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Credit Line Yale Center for British Art, Paul Mellon Collection
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1
- Landscape near Clifton
- 1822 to 1823
- Not on view
2
- An Unknown Man Seated at a Table
- between 1744 and 1746
- Not on view
3
- The Lady Betty Germain Bedroom at Knole, Kent
- 1845
- Not on view
4
- Portrait of a Boy
- ca. 1790
- Not on view
5
- Mrs. Stevens
- ca. 1795
- Not on view
6
- Portrait of a Woman
- ca. 1750
- Not on view
7
- The Brown Tea Pot
- between 1915 and 1916
- Not on view
8
- Study of a Nun
- ca. 1915
- Not on view
9
- John Eardley Wilmot
- 1812
- Not on view
10
- A Couple, Traditionally Identified as Mr. and Mrs. Hill
- between 1750 and 1751
- Not on view
11
- The Hypostyle Hall of the Great Temple at Abu Simbel, Egypt
- 1849
- Not on view
12
- St. Paul before Agrippa
- ca. 1710
- Not on view
13
- A Woman, possibly Anne (née Ward) Morland, Wife of the Artist
- ca. 1795
- Not on view
14
- Woman Reading by a Paper-Bell Shade
- 1766
- Not on view
15
- John Varley
- 1820
- Not on view
16
- Conversation Piece
- 1761
- Not on view
17
- An Unknown Woman with a Book
- ca. 1735
- Not on view
18
- Elizabeth Erskine, (née Pierrepont), Countess of Kellie
- ca. 1619
- Not on view
19
- The Gore Family with George, third Earl Cowper
- ca. 1775
- Not on view
20
- A Family, Traditionally Identified as the Swaine Family of Fencroft, Cambridgeshire
- 1749
- Not on view
21
- The Harlowe Family, from Samuel Richardson's "Clarissa"
- between 1745 and 1747
- Not on view
22
- Schoolgirls
- 1880
- Not on view
23
- Christening of the Heir
- ca. 1799
- Not on view
24
- George Robertson
- 1776
- Not on view
25
- An Unknown Man in a Library
- between 1740 and 1741
- Not on view
26
- A Copy after a Painting Traditionally Attributed to Van Dyck of Two Monks Reading
- late 18th century?
- Not on view
27
- An Unknown Man
- ca. 1780
- Not on view
28
- George and Margaret Rogers
- between 1748 and 1750
- Not on view
29
- Study for a Group Portrait
- between 1729 and 1730
- Not on view
30
- An Unknown Man
- 1746
- Not on view
31
- Mary Adam
- 1754
- Not on view
32
- A Cleric: rotund figure in white clerical collar and black robes, with a red book tucked under his arm
- ca. 1810
- Not on view
33
- The Sleeping Shepherd
- 1857
34
- The Sleeping Shepherd
- 1857
35
- Infant Joy (Plate 28)
- 1789
36
- 'What, though my soul fantastick measures trod' (Page 4)
- ca. 1797
37
- The First Book of Urizen, Title Page (Plate 1)
- 1794
38
- "In living creations appear'd..." (Plate 6)
- 1794
39
- Songs of Innocence, Title Page (Plate 2)
- 1789
40
- The Lamb (Plate 18)
- 1789
41
- "In living creations appear'd..." (Plate 8)
- 1794
42
- "Albions Angel rose upon the Stone of Night..." (Plate 12)
- 1794
43
- The First Book of Urizen; Title Page (Plate 1)
- 1794
44
- Songs of Innocence, Title Page (Plate 2)
- 1789
45
- The Lamb (Plate 8)
- 1789
46
- 'O treacherous conscience! while she seems to sleep" (Page 27)
- 1797
47
- 'What, though my soul fantastick measures trod' (Page 4)
- 1797
48
- 'Till at Death's toll, whose restless iron tongue' (Page 7)
- 1797
49
- Poems by Mr. Gray; Title Page
- between 1797 and 1798
50
- Elizabeth. "Girt with many a Baron bold..." (Design 63)
- between 1797 and 1798
51
- "Therefore God becomes as we are..." (Plate 9)
- ca. 1788
52
- VI. "The desires & perceptions of man untaught..." (Plate 8)
- ca. 1788
53
- "Bath who is Legions..." (Plate 41)
- 1804 to 1820
54
- "Of the Mundane Shell which froze..." (Plate 64)
- 1804 to 1820
55
- 'The longest night though longer far, would fail' (Page 15)
- 1797
56
- Epitaph on Mrs. Clarke; Title Page
- between 1797 and 1798
57
- Elegy Written in a Country Church-Yard; Title Page
- between 1797 and 1798
58
- The plowman homeward plods his weary way, And leaves the world to darkness, and to me..." (Design 107)
- between 1797 and 1798
59
- "Some kindred spirit shall inquire thy fate, Haply some hoary-headed swain may say..." (Design 113)
- between 1797 and 1798
60
- "Up stairs in a whirlwind rattle..." (Design 29)
- between 1797 and 1798
61
- "And purple tyrants vainly groan..." (Design 37)
- between 1797 and 1798
62
- "Brush'd by the hand of rough Mischance, Or chill'd by Age..." (Design 5)
- between 1797 and 1798
63
- Moses Receiving the Law
- ca. 1780
64
- Songs of Innocence and of Experience: Shewing the Two Contrary States of the Human Soul
- 1789-1794
65
- 'The longest night though longer far, would fail' (Page 15)
- ca. 1797
66
- Thomas Hayley the Disciple of John Flaxman, from a Medallion
- 1800
67
- Thomas Ashton D.D
- 1756
68
- Repose in Egypt
- ca. 1776
69
- Repose in Egypt
- ca. 1776
70
- Sunday Morning, A Cottage Family Going to Church
- 1795
71
- The Damnation of Obadiah
- 1773
72
- The Damnation of Obadiah
- between 1773 and 1817
73
- She Never Told Her Love, But Sat Like Patience on a Monument
- 1827
74
- La Conversation
- 1826
75
- The Chamber Idyll
- 1831
76
- Pilgrims Paying Their Devotion in St. Peters at Rome
- between 1773 and 1775
77
- The Discovery
- 1788
78
- Madona Col Bambino
- 1791
79
- Reverend Zachariah Mudge, Prebend of Exeter
- 1769
80
- Johannes Potter, Archiepiscopus Cantuariensis
- 1741
81
- Dr. Thomas Sherlock, Lord Bishop of London
- 1757
82
- Aubertus Miræus
- ca. 1635
83
- The Death of the Good Old Man
- 1808, published 1813
84
- James Beattie, LL.D
- 1805
85
- Richard Beadon, Bishop of Bath & Wells
- undated
86
- Carolus Scribanius
- ca. 1635
87
- Pomare, Queen of Tahiti
- 1845
88
- George Pritchard, Her Britannic Majesty's Consul
- 1845
89
- Original Frontispiece for 'Book of Ballads' (Bon Gaultier)
- ca. 1845
90
- The Rake's-Progress at the University - No. 2 - "Ah me! that thou the Freshman's-Guide should'st read, yet venture on the hallowed grass to tread"
- 1806
91
- Shakespeare Sacrificed; or, The Offering to Avarice
- 1789
92
- Thomas Girtin
- 1817
93
- Miss Anna Crouch
- 1788
94
- Ticket: Walker's Lectures
- 1794
95
- George Graham, Clockmaker
- undated
96
- Thomas Maggi
- 1788
97
- Maria Cosway
- 1785
98
- Mrs. Lenox
- 1792
99
- Imogen's Bedchamber in Cymbeline's Palace, 'Cymbeline,' Act II, Scene II
- 1786
100
- And Ah! Let Pity Turn Her Dewy Eyes..
- 1801