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William Blake Illustrations to Dante's "Divine Comedy"
William Blake, 1757–1827
Illustrations to Dante's "Divine Comedy"
1827
William Blake Pl. 6: The Pit of Disease ['...Then two I mark'd that sat Propp'd 'gainst each other,' Hell; Canto xxix. line 71.]
William Blake, 1757–1827
Pl. 6: The Pit of Disease ['...Then two I mark'd that sat Propp'd 'gainst each other,' Hell; Canto xxix. line 71.]
1827
William Blake Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?'weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]
William Blake, 1757–1827
Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?'weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]
1827
William Blake Pl. 4: The Six-Footed Serpent Attacking Agnolo Brunelleschi ['...lo! a serpent with six feet/ Springs forth on one,' Hell; Canto xxv. line 45.]
William Blake, 1757–1827
Pl. 4: The Six-Footed Serpent Attacking Agnolo Brunelleschi ['...lo! a serpent with six feet/ Springs forth on one,' Hell; Canto xxv. line 45.]
1827
William Blake Pl. 5: A Serpent Attacking Buoso Donata ['...He ey'd the serpent and the serpent him.' Hell; Canto xxv. line 82.]
William Blake, 1757–1827
Pl. 5: A Serpent Attacking Buoso Donata ['...He ey'd the serpent and the serpent him.' Hell; Canto xxv. line 82.]
1827
William Blake Illustrations to Dante's Divine Comedy
William Blake, 1757–1827
Illustrations to Dante's Divine Comedy
1827
William Blake Pl. 2: Ciampolo Tormented by the Devils ['...seiz'd on his arm,/ And mangled bore away the sinewy part.' Hell; Canto xxii. line 70.]
William Blake, 1757–1827
Pl. 2: Ciampolo Tormented by the Devils ['...seiz'd on his arm,/ And mangled bore away the sinewy part.' Hell; Canto xxii. line 70.]
1827
William Blake Pl. 3: Baffled Devils Fighting [' ... so turn'd/ His talons on his comrade.' Hell; Canto xxii. line 135]
William Blake, 1757–1827
Pl. 3: Baffled Devils Fighting [' ... so turn'd/ His talons on his comrade.' Hell; Canto xxii. line 135]
1827
William Davison Fishing Boats off Calais (The Pas de Calais)
Print made by William Davison, active 1813–1843
Fishing Boats off Calais (The Pas de Calais)
1830
J. P. Quilley Boccaccio, the Bird Cage
Print made by J. P. Quilley, active 1828
Boccaccio, the Bird Cage
1830
J. P. Quilley Boccaccio, the Bird Cage
Print made by J. P. Quilley, active 1828
Boccaccio, the Bird Cage
1830
Frederick Christian Lewis the Elder The Mausoleum at Brocklesby
Print made by Frederick Christian Lewis the Elder, 1779–1856
The Mausoleum at Brocklesby
ca. 1804
Decimus Burton Two Panoramas for an Estate
Decimus Burton, 1800–1881
Two Panoramas for an Estate
unknown artist Hinton St. George, Somerset: Plan of the Vestibule
unknown artist
Hinton St. George, Somerset: Plan of the Vestibule
undated
Decimus Burton Panorama for an Estate
Decimus Burton, 1800–1881
Panorama for an Estate
Henry M. Hudson Sir William Hamilton K.B.
Henry M. Hudson, active 1782–1800
Sir William Hamilton K.B
1788
William Nutter A Bacchante
William Nutter, 1754–1802
A Bacchante
1801
David Lucas The Cornfield
Print made by David Lucas, 1802–1881
The Cornfield
1833
David Lucas The Lock
Print made by David Lucas, 1802–1881
The Lock
1834
John Jones Collina (Lady Gertrude Fitzpatrick)
John Jones, ca. 1745–1797
Collina (Lady Gertrude Fitzpatrick)
1792
John Finlayson Elizabeth Lamb, (née Milbanke) Viscountess Melborne
John Finlayson, 1730–1776
Elizabeth Lamb, (née Milbanke) Viscountess Melborne
1771
Thomas Watson The Honourable Mrs. Beresford, Mrs. Gardiner, and The Right Honourable Anne Viscountess Townshend
Thomas Watson, 1743–1781
The Honourable Mrs. Beresford, Mrs. Gardiner, and The Right Honourable Anne Viscountess Townshend
1776
David Lucas The Lock
Print made by David Lucas, 1802–1881
The Lock
1834
Charles Turner John, Earl of St. Vincent
Charles Turner, 1774–1857
John, Earl of St. Vincent
1816