Credit Line: Yale Center for British Art, Paul Mellon Collection / Image Available: Available / Height [cm]: 37

1. Flatford Lock

Creator:: John Constable, 1776–1837
Date:: between 1810 and 1811
Materials & Techniques:: Oil on paper on canvas
Dimensions:: 14 1/2 x 14 1/2 inches (36.8 x 36.8 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

2. Beached Vessels and a Wagon near Trouville

Creator:: Richard Parkes Bonington, 1802–1828
Date:: ca. 1825
Materials & Techniques:: Oil on canvas
Dimensions:: 14 5/8 x 20 5/8 inches (37.1 x 52.4 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: On view at YUAG

3. Tummel Bridge, Perthshire

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: between 1802 and 1803
Materials & Techniques:: Oil on panel
Dimensions:: 11 3/8 x 18 3/8 inches (28.9 x 46.7 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

4. The Rhine at Constance (Konstanz-am-Rhein)

Creator:: Rev. Edward Thomas Daniell, 1804–1842
Date:: ca. 1830
Materials & Techniques:: Oil on canvas
Dimensions:: 14 1/2 x 24 3/8 inches (36.8 x 61.9 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

5. Beagles in Full Cry

Creator:: John Dalby, active 1826–1853
Date:: 1845
Materials & Techniques:: Oil on canvas
Dimensions:: 14 1/2 x 19 1/4 inches (36.8 x 48.9 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

6. The Hypostyle Hall of the Great Temple at Abu Simbel, Egypt

Creator:: David Roberts, 1796–1864
Date:: 1849
Materials & Techniques:: Oil on panel
Dimensions:: 14 1/2 x 21 1/2 inches (36.8 x 54.6 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

7. Captain William Locker

Creator:: Dominic Serres, 1722–1793
Date:: 1769
Materials & Techniques:: Oil on canvas
Dimensions:: 14 1/2 × 12 inches (36.8 × 30.5 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

8. Spearing the Otter

Creator:: Philip Reinagle, 1749–1833
Date:: 1805
Materials & Techniques:: Oil on canvas
Dimensions:: 14 1/2 x 20 1/4 inches (36.8 x 51.4 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

9. A Leeward Islands Carib family outside a Hut

Creator:: Agostino Brunias, 1728–1796
Date:: ca. 1780
Materials & Techniques:: Oil on canvas
Dimensions:: 12 1/8 x 9 3/4 inches (30.8 x 24.8 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

10. Ship wrecked on a rocky coast

Creator:: Charles Brooking, 1723–1759
Date:: between 1747 and 1750
Materials & Techniques:: Oil on canvas
Dimensions:: 14 1/2 x 22 inches (36.8 x 55.9 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

11. Margot Wheatley

Creator:: Francis Alleyne, active 1774–1790
Date:: 1786
Materials & Techniques:: Oil on canvas
Dimensions:: 14 1/2 x 11 1/2 inches (36.8 x 29.2 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

12. William Wheatley

Creator:: Francis Alleyne, active 1774–1790
Date:: 1786
Materials & Techniques:: Oil on canvas
Dimensions:: 14 1/2 x 11 1/2 inches (36.8 x 29.2 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

13. Study of Jockeys

Creator:: Sir Alfred J. Munnings, 1878–1959
Date:: undated
Materials & Techniques:: Oil on panel
Dimensions:: 14 1/2 × 20 5/8 inches (36.8 × 52.4 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

14. Studies of Riders in the Hunting Field

Creator:: Benjamin Marshall, 1768–1835
Date:: ca. 1805
Materials & Techniques:: Oil on canvas
Dimensions:: 14 5/8 × 26 1/4 inches (37.1 × 66.7 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

15. Barges on a River

Creator:: Richard Parkes Bonington, 1802–1828
Date:: 1826
Materials & Techniques:: Oil on millboard
Dimensions:: 9 7/8 x 13 7/8 inches (25.1 x 35.2 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

