans
Robert Smirke, 1752–1845
Master William Page and Sir Hugh Evans
1821
Robert Smirke Hotspur and the Plotters at Bangor
Robert Smirke, 1752–1845
Hotspur and the Plotters at Bangor
1825
Robert Smirke Oberon and Puck
Robert Smirke, 1752–1845
Oberon and Puck
1825
Thomas Creswick The Terrace
Print made by Thomas Creswick, 1811–1869
The Terrace
ca. 1844
Bradshaw & Blacklock Set of Needle-Box Prints
Bradshaw & Blacklock, active ca.1850
Set of Needle-Box Prints
after 1850
Bradshaw & Blacklock Set of Needle-Box Prints
Bradshaw & Blacklock, active ca.1850
Set of Needle-Box Prints
after 1850
Benjamin Fawcett Scene Illustration: Milton's 'L'Allegro'
Print made by Benjamin Fawcett, 1808–1893
Scene Illustration: Milton's 'L'Allegro'
between 1860 and 1885
Henry Heath Extravaganza's of 1827
Print made by Henry Heath, active 1824–1835
Extravaganza's of 1827
1827
Bradshaw & Blacklock Eight Rural Subjects
Print made by Bradshaw & Blacklock, active ca.1850
Eight Rural Subjects
after 1850
Bradshaw & Blacklock Oriental Scenes
Print made by Bradshaw & Blacklock, active ca.1850
Oriental Scenes
after 1850
Bradshaw & Blacklock Albanian Scenes
Print made by Bradshaw & Blacklock, active ca.1850
Albanian Scenes
after 1850
George Baxter The Reception of the Rev. J. Williams at Tanna in the South Seas, the Day before He Was Massacred
Print made by George Baxter, 1804–1867
The Reception of the Rev. J. Williams at Tanna in the South Seas, the Day before He Was Massacred
1841
Bradshaw & Blacklock Ben Nevis
Print made by Bradshaw & Blacklock, active ca.1850
Ben Nevis
after 1850
Bradshaw & Blacklock Double Hairpin Set
Print made by Bradshaw & Blacklock, active ca.1850
Double Hairpin Set
after 1850
Henry Thomas Alken "Scraps", no. 32: Two Mamelukes Talking, One Mounted
Henry Thomas Alken, 1785–1851
"Scraps", no. 32: Two Mamelukes Talking, One Mounted
1823
Henry Thomas Alken A Gentleman Riding With a Groom, and Coversing
Henry Thomas Alken, 1785–1851
A Gentleman Riding With a Groom, and Coversing
undated
Edward Francis Finden View of Lichfield, The Birth Place of Dr. Samuel Johnson
Edward Francis Finden, 1791–1857
View of Lichfield, The Birth Place of Dr. Samuel Johnson
1835
John Doyle ('H.B.') Poking the Old Lion
Print made by John Doyle ('H.B.'), 1797–1868
Poking the Old Lion
1847
Thomas Mann Baynes The Opening of the Lecture Theatre of the Marylebone Literary and Scientific Institution, 4th March 1835
Print made by Thomas Mann Baynes, 1794–1854
The Opening of the Lecture Theatre of the Marylebone Literary and Scientific Institution, 4th March 1835
after 1835
Benjamin Comte Tynemouth Castle and Priory, Northumberland
Print made by Benjamin Comte, 1760–1851
Tynemouth Castle and Priory, Northumberland
1802
Robert Isaac Cruikshank A Correct Representation of Her Majesty Queen Caroline Returning from the House of Lords, 1820
Print made by Robert Isaac Cruikshank, 1789–1856
A Correct Representation of Her Majesty Queen Caroline Returning from the House of Lords, 1820
after 1820
Robert Barnes The Beehive
Print made by Robert Barnes, 1840–1895
The Beehive
1854
Robert Barnes Two Girls Under an Umbrella
Print made by Robert Barnes, 1840–1895
Two Girls Under an Umbrella
undated
William Day The High Street, Southampton
Print made by William Day, 1764–1807
The High Street, Southampton
1828
John Doyle ('H.B.') A Lecture on Elocution, the Professor Enforcing his Precepts by Example
Print made by John Doyle ('H.B.'), 1797–1868
A Lecture on Elocution, the Professor Enforcing his Precepts by Example
1847
John Doyle ('H.B.') A New Way to Drive Over an Old Road; Now Alas! Sadly out of Order
Print made by John Doyle ('H.B.'), 1797–1868
A New Way to Drive Over an Old Road; Now Alas! Sadly out of Order
1847
John Doyle ('H.B.') Rather Sharp Practice in Diplomacy, or a Curious Illustration of the "Entente Cordiale"
Print made by John Doyle ('H.B.'), 1797–1868
Rather Sharp Practice in Diplomacy, or a Curious Illustration of the "Entente Cordiale"
1847
John Doyle ('H.B.') Telemachus and Mentor
Print made by John Doyle ('H.B.'), 1797–1868
Telemachus and Mentor
1847
John Doyle ('H.B.') Materials for a Strong and Adhesive Government: A peep into the Lobby, on the Occasion of a Late Division.
Print made by John Doyle ('H.B.'), 1797–1868
Materials for a Strong and Adhesive Government: A peep into the Lobby, on the Occasion of a Late Division
1848
John Doyle ('H.B.') The Sibyl Presenting the Mysterious Writings to Tarquin, Who "With Gay Audacity" Rejects the Proferred Treasure
Print made by John Doyle ('H.B.'), 1797–1868
The Sibyl Presenting the Mysterious Writings to Tarquin, Who "With Gay Audacity" Rejects the Proferred Treasure
1849
John Doyle ('H.B.') A Strong Case for Shortening the Hours of Labour
Print made by John Doyle ('H.B.'), 1797–1868
A Strong Case for Shortening the Hours of Labour
1848
John Doyle ('H.B.') A Scene From the Farce of "The Critic," a Little Altered.
Print made by John Doyle ('H.B.'), 1797–1868
A Scene From the Farce of "The Critic," a Little Altered
1848
Samuel Prout Group of Four Seated Men
Samuel Prout, 1783–1852
Group of Four Seated Men
undated
William Henry Hunt Two Peasants by a Window
attributed to William Henry Hunt, 1790–1864
Two Peasants by a Window
undated
William Henry Hunt A Farmhouse
William Henry Hunt, 1790–1864
A Farmhouse
ca. 1817
Alexander Monro Classical Landscape
Alexander Monro, 1802–1844
Classical Landscape
undated
Robert Smirke Anne Page and Slender
Robert Smirke, 1752–1845
Anne Page and Slender
1821
Robert Smirke Falstaff Instructing Bardolph
Robert Smirke, 1752–1845
Falstaff Instructing Bardolph
1825
William Simpson Sebastopol, Sketched From The Deck of H. M. S. Sidon, Feb. 1855
William Simpson, 1823–1899
Sebastopol, Sketched From The Deck of H. M. S. Sidon, Feb. 1855
1855
Alfred Henry Forrester Very Fresh Fish
Print made by Alfred Henry Forrester, 1804–1872
Very Fresh Fish
undated
Day & Co. The High Street, Southampton
Print made by Day & Co., 1824–1913
The High Street, Southampton
1828
Joshua Cristall Country Folk Gathered Around a Cooking Pot
Joshua Cristall, 1768–1847
Country Folk Gathered Around a Cooking Pot
undated
Joshua Cristall Dover Pier
Joshua Cristall, 1768–1847
Dover Pier
ca. 1807
Joshua Cristall Dover Pier
Joshua Cristall, 1768–1847
Dover Pier
1807
Richard Dadd Settling the Disputed Point
Richard Dadd, 1817–1886
Settling the Disputed Point
1854
Bradshaw & Blacklock Ben Nevis
Print made by Bradshaw & Blacklock, active ca.1850
Ben Nevis
after 1850
Bradshaw & Blacklock Greek set
Bradshaw & Blacklock, active ca.1850
Greek set
after 1850