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Credit Line Yale Center for British Art, Paul Mellon Collection
Remove constraint Credit Line: Yale Center for British Art, Paul Mellon CollectionGenre literary theme
Remove constraint Genre: literary themeSubject Terms woman
Remove constraint Subject Terms: womanSearch Results
1
- The Farmer's Wife and the Raven
- 1786
- Not on view
2
- The Horse
- ca. 1805
- Not on view
3
- David Garrick and Hannah Pritchard (née Vaughan) in Benjamin Hoadly's "The Suspicious Husband"
- 1747
- Not on view
4
- Study for 'The Red Cross Knight'
- ca. 1793
- Not on view
5
- Rinaldo and Armida
- 1771
- Not on view
6
- Scene from Shakespeare's "Henry IV, Part I"
- 1746
- Not on view
7
- The Homeward Star
- etching begun ca. 1880; impression printed in 1924
8
- The Homeward Star
- etching begun ca. 1880; impression printed in 1924
9
- The Homeward Star
- begun ca. 1880
10
- The Homeward Star
- etching begun ca. 1880; impression printed in 1924
11
- The Farmer's Wife and the Raven
- 1788
12
- Apuleia in Search of Apuleius
- between 1813 and 1823
13
- Procris and Cephalus
- 1812
14
- The Descent of Odin, An Ode; Title Page
- between 1797 and 1798
15
- "A wond'rous boy shall Rinda bear, Who ne'er shall comb his raven hair..." (Design 83)
- between 1797 and 1798
16
- "Hie thee hence, and boast at home..." (Design 85)
- between 1797 and 1798
17
- Ode for Music, Performed in the Senate-House; Title Page
- between 1797 and 1798
18
- "Oft woo'd the gleam of Cynthia silver-bright... Where willowy Camus lingers with delight!..." (Design 97)
- between 1797 and 1798
19
- "Leaning from her golden cloud, The venerable Marg'ret see!..." (Design 99)
- between 1797 and 1798
20
- A Cradle Song (Plate 18)
- 1789
21
- On Anothers Sorrow (Plate 24)
- 1789
22
- Introduction (Plate 3)
- 1789
23
- The Lamb (Plate 8)
- 1789
24
- 'We censure nature for a span too short' (Page 23)
- 1797
25
- 'Like that, the dial speaks; and points to thee' (Page 33)
- 1797
26
- 'As if the sun could envy, check'd his beam' (Page 49)
- 1797
27
- "At the chapel-door stand sentry... (Design 31)
- between 1797 and 1798
28
- There Is No Natural Religion; Frontispiece (Plate 1)
- ca. 1788
29
- "And above Albions Land was seen the Heavenly Canaan..." (Plate 71)
- 1804 to 1820
30
- "Nor fear the rocks, nor seek the shore..." (Design 101)
- between 1797 and 1798
31
- Elegy Written in a Country Church-Yard; Title Page
- between 1797 and 1798
32
- Ode on a Distant Prospect of Eton College; Title Page
- between 1797 and 1798
33
- A Long Story; Title Page
- between 1797 and 1798
34
- "The laughing flowers, that round them blow, Drink life and fragrance as they flow..." (Design 43)
- between 1797 and 1798
35
- The Battle of the Cataplasm
- between 1773 and 1817
36
- Procris and Cephalus
- 1864
37
- She Never Told Her Love, But Sat Like Patience on a Monument
- 1827
38
- Ferdinand Reunited with his Father
- 1821
39
- Feste, as Sir Topas, addressing Malvolio
- 1822
40
- Katherina and Grumio
- 1821
41
- Falstaff with Mistress Quickly and Bardolph
- 1825
42
- Master William Page and Sir Hugh Evans
- 1821
43
- The Death of Ophelia
- ca. 1810
44
- Rinaldo and Armida
- 1775
45
- Mrs. Frances Abington (née Barton) as Roxalana in "The Sultan"
- 1791
46
- The Death of Dido
- 1796
47
- Lovelace in Prison
- 1788
48
- The Reunion of the Soul & the Body
- 1808, published 1813
49
- The Soul Hovering over the Body reluctantly Parting with Life
- 1808, published 1813
50
- The Soul Exploring the Recesses of the Grave
- 1808, published 1813
51
- The Death of Cora
- 1788
52
- Ticket: Anacreontic Society Meeting
- 1779
53
- Mr. Garrick in "The Farmer's Return"
- 1766
54
- Miss Farren in the Character of Hermione
- 1781
55
- Thomas King and Sophia Baddely in "The Clandestine Marriage"
- 1772
56
- Mrs. Abington as Thalia
- ca. 1783
57
- Miss Anna Brunton
- 1785
58
- Gualtherus and Griselda
- 1784
59
- Alphonso and Aciloe
- 1788
60
- Celadon and Amelia
- 1782
61
- Imogen's Bedchamber in Cymbeline's Palace, 'Cymbeline,' Act II, Scene II
- 1786
62
- Ophelia: There's Rue for You, and Here's Some for Me
- 1784
63
- Mr. Garrick and Mrs. Pritchard, in the Tragedy of 'Macbeth.' Act II. Scene III
- 1776
64
- Mr. Garrick and Miss Bellamy in the Characters of Romeo and Juliet
- 1753
65
- Window West End, South Aisle, Saint Vincent
- undated
66
- Faust and Margaret
- undated
67
- Prospero Summoning Ariel
- ca. 1800
68
- Stephano, Trinculo and Caliban with Prospero's Magic Wardrobe
- 1821
69
- Anne Page and Slender
- 1821
70
- Illustration to Homer's Iliad
- 1723
71
- Mr. Edwin and Mrs. Wells in the Characters of Lingo and Cowslip
- ca. 1787
72
- St. Julienne's Chapel
- 1834
73
- Scene from Quentin Durward
- 1833
74
- Celadon and Amelia from Thomson's 'The Seasons'
- undated
75
- Ticket: Anacreontic Society Meeting
- 1773
76
- Mrs. Abington as Thalia
- 1783
77
- John Edwin and Mrs. Mary Wells as Lingo and Cowslip in "The Agreeable Surprise"
- 1787
78
- Ferdinand and Ariel
- ca. 1781
79
- Lady Macbeth, Sleepwalking
- 1781
80
- Prospero and Miranda
- 1781
81
- Ophelia's Death
- ca. 1781
82
- Lady Percy Watching the Sleeping Hotspur
- 1781
83
- Lear and Cordelia
- ca. 1781
84
- Imogen Entering the Cave, 'Cymbeline', Act III, Scene VI
- 1781
85
- Imogen in the Cave, 'Cymbeline', Act III, Scene VI
- 1782
86
- Death of the Strong Wicked Man
- 1808
87
- The Reunion of the Soul & the Body
- 1808
88
- A Woman Sitting by the Window (Evening thou Bringest All)
- 1802
89
- The Bay of Baiae - Apollo and the Sibyl
- between 1852 and 1856
90
- The Golden Bough
- 1856
91
- The Golden Bough
- 1856
92
- The Bay of Baiæ, Apollo and the Sibyl
- 1873
93
- The Meeting of a Family in Heaven
- 1808
94
- The Descent of Man into the Vale of Death
- 1808
95
- The Death of the Good Old Man
- 1808
96
- The Soul Hovering over the Body reluctantly Parting with Life
- 1808
97
- The Counsellor, King, Warrior, Mother & Child, in the Tomb
- 1808
98
- The Reunion of the Soul & the Body
- 1808
99
- The Meeting of a Family in Heaven
- 1808
100
- The Descent of Man into the Vale of Death
- 1808