16. An English Flagship Under Easy Sail in a Moderate Breeze

Creator:: Charles Brooking, 1723–1759
Date:: ca. 1750
Materials & Techniques:: Oil on canvas
Dimensions:: 14 1/2 x 22 1/2 inches (36.8 x 57.2 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

17. A Smack Under Sail in a Light Breeze in a River

Creator:: Charles Brooking, 1723–1759
Date:: between 1756 and 1759
Materials & Techniques:: Oil on canvas
Dimensions:: 14 1/2 x 24 1/2 inches (36.8 x 62.2 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

18. Harboro’ Nulli Secundus, Shire Stallion

Creator:: Herbert Haseltine, 1877–1962
Date:: 1968
Materials & Techniques:: Bronze (posthumous cast; modeled 1921-1922)
Dimensions:: Overall: 14 1/2 x 13 3/4 x 5 1/2 inches (36.8 x 34.9 x 14 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

19. John Baskett

Creator:: Tessa Pullan, born 1953
Date:: 1992
Materials & Techniques:: Bronze
Dimensions:: Overall: 14 1/2 x 8 1/4 x 9 3/4 inches (36.8 x 21 x 24.8 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

20. Paul Mellon

Creator:: Tessa Pullan, born 1953
Date:: 1984, cast 1990
Materials & Techniques:: Bronze
Dimensions:: Overall: 14 1/2 x 7 x 8 1/2 inches (36.8 x 17.8 x 21.6 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

21. Sussex Farm Wagon

Creator:: Robert Polhill Bevan, 1865–1925
Date:: ca. 1906
Materials & Techniques:: Crayon and watercolor on medium, smooth, beige wove paper
Dimensions:: Sheet: 14 7/16 × 18 5/16 inches (36.7 × 46.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. Ploughing the Hillside

Creator:: Robert Polhill Bevan, 1865–1925
Date:: ca. 1905
Materials & Techniques:: Black chalk on medium, smooth, beige wove paper
Dimensions:: Sheet: 14 1/2 × 18 1/4 inches (36.8 × 46.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. The Ploughing Team

Creator:: Robert Polhill Bevan, 1865–1925
Date:: 1905 or 1906
Materials & Techniques:: Charcoal on medium, smooth, cream wove paper
Dimensions:: Sheet: 14 1/2 × 18 1/4 inches (36.8 × 46.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. The Herdsman's Cottage

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1850
Materials & Techniques:: Etching and drypoint, with plate tone on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 14 7/16 x 10 3/8 inches (36.6 x 26.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. Tygers at Play

Creator:: George Stubbs, 1724–1806
Date:: 1780
Materials & Techniques:: Etching, possibly finished with a graver, second state
Dimensions:: Image: 13 9/16 x 18 1/4in. (34.5 x 46.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. Owl Standing, Anterior View

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Graphite and red chalk on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 x 9 7/8 inches (36.8 x 25.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. Tiger Skeleton, Lateral View (Probably the master study of the skeleton)

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Graphite on thick, moderately textured, cream wove paper with traces of two platemarks
Dimensions:: Sheet: 14 1/2 x 19 7/8 inches (36.8 x 50.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. Tiger Body, Lateral View (Outline drawing for a key figure)

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Graphite, and pen with iron gall ink on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 x 21 1/8 inches (36.8 x 53.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. Hogarth Painting the Comic Muse

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1764
Materials & Techniques:: Line engraving on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 16 x 14 inches (40.6 x 35.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. Albion's Angel; Frontispiece (Plate 1)

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Color-printed relief and white-line etching, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. "The Terror Answered: I am Orc, wreath'd round the accursed tree..." (Plate 10)

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Color-printed relief and white-line etching, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. "Sound! sound! my loud war-trumpets & alarm my Thirteen Angels!..." (Plate 11)

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Color-printed relief and white-line etching, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. "Thus wept the Angel voice & as he wept the terrible blasts..." (Plate 12)

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Relief and white-line etching printed in blue ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. "So cried he, rending off his robe & throwing down his scepter..." (Plate 14)

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Color-printed relief etching in green-black ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. Fiery the Angels rose, & as they rose deep thunder roll'd..." (Plate 13)

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Color-printed relief and white-line etching, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. "What time the thirteen Governors that England sent convene..." (Plate 15)

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Relief and white-line etching printed in blue ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. "In the flames stood & view'd the armies drawn out in the sky..." (Plate 16)

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Color-printed relief etching, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. "On Albions Angels: then the Pestilence began in streaks of red..." (Plate 17)

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Relief and white-line etching printed in blue ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. "Over the hills, the vales, the cities, rage the red flames fierce..." (Plate 18)

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Relief and white-line etching printed in blue ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. America, A Prophecy; Title Page (Plate 2)

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Color-printed relief etching, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. Preludium. "The shadowy daughter of Urthona stood before red Orc..." (Plate 3)

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Color-printed relief etching, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. "Silent as despairing love, and strong as jealousy..." (Plate 4)

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Relief etching printed in blue ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. A Prophecy. "The Guardian Prince of Albion burns in his nightly tent..." (Plate 5)

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Relief etching printed in blue ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. "Appear to the Americans upon the cloudy night..." (Plate 6)

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Relief etching printed in blue ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. "Albions Angel stood beside the Stone of night, and saw..." (Plate 7)

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Relief and white-line etching printed in blue ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. "The morning comes, the night decays, the watchmen leave their stations..." (Plate 8)

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Color-printed relief and white-line etching, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. "In thunders ends the voice. Then Albions Angel wrathful burnt..." (Plate 9)

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Color-printed relief and white-line etching, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. The Baffled Devils Fighting (Plate 3)

Creator:: Print made by William Blake, 1757–1827
Date:: 1827
Materials & Techniques:: Engraving on medium, slightly textured, cream wove India proof paper
Dimensions:: Sheet: 14 11/16 × 21 1/4 inches (37.3 × 54 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. The Dead Sea, 16 and 17 April 1858

Creator:: Edward Lear, 1812–1888
Date:: April 16 and 17, 1858
Materials & Techniques:: Pen and brown ink with watercolor over graphite on thick, rough, cream wove paper
Dimensions:: Sheet: 14 1/2 x 21 3/4 inches (36.8 x 55.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. Le Repos

Creator:: Print made by Richard Parkes Bonington, 1802–1828
Date:: 1826
Materials & Techniques:: Lithograph on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 14 1/2 x 10 7/8 inches (36.8 x 27.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. Allegorical Sketch of Victory

Creator:: Robert Smirke, 1752–1845
Date:: undated
Materials & Techniques:: Graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 7 1/4 × 9 1/8 inches (18.4 × 23.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. Allegorical Designs for Medals

Creator:: Robert Smirke, 1752–1845
Date:: undated
Materials & Techniques:: Watercolor, with pen and black ink, over graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 4 11/16 × 8 3/16 inches (11.9 × 20.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. [One from] Illustrations to Shakespeare

Creator:: Robert Smirke, 1752–1845
Date:: undated
Materials & Techniques:: Pen and brown ink, brown wash, white gouache and graphite on medium, moderately textured, beige laid paper
Dimensions:: Sheet: 11 5/16 × 8 inches (28.7 × 20.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. First Design of a Battle Scene

Creator:: Robert Smirke, 1752–1845
Date:: undated
Materials & Techniques:: Pen and brown ink, over graphite on medium, slightly textured, beige wove paper
Dimensions:: Image: 3 5/8 × 4 13/16 inches (9.2 × 12.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. Two Women Enjoying Their Time by a Stream

Creator:: Robert Smirke, 1752–1845
Date:: undated
Materials & Techniques:: Watercolor, pena and red ink, gouache, and graphite on medium, moderately textured, beige laid paper
Dimensions:: Sheet: 3 1/2 × 4 3/16 inches (8.9 × 10.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. Pan, Spying, From Behind a Tree, at Putti, Shooting Arrows

Creator:: Robert Smirke, 1752–1845
Date:: undated
Materials & Techniques:: Watercolor, pen and red ink, over graphite on medium, moderately textured, beige laid paper
Dimensions:: Sheet: 3 1/4 × 4 1/4 inches (8.3 × 10.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. Lady Jane Grey

