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Credit Line Yale Center for British Art, Paul Mellon Collection

Remove constraint Credit Line: Yale Center for British Art, Paul Mellon Collection

Period 19th century-20th century

Remove constraint Period: 19th century-20th century

Topic subjectplace ss United Kingdom

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Search Results

1. A Morning at Tattersalls (with further sketches in left margin folded over)

A Morning at Tattersalls (with further sketches in left margin folded over)
Creator:
Robert Polhill Bevan, 1865–1925
Date:
undated
Materials & Techniques:
Black chalk and colored washes on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 13 3/8 × 17 inches (34 × 43.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2. Over the Bank, Exmoor

Over the Bank, Exmoor
Creator:
Robert Polhill Bevan, 1865–1925
Date:
ca. 1895
Materials & Techniques:
Watercolor, pen and gray ink, and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 9 7/8 × 13 7/16 inches (25.1 × 34.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3. Romney Marsh

Romney Marsh
Creator:
Harold Gilman, 1876–1919
Date:
undated
Materials & Techniques:
Pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 4 1/2 × 5 5/8 inches (11.4 × 14.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. Romney Marsh

Romney Marsh
Creator:
Harold Gilman, 1876–1919
Date:
undated
Materials & Techniques:
Pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 4 7/8 × 5 5/8 inches (12.4 × 14.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. Evening with a Procession of Choir Boys Walking Towards Westminster Abbey

Evening with a Procession of Choir Boys Walking Towards Westminster Abbey
Creator:
Albert Goodwin, 1845–1932
Date:
undated
Materials & Techniques:
Watercolor and gouache with pen and brown ink and scratching out over graphite on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 1/16 x 14 3/4in. (25.6 x 37.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. St. John's College, Oxford

St. John's College, Oxford
Creator:
Alfred William Rich, 1856–1921
Date:
undated
Materials & Techniques:
Watercolor, graphite, and red pencil on thick, rough, cream wove paper
Dimensions:
Sheet: 9 1/2 × 11 7/8 inches (24.1 × 30.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. The Old Black Lion, Chelsea

The Old Black Lion, Chelsea
Creator:
Walter Greaves, 1846–1930
Date:
undated
Materials & Techniques:
Gray and brown wash with pen and gray and brown ink, over graphite on medium, smooth, beige wove paper
Dimensions:
Sheet: 10 1/2 x 8 3/16in. (26.7 x 20.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. Old Chelsea Church

Old Chelsea Church
Creator:
Walter Greaves, 1846–1930
Date:
undated
Materials & Techniques:
Gray and brown wash with pen and black and brown ink over graphite on Very thick, slightly textured, beige wove paper
Dimensions:
Sheet: 11 x 7 1/8in. (27.9 x 18.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. Tall-y-Llin Lake near Cader Idris

Tall-y-Llin Lake near Cader Idris
Creator:
Cecil Arthur Hunt, 1873–1965
Date:
undated
Materials & Techniques:
Watercolor on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 11 3/4 × 15 5/8 inches (29.8 × 39.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. Gloucestershire - a woman and child on a road bordering fields of ripe corn at Moreton-in-Marsh

Gloucestershire - a woman and child on a road bordering fields of ripe corn at Moreton-in-Marsh
Creator:
William John Chamberlayne, 1821–1910
Date:
undated
Materials & Techniques:
Graphite and watercolor with scratching out on moderately thick, rough, cream wove paper
Dimensions:
Sheet: 7 × 10 inches (17.8 × 25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. Funeral of the Late Duke of Wellington

Funeral of the Late Duke of Wellington
Creator:
Imitator of George Baxter, 1804–1867
Date:
after 1893
Materials & Techniques:
Aquatint and stipple engraving; color woodcut by Mockler on medium, slightly textured, cream wove paper, laid on contemporary mount made of thick, slightly textured, orange-beige wove card
Dimensions:
Mount: 8 7/8 x 6 5/16 inches (22.6 x 16 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. Funeral of the Late Duke of Wellington

Funeral of the Late Duke of Wellington
Creator:
Imitator of George Baxter, 1804–1867
Date:
after 1852
Materials & Techniques:
Aquatint and stipple engraving; color woodcut done by an unknown later printer on medium, slightly textured, cream wove paper, laid on contemporary mount made of thick, smooth, yellow card
Dimensions:
Mount: 7 1/2 x 5 1/2 inches (19.1 x 14 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13. The Stands at Epsom (drawn on an Australia Club invitation)

The Stands at Epsom (drawn on an Australia Club invitation)
Creator:
Sir Alfred J. Munnings, 1878–1959
Date:
undated
Materials & Techniques:
Graphite on medium, smooth, cream wove paper
Dimensions:
Sheet: 6 7/8 × 4 15/16 inches (17.5 × 12.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. Racehorses at Exercise, Possibly at Newmarket

Racehorses at Exercise, Possibly at Newmarket
Creator:
Gilbert Joseph Holiday, 1879 –1937
Date:
undated
Materials & Techniques:
Graphite on medium, slightly textured, cream wove paper
Dimensions:
Image: 3 1/4 × 5 13/16 inches (8.3 × 14.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

15. Funeral of the Late Duke of Wellington

Funeral of the Late Duke of Wellington
Creator:
Imitator of George Baxter, 1804–1867
Date:
after 1893
Materials & Techniques:
Aquatint and stipple engraving; color woodcut by Mockler on medium, slightly textured, cream wove paper, laid on contemporary mount made of thick, slightly textured, orange-beige wove card
Dimensions:
Mount: 9 x 6 5/16 inches (22.9 x 16 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16. Funeral of the Late Duke of Wellington

Funeral of the Late Duke of Wellington
Creator:
Imitator of George Baxter, 1804–1867
Date:
after 1852
Materials & Techniques:
Aquatint and stipple engraving; color woodcut done by an unknown later printer on medium, slightly textured, cream wove paper, laid on contemporary mount made of thick, smooth, yellow card
Dimensions:
Mount: 7 1/2 x 5 1/2 inches (19 x 14 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17. Funeral of the Late Duke of Wellington

Funeral of the Late Duke of Wellington
Creator:
Imitator of George Baxter, 1804–1867
Date:
after 1893
Materials & Techniques:
Aquatint and stipple engraving; color woodcut by Mockler on medium, slightly textured, cream wove paper, laid on contemporary mount made of thick, slightly textured, orange-beige wove card
Dimensions:
Mount: 8 7/8 x 6 inches (22.5 x 15.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18. Hoar Frost, Misty Morning: Glen Lyon

Hoar Frost, Misty Morning: Glen Lyon
Creator:
Charles Davidson, 1824–1902
Date:
undated
Materials & Techniques:
Watercolor over graphite on moderately thick, rough, cream wove paper
Dimensions:
Sheet: 9 3/16 x 16 13/16 inches (23.3 x 42.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

19. Balmoral Castle

Balmoral Castle
Creator:
Engraved by George Baxter, 1804–1867
Date:
after 1850
Materials & Techniques:
Aquatint and stipple engraving; color woodcut done by an unknown later printer on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 3 1/2 × 5 1/4 inches (8.9 × 13.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20. Balmoral Castle

Balmoral Castle
Creator:
Engraved by George Baxter, 1804–1867
Date:
after 1850
Materials & Techniques:
Aquatint and stipple engraving with later color woodcut additions on moderately thick, slightly textured, cream wove paper, laid on mount
Dimensions:
Sheet: 2 5/8 × 4 inches (6.6 × 10.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21. Balmoral Castle

Balmoral Castle
Creator:
Engraved by George Baxter, 1804–1867
Date:
after 1850
Materials & Techniques:
Aquatint and stipple engraving; hand coloring done by an unknown later printer on medium, smooth, cream wove paper laid on mount
Dimensions:
Sheet: 2 5/16 × 3 3/4 inches (5.8 × 9.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22. Funeral of the Late Duke of Wellington

Funeral of the Late Duke of Wellington
Creator:
Imitator of George Baxter, 1804–1867
Date:
after 1852
Materials & Techniques:
Aquatint and stipple engraving; color woodcut done by an unknown later printer on medium, slightly textured, cream wove paper, laid on contemporary mount made of thick, smooth, yellow card
Dimensions:
Mount: 7 1/2 x 5 9/16 inches (19 x 14.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

23. The North Gate, Carrickfergus

The North Gate, Carrickfergus
Creator:
Print made by unknown artist
Date:
undated
Materials & Techniques:
Collotype on medium, smooth beige newsprint
Dimensions:
Sheet: 6 5/16 × 4 3/4 inches (16 × 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24. Foxhunting in England

No cover image available
Creator:
Lionel Edwards, 1878–1966
Date:
undated
Materials & Techniques:
Watercolor, pen and brown ink, graphite, gouache, and gum arabic on very thick, smooth, cream wove paper
Dimensions:
Sheet: 5 1/16 × 10 inches (12.9 × 25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection