Credit Line: Yale Center for British Art, Paul Mellon Collection / Genre: literary theme / Height [cm]: 22

1. Procris and Cephalus

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1812
Materials & Techniques:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/8 × 16 1/8 inches (28.3 × 41 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2. Jerusalem, Frontispiece (Plate 1)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: White-line etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3. "And that toward Eden, four..." (Plate 13)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

4. "Hampstead Highgate Finchley Hendon Muswell Hill..." (Plate 16)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

5. "O Vala! O Jerusalem! do you delight in my groans..." (Plate 21)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

6. "And there was heard a great lamenting in Beulah..."; Chapter 1 Tailpiece (Plate 25)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. "To the Jews..." (Plate 27)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

8. "Then the Divine Vision like a silent Sun..." (Plate 29)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9. "His western heaven with rocky clouds..." (Plate 31)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

10. "Leaning against the pillars..." (Plate 32)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11. "They saw their Wheels rising up poisonous..." (Plate 43)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12. "To decide Two Worlds with a great decision..." (Plate 65)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

13. "In awful pomp & gold, in all the precious unhewn stones of Eden..." (Plate 66)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

14. "And this the form of mighty Hand..." (Plate 70)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15. "And above Albions Land was seen the Heavenly Canaan..." (Plate 71)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16. "To the Christians..." (Plate 77)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. "My tents are fall'n! my pillars are in ruins!..." (Plate 79)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. "Rose up against me thundering..." (Plate 8)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. "Encompass'd by the frozen Net..." (Plate 80)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. "I have heard Jerusalems groans..." (Plate 82)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. "Corruptability appears upon thy limbs..." (Plate 83)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. Pan and Syrinx

Creator:: Print made by Sir Frank Short, 1857–1945
Date:: 1896
Materials & Techniques:: Etching, printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 12 1/8 × 17 inches (30.8 × 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. Pan and Syrinx

Creator:: Print made by Sir Frank Short, 1857–1945
Date:: 1896
Materials & Techniques:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/2 × 16 1/4 inches (29.2 × 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. Malvolio Dancing

Creator:: Robert Smirke, 1752–1845
Date:: 1827
Materials & Techniques:: Black ink with brown wash and oil on medium, smooth, cream wove paper
Dimensions:: Sheet: 5 1/8 x 3 7/8 inches (13 x 9.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. She Never Told Her Love, But Sat Like Patience on a Monument

Creator:: Robert Smirke, 1752–1845
Date:: 1827
Materials & Techniques:: Brown ink with brown wash and gouache and oil on medium, smooth, beige wove paper
Dimensions:: Sheet: 5 1/8 x 3 7/8 inches (13 x 9.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. Mrs. Frances Abington (née Barton) as Roxalana in "The Sultan"

Creator:: John Keyse Sherwin, c.1751–1790
Date:: 1791
Materials & Techniques:: Stipple engraving on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 9 5/8 × 7 9/16 inches (24.4 × 19.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. John Hawkesworth

Creator:: Niccoló Schiavonetti, 1771–1813
Date:: 1806
Materials & Techniques:: stipple engraving and line engraving on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 8 13/16 × 5 13/16 inches (22.4 × 14.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. The Pilgrimage of Childe Harold

Creator:: Print made by unknown artist
Date:: ca. 1879
Materials & Techniques:: Etching and engraving with chine-collé on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 8 1/2 × 11 5/8 inches (21.6 × 29.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. The Golden Bough

Creator:: Print made by unknown artist
Date:: ca. 1879
Materials & Techniques:: Etching and engraving with chine-collé on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 8 5/8 × 11 3/4 inches (21.9 × 29.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. The Bay of Baiæ, Apollo and the Sibyl

Creator:: Print made by unknown artist
Date:: ca. 1879
Materials & Techniques:: Etching and engraving with chine-collé on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 8 1/2 × 11 7/8 inches (21.6 × 30.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. Apollo and Daphne in the Vale of Tempe

Creator:: Print made by unknown artist
Date:: ca. 1879
Materials & Techniques:: Etching and engraving with chine-collé on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 8 5/8 × 11 3/4 inches (21.9 × 29.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. Dr. Joseph Warton

Creator:: Anthony Cardon, 1772–1813
Date:: undated
Materials & Techniques:: Stipple engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/8 × 8 13/16 inches (28.3 × 22.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. Dryburgh Abbey

Creator:: Print made by William Miller, 1796–1882
Date:: 1834
Materials & Techniques:: Etching and engraving with chine collé; engraver's proof (a) on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 1/2 × 13 1/2 inches (21.6 × 34.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. Melrose

Creator:: Print made by William Miller, 1796–1882
Date:: 1834
Materials & Techniques:: Etching and engraving with chine collé; engraver's proof (a) on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 1/2 × 13 1/2 inches (21.6 × 34.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. Bowes Tower

Creator:: Print made by Edward Webb, active 1805–1854
Date:: 1834
Materials & Techniques:: Etching and engraving, with graphite and scraping out; touched engraver's proof on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 3/4 × 6 inches (22.2 × 15.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. Field of Waterloo, with Lightning

Creator:: Print made by William Miller, 1796–1882
Date:: 1835
Materials & Techniques:: Etching and engraving; engraver's proof on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 5/8 × 13 1/4 inches (21.9 × 33.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. Col. Mannering, Hazlewood, and the Smugglers

Creator:: Print made by William Finden, 1787–1852
Date:: 1836
Materials & Techniques:: Etching and engraving; engraver's proof (b) on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 1/2 × 10 3/4 inches (21.6 × 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. The Fall of the Rebel Angels

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1835
Materials & Techniques:: Etching and engraving with chine-collé; first published state on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 17 1/8 × 11 5/8 inches (43.5 × 29.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. The Expulsion from Paradise

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1835
Materials & Techniques:: Etching and engraving with chine-collé; 1st published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 17 1/8 × 11 3/4 inches (43.5 × 29.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. Mustering of the Warrior Angels

Creator:: Print made by Robert Brandard, 1805–1862
Date:: 1835
Materials & Techniques:: Etching and engraving with chine-collé; 1st published state on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 17 1/4 × 11 3/4 inches (43.8 × 29.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. The Temptation on the Mountain

Creator:: Print made by John Cousen, 1804–1880
Date:: 1835
Materials & Techniques:: Etching and engraving; engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 17 1/4 × 11 7/8 inches (43.8 × 30.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. The Temptation on the Mountain

Creator:: Print made by John Cousen, 1804–1880
Date:: 1835
Materials & Techniques:: Etching and engraving, with graphite and scraping out; touched engraver's proof (b) on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 17 1/4 × 11 5/8 inches (43.8 × 29.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. Ludlow Castle, Rising of the Water-Nymphs

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1835
Materials & Techniques:: Etching and engraving with chine-collé; first published state on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 17 1/8 × 11 7/8 inches (43.5 × 30.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. The Temptation of the Pinnacle

Creator:: Print made by Frederick Bacon, 1803–1887
Date:: 1835
Materials & Techniques:: Etching and engraving with chine-collé; engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 17 1/8 × 11 3/4 inches (43.5 × 29.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. The Garden

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1839
Materials & Techniques:: Etching and engraving with chine-collé; engraver's proof on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 17 3/8 × 12 inches (44.1 × 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. The Chaplet

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1839
Materials & Techniques:: Etching and engraving with chine collé; engraver's proof on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 7/8 × 11 7/8 inches (42.9 × 30.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. The Ring

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1839
Materials & Techniques:: Etching and engraving with chine-collé; engraver's proof on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 7/8 × 11 7/8 inches (42.9 × 30.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. Joseph Baretti

Creator:: James Hardy, active 1770s
Date:: 1794
Materials & Techniques:: Stipple engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 3/8 × 8 3/4 inches (28.9 × 22.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. The Field of Waterloo from Hougoumont

Creator:: Print made by Edward Francis Finden, 1791–1857
Date:: 1833
Materials & Techniques:: Etching and engraving with chine collé; third state on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 11 3/8 × 8 5/8 inches (28.9 × 21.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. Scio (Fontana de Melek, Mehmet Pasha)

Creator:: Print made by Edward Francis Finden, 1791–1857
Date:: 1833
Materials & Techniques:: Etching and engraving with chine collé; third state on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 11 3/8 × 8 3/4 inches (28.9 × 22.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. Parnassus and Castalian Spring

Creator:: Print made by Edward Francis Finden, 1791–1857
Date:: 1833
Materials & Techniques:: Etching and engraving with chine collé on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 9 13/16 × 7 7/16 inches (24.9 × 18.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. Folkestone

Creator:: Print made by John Cousen, 1804–1880
Date:: 1844-1867
Materials & Techniques:: Etching and engraving with chine collé; engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 7/8 × 11 inches (37.8 × 27.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. St. Agatha's Abbey

Creator:: Print made by John Cousen, 1804–1880
Date:: 1844-1867
Materials & Techniques:: Etching and engraving with chine collé; engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 5/8 × 10 7/8 inches (37.1 × 27.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. Weird Sisters; Ministers of Darkness; Minions of the Moon (Thurlow, Pitt, and Dundas)

Creator:: James Gillray, 1756–1815
Date:: 1791
Materials & Techniques:: Etching and aquatint, hand-colored on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 9 13/16 × 13 3/4 inches (24.9 × 35 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. The School of Homer, Scio

Creator:: Print made by Edward Francis Finden, 1791–1857
Date:: 1833
Materials & Techniques:: Etching and engraving with chine collé; third state on medium, moderately textured, beige wove paper
Dimensions:: Sheet: 11 3/8 × 8 5/8 inches (28.9 × 21.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. Jane Shore

Creator:: Francesco Bartolozzi, 1728–1815
Date:: 1790
Materials & Techniques:: Stipple engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 3/4 x 6 1/2 inches (22.2 x 16.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. Imogen's Bedchamber in Cymbeline's Palace, 'Cymbeline,' Act II, Scene II

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: 1786
Materials & Techniques:: Mezzotint and etching on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 12 13/16 x 16 3/4 inches (32.5 x 42.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. Abbotsford

Creator:: Print made by William Miller, 1796–1882
Date:: 1841
Materials & Techniques:: Etching and engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 1/2 × 5 3/4 inches (21.6 × 14.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

59. Frontispiece to Pilgrim's Progress

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1838
Materials & Techniques:: Etching and engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 5/8 × 4 7/8 inches (21.9 × 12.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. Ludlow Castle, Rising of the Water-Nymphs

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1835
Materials & Techniques:: Etching and engraving with chine-collé on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 5/8 × 11 inches (42.2 × 27.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. The Ring

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1839
Materials & Techniques:: Etching and engraving with chine collé; engraver's proof on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 1/4 × 10 7/8 inches (41.3 × 27.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. The Garden

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1839
Materials & Techniques:: Etching and engraving with chine collé; engraver's proof on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 1/2 × 11 1/8 inches (41.9 × 28.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

63. The Nile

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1839
Materials & Techniques:: Etching and engraving with chine-collé; engraver's proof on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 5/8 × 11 1/8 inches (42.2 × 28.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. Lake of Nemi

Creator:: Print made by John Cousen, 1804–1880
Date:: ca. 1844
Materials & Techniques:: Etching and engraving with chine collé on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 5/8 × 10 7/8 inches (37.1 × 27.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

65. The Chaplet

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1839
Materials & Techniques:: Etching and engraving with chine-collé; engraver's proof on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 1/8 × 10 7/8 inches (41 × 27.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

66. Whitby

Creator:: Print made by John Cousen, 1804–1880
Date:: 1844-1867
Materials & Techniques:: Etching and engraving with chine collé; engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 5/8 × 10 3/4 inches (37.1 × 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

67. Tynemouth Priory

Creator:: Print made by William Miller, 1796–1882
Date:: 1844-1867
Materials & Techniques:: Etching and engraving with chine collé; engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 × 11 inches (36.8 × 27.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

68. The Abbey Pool

Creator:: Print made by John Cousen, 1804–1880
Date:: 1844-1867
Materials & Techniques:: Etching and engraving with chine collé; engraver's proof on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 14 5/8 × 10 7/8 inches (37.1 × 27.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

69. Phryne Going to the Bath as Venus

Creator:: Print made by James Baylis Allen, 1803–1876
Date:: between 1859 and 1861
Materials & Techniques:: Etching and engraving on moderately thick, smooth, beige wove paper
Dimensions:: Sheet: 12 1/4 × 8 3/4 inches (31.1 × 22.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

70. Carlisle

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1834
Materials & Techniques:: Etching with chine collé; open etched state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 5/8 × 11 3/4 inches (21.9 × 29.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

71. Caerlaverock Castle

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1834
Materials & Techniques:: Etching with chine collé; open etched state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 5/8 × 11 5/8 inches (21.9 × 29.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

72. Bowes Tower

Creator:: Print made by Edward Webb, active 1805–1854
Date:: 1834
Materials & Techniques:: Etching and engraving with chine collé on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 14 5/8 × 10 1/2 inches (37.1 × 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

73. Col. Mannering, Hazlewood, and the Smugglers

Creator:: Print made by William Finden, 1787–1852
Date:: 1836
Materials & Techniques:: Etching and engraving with chine-collé on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 8 5/8 × 11 inches (21.9 × 27.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

74. The Temptation on the Mountain

Creator:: Print made by John Cousen, 1804–1880
Date:: 1835
Materials & Techniques:: Etching and engraving with chine-collé; first state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 × 11 inches (40.6 × 27.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

75. A Garden

Creator:: Print made by William Miller, 1796–1882
Date:: 1834
Materials & Techniques:: Etching and engraving; engraver's proof (a) on moderately thick, slightly textured, cream wove paper with cream chine collé mounted on beige wove paper
Dimensions:: Sheet: 8 1/2 × 6 inches (21.6 × 15.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

76. An Old Manor House

Creator:: Print made by William Miller, 1796–1882
Date:: 1834
Materials & Techniques:: Etching and engraving with chine collé; engraver's proof on moderately thick, beige wove paper
Dimensions:: Sheet: 8 1/2 × 6 inches (21.6 × 15.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

77. Loch Lomond

Creator:: Print made by William Miller, 1796–1882
Date:: 1834
Materials & Techniques:: Etching and engraving with chine collé; early engraver's proof on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 8 5/8 × 6 3/4 inches (21.9 × 17.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

78. Scene from Quentin Durward

Creator:: Sir David Wilkie, 1785–1841
Date:: 1833
Materials & Techniques:: Brown ink with brown and gray wash over graphite on medium, smooth, cream wove paper, mounted on moderately thick, slightly textured, cream wove paper
Dimensions:: Mount: 8 1/2 × 11 1/4 inches (21.6 × 28.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

79. The Temptation on the Mountain

Creator:: Print made by John Cousen, 1804–1880
Date:: 1835
Materials & Techniques:: Etching and engraving with chine-collé; first published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 17 1/8 × 11 3/4 inches (43.5 × 29.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

80. Skiddaw

Creator:: Print made by William Miller, 1796–1882
Date:: 1834
Materials & Techniques:: Etching and engraving, with graphite, white chalk and scraping out; touched engraver's proof on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 1/2 × 13 1/2 inches (21.6 × 34.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

81. An Old Manor House

Creator:: Print made by William Miller, 1796–1882
Date:: 1834
Materials & Techniques:: Etching and engraving, with graphite, scraping out, and chine collé; touched engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 8 1/2 × 5 15/16 inches (21.6 × 15.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

82. Bemerside

Creator:: Print made by John Horsburgh, 1791–1869
Date:: 1834
Materials & Techniques:: Etching and engraving, with graphite and chine collé; touched engraver's proof (b) on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 5/8 × 6 3/8 inches (21.9 × 16.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

83. Mayburgh

Creator:: Print made by John Horsburgh, 1791–1869
Date:: 1834
Materials & Techniques:: Etching; open etched state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 17 1/4 × 11 3/4 inches (43.8 × 29.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

84. Loch Achray

Creator:: Print made by William Miller, 1796–1882
Date:: 1834
Materials & Techniques:: Etching with chine collé; open etched state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 17 1/4 × 11 5/8 inches (43.8 × 29.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

85. Bowes Tower

Creator:: Print made by Edward Webb, active 1805–1854
Date:: 1834
Materials & Techniques:: Etching and engraving; engraver's proof on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 3/4 × 6 inches (22.2 × 15.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

86. Abbotsford

Creator:: Print made by Henry Le Keux, 1787–1868
Date:: 1834
Materials & Techniques:: Etching and engraving with chine collé; engraver's proof (b) on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 × 10 7/8 inches (40.6 × 27.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

87. The Temptation of the Pinnacle

Creator:: Print made by Frederick Bacon, 1803–1887
Date:: 1835
Materials & Techniques:: Etching and engraving with chine-collé; first published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 17 1/8 × 11 7/8 inches (43.5 × 30.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

88. Battle of the Baltic

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1837
Materials & Techniques:: Etching and engraving, with graphite; touched engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 8 1/2 × 5 7/8 inches (21.6 × 14.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

89. Illustration to Pilgrim's Progress

Creator:: John Flaxman, 1755–1826
Date:: 1792
Materials & Techniques:: Black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 3/4 x 10 3/4 inches (22.2 x 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

90. The Soul Hovering over the Body reluctantly Parting with Life

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Binding: 16 inches (40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

91. The Counsellor, King, Warrior, Mother & Child, in the Tomb

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Binding: 16 inches (40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

92. The Counsellor, King, Warrior, Mother & Child, in the Tomb

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Binding: 14 1/2 inches (36.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

93. The Soul Hovering over the Body reluctantly Parting with Life

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Binding: 14 1/2 inches (36.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

94. The Soul Hovering over the Body reluctantly Parting with Life

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 13 1/2 × 20 1/4 inches (34.3 × 51.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

95. The Counsellor, King, Warrior, Mother & Child, in the Tomb

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 13 3/4 × 20 inches (34.9 × 50.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

96. The Nile

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1839
Materials & Techniques:: Etching and engraving with chine-collé on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 5/8 × 11 1/8 inches (42.2 × 28.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

Refine your search

Search Constraints

Credit Line Yale Center for British Art, Paul Mellon Collection

Genre literary theme

Height [cm] 22

Search Results

1. Procris and Cephalus

2. Jerusalem, Frontispiece (Plate 1)

3. "And that toward Eden, four..." (Plate 13)

4. "Hampstead Highgate Finchley Hendon Muswell Hill..." (Plate 16)

5. "O Vala! O Jerusalem! do you delight in my groans..." (Plate 21)

6. "And there was heard a great lamenting in Beulah..."; Chapter 1 Tailpiece (Plate 25)

7. "To the Jews..." (Plate 27)

8. "Then the Divine Vision like a silent Sun..." (Plate 29)

9. "His western heaven with rocky clouds..." (Plate 31)

10. "Leaning against the pillars..." (Plate 32)

11. "They saw their Wheels rising up poisonous..." (Plate 43)

12. "To decide Two Worlds with a great decision..." (Plate 65)

13. "In awful pomp & gold, in all the precious unhewn stones of Eden..." (Plate 66)

14. "And this the form of mighty Hand..." (Plate 70)

15. "And above Albions Land was seen the Heavenly Canaan..." (Plate 71)

16. "To the Christians..." (Plate 77)

17. "My tents are fall'n! my pillars are in ruins!..." (Plate 79)

18. "Rose up against me thundering..." (Plate 8)

19. "Encompass'd by the frozen Net..." (Plate 80)

20. "I have heard Jerusalems groans..." (Plate 82)

21. "Corruptability appears upon thy limbs..." (Plate 83)

22. Pan and Syrinx

23. Pan and Syrinx

24. Malvolio Dancing

25. She Never Told Her Love, But Sat Like Patience on a Monument

26. Mrs. Frances Abington (née Barton) as Roxalana in "The Sultan"

27. John Hawkesworth

28. The Pilgrimage of Childe Harold

29. The Golden Bough

30. The Bay of Baiæ, Apollo and the Sibyl

31. Apollo and Daphne in the Vale of Tempe

32. Dr. Joseph Warton

33. Dryburgh Abbey

34. Melrose

35. Bowes Tower

36. Field of Waterloo, with Lightning

37. Col. Mannering, Hazlewood, and the Smugglers

38. The Fall of the Rebel Angels

39. The Expulsion from Paradise

40. Mustering of the Warrior Angels

41. The Temptation on the Mountain

42. The Temptation on the Mountain

43. Ludlow Castle, Rising of the Water-Nymphs

44. The Temptation of the Pinnacle

45. The Garden

46. The Chaplet

47. The Ring

48. Joseph Baretti

49. The Field of Waterloo from Hougoumont

50. Scio (Fontana de Melek, Mehmet Pasha)

51. Parnassus and Castalian Spring

52. Folkestone

53. St. Agatha's Abbey

54. Weird Sisters; Ministers of Darkness; Minions of the Moon (Thurlow, Pitt, and Dundas)

55. The School of Homer, Scio

56. Jane Shore

57. Imogen's Bedchamber in Cymbeline's Palace, 'Cymbeline,' Act II, Scene II

58. Abbotsford

59. Frontispiece to Pilgrim's Progress

60. Ludlow Castle, Rising of the Water-Nymphs

61. The Ring

62. The Garden

63. The Nile

64. Lake of Nemi

65. The Chaplet

66. Whitby

67. Tynemouth Priory

68. The Abbey Pool

69. Phryne Going to the Bath as Venus

70. Carlisle

71. Caerlaverock Castle

72. Bowes Tower

73. Col. Mannering, Hazlewood, and the Smugglers