"Edward Young's 'The Complaint and The Consolation' or 'Night Thoughts'" London, by William Blake and Edward Young
1797
5
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 25, "Behold him, when past by; what then is seen"
ca. 1797
6
William Blake, 1757–1827
An Essay on Sculpture on a Series of Epistles to John Flaxman
1800
7
William Blake, 1757–1827
Illustrations of Imitation of Eclogue I, Frontispiece
1821
8
William Blake, 1757–1827
A Descriptive Catalog of Pictures, Poetical and Historical Inventions, Painted by William Blake in Water-Colours, Being the Ancient Method of Fresco Painting Restored, London
1809
9
William Blake, 1757–1827
Europe. A Prophecy, 1793 (printed 1795)
1793, printed 1795
10
William Blake, 1757–1827
Chaucer's Canterbury Pilgrims
1810 to 1820
11
William Blake, 1757–1827
Abraham and Isaac
1799 to 1800
12
William Blake, 1757–1827
Christ Giving Sight to Bartimaeus
1799 to 1800
13
William Blake, 1757–1827
Landscape with Spire
ca. 1801
14
William Blake, 1757–1827
The Entrance Front of Hayley's House at Eartham
1801
15
William Blake, 1757–1827
Joseph and Potiphar's Wife
1803 to 1805
16
William Blake, 1757–1827
An Angel with a Trumpet
between 1805 and 1808
17
William Blake, 1757–1827
A Visionary Head
1819 to 1820
18
William Blake, 1757–1827
The Parable of the Wise and Foolish Virgins
ca. 1825
19
William Blake, 1757–1827
The Man Sweeping the Interpreter's Parlour
ca. 1822
20
Print made by William Blake, 1757–1827
Pity
ca. 1795
21
William Blake, 1757–1827
The Widow Embracing Her Husband's Grave
1805 to 1808
22
William Blake, 1757–1827
Mary Magdalen at the Sepulchre
ca. 1805
23
William Blake, 1757–1827
Satan Approaching the Court of Chaos
1784 to 1785
24
William Blake, 1757–1827
Moses Receiving the Law
ca. 1780
25
William Blake, 1757–1827
Tiriel Supporting the Dying Myratana and Cursing His Sons
1786 to 1789
26
William Blake, 1757–1827
A Woody Landscape
ca. 1801
27
William Blake, 1757–1827
Five Visionary Heads of Women
1819 to 1820
28
William Blake, 1757–1827
Socrates, a Visionary Head
ca. 1820
29
William Blake, 1757–1827
Study for a Destroying Deity
1820 to 1825
30
William Blake, 1757–1827
An Essay on Sculpture on a Series of Epistles to John Flaxman
1800
31
William Blake, 1757–1827
An Essay on Sculpture on a Series of Epistles to John Flaxman
1800
32
William Blake, 1757–1827
Publius Virgilius Maro
1821
33
William Blake, 1757–1827
Beggar's Opera, Act III
c.1790
34
William Blake, 1757–1827
For the Sexes: The Gates of Paradise, London, 1826
1826
35
William Blake, 1757–1827
The [First] Book of Urizen
1794
36
William Blake, 1757–1827
For Children. The Gates of Paradise, London, by William Blake
1793
37
William Blake, 1757–1827
"Visions of the Daughters of Albion", London, by William Blake
1793
38
William Blake, 1757–1827
Illustrations of the Book of Job
1825
39
William Blake, 1757–1827
"There is No Natural Religion", London, by William Blake
ca. 1788
40
William Blake, 1757–1827
The Complaint and The Consolation: or Night Thoughts
ca. 1797
41
William Blake, 1757–1827
The Complaint and the Consolation; or Night Thoughts
1797
42
William Blake, 1757–1827
Songs of Innocence and of Experience
1789-1794
43
William Blake, 1757–1827
The Poems of Thomas Gray, Design 109, "Elegy Written in a Country Church-Yard."
between 1797 and 1798
44
William Blake, 1757–1827
The Poems of Thomas Gray, Design 11, "Ode on the Death of a Favourite Cat."
between 1797 and 1798
45
William Blake, 1757–1827
The Poems of Thomas Gray, Design 17, "Ode on a Distant Prospect of Eton College."
between 1797 and 1798
46
William Blake, 1757–1827
The Poems of Thomas Gray, Design 39, "Ode to Adversity."
between 1797 and 1798
47
William Blake, 1757–1827
The Poems of Thomas Gray, Design 45, "The Progress of Poesy."
between 1797 and 1798
48
William Blake, 1757–1827
The Poems of Thomas Gray, Design 7, "Ode on the Death of a Favourite Cat."
between 1797 and 1798
49
William Blake, 1757–1827
The Poems of Thomas Gray, Design 97, "Ode for Music."
between 1797 and 1798
50
Print made by William Blake, 1757–1827
Songs of Innocence, Plate 1, Frontispiece (Bentley 2)
1789
51
Print made by William Blake, 1757–1827
There Is No Natural Religion, Plate 1, Frontispiece (Bentley a1)
ca. 1788
52
Print made by William Blake, 1757–1827
There Is No Natural Religion, Plate 11, "II Reason or the ratio . . . . " (Bentley b4)
ca. 1788
53
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 12, "Thus Wept the Angel Voice...."
1793
54
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 13, "Fiery the Angels Rose...."
1793
55
Print made by William Blake, 1757–1827
Jerusalem, Plate 10, "Into the Furnaces...."
1804 to 1820
56
Print made by William Blake, 1757–1827
Jerusalem, Plate 100
1804 to 1820
57
Print made by William Blake, 1757–1827
Jerusalem, Plate 28 Proof Impression
ca. 1820
58
Print made by William Blake, 1757–1827
Europe. A Prophecy, Frontispiece Proof Impression
ca. 1820
59
Print made by William Blake, 1757–1827
Jerusalem, Plate 11, "To labours mighty...."
1804 to 1820
60
Print made by William Blake, 1757–1827
Jerusalem, Plate 13, "And that toward Eden...."
1804 to 1820
61
Print made by William Blake, 1757–1827
Jerusalem, Plate 14, "One hair nor particle of dust...."