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Credit Line Yale Center for British Art, Paul Mellon Collection

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Genre religious and mythological subject

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Subject Terms man

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Sir James Thornhill A Sketch of Gratitude Crowned by Peace, with Other Allegorical Figures of Industry, Fame and Plenty
Sir James Thornhill, 1675–1734
A Sketch of Gratitude Crowned by Peace, with Other Allegorical Figures of Industry, Fame and Plenty
between 1712 and 1713
Not on view
Sir James Thornhill Jacob's Dream
Sir James Thornhill, 1675–1734
Jacob's Dream
1705
Not on view
John Frederick Lewis “And the Prayer of Faith Shall Save the Sick”
John Frederick Lewis, 1804–1876
“And the Prayer of Faith Shall Save the Sick”
1872
Not on view
Benjamin Robert Haydon Venus and Anchises
Benjamin Robert Haydon, 1786–1846
Venus and Anchises
1826
Not on view
Thomas Jones The Death of Orpheus
Landscape by Thomas Jones, 1742–1803
The Death of Orpheus
ca. 1770
Not on view
John Hamilton Mortimer Man attacking a monster
Attributed to John Hamilton Mortimer, 1740–1779
Man attacking a monster
between 1770 and 1780
Not on view
Sir Alfred Gilbert St. George
Sir Alfred Gilbert, 1854–1934
St. George
1891 to 1896
Not on view
Joseph Nollekens Adonis
Joseph Nollekens, 1737–1823
Adonis
1770s
Not on view
William Hogarth Hymen
William Hogarth, 1697–1764
Hymen
ca. 1748
Joseph Mallord William Turner Jason
Etched by Joseph Mallord William Turner, 1775–1851
Jason
1807
Joseph Mallord William Turner The Deluge
Print made by Joseph Mallord William Turner, 1775–1851
The Deluge
between 1813 and 1823
Joseph Mallord William Turner Apuleia in Search of Apuleius
Etched by Joseph Mallord William Turner, 1775–1851
Apuleia in Search of Apuleius
between 1813 and 1823
Joseph Mallord William Turner Christ and the Woman of Samaria
Etched by Joseph Mallord William Turner, 1775–1851
Christ and the Woman of Samaria
1819
Joseph Mallord William Turner Procris and Cephalus
Etched by Joseph Mallord William Turner, 1775–1851
Procris and Cephalus
1812
William Blake "Him the dog of darkness spied..." (Design 79)
William Blake, 1757–1827
"Him the dog of darkness spied..." (Design 79)
between 1797 and 1798
William Blake "A wond'rous boy shall Rinda bear, Who ne'er shall comb his raven hair..." (Design 83)
William Blake, 1757–1827
"A wond'rous boy shall Rinda bear, Who ne'er shall comb his raven hair..." (Design 83)
between 1797 and 1798
William Blake "Hie thee hence, and boast at home..." (Design 85)
William Blake, 1757–1827
"Hie thee hence, and boast at home..." (Design 85)
between 1797 and 1798
William Blake "Leaning from her golden cloud, The venerable Marg'ret see!..." (Design 99)
William Blake, 1757–1827
"Leaning from her golden cloud, The venerable Marg'ret see!..." (Design 99)
between 1797 and 1798
William Blake Songs of Innocence, Frontispiece (Plate 1)
Print made by William Blake, 1757–1827
Songs of Innocence, Frontispiece (Plate 1)
1789
William Blake 'Oft bursts my song beyond the bounds of life' (Page 16)
Print made by William Blake, 1757–1827
'Oft bursts my song beyond the bounds of life' (Page 16)
1797
William Blake 'Emblem of that which shall awake the dead' (Page 19)
Print made by William Blake, 1757–1827
'Emblem of that which shall awake the dead' (Page 19)
1797
William Blake 'We censure nature for a span too short' (Page 23)
Print made by William Blake, 1757–1827
'We censure nature for a span too short' (Page 23)
1797
William Blake 'Time, in advance, behind him hides his wings' (Page 24)
Print made by William Blake, 1757–1827
'Time, in advance, behind him hides his wings' (Page 24)
1797
William Blake 'Measuring his motions by revolving spheres' (Page 26)
Print made by William Blake, 1757–1827
'Measuring his motions by revolving spheres' (Page 26)
1797
William Blake 'Like that, the dial speaks; and points to thee' (Page 33)
Print made by William Blake, 1757–1827
'Like that, the dial speaks; and points to thee' (Page 33)
1797
William Blake 'As if the sun could envy, check'd his beam' (Page 49)
Print made by William Blake, 1757–1827
'As if the sun could envy, check'd his beam' (Page 49)
1797
William Blake 'This King of Terrors is the Prince of Peace' (Page 63)
Print made by William Blake, 1757–1827
'This King of Terrors is the Prince of Peace' (Page 63)
1797
William Blake 'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)
Print made by William Blake, 1757–1827
'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)
1797
William Blake 'The Sun beheld it – No, the shocking scene' (Page 75)
Print made by William Blake, 1757–1827
'The Sun beheld it – No, the shocking scene' (Page 75)
1797
William Blake 'The thunder, if in that the Almighty dwells' (Page 80)
Print made by William Blake, 1757–1827
'The thunder, if in that the Almighty dwells' (Page 80)
1797
William Blake 'His hand the good man fastens on the skies' (Page 86)
Print made by William Blake, 1757–1827
'His hand the good man fastens on the skies' (Page 86)
1797
William Blake 'If angels tremble, 'tis at such a sight' (Page 93)
Print made by William Blake, 1757–1827
'If angels tremble, 'tis at such a sight' (Page 93)
1797
William Blake Poems by Mr. Gray; Title Page
William Blake, 1757–1827
Poems by Mr. Gray; Title Page
between 1797 and 1798
William Blake "Headlong, from the mountain's height, Deep in the roaring tide he plung'd to endless night." (Design 65)
William Blake, 1757–1827
"Headlong, from the mountain's height, Deep in the roaring tide he plung'd to endless night." (Design 65)
between 1797 and 1798
William Blake Sigtryg with the Silken Beard (Design 69)
William Blake, 1757–1827
Sigtryg with the Silken Beard (Design 69)
between 1797 and 1798
William Blake Chapter 4 Frontispiece (Plate 76)
Print made by William Blake, 1757–1827
Chapter 4 Frontispiece (Plate 76)
1804 to 1820
William Blake 'Teaching, we learn; and giving, we retain' (Page 35)
Print made by William Blake, 1757–1827
'Teaching, we learn; and giving, we retain' (Page 35)
1797
William Blake "Nor fear the rocks, nor seek the shore..." (Design 101)
William Blake, 1757–1827
"Nor fear the rocks, nor seek the shore..." (Design 101)
between 1797 and 1798
William Blake A Shepherd Reading the Epitaph (Design 115)
William Blake, 1757–1827
A Shepherd Reading the Epitaph (Design 115)
between 1797 and 1798
William Blake Ode on the Spring; Title Page
William Blake, 1757–1827
Ode on the Spring; Title Page
between 1797 and 1798
William Blake Ode to Adversity; Title Page
William Blake, 1757–1827
Ode to Adversity; Title Page
between 1797 and 1798
William Blake The Progress of Poesy, A Pindaric Ode; Title Page
William Blake, 1757–1827
The Progress of Poesy, A Pindaric Ode; Title Page
between 1797 and 1798
William Blake "Cytherea's Day..." (Design 45)
William Blake, 1757–1827
"Cytherea's Day..." (Design 45)
between 1797 and 1798
William Blake "Where shaggy forms o'er ice-built mountains roam..." (Design 47)
William Blake, 1757–1827
"Where shaggy forms o'er ice-built mountains roam..." (Design 47)
between 1797 and 1798
William Blake "Brush'd by the hand of rough Mischance, Or chill'd by Age..." (Design 5)
William Blake, 1757–1827
"Brush'd by the hand of rough Mischance, Or chill'd by Age..." (Design 5)
between 1797 and 1798
William Blake The Bard, A Pindaric Ode; Title Page
William Blake, 1757–1827
The Bard, A Pindaric Ode; Title Page
between 1797 and 1798
William Blake The Bard Weaving Edwards Fate (Design 55)
William Blake, 1757–1827
The Bard Weaving Edwards Fate (Design 55)
between 1797 and 1798
William Blake Moses Receiving the Law
William Blake, 1757–1827
Moses Receiving the Law
ca. 1780
William Blake An Angel with a Trumpet
William Blake, 1757–1827
An Angel with a Trumpet
between 1805 and 1808
William Blake Study for a Destroying Deity
William Blake, 1757–1827
Study for a Destroying Deity
1820 to 1825
George Romney The Bath of Bath-sheba
George Romney, 1734–1802
The Bath of Bath-sheba
early 1770s
George Romney A Mother with Her Child in Her Arms Flying upon the Ramparts of a City in Flames
George Romney, 1734–1802
A Mother with Her Child in Her Arms Flying upon the Ramparts of a City in Flames
undated
Robert Smirke Allegorical Scene
Robert Smirke, 1752–1845
Allegorical Scene
undated
James McArdell Thomas Ashton D.D.
James McArdell, ca. 1729–1765
Thomas Ashton D.D
1756
James Barry Repose in Egypt
Print made by James Barry, 1741–1806
Repose in Egypt
ca. 1776
James Barry Repose in Egypt
Print made by James Barry, 1741–1806
Repose in Egypt
ca. 1776
William Nutter Sunday Morning, A Cottage Family Going to Church
William Nutter, 1754–1802
Sunday Morning, A Cottage Family Going to Church
1795
M. Gauci William Howley, Archbishop of Canterbury
M. Gauci, 1810–1846
William Howley, Archbishop of Canterbury
1839
Thomas Goff Lupton Procris and Cephalus
Print made by Thomas Goff Lupton, 1791–1873
Procris and Cephalus
1864
Thomas Burke Cupid and Cephisa: "Cephisa says, we ought to cut the Wings of Love..."
Print made by Thomas Burke, 1749–1815
Cupid and Cephisa: "Cephisa says, we ought to cut the Wings of Love..."
1789
John Martin Death of the First Born
John Martin, 1789–1854
Death of the First Born
1836
John Martin The Crucifixion
John Martin, 1789–1854
The Crucifixion
1834
John Martin The Deluge
Print made by John Martin, 1789–1854
The Deluge
1828
John Martin Marcus Curtius
John Martin, 1789–1854
Marcus Curtius
Thomas Beard Hugh Boulter, Archbishop of Armagh
Thomas Beard, op. 1728?
Hugh Boulter, Archbishop of Armagh
1728
Edward Fisher Lord Archbishop of Canterbury
Edward Fisher, 1722–1785
Lord Archbishop of Canterbury
1769
Pieter S. van der Gunst Thomas Cranmer
Pieter S. van der Gunst, 1659–c. 1724
Thomas Cranmer
undated
Robert Dunkarton Reverend John Fisher, Bishop of Salisbury
Robert Dunkarton, 1744–1811
Reverend John Fisher, Bishop of Salisbury
1811
John Smith, the mezzotinter Reverend Edward Fowler, Lord Bishop of Gloucester
John Smith, the mezzotinter, 1652–1743
Reverend Edward Fowler, Lord Bishop of Gloucester
1717
Pieter S. van der Gunst Thomas Wolsey
Pieter S. van der Gunst, 1659–c. 1724
Thomas Wolsey
undated
Edward Fisher Lord Archbishop of Canterbury
Edward Fisher, 1722–1785
Lord Archbishop of Canterbury
1769
James Basire Benjamin Hoadly, Bishop of Winchester
Print made by James Basire, 1730–1802
Benjamin Hoadly, Bishop of Winchester
1771
John Jones Reverend John Moore, Lord Archbishop of Canterbury
John Jones, ca. 1745–1797
Reverend John Moore, Lord Archbishop of Canterbury
1792
James Watson The Right Reverent Thomas Newton, D.D.
James Watson, 1740–1790
The Right Reverent Thomas Newton, D.D
1776
unknown artist Oliver Plunket
unknown artist
Oliver Plunket
1790
Charles Picart Reverend Beilby Porteus, Lord Bishop of London
Charles Picart, c.1780–1837
Reverend Beilby Porteus, Lord Bishop of London
1809
George Vertue Johannes Potter, Archiepiscopus Cantuariensis
George Vertue, 1684–1756
Johannes Potter, Archiepiscopus Cantuariensis
1741
Charles Turner Beilby Porteus, Bishop of London
Charles Turner, 1774–1857
Beilby Porteus, Bishop of London
1807
unknown artist William Robertson
unknown artist
William Robertson
1799
John Dixon William Robertson
John Dixon, ca. 1740–1811
William Robertson
1772
Richard Houston Richard Robinson, Bishop of Kildare
Richard Houston, ca. 1721–1775
Richard Robinson, Bishop of Kildare
1764
John Smith, the mezzotinter Henricus Sacheverell
John Smith, the mezzotinter, 1652–1743
Henricus Sacheverell
1710
James McArdell Dr. Thomas Sherlock, Lord Bishop of London
James McArdell, ca. 1729–1765
Dr. Thomas Sherlock, Lord Bishop of London
1757
James McArdell Thomas Secker, Lord Bishop of Oxford
James McArdell, ca. 1729–1765
Thomas Secker, Lord Bishop of Oxford
1747
John Raphael Smith Reverend Jonathan Shipley, Bishop of St. Asaph
John Raphael Smith, 1752–1812
Reverend Jonathan Shipley, Bishop of St. Asaph
1777
Thomas Trotter Jonathan Shipley, Bishop of St. Asaph
Thomas Trotter, ca. 1750–1803
Jonathan Shipley, Bishop of St. Asaph
1792
Simon François Ravenet Isaac Watts
Simon François Ravenet, 1706–1774
Isaac Watts
undated
Charles Turner Hon. James Yorke, Bishop of Ely
Charles Turner, 1774–1857
Hon. James Yorke, Bishop of Ely
1810
Benjamin Robert Haydon Study of the Pieta
Benjamin Robert Haydon, 1786–1846
Study of the Pieta
undated
Benjamin Robert Haydon Study of the Resurrection of Lazarus
Benjamin Robert Haydon, 1786–1846
Study of the Resurrection of Lazarus
undated
Benjamin Robert Haydon Study For, Christ's Entry into Jerusalem
Benjamin Robert Haydon, 1786–1846
Study For, Christ's Entry into Jerusalem
1810 to 1820
Luigi Schiavonetti Christ Descending into the Grave
Print made by Luigi Schiavonetti, 1765–1810
Christ Descending into the Grave
1808, published 1813
Luigi Schiavonetti Robert Blair, The Grave, Title Page
Print made by Luigi Schiavonetti, 1765–1810
Robert Blair, The Grave, Title Page
1808, published 1813
Luigi Schiavonetti The Reunion of the Soul & the Body
Print made by Luigi Schiavonetti, 1765–1810
The Reunion of the Soul & the Body
1808, published 1813
Luigi Schiavonetti The Soul Hovering over the Body reluctantly Parting with Life
Print made by Luigi Schiavonetti, 1765–1810
The Soul Hovering over the Body reluctantly Parting with Life
1808, published 1813
Luigi Schiavonetti The Soul Exploring the Recesses of the Grave
Print made by Luigi Schiavonetti, 1765–1810
The Soul Exploring the Recesses of the Grave
1808, published 1813
William Say Reverend. Shute Barrington L.L.D.
William Say, 1768–1834
Reverend. Shute Barrington L.L.D
1812
George Siegmund Facius Richard Beadon, Bishop of Bath & Wells
George Siegmund Facius, 1750–1804
Richard Beadon, Bishop of Bath & Wells
undated
John Brooks Dr. George Berkley, Bishop of Cloyne
John Brooks, active 1730–1756
Dr. George Berkley, Bishop of Cloyne
undated
Francesco Bartolozzi Reverend Hugh Blair, D.D.
Francesco Bartolozzi, 1728–1815
Reverend Hugh Blair, D.D
1801