Margaret Newton (née Coningsby), Countess of Coningsby in the Costume of the Charlton Hunt
ca. 1760
Not on view
3
William Ashford, 1746–1824
Mount Kennedy, County Wicklow, Ireland
1785
Not on view
4
James Seymour, 1702–1752
Sir Roger Burgoyne Riding "Badger"
1740
Not on view
5
William Webb, ca. 1780–1845
Euphrates
1825
Not on view
6
Henry Walton, 1746–1813
Elizabeth Bridgman (née Walton)
between 1771 and 1775
Not on view
7
Sir Edwin Henry Landseer, 1802–1873
Portrait of Mr. Van Amburgh, As He Appeared with His Animals at the London Theatres
Summer 1846 to March 1847
Not on view
8
Charles Cooper Henderson, 1803–1877
Mail Coaches on the Road: the Louth-London Royal Mail progressing at Speed
between 1820 and 1830
Not on view
9
William Barraud, 1810–1850
A Couple of Foxhounds with a Terrier, the property of Lord Henry Bentinck
ca. 1845
Not on view
10
Robert Burnard, 1800–1876
John Gubbins Newton and His Sister, Mary Newton
ca. 1833
Not on view
11
John Dalby, active 1826–1853
The Quorn Hunt in Full Cry: Second Horses
ca. 1835
Not on view
12
John Ferneley, 1782–1860
William Massey-Stanley driving his Cabriolet in Hyde Park
1833
Not on view
13
Charles Cooper Henderson, 1803–1877
Mail Coaches on the Road: the `Quicksilver' Devonport-London Royal Mail about to Start with a new Team (The Devonshire to London Coach)
between 1820 and 1830
Not on view
14
John Frederick Herring, 1795–1865
The Royal Mail Coach on the Road
1841
Not on view
15
Sir Edwin Henry Landseer, 1802–1873
Favourites, the Property of H.R.H. Prince George of Cambridge
1834 to 1835
Not on view
16
Thomas Butler of Pall Mall, active 1750-1759
Learning about the Hounds
ca. 1750
Not on view
17
William Shiels, 1785–1857
Discussing a Catch of Salmon in a Scottish Fishing-Lodge
ca. 1840
Not on view
18
Cecil Charles Windsor Aldin, 1870–1935
Study for Cloutsham Farm, Exmoor (`The Devon and Somerset')
1925
Not on view
19
Richard Roper, active 1749–1765
The Match between Aaron and Driver at Maidenhead, Aug. 1754: Aaron winning the Second Heat
ca. 1754
Not on view
20
William Owen, 1769–1825
Portrait of a Man
ca. 1815
Not on view
21
John Wootton, 1682–1764
Rievaulx Abbey
ca. 1745
Not on view
22
John Vanderbank, 1694–1739
A Young Gentleman Riding a Schooled Horse
between 1728 and 1729
Not on view
23
James Pollard, 1792–1867
Epsom Races: The Betting Post
1834 to 1835
Not on view
24
James Pollard, 1792–1867
The London-Manchester Stage Coach, “the Peveril of the Peak,” outside the Peacock Inn, Islington
1835
Not on view
25
Attributed to James Seymour, 1702–1752
One of Four Portraits of Horses - a Chestnut Racehorse Exercised by a Trainer in a Red Coat: galloping to the left, the horse wearing white sweat covers on head, neck and body
ca. 1730
Not on view
26
Thomas Smith of Derby, ca. 1720–1767
Borlase Cokayne as a Boy riding Sultana
1751
Not on view
27
Francis Calcraft Turner, active 1782–1846
Bachelor's Hall: Breaking Cover
1835 to 1836
Not on view
28
James Ward, 1769–1859
Theophilus Levett and a Favorite Hunter
1817
Not on view
29
Sir Alfred J. Munnings, 1878–1959
Point-to-Point Meeting
1920
Not on view
30
Sir Henry Raeburn, 1756–1823
Quintin McAdam
ca. 1815
Not on view
31
Robert Polhill Bevan, 1865–1925
Huntsman and Hounds
ca. 1896
32
Print made by William Blake, 1757–1827
"But when the morn arose, her lamentation renewd..." (Plate 8)
1793
33
Print made by William Blake, 1757–1827
"O Vala! O Jerusalem! do you delight in my groans..." (Plate 21)
1804 to 1820
34
William Blake, 1757–1827
"O'er thy country hangs The scourge of Heav'n..." (Design 59)
between 1797 and 1798
35
Print made by James Bretherton, ca. 1730–1806
Every Sous Begad!
1799
36
Print made by James Bretherton, ca. 1730–1806
John Jehu L'Inghilterra
1772
37
Print made by James Bretherton, ca. 1730–1806
Monsieur Le Fouet, La Francia
1772
38
Print made by Charles Bretherton, ca. 1760–1783
Postiglione Germanico
1772
39
Print made by Charles Bretherton, ca. 1760–1783
Postiglione Inglese
1772
40
Print made by Henry William Bunbury, 1750–1811
Overthrow of Dr. Slop
between 1773 and 1817
41
Print made by L. Truchy, 1721–1764
Illustrations to Samuel Richardson's 'The Life of Pamela', illustrated by Joseph Highmore
1762
42
Print made by John Sell Cotman, 1782–1842
Column at Yarmouth to the Memory of Lord Nelson
1817
43
Print made by Thomas Bewick, 1753–1828
The Cadger's Trot (first State)
1823
44
Print made by Thomas Bewick, 1753–1828
The Cadger's Trot
1823
45
Paul Sandby, 1731–1809
The Opening of the Carnival at Rome
ca. 1781
46
Paul Sandby, 1731–1809
The Horse Race at Rome During the Carnival
ca. 1781
47
Godfrey Thomas Vigne, 1801–1863
Cerco de Paro, Lima
ca. 1855
48
Paul Sandby, 1731–1809
My Pretty Little Ginny Tarters for a Ha'penny a Stick or a Penny a Stick, or a Stick to Beat Your Wives or Dust Your Clothes
ca. 1759
49
Paul Sandby, 1731–1809
London Cries: "Turn your Copper into Silver Now before Your Eyes" (Title Page Design)
1760
50
Print made by James Bretherton, ca. 1730–1806
Englishman at Paris, 1767
1799
51
Print made by Bradshaw & Blacklock, active ca.1850
Four Subjects
after 1850
52
Henry Thomas Alken, 1785–1851
"Landscape Scenery", No. 7: Scenes of Cricket and a Waggoner With His Team
1821
53
Henry Thomas Alken, 1785–1851
"Scraps", No. 24: Hunting -Ttwo Riders, One Opening a Gate For Hounds
1823
54
Henry Thomas Alken, 1785–1851
"Scraps", No. 8: Scenes of a Lancer and Other Cavalry
1823
55
Henry Thomas Alken, 1785–1851
Symptoms: of to be Sold, of Despair, of Who is There, of Sold and Had Him a Week
between 1818 and 1822
56
Henry Thomas Alken, 1785–1851
Symptoms: of Being Bang Up, of a Fine Woman, of Being Bang Down, Of a Quiet One
between 1818 and 1822
57
Henry Thomas Alken, 1785–1851
Symptoms: of Full Pay, of Half pay, of a strong attachment in the Dog, of anything but go, of no strong attachment to the Horse
between 1818 and 1822
58
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'I Have a Notion You Must Either Pull Him Over or Persuade Him to Pull You Back Again'
between 1831 and 1832
59
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'I Had No Notion of the Comforts of Hunting by Water'
between 1831 and 1832
60
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'It's My Notion That This is the Only Way to Get Her Along'
between 1831 and 1832
61
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'All He Is Fit For Sir, Now is to Be Cut Up. I Have a Notion That He Can't Be Cut up More Than Myself'
between 1831 and 1832
62
Henry Thomas Alken, 1785–1851
Illustration for R.S. Surtees', "The Analysis of the Hunting Field": Getting Away: 'Let's Take the Lead'
undated
63
Henry Thomas Alken, 1785–1851
Illustration to R.S. Surtees', "Jorrocks's Jaunts and Jollities": 'Mr. Jorrocks's Surprize on Seeing the Paris Diligence, "My Vig, Here's Wombwell's Wildbeast show" '
undated
64
Henry Thomas Alken, 1785–1851
"Doing the Thing: and the Thing Done:" Doing the Thing Well - [giving Dribblers the go bye]
1818
65
Henry Thomas Alken, 1785–1851
"Doing the Thing: and the Thing Done:" Doing the Down Leap
1818
66
Henry Thomas Alken, 1785–1851
"Sporting Discoveries, or the Miseries of Driving ..." You Discover you Have Overlooked a Small Post on you Whip Hand
undated
67
Henry Thomas Alken, 1785–1851
"Sporting Discoveries, or the Miseries of Driving:"...You Discover You Have Obtained a Steady One
undated
68
Henry Thomas Alken, 1785–1851
"Sporting Discoveries, or the Miseries of Driving:" ...You Discover a New Way of Bringing Your Equipage into a Small Compass
undated
69
Henry Thomas Alken, 1785–1851
Drawing for "Specimens of Riding Near London:" Fancy - View Near Gray's Inn Road
between 1809 and 1823
70
Henry Thomas Alken, 1785–1851
Symptoms: of Promising a Vote, of Reminding an Elector, of a Bang up Drive in a Lunday, of Spoiling a Chicken, of Breaking a Hunter, of Reminding a Member, of a Convenient Memory
between 1822 and 1827
71
Thomas Ross, active from 1753
Figures with a Wagon and Horses
undated
72
James Seymour, 1702–1752
'The Danish Horse' in Training: Standing, with Trainer Holding a Whip
undated
73
James Seymour, 1702–1752
Studies of a Jockey Whipping-On
undated
74
James Seymour, 1702–1752
Rider on a Horse, Rearing to Left
undated
75
James Seymour, 1702–1752
Sloven, with Jockey Up, Galloping to Right
undated
76
James Seymour, 1702–1752
Victorious, with Jockey Up
undated
77
James Seymour, 1702–1752
Woman Wearing a Tricorne Hat, Riding to Right
undated
78
James Seymour, 1702–1752
'True Blue Beat by Whitefoot': Galloping to Left, with Jockey Up Whipping-On
undated
79
James Seymour, 1702–1752
Foxhunter, with Jockey Up
undated
80
James Seymour, 1702–1752
Racehorse with Jockey Up: the Jockey Holds a Whip in His Teeth
undated
81
James Seymour, 1702–1752
Racehorse with Jockey Up: Galloping, Seen from the Near-Side; the Jockey Holds a Switch
undated
82
Hablot Knight Browne, 1815–1882
The Sporting Parson: "D-n -- I Mean Conf-d That is 'Bless the Pigs! They're Mad - The Devil's in 'em' "
undated
83
Henry Thomas Alken, 1785–1851
"Sporting Anecdotes:" Sketch for 'The Sporting Butcher'
undated
84
Samuel Alken, 1756–1815
Foxhunting: Rider and a Couple of Hounds Entering a Covert
undated
85
James Gillray, 1756–1815
Blowing up the Pic Nic's: or Harlequin Quioxtte Attacking the Puppets
1802
86
Print made by James Gillray, 1756–1815
Taming of the Shrew. Katharine and Petruchio - The Modern Quixotte, or, What You Will
1791
87
Thomas Stothard, 1755–1834
September 1st: The High Roads Were Filled (Vol. 2, p. 324)September 2nd: The Princely Castle Appeared (Vol. 2, p. 329)
undated
88
James Seymour, 1702–1752
Foxhunting
undated
89
James Seymour, 1702–1752
Racehorse at Exercise, Ridden by a Training-Groom
undated
90
James Seymour, 1702–1752
A Gentleman on a Managed Horse Riding Out With a Lady
undated
91
James Seymour, 1702–1752
Racehorse at Exercise, Ridden by a Training-Groom
undated
92
James Seymour, 1702–1752
Victorious
undated
93
Nathaniel Smith, 1740–1787
Westminster Abbey and St. Paul's from Battersea Fields
undated
94
Paul Sandby, 1731–1809
Two-wheeled Tip-cart with Horses
undated
95
Paul Sandby, 1731–1809
Stout Man on a Bucking Horse
undated
96
James Seymour, 1702–1752
A Lady Riding Side-Saddle, Turns to Look at a Dismounted Rider
undated
97
Print made by Thomas Barber, ca. 1768–1843
Apsley House, Hyde Park Corner: the Residence of his Grace the Duke of Wellington
1829
98
James Seymour, 1702–1752
Setting Off for the Chase: The Huntsman Leading out a Pack of Harriers followed by the Master and the Whipper-In
undated
99
Henry Thomas Alken, 1785–1851
"Sporting Anecodotes:" Drawing for the Soft-Gound Etching of 'The Sporting Butcher'