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Credit Line Yale Center for British Art, Paul Mellon Collection
Remove constraint Credit Line: Yale Center for British Art, Paul Mellon CollectionGenre literary theme
Remove constraint Genre: literary themeSearch Results
901
- Lauretta
- 1776
902
- Hercules and Omphale
903
- The Snuff Box, Calais
- 1799
904
- The Shepherdess of the Alps
- 1776
905
- The Hours
- 1788
906
- Selim of the Shepherd's Moral
- 1788
907
- The Dead Ass, Nampont
- 1799
908
- Lodona
- 1792
909
- Vede di Mezzo il Fiume un Cavaliero..
- 1773
910
- ...Scuote, il Lembo Pieno; e Nella Torbida Onda..
- 1773
911
- A Plate from Orlando Furioso: Depicting Orlando and Rodomont Fighting
- 1773
912
- Lo Corse ad Abbracciare, e a Sargli Sesta..
- 1773
913
- In Quel Momento il Monte, e il Piano Scosse..
- 1773
914
- Angelica, e Medoro in Varj Modi..
- 1773
915
- E d'Uccider se Stesso in Pensier Venne..
- 1773
916
- Stava Ella Nel Sepolcro; e Quivi Attrita..
- 1773
917
- Illustration For The Book: Evelina, Or, The History Of A Young Lady's Entrance into The World
- 1778
918
- Sed Placidam Pueri Metuens Turbare Quietem, Fixit Vicinis Basia Mille Rosis
- 1778
919
- Title page: L'Amico' de Fanciulli, Vol. III
- 1788
920
- Illustration From Bell's Edition of The Poets of Great Britain
- ca. 1785
921
- Illustration from Bell's Edition of the Poets of Great Britain, Volume: CVII Churchill
- ca.1785
922
- Ophelia vide Hamlet, Act 4, Scene VII
- 1794
923
- Troilus and Cressida, Act 4, Scene II
- 1794
924
- As You Like It, Act IV, Orlando and Oliver
- 1788
925
- Soldier Kneeling On A Stone Embracing a Woman, Soldiers in Background
- undated
926
- Coriolanus, Act 5, Scene III
- 1783
927
- Illustration from Orlando Furioso: "Che deb'bo sar? che poss'io sar qui sola? / che mi da ajuto, oime, che mi consola?"
- 1773
928
- Cordelia
- 1784
929
- Sappho Embracing Love
- 1783
930
- Alexander and Nerina
- 1784
931
- The Freeing of Amoret
- 1792
932
- The Deserted Village
- 1795
933
- Where the Bee Sucks. The Tempest, Act V, Scene I, Ariel on a Hammock of Convolvulus
- 1853
934
- Vortigern And Rowena
- 1788
935
- Tancred and Erminia
- 1784
936
- Title page: Depicting Cupid, Venus, and Juno
- 1782
937
- Illustration from Bell's Edition of the Poets of Great Britain, Volume LXXXVII Hammond
- 1780
938
- Illustration from Bell's Edition of the Poets of Great Britain, Volume LXXIII, Mallet
- 1785
939
- David Garrick in the Character of 'Kitely'
- 1769
940
- L'Allegro
- undated
941
- Cecilia
- 1783
942
- My Son attend unto my Wisdom, and Bow Thine ear to my Understanding; Proverbs, Chapter V
943
- Chryseis Restored To Her Father
- 1786
944
- Death of Dido
945
- Jupiter and Io
- 1784
946
- Orlando Rescues Olympia From The Orca In The Island Ebuda
- 1768
947
- Polyhemus, Playing The Panpipes For Galatea
- 1783
948
- King Alboin Forcing Rosamund to Drink From The Skull of Her Murdered Father, Cunimund, King of the Gepids
- 1779
949
- Frontispiece to Volume II of a Book, Woman pointing to a Tablet on which is written "Sanchos letters"
- 1782
950
- Shakespeare's Tomb
- 1782
951
- The Birth of Shakespeare
- 1782
952
- Anthony and Cleopatra, Act 3, Scene II
- 1794
953
- Troilus and Crssida, Act 3, Scene II
- 1794
954
- Antony and Cleopatra, Act I, Scene II
- 1794
955
- King Lear, Act 4, Scene VII
- 1794
956
- Macbeth, Act I, Scene II
- 1784
957
- April
- 1790
958
- August
- 1793
959
- October
- 1793
960
- Poetry And History, Presenting Painting, With Subjects For Her Pencil
- 1794
961
- Palamon and Arcite
- 1790
962
- February
- 1793
963
- September
- 1793
964
- June
- 1789
965
- Vignette: Angel Holding Medallion Of Composer. G.F. Handel
- ca.1785
966
- Si Giacerebbe Inutile Per Terra Deserta Senza Frutto, E Senza Onore
- 1774
967
- May
- 1793
968
- July
- 1789
969
- Mrs. Cibber in the Character of Cordelia in Play of King Lear, Act III
![Robert Smirke Scenes from an Eastern Romance [Arabian Nights]](https://media.collections.yale.edu/thumbnail/ycba/95364f08-fc87-4e6e-901b-6a2cbe751cea)
970
- Scenes from an Eastern Romance [Arabian Nights]
- undated
971
- She Never Told Her Love, But Sat Like Patience on a Monument
- 1827
972
- Illustration for an Eastern Romance, possibly 'The Arabian Nights', with Two Male Figures Standing
- undated
973
- Death's Door
- 1808, published 1813
974
- The Soul Hovering over the Body reluctantly Parting with Life
- 1808, published 1813
975
- Robert Blair, The Grave, Title Page
- 1808, published 1813
976
- Death of the Strong Wicked Man
- 1808, published 1813
977
- Christ Descending into the Grave
- 1808, published 1813
978
- The Descent of Man into the Vale of Death
- 1808, published 1813
979
- The Reunion of the Soul & the Body
- 1808, published 1813
980
- The Meeting of a Family in Heaven
- 1808, published 1813
981
- The Day of Judgment
- 1808, published 1813
982
- The Counsellor, King, Warrior, Mother & Child, in the Tomb
- 1808, published 1813
983
- The Soul Exploring the Recesses of the Grave
- 1808, published 1813
984
- The Death of the Good Old Man
- 1808, published 1813
985
- Samuel Taylor Coleridge
- undated
986
- George Colman, The Elder
- 1813
987
- William Congreve Esq
- 1733
988
- Alexander Dow
- undated
989
- Samuel Foote
- 1771
990
- Mr. Garrick in the Character of Kitely
- 1769
991
- David Garrick Esq
- 1807
992
- Garrick Between Tragedy and Comedy (David Garrick)
- undated
993
- Matthew Prior
- 1728
994
- John Hawkesworth
- 1806
995
- The Pilgrimage of Childe Harold
- undated
996
- The Bay of Baiæ - Apollo and the Sibyl
- undated
997
- Apollo and Daphne in the Vale of Tempe
- 1879
998
- St. Mark's Place, Venice - Juliet and her Nurse
- 1842
999
- St. Mark's Place, Venice - Juliet and her Nurse
- 1842
1000
- Mrs. Frances Abington (née Barton) as Roxalana in "The Sultan"
- 1791