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Credit Line Yale Center for British Art, Paul Mellon Collection
Remove constraint Credit Line: Yale Center for British Art, Paul Mellon CollectionGenre literary theme
Remove constraint Genre: literary themeSubject Terms clouds
Remove constraint Subject Terms: cloudsSearch Results
1
- Susannah Maria Cibber (née Arne) as Cordelia
- 1755
- Not on view
2
- Gulliver Addressing the Houyhnhnms
- 1769
- Not on view
3
- A Procession of the Damned: Study for Dante's "Inferno"
- 1780s
- On view at YUAG
4
- Opening the Fold
- 1880
5
- Opening the Fold
- plate etched in 1880; impression printed in 1926
6
- Opening the Fold
- plate etched in 1880; impression printed in 1920
7
- The Fifth Plague of Egypt
- 1808
8
- 'Teaching, we learn; and giving, we retain' (Page 35)
- ca. 1797
9
- 'One radiant mark, – the death-bed of the just' (Page 41)
- ca. 1797
10
- Visions of the Daughters of Albion; Frontispiece (Plate 1)
- 1793
11
- Visions. "Enslav'd, the Daughters of Albion weep..." (Plate 4)
- 1793
12
- Visions of the Daughters of Albion; Title Page (Plate 2)
- 1793
13
- "But when the morn arose, her lamentation renewd..." (Plate 8)
- 1793
14
- "Why wilt thou give to her a Body..." (Plate 12)
- 1804 to 1820
15
- "One hair nor particle of dust..." (Plate 14)
- 1804 to 1820
16
- "But when they saw Albion fall'n..." (Plate 20)
- 1804 to 1820
17
- 'Swift on His Downy Pinion Flies from Woe' (Page 1)
- ca. 1797
18
- 'As if the sun could envy, check'd his beam' (Page 49)
- ca. 1797
19
- The Christian Triumph; Title Page
- ca. 1797
20
- 'His hand the good man fastens on the skies' (Page 86)
- ca. 1797
21
- 'The Sun beheld it – No, the shocking scene' (Page 75)
- ca. 1797
22
- Chapter V, "Two Nostrils bent down to the deep..." (Plate 11)
- 1794
23
- "Help! Help!" (Plate 12)
- 1826
24
- Chapter V, "Two Nostrils bent down to the deep..." (Plate 16)
- 1794
25
- Air (Plate 6)
- 1826
26
- "At length for hatching ripe he breaks the shell" (Plate 8)
- 1826
27
- "A wond'rous boy shall Rinda bear, Who ne'er shall comb his raven hair..." (Design 83)
- between 1797 and 1798
28
- A Genius Driving Away "Comus & his midnight-crew..." (Design 95)
- between 1797 and 1798
29
- "Leaning from her golden cloud, The venerable Marg'ret see!..." (Design 99)
- between 1797 and 1798
30
- The Lamb (Plate 8)
- 1789
31
- "What do I see! The Briton Saxon Roman Norman..." (Plate 92)
- 1804 to 1820
32
- 'Time, in advance, behind him hides his wings' (Page 24)
- 1797
33
- 'Swift on his downy pinion flies from woe' (Page 1)
- 1797
34
- 'One radiant mark, – the death-bed of the just' (Page 41)
- 1797
35
- 'As if the sun could envy, check'd his beam' (Page 49)
- 1797
36
- The Christian Triumph; Title Page
- 1797
37
- 'The Sun beheld it – No, the shocking scene' (Page 75)
- 1797
38
- 'His hand the good man fastens on the skies' (Page 86)
- 1797
39
- "To the Public. After my three years slumber..." (Plate 3)
- 1804 to 1820
40
- "His western heaven with rocky clouds..." (Plate 31)
- 1804 to 1820
41
- "Leaning against the pillars..." (Plate 32)
- 1804 to 1820
42
- Elizabeth. "Girt with many a Baron bold..." (Design 63)
- between 1797 and 1798
43
- "Headlong, from the mountain's height, Deep in the roaring tide he plung'd to endless night." (Design 65)
- between 1797 and 1798
44
- "They saw their Wheels rising up poisonous..." (Plate 43)
- 1804 to 1820
45
- "Bath, healing City!..." (Plate 45)
- 1804 to 1820
46
- "The Atlantic Mountains where Giants dwelt..." Chapter 2 Tailpiece (Plate 50)
- 1804 to 1820
47
- "And this the form of mighty Hand..." (Plate 70)
- 1804 to 1820
48
- "The Four Zoa's clouded rage..." (Plate 74)
- 1804 to 1820
49
- "To the Christians..." (Plate 77)
- 1804 to 1820
50
- Chapter 4. "The Spectres of Albions Twelve Sons..." (Plate 78)
- 1804 to 1820
51
- "Rose up against me thundering..." (Plate 8)
- 1804 to 1820
52
- "I have mock'd those who refused cruelty..." (Plate 81)
- 1804 to 1820
53
- "I have heard Jerusalems groans..." (Plate 82)
- 1804 to 1820
54
- "Corruptability appears upon thy limbs..." (Plate 83)
- 1804 to 1820
55
- 'Teaching, we learn; and giving, we retain' (Page 35)
- 1797
56
- "Oft did the harvest to their sickle yield..." (Design 109)
- between 1797 and 1798
57
- A Shepherd Reading the Epitaph (Design 115)
- between 1797 and 1798
58
- "O'er thy country hangs The scourge of Heav'n..." (Design 59)
- between 1797 and 1798
59
- Satan Approaching the Court of Chaos
- 1784 to 1785
60
- The Man Sweeping the Interpreter's Parlour
- ca. 1822
61
- Sleepest or Wakest Thou?
- ca. 1853
62
- Dog and the Shadow
- 1909
63
- Prospero Conjuring a Masque for Ferdinand and Miranda
- ca. 1810
64
- The Death of Ophelia
- ca. 1810
65
- The Day of Judgment
- 1808, published 1813
66
- The Death of the Good Old Man
- 1808, published 1813
67
- Twelfth Night, Act III, Scene IV: Olivia's House
- 1803
68
- Mr. Garrick and Miss Bellamy in the Characters of Romeo and Juliet
- 1753
69
- Falstaff Instructing Bardolph
- 1825
70
- Illustration to Homer's Iliad
- 1723
71
- Illustration to Tonson's Ovid Metamorphosis (three of four)
- ca. 1710
72
- Illustration to Tonson's Ovid Metamorphosis (one of four)
- ca. 1710
73
- Ashestiel
- 1835
74
- The Three Witches from Macbeth: Though the Bark Cannot be Lost..
- ca. 1781
75
- Ferdinand and Ariel
- ca. 1781
76
- A Scene in Ancient Rome: A Setting for Titus Andronicus, I, ii
- ca. 1830
77
- The Meeting of a Family in Heaven
- 1808
78
- The Day of Judgment
- 1808
79
- Pilgrim's Progress Illustrated, Uncut Panorama
- ca. 1820