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Credit Line Yale Center for British Art, Paul Mellon Collection

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1. Bust of a Man

Bust of a Man
Creator:
Francis Harwood, 1726/7–1783
Date:
ca. 1758
Materials & Techniques:
Black limestone on a yellow marble socle
Dimensions:
Overall: 28 × 20 × 10 1/2 inches (71.1 × 50.8 × 26.7 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

2. Portrait of a Gentleman

Portrait of a Gentleman
Creator:
Richard Cosway, 1742–1821
Date:
undated
Materials & Techniques:
Watercolor and gouache on ivory
Dimensions:
Image: 2 1/8 x 1 7/8 inches (5.4 x 4.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3. Charles I, when Prince of Wales

Charles I, when Prince of Wales
Creator:
Peter Oliver, 1589–1647
Date:
between 1618 and 1621
Materials & Techniques:
gouache on vellum laid onto a playing card
Dimensions:
Sheet: 2 x 1 5/8 inches (5.1 x 4.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. Portrait of a man, probably Sir George Carew (ca.1504-1545)

Portrait of a man, probably Sir George Carew (ca.1504-1545)
Creator:
Attributed to Hans Holbein the Younger, ca. 1497–1543
Date:
ca. 1540
Materials & Techniques:
Gouache and gold on thin card
Dimensions:
Sheet: 1 13/16 inches (4.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Studies for the Instruction of Painters, two suites. Rome, c. 1630
Creator:
Print made by Oliverio Gatti, 1568–1651
Date:
undated
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Studies for the Instruction of Painters, two suites. Rome, c. 1630
Creator:
Print made by Oliverio Gatti, 1568–1651
Date:
undated
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Studies for the Instruction of Painters, two suites. Rome, c. 1630
Creator:
Print made by Oliverio Gatti, 1568–1651
Date:
undated
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Studies for the Instruction of Painters, two suites. Rome, c. 1630
Creator:
Print made by Oliverio Gatti, 1568–1651
Date:
undated
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Studies for the Instruction of Painters, two suites. Rome, c. 1630
Creator:
Print made by Oliverio Gatti, 1568–1651
Date:
undated
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Studies for the Instruction of Painters, two suites. Rome, c. 1630
Creator:
Print made by Oliverio Gatti, 1568–1651
Date:
undated
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Studies for the Instruction of Painters, two suites. Rome, c. 1630
Creator:
Print made by Oliverio Gatti, 1568–1651
Date:
undated
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Studies for the Instruction of Painters, two suites. Rome, c. 1630
Creator:
Print made by Oliverio Gatti, 1568–1651
Date:
undated
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Studies for the Instruction of Painters, two suites. Rome, c. 1630
Creator:
Print made by Francesco Curti, 1610–1690
Date:
ca. 1633
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Studies for the Instruction of Painters, two suites. Rome, c. 1630
Creator:
Print made by Francesco Curti, 1610–1690
Date:
ca. 1633
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

15. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Studies for the Instruction of Painters, two suites. Rome, c. 1630
Creator:
Print made by Francesco Curti, 1610–1690
Date:
ca. 1633
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Studies for the Instruction of Painters, two suites. Rome, c. 1630
Creator:
Print made by Francesco Curti, 1610–1690
Date:
ca. 1633
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Studies for the Instruction of Painters, two suites. Rome, c. 1630
Creator:
Print made by Francesco Curti, 1610–1690
Date:
ca. 1633
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Studies for the Instruction of Painters, two suites. Rome, c. 1630
Creator:
Print made by Oliverio Gatti, 1568–1651
Date:
undated
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

19. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Studies for the Instruction of Painters, two suites. Rome, c. 1630
Creator:
Print made by Oliverio Gatti, 1568–1651
Date:
undated
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Studies for the Instruction of Painters, two suites. Rome, c. 1630
Creator:
Print made by Oliverio Gatti, 1568–1651
Date:
undated
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Studies for the Instruction of Painters, two suites. Rome, c. 1630
Creator:
Print made by Oliverio Gatti, 1568–1651
Date:
undated
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Studies for the Instruction of Painters, two suites. Rome, c. 1630
Creator:
Print made by Oliverio Gatti, 1568–1651
Date:
undated
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

23. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Studies for the Instruction of Painters, two suites. Rome, c. 1630
Creator:
Print made by Oliverio Gatti, 1568–1651
Date:
undated
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Studies for the Instruction of Painters, two suites. Rome, c. 1630
Creator:
Print made by Oliverio Gatti, 1568–1651
Date:
undated
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Studies for the Instruction of Painters, two suites. Rome, c. 1630
Creator:
Print made by Oliverio Gatti, 1568–1651
Date:
undated
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Studies for the Instruction of Painters, two suites. Rome, c. 1630
Creator:
Print made by Oliverio Gatti, 1568–1651
Date:
undated
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

27. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Studies for the Instruction of Painters, two suites. Rome, c. 1630
Creator:
Print made by Oliverio Gatti, 1568–1651
Date:
undated
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Studies for the Instruction of Painters, two suites. Rome, c. 1630
Creator:
Print made by Oliverio Gatti, 1568–1651
Date:
undated
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

29. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Studies for the Instruction of Painters, two suites. Rome, c. 1630
Creator:
Print made by Oliverio Gatti, 1568–1651
Date:
undated
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

30. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Studies for the Instruction of Painters, two suites. Rome, c. 1630
Creator:
Print made by Francesco Curti, 1610–1690
Date:
ca. 1633
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

31. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Studies for the Instruction of Painters, two suites. Rome, c. 1630
Creator:
Print made by Francesco Curti, 1610–1690
Date:
ca. 1633
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Studies for the Instruction of Painters, two suites. Rome, c. 1630
Creator:
Print made by Francesco Curti, 1610–1690
Date:
ca. 1633
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

33. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Studies for the Instruction of Painters, two suites. Rome, c. 1630
Creator:
Print made by Francesco Curti, 1610–1690
Date:
ca. 1633
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

34. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Studies for the Instruction of Painters, two suites. Rome, c. 1630
Creator:
Print made by Francesco Curti, 1610–1690
Date:
ca. 1633
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

35. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Studies for the Instruction of Painters, two suites. Rome, c. 1630
Creator:
Print made by Francesco Curti, 1610–1690
Date:
ca. 1633
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Studies for the Instruction of Painters, two suites. Rome, c. 1630
Creator:
Print made by Francesco Curti, 1610–1690
Date:
ca. 1633
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Studies for the Instruction of Painters, two suites. Rome, c. 1630
Creator:
Print made by Francesco Curti, 1610–1690
Date:
ca. 1633
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

38. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Studies for the Instruction of Painters, two suites. Rome, c. 1630
Creator:
Print made by Francesco Curti, 1610–1690
Date:
ca. 1633
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

39. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Studies for the Instruction of Painters, two suites. Rome, c. 1630
Creator:
Print made by Francesco Curti, 1610–1690
Date:
ca. 1633
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

40. Studies for the Instruction of Painters, two suites. Rome

Studies for the Instruction of Painters, two suites. Rome
Creator:
Print made by Francesco Curti, 1610–1690
Date:
ca. 1633
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

41. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Studies for the Instruction of Painters, two suites. Rome, c. 1630
Creator:
Print made by Francesco Curti, 1610–1690
Date:
ca. 1633
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

42. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Studies for the Instruction of Painters, two suites. Rome, c. 1630
Creator:
Print made by Francesco Curti, 1610–1690
Date:
ca. 1633
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

43. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Studies for the Instruction of Painters, two suites. Rome, c. 1630
Creator:
Print made by Oliverio Gatti, 1568–1651
Date:
undated
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

44. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Studies for the Instruction of Painters, two suites. Rome, c. 1630
Creator:
Print made by Oliverio Gatti, 1568–1651
Date:
undated
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

45. Urbanus VI, Papa Neapolitanus

No cover image available
Creator:
Print made by Philippe Soye, active 1565–1568
Date:
1568
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 3/4 × 8 1/2 inches (29.8 × 21.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

46. Gregorius XII, Papa Venetus

No cover image available
Creator:
Print made by Philippe Soye, active 1565–1568
Date:
1568
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 3/4 × 8 1/2 inches (29.8 × 21.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

47. Frontispiece, Fratris Eremitae Augustiniani XXVII Pontificvm Maximorvm, Elogia et Imagines Accuratissime ad Uiuum Aeneis Typeis Delineatae

No cover image available
Creator:
Print made by Philippe Soye, active 1565–1568
Date:
1568
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 3/4 × 8 1/2 inches (29.8 × 21.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

48. Eugenius IIII, Papa Venetus

No cover image available
Creator:
Print made by Philippe Soye, active 1565–1568
Date:
1568
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 3/4 × 8 1/2 inches (29.8 × 21.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

49. Innocentius VII, Papa Sulmonensis

No cover image available
Creator:
Print made by Philippe Soye, active 1565–1568
Date:
1568
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 3/4 × 8 1/2 inches (29.8 × 21.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

50. Xystus IV, Papa Savonensis Ligur

No cover image available
Creator:
Print made by Philippe Soye, active 1565–1568
Date:
1568
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 3/4 × 8 1/2 inches (29.8 × 21.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

51. Calixtus III, Papa Valentinus Hispanus

No cover image available
Creator:
Print made by Philippe Soye, active 1565–1568
Date:
1568
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 3/4 × 8 1/2 inches (29.8 × 21.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

52. Paulus II, Papa Venetus

No cover image available
Creator:
Print made by Philippe Soye, active 1565–1568
Date:
1568
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 3/4 × 8 1/2 inches (29.8 × 21.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

53. Nicolaus V, Papa Sergianensis

No cover image available
Creator:
Print made by Philippe Soye, active 1565–1568
Date:
1568
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 3/4 × 8 1/2 inches (29.8 × 21.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

54. Innocentius VIII, Papa Genuensis

No cover image available
Creator:
Print made by Philippe Soye, active 1565–1568
Date:
1568
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 3/4 × 8 1/2 inches (29.8 × 21.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

55. Clemens VII, Papa Florentinus

No cover image available
Creator:
Print made by Philippe Soye, active 1565–1568
Date:
1568
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 3/4 × 8 1/2 inches (29.8 × 21.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

56. Pius IV, Papa Mediolanensis

No cover image available
Creator:
Print made by Philippe Soye, active 1565–1568
Date:
1568
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 3/4 × 8 1/2 inches (29.8 × 21.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

57. Martinus V, Papa Romanus

No cover image available
Creator:
Print made by Philippe Soye, active 1565–1568
Date:
1568
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 3/4 × 8 1/2 inches (29.8 × 21.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

58. Ioannes XXIII, Papa Neapolitanus

No cover image available
Creator:
Print made by Philippe Soye, active 1565–1568
Date:
1568
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 3/4 × 8 1/2 inches (29.8 × 21.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

59. Bonifacius IX, Papa Neapolitanus

No cover image available
Creator:
Print made by Philippe Soye, active 1565–1568
Date:
1568
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 3/4 × 8 1/2 inches (29.8 × 21.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

60. Alexander V, Papa Cretensis Graecus

No cover image available
Creator:
Print made by Philippe Soye, active 1565–1568
Date:
1568
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 3/4 × 8 1/2 inches (29.8 × 21.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

61. Pius II, Papa Senensis

No cover image available
Creator:
Print made by Philippe Soye, active 1565–1568
Date:
1568
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 3/4 × 8 1/2 inches (29.8 × 21.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

62. Felix IIII, dictus V Dux Sabaudiae

No cover image available
Creator:
Print made by Philippe Soye, active 1565–1568
Date:
1568
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 3/4 × 8 1/2 inches (29.8 × 21.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

63. Pius III, Papa Senensis

No cover image available
Creator:
Print made by Philippe Soye, active 1565–1568
Date:
1568
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 3/4 × 8 1/2 inches (29.8 × 21.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

64. Alexander VI, Papa Valentinus Hispanus

No cover image available
Creator:
Print made by Philippe Soye, active 1565–1568
Date:
1568
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 3/4 × 8 1/2 inches (29.8 × 21.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

65. Leo X, Papa Florentinus

No cover image available
Creator:
Print made by Philippe Soye, active 1565–1568
Date:
1568
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 3/4 × 8 1/2 inches (29.8 × 21.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

66. Iulius II, Papa Savonensis Ligur

No cover image available
Creator:
Print made by Philippe Soye, active 1565–1568
Date:
1568
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 3/4 × 8 1/2 inches (29.8 × 21.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

67. Paulus III, Pont Opt Max

No cover image available
Creator:
Print made by Philippe Soye, active 1565–1568
Date:
1568
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 3/4 × 8 1/2 inches (29.8 × 21.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

68. Iulius III, Papa Arretinus

No cover image available
Creator:
Print made by Philippe Soye, active 1565–1568
Date:
1568
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 3/4 × 8 1/2 inches (29.8 × 21.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

69. Adrianus VI, Papa Traiectensis Belga

No cover image available
Creator:
Print made by Philippe Soye, active 1565–1568
Date:
1568
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 3/4 × 8 1/2 inches (29.8 × 21.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

70. Marcellus II, Papa Politianensis Tuscus

No cover image available
Creator:
Print made by Philippe Soye, active 1565–1568
Date:
1568
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 3/4 × 8 1/2 inches (29.8 × 21.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

71. Paulus IV, Papa Neapolitanus

No cover image available
Creator:
Print made by Philippe Soye, active 1565–1568
Date:
1568
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 3/4 × 8 1/2 inches (29.8 × 21.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

72. Pius V, Papa Alexandrinus

No cover image available
Creator:
Print made by Philippe Soye, active 1565–1568
Date:
1568
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 3/4 × 8 1/2 inches (29.8 × 21.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

73. Gregorius XIII, Pon. Op. Max

No cover image available
Creator:
Print made by unknown artist
Date:
1568
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 3/4 × 8 1/2 inches (29.8 × 21.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

74. Onvphrii Panvinii Veronensis, Fratris Eremitae Augustiniani. XXVII Pontificvm Maximorvm, Elogia et Imagines Accuratissime ad Uiuum Aeneis Typeis Delineatae

No cover image available
Creator:
Prints made by Philippe Soye, active 1565–1568
Date:
1568
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 3/4 × 8 1/2 inches (29.8 × 21.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection