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Credit Line Yale Center for British Art, Paul Mellon Collection

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Genre literary theme

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Subject Terms horses (animals)

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Sawrey Gilpin Gulliver Addressing the Houyhnhnms
Sawrey Gilpin, 1733–1807
Gulliver Addressing the Houyhnhnms
1769
Not on view
William Blake 'Love, and love only, is the loan for love' (Page 37)
Print made by William Blake, 1757–1827
'Love, and love only, is the loan for love' (Page 37)
ca. 1797
William Blake 'The Sun beheld it – No, the shocking scene' (Page 75)
Print made by William Blake, 1757–1827
'The Sun beheld it – No, the shocking scene' (Page 75)
ca. 1797
William Blake "We the reins to slaughter give..." (Design 73)
William Blake, 1757–1827
"We the reins to slaughter give..." (Design 73)
between 1797 and 1798
William Blake "Hurry, hurry, to the field!" Design 75)
William Blake, 1757–1827
"Hurry, hurry, to the field!" Design 75)
between 1797 and 1798
William Blake 'The Sun beheld it – No, the shocking scene' (Page 75)
Print made by William Blake, 1757–1827
'The Sun beheld it – No, the shocking scene' (Page 75)
1797
William Blake Sigtryg with the Silken Beard (Design 69)
William Blake, 1757–1827
Sigtryg with the Silken Beard (Design 69)
between 1797 and 1798
William Blake "Fell thirst and famine scowl A baleful smile upon their baffled guest..." (Design 61)
William Blake, 1757–1827
"Fell thirst and famine scowl A baleful smile upon their baffled guest..." (Design 61)
between 1797 and 1798
William Blake Pity
Print made by William Blake, 1757–1827
Pity
ca. 1795
Henry William Bunbury Overthrow of Dr. Slop
Print made by Henry William Bunbury, 1750–1811
Overthrow of Dr. Slop
between 1773 and 1817
Henry Thomas Alken An Illustration of C.J. Apperley ('Nimrod'), "The Life of a Sportsman": 'A Night Scene with Sir Thomas Mostyn'
Henry Thomas Alken, 1785–1851
An Illustration of C.J. Apperley ('Nimrod'), "The Life of a Sportsman": 'A Night Scene with Sir Thomas Mostyn'
1842
Henry Thomas Alken Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Meet: 'With Bright Faces and Merry Hearts'
Henry Thomas Alken, 1785–1851
Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Meet: 'With Bright Faces and Merry Hearts'
undated
Henry Thomas Alken Illustration for R.S. Surtees', "The Analysis of the Hunting Field:" Full Cry: 'Let's Keep the Lead'
Henry Thomas Alken, 1785–1851
Illustration for R.S. Surtees', "The Analysis of the Hunting Field:" Full Cry: 'Let's Keep the Lead'
undated
Henry Thomas Alken Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Check: 'What the Devil Do You Do Here..'
Henry Thomas Alken, 1785–1851
Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Check: 'What the Devil Do You Do Here..'
undated
Henry Thomas Alken Illustration for R.S. Surtees', "The Analysis of the Hunting Field": Getting Away: 'Let's Take the Lead'
Henry Thomas Alken, 1785–1851
Illustration for R.S. Surtees', "The Analysis of the Hunting Field": Getting Away: 'Let's Take the Lead'
undated
Henry Thomas Alken Illustration to R.S. Surtees', "Jorrocks's Jaunts and Jollities": 'Mr. Jorrocks Beats the Baron for Speed'
Henry Thomas Alken, 1785–1851
Illustration to R.S. Surtees', "Jorrocks's Jaunts and Jollities": 'Mr. Jorrocks Beats the Baron for Speed'
undated
Henry Thomas Alken Illustration to R.S. Surtees', "Jorrocks's Jaunts and Jollities": 'Mr. Jorrocks's Surprize on Seeing the Paris Diligence, "My Vig, Here's Wombwell's Wildbeast show" '
Henry Thomas Alken, 1785–1851
Illustration to R.S. Surtees', "Jorrocks's Jaunts and Jollities": 'Mr. Jorrocks's Surprize on Seeing the Paris Diligence, "My Vig, Here's Wombwell's Wildbeast show" '
undated
Robert Thew King Richard the Second, Act V, Scene II (The Entrance of King Richard & Bolingbroke into London)
Print made by Robert Thew, 1758–1802
King Richard the Second, Act V, Scene II (The Entrance of King Richard & Bolingbroke into London)
1801
Francesco Bartolozzi Gualtherus and Griselda
Print made by Francesco Bartolozzi, 1728–1815
Gualtherus and Griselda
1784
William Forrest Abbotsford
Print made by William Forrest, 1802–1889
Abbotsford
1836
unknown artist Illustration to Tonson's Ovid Metamorphosis (one of four)
unknown artist
Illustration to Tonson's Ovid Metamorphosis (one of four)
ca. 1710
unknown artist Illustration to Tonson's Ovid Metamorphosis (two of four)
unknown artist
Illustration to Tonson's Ovid Metamorphosis (two of four)
ca. 1710
Samuel Howitt Going Out in the Morning: an illustration for Captain Thomas Williamson's "Oriental Field Sports"
Samuel Howitt, 1756–1822
Going Out in the Morning: an illustration for Captain Thomas Williamson's "Oriental Field Sports"
1807
John Flaxman The Morn, All Beauteous to Behold, from Aeschylus, The Persians
after John Flaxman, 1755–1826
The Morn, All Beauteous to Behold, from Aeschylus, The Persians
undated
unknown artist Hudibras and Rolpho
unknown artist
Hudibras and Rolpho
undated
Joseph Michael Gandy A Scene in Ancient Rome: A Setting for Titus Andronicus, I, ii
Joseph Michael Gandy, 1771–1843
A Scene in Ancient Rome: A Setting for Titus Andronicus, I, ii
ca. 1830