Creator:: Robert Smirke, 1752–1845
Date:: undated
Materials & Techniques:: Gouache, oil, and pen and brown ink on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 12 × 9 inches (30.5 × 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. Banquet Scene, with a Roman Soldeir Kneeling to a Famale Figure Sitting on a Throne

Creator:: Robert Smirke, 1752–1845
Date:: undated
Materials & Techniques:: Watercolor, pen and gray ink, graphite and gouache on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 5 1/16 × 4 3/16 inches (12.9 × 10.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

59. Scene from Don Quixote

Creator:: Robert Smirke, 1752–1845
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, gouache, graphite, and varnish, with scratching out; squared for transfer on moderately thick, moderately textured, beige laid paper
Dimensions:: Image: 8 3/8 × 6 3/8 inches (21.3 × 16.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. Bachanalia Scene

Creator:: Robert Smirke, 1752–1845
Date:: undated
Materials & Techniques:: Watercolor, graphite, pen and black ink on moderately thick, slightly textured, beige wove paper
Dimensions:: Image: 5 × 3 1/2 inches (12.7 × 8.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. Views in the Levant: Man in a Boat Being Rowed Past a Pavilion

Creator:: Willey Reveley, 1760–1799
Date:: undated
Materials & Techniques:: Graphite and gray wash on medium, slightly textured, cream laid paper mounted to thick cream card
Dimensions:: Sheet: 14 3/8 × 23 1/2 inches (36.5 × 59.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. Views in the Levant: Temple Ruins at Paestum

Creator:: Willey Reveley, 1760–1799
Date:: ca. 1785
Materials & Techniques:: Watercolor with pen and black ink over graphite on thick, moderately textured, brown laid paper mounted on medium, slightly textured, brown wove paper
Dimensions:: Sheet: 14 1/2 × 20 1/2 inches (36.8 × 52.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

63. View of the London Hospital in Whitechapel Road

Creator:: Jean B. C. Chatelain, 1710–1771
Date:: ca. 1753
Materials & Techniques:: Engraving
Dimensions:: Sheet: 14 1/2 x 20 3/4in. (36.8 x 52.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. The Boscawen and Sheerness Privateers

Creator:: Print made by John Boydell, 1720–1804
Date:: 1753
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream laid paper, laid on mount
Dimensions:: Sheet: 14 5/8 x 20 9/16 inches (37.1 x 52.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

65. Presented by the Officers

Creator:: Print made by George Cuitt, 1779–1854
Date:: after 1813
Materials & Techniques:: Etching with chine collé on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 18 3/4 x 12 13/16 inches (47.6 x 32.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

66. View of Part of Tivoli and Adjacent Hills

Creator:: Richard Cooper the Elder, 1701–1764
Materials & Techniques:: Aquatint
Dimensions:: Sheet: 14 3/8 x 20 1/8in. (36.5 x 51.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

67. View in the Inside of the Amphitheatre of Vespasion at Rome Commonly called the Colosseo

Creator:: Richard Cooper the Elder, 1701–1764
Date:: 1779
Materials & Techniques:: Etching and aquatint
Dimensions:: Sheet: 14 3/8 x 19 7/8in. (36.5 x 50.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

68. Royal Military College

Creator:: William James Bennett, 1787–1844
Date:: ca. 1813
Materials & Techniques:: Colored aquatint
Dimensions:: Sheet: 14 5/8 x 22in. (37.1 x 55.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

69. Death of the Doe

Creator:: Print made by George Townly Stubbs, 1748–1815
Date:: 1804
Materials & Techniques:: Color printed mezzotint; first state
Dimensions:: Sheet: 14 15/16 x 19 3/4in. (38 x 50.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

70. The Dinner in Mote Park, Maidstone, after the Royal Review of the Kentish Volunteers

Creator:: William Alexander, 1767–1816
Date:: ca. 1799
Materials & Techniques:: Watercolor over graphite on medium, slightly textured, beige wove paper
Dimensions:: Mount: 17 5/8 × 24 3/4 inches (44.8 × 62.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

71. Toon Tree (Toona ciliata)

Creator:: Janet Dick, active 1794–1806
Date:: between 1799 and 1809
Materials & Techniques:: Watercolor, pen and gray ink, gouache, gum arabic, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/4 × 21 1/8 inches (36.2 × 53.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

72. Maxstoke Priory

Creator:: Heneage Finch fourth Earl of Aylesford, 1751–1812
Date:: undated
Materials & Techniques:: Etching on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 14 7/16 x 13 3/4 inches (36.6 x 35 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

73. La Conversation

Creator:: Print made by Rose Joseph Lemercier, 1803–1887
Date:: 1826
Materials & Techniques:: Lithograph with chine collé on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 14 3/8 x 11 inches (36.5 x 28 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

74. August - Grouse Shooting

Creator:: Print made by Charles Hunt, 1803–1877
Date:: 1841
Materials & Techniques:: Etching and aquatint on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 19 3/8 × 23 3/4 inches (49.2 × 60.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

75. View of the Walton Bridge, Venus's Temple

Creator:: William Woollett, 1735–1785
Date:: 1757
Materials & Techniques:: Etching and line engraving on thick, rough, cream laid paper
Dimensions:: Sheet: 17 7/8 × 23 5/8 inches (45.4 × 60 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

76. A View of the House and Part of the Garden at West Wycomb

Creator:: William Woolnoth, active 1806–1830
Date:: 1757
Materials & Techniques:: Engraving on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 17 7/8 × 23 3/4 inches (45.4 × 60.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

77. A View of the Lake etc. at West Wycomb

Creator:: William Woollett, 1735–1785
Date:: 1757
Materials & Techniques:: Engraving on thick, moderately textured, cream laid paper
Dimensions:: Sheet: 17 7/8 × 23 11/16 inches (45.4 × 60.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

78. Ticket for Mr. George Hayter's Raffle for his Pictures of the Enlevement of Circassians, a Kurdish Bandit Chief, and an Historical Landscape

Creator:: Sir George Hayter, 1792–1871
Date:: 1828
Materials & Techniques:: Etching and stipple engraving on thick, slightly textured, beige wove paper
Dimensions:: Sheet: 14 3/4 x 13 15/16 inches (37.4 x 35.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

79. His Majesty's Ship Britannia Leaving Hamoaze with the Lord High Admiral On Board

Creator:: Louis Haghe, 1806–1885
Date:: ca. 1840
Materials & Techniques:: Lithograph, hand-colored on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 x 19 3/16 inches (36.9 x 48.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

80. His Majesty's Ship Britannia Returning to Port

Creator:: Louis Haghe, 1806–1885
Date:: ca. 1840
Materials & Techniques:: Lithograph, hand-colored on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 x 18 15/16 inches (36.9 x 48.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

81. Market Place, Wisbech Isle of Ely, Cambridgeshire..., June 28, 1838

Creator:: George Johann Scharf, 1788–1860
Date:: 1838
Materials & Techniques:: Colored lithograph on thick, moderately textured, beige wove paper
Dimensions:: Sheet: 14 11/16 × 22 13/16 inches (37.3 × 57.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

82. A View of Plymouth Fort and St. Nicholas Island

Creator:: James Mason, 1710–1783
Date:: 1755
Materials & Techniques:: Colored engraving on thick, moderately textured, cream laid paper
Dimensions:: Sheet: 15 × 23 1/8 inches (38.1 × 58.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

83. The Letter Woman

Creator:: Print made by Philip Dawe, ca.1750–ca.1790
Date:: ca. 1769
Materials & Techniques:: Mezzotint and etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 3/4 × 10 1/8 inches (37.4 × 25.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

84. The Oyster Woman

Creator:: Print made by Philip Dawe, ca.1750–ca.1790
Date:: 1769
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 × 9 15/16 inches (36.9 × 25.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

85. The Monk

Creator:: Print made by James Charles Armytage, 1802–1897
Date:: between 1833 and 1853
Materials & Techniques:: Etching and engraving with chine collé on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 19 15/16 x 13 9/16 inches (50.6 x 34.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

86. The Balcony

Creator:: Print made by James Charles Armytage, 1802–1897
Date:: between 1835 and 1854
Materials & Techniques:: Etching and line engraving with chine collé on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 20 x 13 11/16 inches (50.8 x 34.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

87. Joseph Warton, D.D. Master of Winchester College

Creator:: John Raphael Smith, 1752–1812
Date:: 1777
Materials & Techniques:: Mezzotint on medium, slightly textured, beige laid paper
Dimensions:: Mount: 24 × 17 1/4 inches (61 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

88. Hugh Boulter, Archbishop of Armagh

Creator:: Thomas Beard, op. 1728?
Date:: 1728
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 14 1/2 × 10 1/4 inches (36.8 × 26 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

89. Trafalgar Square, with the National Gallery and St. Martin's Church

Creator:: Thomas Picken, 1815–1870
Date:: 1852
Materials & Techniques:: Hand colored lithograph
Dimensions:: Sheet: 14 1/2 x 18 1/4in. (36.8 x 46.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

90. Shops and Livery Stable, in Bishopsgate

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Pen and black ink and watercolor on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 14 3/8 × 21 inches (36.5 × 53.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

91. Steps of New London Bridge, St. Magnus, the Monument and Part of Old Bridge

Creator:: Edward William Cooke, 1811–1880
Date:: 1831
Materials & Techniques:: Hand colored engraving
Dimensions:: Sheet: 14 9/16 x 12 1/2in. (37 x 31.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

92. Fools; or Jesters

Creator:: Print made by John Augustus Atkinson, 1775–1831
Date:: 1813
Materials & Techniques:: Etching and aquatint with hand coloring on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 14 7/16 x 10 1/16 inches (36.7 x 25.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

93. The Honorable Mrs. Anne Seymour Damer (née Conway)

Creator:: John Raphael Smith, 1752–1812
Date:: undated
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 14 1/2 × 10 13/16 inches (36.8 × 27.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

94. Charles Stanley, 8th Earl of Derby

Creator:: after ? Abraham Blooteling, 1640–1690
Date:: undated
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 14 1/2 × 10 3/4 inches (36.8 × 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

95. Robert Devareux, 2nd Earl of Essex

Creator:: Jacobus Houbraken, 1698–1780
Date:: 1738
Materials & Techniques:: Stipple and line engraving on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 14 9/16 × 9 inches (37 × 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

96. Thomas Fairfax, 3rd Lord Fairfax of Cameron

Creator:: Jacobus Houbraken, 1698–1780
Date:: 1738
Materials & Techniques:: Engraving on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 15 1/2 × 10 1/16 inches (39.4 × 25.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

97. Frances Isabella Keir Gordon

Creator:: Peter Simon, 1750–1810
Date:: 1789
Materials & Techniques:: Stipple engraving on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 14 1/2 × 10 3/4 inches (36.8 × 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

98. Monsieur Gaultere

Creator:: Etienne Fessard, 1714–1777
Date:: undated
Materials & Techniques:: Line engraving on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 14 5/8 × 10 1/8 inches (37.1 × 25.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

99. Venus Childing Cupid

Creator:: Francesco Bartolozzi, 1728–1815
Date:: 1784
Materials & Techniques:: Stipple engraving on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 17 1/16 × 12 7/8 inches (43.3 × 32.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

100. Plan and Section of a Subterraneous Building Discovered at Mycenea and Supposed to be the Tomb of Agamemnon.

Creator:: Sir Robert Smirke the younger, 1781–1867
Date:: 1802-1804
Materials & Techniques:: Brown wash, gray wash, graphite, pen and black ink on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 14 3/8 × 10 7/16 inches (36.5 × 26.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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Credit Line Yale Center for British Art, Paul Mellon Collection

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Height [cm] 37

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1. Flatford Lock

2. Beached Vessels and a Wagon near Trouville

3. Tummel Bridge, Perthshire

4. The Rhine at Constance (Konstanz-am-Rhein)

5. Beagles in Full Cry

6. The Hypostyle Hall of the Great Temple at Abu Simbel, Egypt

7. Captain William Locker

8. Spearing the Otter

9. A Leeward Islands Carib family outside a Hut

10. Ship wrecked on a rocky coast

11. Margot Wheatley

12. William Wheatley

13. Study of Jockeys

14. Studies of Riders in the Hunting Field

15. Barges on a River

16. An English Flagship Under Easy Sail in a Moderate Breeze

17. A Smack Under Sail in a Light Breeze in a River

18. Harboro’ Nulli Secundus, Shire Stallion

19. John Baskett

20. Paul Mellon

21. Sussex Farm Wagon

22. Ploughing the Hillside

23. The Ploughing Team

24. The Herdsman's Cottage

25. Tygers at Play

26. Owl Standing, Anterior View

27. Tiger Skeleton, Lateral View (Probably the master study of the skeleton)

28. Tiger Body, Lateral View (Outline drawing for a key figure)

29. Hogarth Painting the Comic Muse

30. Albion's Angel; Frontispiece (Plate 1)

31. "The Terror Answered: I am Orc, wreath'd round the accursed tree..." (Plate 10)

32. "Sound! sound! my loud war-trumpets & alarm my Thirteen Angels!..." (Plate 11)

33. "Thus wept the Angel voice & as he wept the terrible blasts..." (Plate 12)

34. "So cried he, rending off his robe & throwing down his scepter..." (Plate 14)

35. Fiery the Angels rose, & as they rose deep thunder roll'd..." (Plate 13)

36. "What time the thirteen Governors that England sent convene..." (Plate 15)

37. "In the flames stood & view'd the armies drawn out in the sky..." (Plate 16)

38. "On Albions Angels: then the Pestilence began in streaks of red..." (Plate 17)

39. "Over the hills, the vales, the cities, rage the red flames fierce..." (Plate 18)

40. America, A Prophecy; Title Page (Plate 2)

41. Preludium. "The shadowy daughter of Urthona stood before red Orc..." (Plate 3)

42. "Silent as despairing love, and strong as jealousy..." (Plate 4)

43. A Prophecy. "The Guardian Prince of Albion burns in his nightly tent..." (Plate 5)

44. "Appear to the Americans upon the cloudy night..." (Plate 6)

45. "Albions Angel stood beside the Stone of night, and saw..." (Plate 7)

46. "The morning comes, the night decays, the watchmen leave their stations..." (Plate 8)

47. "In thunders ends the voice. Then Albions Angel wrathful burnt..." (Plate 9)

48. The Baffled Devils Fighting (Plate 3)

49. The Dead Sea, 16 and 17 April 1858

50. Le Repos

51. Allegorical Sketch of Victory

52. Allegorical Designs for Medals

53. [One from] Illustrations to Shakespeare

54. First Design of a Battle Scene

55. Two Women Enjoying Their Time by a Stream

56. Pan, Spying, From Behind a Tree, at Putti, Shooting Arrows

57. Lady Jane Grey

58. Banquet Scene, with a Roman Soldeir Kneeling to a Famale Figure Sitting on a Throne

59. Scene from Don Quixote

60. Bachanalia Scene

61. Views in the Levant: Man in a Boat Being Rowed Past a Pavilion

62. Views in the Levant: Temple Ruins at Paestum

63. View of the London Hospital in Whitechapel Road

64. The Boscawen and Sheerness Privateers

65. Presented by the Officers

66. View of Part of Tivoli and Adjacent Hills

67. View in the Inside of the Amphitheatre of Vespasion at Rome Commonly called the Colosseo

68. Royal Military College

69. Death of the Doe

70. The Dinner in Mote Park, Maidstone, after the Royal Review of the Kentish Volunteers

71. Toon Tree (Toona ciliata)

72. Maxstoke Priory

73. La Conversation