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Credit Line Yale Center for British Art, Paul Mellon Collection

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Genre literary theme

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Subject Terms dead

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1. Imogen and the Shepherds, 'Cymbeline,' Act IV, scene II

Imogen and the Shepherds, 'Cymbeline,' Act IV, scene II
Creator:
James Smetham, 1821–1889
Date:
ca. 1874
Materials & Techniques:
Oil over ink on panel
Dimensions:
4 3/4 x 12 9/16 inches (12.1 x 31.9 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

2. 'Like that, the dial speaks; and points to thee' (Page 33)

'Like that, the dial speaks; and points to thee' (Page 33)
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3. "His Children exil'd from his breast..." (Plate 19)

"His Children exil'd from his breast..." (Plate 19)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. 'Emblem of that which shall awake the dead' (Page 19)

'Emblem of that which shall awake the dead' (Page 19)
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. Chapter IV, "Los smitten with astonishment..." (Plate 12)

Chapter IV, "Los smitten with astonishment..." (Plate 12)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. "I have said to the Worm: Thou art my mother & my sister" (Plate 18)

"I have said to the Worm: Thou art my mother & my sister" (Plate 18)
Creator:
Print made by William Blake, 1757–1827
Date:
1826
Materials & Techniques:
Etching and engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 13 3/4 inches (34.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. "We the reins to slaughter give..." (Design 73)

"We the reins to slaughter give..." (Design 73)
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. "Hurry, hurry, to the field!" Design 75)

"Hurry, hurry, to the field!" Design 75)
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. The Triumphs of Owen, A Fragment; Title Page

The Triumphs of Owen, A Fragment; Title Page
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. The Bard Singing Owen's Praise (Design 89)

The Bard Singing Owen's Praise (Design 89)
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. "Oft woo'd the gleam of Cynthia silver-bright... Where willowy Camus lingers with delight!..." (Design 97)

"Oft woo'd the gleam of Cynthia silver-bright... Where willowy Camus lingers with delight!..." (Design 97)
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. "Condens'd his Emanations..." (Plate 9)

"Condens'd his Emanations..." (Plate 9)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13. "Albion cold lays on his Rock..." (Plate 94)

"Albion cold lays on his Rock..." (Plate 94)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. 'Measuring his motions by revolving spheres' (Page 26)

'Measuring his motions by revolving spheres' (Page 26)
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

15. 'Like that, the dial speaks; and points to thee' (Page 33)

'Like that, the dial speaks; and points to thee' (Page 33)
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16. 'Death! great proprietor of all! 'tis thine' (Page 8)

'Death! great proprietor of all! 'tis thine' (Page 8)
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17. "And One stood forth from the Divine Family..." (Plate 37)

"And One stood forth from the Divine Family..." (Plate 37)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief and white-line etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18. "Cytherea's Day..." (Design 45)

"Cytherea's Day..." (Design 45)
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

19. The Bard, A Pindaric Ode; Title Page

The Bard, A Pindaric Ode; Title Page
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20. 'Till at Death's toll, whose restless iron tongue' (Page 7)

'Till at Death's toll, whose restless iron tongue' (Page 7)
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21. The Murder of Duncan - Macbeth with the Body (and Lady Macbeth Approaching)

The Murder of Duncan - Macbeth with the Body (and Lady Macbeth Approaching)
Creator:
Benjamin Robert Haydon, 1786–1846
Date:
between 1809 and 1811
Materials & Techniques:
Black chalk, pen and brown ink on moderately thick, slightly textured, cream laid paper pasted on thick, slightly textured, cream laid paper
Dimensions:
Sheet: 4 3/8 × 5 1/16 inches (11.1 × 12.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22. The Murder of Duncan - Macbeth with the Body (and Lady Macbeth Approaching)

The Murder of Duncan - Macbeth with the Body (and Lady Macbeth Approaching)
Creator:
Benjamin Robert Haydon, 1786–1846
Date:
between 1809 and 1811
Materials & Techniques:
Black chalk on moderately thick, slightly textured, cream laid paper pasted on thick, slightly textured, cream laid paper
Dimensions:
Sheet: 4 3/8 x 5 1/16in. (11.1 x 12.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

23. Richard III: Act IV, Scene III, Tower of London

Richard III: Act IV, Scene III, Tower of London
Creator:
Print made by William Skelton, 1763–1848
Date:
1795
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 29 3/8 × 20 1/8 inches (74.6 × 51.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24. Mr. Garrick and Miss Bellamy in the Characters of Romeo and Juliet

Mr. Garrick and Miss Bellamy in the Characters of Romeo and Juliet
Creator:
Simon François Ravenet, 1706–1774
Date:
1753
Materials & Techniques:
Line engraving and etching on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 16 7/8 × 21 5/8 inches (42.9 × 55 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25. Celadon and Amelia

Celadon and Amelia
Creator:
Print made by William Woollett, 1735–1785
Date:
1766
Materials & Techniques:
Line engraving and etching on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 18 1/8 x 22 1/4 inches (46 x 56.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26. Arviragus, Bearing Imogen as Dead in his Arms, 'Cymbeline', Act IV, Scene II

Arviragus, Bearing Imogen as Dead in his Arms, 'Cymbeline', Act IV, Scene II
Creator:
Mary Hoare, 1744–1820
Date:
1780
Materials & Techniques:
Watercolor with brown ink and scraping over graphite on moderately thick, slightly textured, cream wove paper mounted on moderately thick, slightly textured, cream laid paper with contemporary drawn border
Dimensions:
Mount: 14 5/8 x 16 9/16 inches (37.1 x 42 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection