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501. Sneyd's Illustrations to [Henry Fielding's] Tom Jones

No cover image available
Creator:
Walter Sneyd, 1809–1888
Materials & Techniques:
Watercolor
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

502. Sneyd's Illustrations to [Henry Fielding's] Tom Jones

No cover image available
Creator:
Walter Sneyd, 1809–1888
Materials & Techniques:
Watercolor
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

503. Sneyd's Illustrations to [Henry Fielding's] Tom Jones

No cover image available
Creator:
Walter Sneyd, 1809–1888
Materials & Techniques:
Watercolor
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

504. Sneyd's Illustrations to [Henry Fielding's] Tom Jones

No cover image available
Creator:
Walter Sneyd, 1809–1888
Materials & Techniques:
Watercolor
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

505. Sneyd's Illustrations to [Henry Fielding's] Tom Jones

No cover image available
Creator:
Walter Sneyd, 1809–1888
Materials & Techniques:
Watercolor
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

506. Sneyd's Illustrations to [Henry Fielding's] Tom Jones

No cover image available
Creator:
Walter Sneyd, 1809–1888
Materials & Techniques:
Watercolor
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

507. Sneyd's Illustrations to [Henry Fielding's] Tom Jones

No cover image available
Creator:
Walter Sneyd, 1809–1888
Materials & Techniques:
Watercolor
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

508. Sneyd's Illustrations to [Henry Fielding's] Tom Jones

No cover image available
Creator:
Walter Sneyd, 1809–1888
Materials & Techniques:
Watercolor
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

509. Sneyd's Illustrations to [Henry Fielding's] Tom Jones

No cover image available
Creator:
Walter Sneyd, 1809–1888
Materials & Techniques:
Watercolor
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

510. Sneyd's Illustrations to [Henry Fielding's] Tom Jones

No cover image available
Creator:
Walter Sneyd, 1809–1888
Materials & Techniques:
Watercolor
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

511. Sneyd's Illustrations to [Henry Fielding's] Tom Jones

No cover image available
Creator:
Walter Sneyd, 1809–1888
Materials & Techniques:
Watercolor
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

512. Sneyd's Illustrations to [Henry Fielding's] Tom Jones

No cover image available
Creator:
Walter Sneyd, 1809–1888
Materials & Techniques:
Watercolor
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

513. Sneyd's Illustrations to [Henry Fielding's] Tom Jones

No cover image available
Creator:
Walter Sneyd, 1809–1888
Materials & Techniques:
Watercolor
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

514. Sneyd's Illustrations to [Henry Fielding's] Tom Jones

No cover image available
Creator:
Walter Sneyd, 1809–1888
Materials & Techniques:
Watercolor
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

515. Sneyd's Illustrations to [Henry Fielding's] Tom Jones

No cover image available
Creator:
Walter Sneyd, 1809–1888
Materials & Techniques:
Watercolor
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

516. Sneyd's Illustrations to [Henry Fielding's] Tom Jones

No cover image available
Creator:
Walter Sneyd, 1809–1888
Materials & Techniques:
Watercolor
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

517. The effect here intended, is that of reflection of a bright sky on the water, when the Sun itself is obscured (Design for Plate 11)

No cover image available
Creator:
Rev. William Gilpin, 1724–1804
Date:
undated
Materials & Techniques:
Graphite
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

518. These subjects are all instances of Landscapes under meridian Suns, chastised by different degrees of mist, and cloudy weather (Design for Plate 16)

No cover image available
Creator:
Rev. William Gilpin, 1724–1804
Date:
undated
Materials & Techniques:
Graphite
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

519. These subjects are all instances of Landscapes under meridian Suns, chastised by different degrees of mist, and cloudy weather (Design for Plate 19)

No cover image available
Creator:
Rev. William Gilpin, 1724–1804
Date:
undated
Materials & Techniques:
Graphite
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

520. Evening, the picturesque time of the Day, is now coming on; the Sun, varying from its meridian, is beginning to descend, and the light is more contracted (Design for Plate 20)

No cover image available
Creator:
Rev. William Gilpin, 1724–1804
Date:
undated
Materials & Techniques:
Graphite
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

521. The same idea is continued; but the sky is still more tinged with its warm evening hue (Design for Plate 21)

No cover image available
Creator:
Rev. William Gilpin, 1724–1804
Date:
undated
Materials & Techniques:
Graphite
Dimensions:
Image: 7 1/8 x 10 3/4in. (18.1 x 27.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

522. The evening glow now pervades the Landscape strongly (Design for Plate 24)

No cover image available
Creator:
Rev. William Gilpin, 1724–1804
Date:
undated
Materials & Techniques:
Graphite
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

523. The evening glow now pervades the Landscape strongly (Design for Plate 25)

No cover image available
Creator:
Rev. William Gilpin, 1724–1804
Date:
undated
Materials & Techniques:
Graphite
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

524. A calm Sun-set; the Sun is supposed to be setting behind the rising ground on which the ruin stands (Design for Plate 27)

No cover image available
Creator:
Rev. William Gilpin, 1724–1804
Date:
undated
Materials & Techniques:
Graphite
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

525. The mild effusions of evening light, which pervade the three last Landscapes, are here changed into a wild, turbid sky, prognosticating a storm (Design for Plate 26)

No cover image available
Creator:
Rev. William Gilpin, 1724–1804
Date:
undated
Materials & Techniques:
Graphite
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

526. The idea of a calm, freaky Sun-set upon a lake (Design for Plate 28)

No cover image available
Creator:
Rev. William Gilpin, 1724–1804
Date:
undated
Materials & Techniques:
Graphite
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

527. [One from a group of views] Thames and South Coast

No cover image available
Creator:
William Havell, 1782–1857
Date:
1822
Materials & Techniques:
Wash
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

528. The Sun is now set, and the evening closes in, but rather wild, and lowering (Design for Plate 29)

No cover image available
Creator:
Rev. William Gilpin, 1724–1804
Date:
undated
Materials & Techniques:
Graphite
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

529. [One from a group of views] Thames and South Coast

No cover image available
Creator:
William Havell, 1782–1857
Date:
1822
Materials & Techniques:
Wash
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

530. [One from a group of views] Thames and South Coast

No cover image available
Creator:
William Havell, 1782–1857
Date:
1822
Materials & Techniques:
Wash
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

531. Here the evening closes in more mildly. The Sun leaves only a faint light on the sky, but without the power of touching even the highest objects with its light (Design for Plate 30)

No cover image available
Creator:
Rev. William Gilpin, 1724–1804
Date:
undated
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

532. [One from a group of views] Thames and South Coast

No cover image available
Creator:
William Havell, 1782–1857
Date:
1822
Materials & Techniques:
Wash
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

533. [One from a group of views] Thames and South Coast

No cover image available
Creator:
William Havell, 1782–1857
Date:
1822
Materials & Techniques:
Wash
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

534. [One from a group of views] Thames and South Coast

No cover image available
Creator:
William Havell, 1782–1857
Date:
1822
Materials & Techniques:
Wash
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

535. [One from a group of views] Thames and South Coast

No cover image available
Creator:
William Havell, 1782–1857
Date:
1822
Materials & Techniques:
Wash
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

536. No.3, The Windmill, Parker's Warehouse, etc., Taken from Mr. Russell's

No cover image available
Creator:
unknown artist
Date:
1815-1816
Materials & Techniques:
Watercolor
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

537. No.4, The Parson of Clerk Rock, Part of the Warren, Babbacombe and Hills Towards Torquay, Taken from the Beacon

No cover image available
Creator:
unknown artist
Date:
1815-1816
Materials & Techniques:
Watercolor
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

538. No.6, The Lime Kilns and Country towards Littleham, Taken near Exmouth

No cover image available
Creator:
unknown artist
Date:
1815-1816
Materials & Techniques:
Watercolor
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

539. No.5, The Rocks, Towards Salterton, Taken from the Fields Beyond the Beacon

No cover image available
Creator:
unknown artist
Date:
1815-1816
Materials & Techniques:
Watercolor
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

540. No.8, The Milk House, Part of the Warren of Haldon in the Distance, Taken from the Lime Kilns

No cover image available
Creator:
unknown artist
Date:
1815-1816
Materials & Techniques:
Watercolor
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

541. No.10, The Milk House, Lime Kilns, Webber's Farm, etc., Going from Exmouth

No cover image available
Creator:
unknown artist
Date:
1815-1816
Materials & Techniques:
Watercolor
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

542. No.7, The Lime Kilns and Mr. Williamson's House, Returning from the Rocks

No cover image available
Creator:
unknown artist
Date:
1815-1816
Materials & Techniques:
Watercolor
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

543. No.9, The Milk House, Warren, etc. Returning to Exmouth

No cover image available
Creator:
unknown artist
Date:
1815-1816
Materials & Techniques:
Watercolor
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

544. No.12, Part of the Warren, Dr. Drury's, etc.

No cover image available
Creator:
unknown artist
Date:
1815-1816
Materials & Techniques:
Watercolor
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

545. No.15, The Windmill, Parker's Warehouse with Powderham in the Distance

No cover image available
Creator:
unknown artist
Date:
1815-1816
Materials & Techniques:
Watercolor
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

546. No.11, The Rocks Going towards Salterton

No cover image available
Creator:
unknown artist
Date:
1815-1816
Materials & Techniques:
Watercolor
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

547. No.14, The Beacon, Taken from the Windmill

No cover image available
Creator:
unknown artist
Date:
1815-1816
Materials & Techniques:
Watercolor
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

548. No.13, The Beacon, General Legder's, Star Cross, etc., Taken from the Beacon Fields

No cover image available
Creator:
unknown artist
Date:
1815-1816
Materials & Techniques:
Watercolor
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

549. No.16, Lympstone Rock and Topsham Taken from the Windmill, Exmouth

No cover image available
Creator:
unknown artist
Date:
1815-1816
Materials & Techniques:
Watercolor
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

550. No.17, The Rocks, towards Salterton, Taken near the Windmill, Exmouth

No cover image available
Creator:
unknown artist
Date:
1815-1816
Materials & Techniques:
Watercolor
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

551. No.18, Berry Head, etc., Taken at Dawlish

No cover image available
Creator:
unknown artist
Date:
1815-1816
Materials & Techniques:
Watercolor
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

552. No.20, Berry Head, Parson of Clerk Rock etc., Taken from Dawlish

No cover image available
Creator:
unknown artist
Date:
1815-1816
Materials & Techniques:
Watercolor
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

553. No.21, The Signal Station and Rocks towards Salterton, Taken from Dawlish Beach

No cover image available
Creator:
unknown artist
Date:
1815-1816
Materials & Techniques:
Watercolor
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

554. No.19, Parson of Clerk Rock, Taken between Dawlish and Teignmouth

No cover image available
Creator:
unknown artist
Date:
1815-1816
Materials & Techniques:
Watercolor
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

555. No.22, The Beacon, Exmouth, Taken from Wills's Green near Teignmouth

No cover image available
Creator:
unknown artist
Date:
1815-1816
Materials & Techniques:
Watercolor
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

556. No.23, Babbacombe and Entrance to Torquay, Taken near Shaldon

No cover image available
Creator:
unknown artist
Date:
1815-1816
Materials & Techniques:
Watercolor
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

557. No.24, Shaldon and Hills towards Torquay, Taken from the Passage at Teignmouth

No cover image available
Creator:
unknown artist
Date:
1815-1816
Materials & Techniques:
Watercolor
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

558. Eastern Side of Torquay, Taken from Tor Abbey

No cover image available
Creator:
unknown artist
Date:
1815-1816
Materials & Techniques:
Watercolor
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

559. Western Side of Torquay, Tor Abbey Lies behind this Hill

No cover image available
Creator:
unknown artist
Date:
1815-1816
Materials & Techniques:
Watercolor
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

560. Mamhead, Starcross, etc.

No cover image available
Creator:
unknown artist
Date:
1815-1816
Materials & Techniques:
Watercolor
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

561. Chapel, Library, Fishmarket, Beacon

No cover image available
Creator:
unknown artist
Date:
1815-1816
Materials & Techniques:
Watercolor
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

562. Lympstone, Mr. Hornell's House and Farm, The Embankment

No cover image available
Creator:
unknown artist
Date:
1815-1816
Materials & Techniques:
Watercolor
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

563. Panoramic View from Berry Head to Powderham

No cover image available
Creator:
unknown artist
Date:
1815-1816
Materials & Techniques:
Watercolor
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

564. Saturday Evening, the Husbandman's Return From Labour

No cover image available
Creator:
William Nutter, 1754–1802
Date:
1795
Materials & Techniques:
Stipple engraving, colored on medium, moderately textured, beige wove paper
Dimensions:
Sheet: 20 5/8 × 24 3/16 inches (52.4 × 61.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

565. Dancing Bear with Its Keeper, Piper, and Audience of One

No cover image available
Creator:
James Bretherton, ca. 1730–1806
Date:
1774
Materials & Techniques:
Etching and line engraving on moderately thick, rough, cream laid paper
Dimensions:
Sheet: 10 9/16 x 13 1/16 inches (26.9 x 33.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

566. The Deserter

No cover image available
Creator:
William Dickinson, 1746–1823
Date:
1784
Materials & Techniques:
Stipple engraving and etching on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 15 3/8 × 19 7/16 inches (39 × 49.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

567. The little Hunchback dining with the Taylor, is choak'd with a Fish Bone

No cover image available
Creator:
Simon Watts, active 1812
Date:
1787
Materials & Techniques:
Color printed etching and aquatint with hand coloring in watercolor
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

568. Composition: Sandy Road through Woodland

No cover image available
Creator:
Print made by John Crome, 1768–1821
Date:
1813
Materials & Techniques:
Etching on medium, smooth, beige wove paper
Dimensions:
Sheet: 14 15/16 × 11 11/16 inches (38 × 29.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

569. Three Landscape Studies

No cover image available
Creator:
Print made by John Crome, 1768–1821
Date:
undated
Materials & Techniques:
Etching on medium, slightly textured, white wove paper
Dimensions:
Sheet: 9 5/16 x 9 3/16 inches (23.7 x 23.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

570. The Great Harry. The First Ship of War that Carried Guns

No cover image available
Creator:
George Cruikshank, 1792–1878
Date:
1834
Materials & Techniques:
Colored aquatint
Dimensions:
Sheet: 21 3/8 x 28in. (54.3 x 71.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

571. Illustrations of the Travels of Lord Valentia: Two Volumes

No cover image available
Creator:
Henry Salt, 1780–1827
Date:
1802-1806
Materials & Techniques:
Watercolor, pen and ink and wash, and graphite
Dimensions:
Sheet: 14 5/16 x 8 7/16in. (36.4 x 21.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

572. Illustrations of the Travels of Lord Valentia: Two Volumes

No cover image available
Creator:
Henry Salt, 1780–1827
Date:
1802-1806
Materials & Techniques:
Watercolor, pen and ink and wash, and graphite
Dimensions:
Sheet: 14 5/16 x 8 7/16in. (36.4 x 21.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

573. Illustrations of the Travels of Lord Valentia: Two Volumes

No cover image available
Creator:
Henry Salt, 1780–1827
Date:
1802-1806
Materials & Techniques:
Watercolor, pen and ink and wash, and graphite
Dimensions:
Sheet: 14 5/16 x 8 7/16in. (36.4 x 21.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

574. Illustrations of the Travels of Lord Valentia: Two Volumes

No cover image available
Creator:
Henry Salt, 1780–1827
Date:
1802-1806
Materials & Techniques:
Watercolor, pen and ink and wash, and graphite
Dimensions:
Sheet: 14 5/16 x 8 7/16in. (36.4 x 21.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

575. Illustrations of the Travels of Lord Valentia: Two Volumes

No cover image available
Creator:
Henry Salt, 1780–1827
Date:
1802-1806
Materials & Techniques:
Watercolor, pen and ink and wash, and graphite
Dimensions:
Sheet: 14 5/16 x 8 7/16in. (36.4 x 21.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

576. Illustrations of the Travels of Lord Valentia: Two Volumes

No cover image available
Creator:
Henry Salt, 1780–1827
Date:
1802-1806
Materials & Techniques:
Watercolor, pen and ink and wash, and graphite
Dimensions:
Sheet: 14 5/16 x 8 7/16in. (36.4 x 21.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

577. Illustrations of the Travels of Lord Valentia: Two Volumes

No cover image available
Creator:
Henry Salt, 1780–1827
Date:
1802-1806
Materials & Techniques:
Watercolor, pen and ink and wash, and graphite
Dimensions:
Sheet: 14 5/16 x 8 7/16in. (36.4 x 21.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

578. Illustrations of the Travels of Lord Valentia: Two Volumes

No cover image available
Creator:
Henry Salt, 1780–1827
Date:
1802-1806
Materials & Techniques:
Watercolor, pen and ink and wash, and graphite
Dimensions:
Sheet: 14 5/16 x 8 7/16in. (36.4 x 21.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

579. Illustrations of the Travels of Lord Valentia: Two Volumes

No cover image available
Creator:
Henry Salt, 1780–1827
Date:
1802-1806
Materials & Techniques:
Watercolor, pen and ink and wash, and graphite
Dimensions:
Sheet: 14 5/16 x 8 7/16in. (36.4 x 21.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

580. Illustrations of the Travels of Lord Valentia: Two Volumes

No cover image available
Creator:
Henry Salt, 1780–1827
Date:
1802-1806
Materials & Techniques:
Watercolor, pen and ink and wash, and graphite
Dimensions:
Sheet: 14 5/16 x 8 7/16in. (36.4 x 21.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

581. Illustrations of the Travels of Lord Valentia: Two Volumes

No cover image available
Creator:
Henry Salt, 1780–1827
Date:
1802-1806
Materials & Techniques:
Watercolor, pen and ink and wash, and graphite
Dimensions:
Sheet: 14 5/16 x 8 7/16in. (36.4 x 21.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

582. Illustrations of the Travels of Lord Valentia: Two Volumes

No cover image available
Creator:
Henry Salt, 1780–1827
Date:
1802-1806
Materials & Techniques:
Watercolor, pen and ink and wash, and graphite
Dimensions:
Sheet: 14 5/16 x 8 7/16in. (36.4 x 21.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

583. Illustrations of the Travels of Lord Valentia: Two Volumes

No cover image available
Creator:
Henry Salt, 1780–1827
Date:
1802-1806
Materials & Techniques:
Watercolor, pen and ink and wash, and graphite
Dimensions:
Sheet: 14 5/16 x 8 7/16in. (36.4 x 21.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

584. Illustrations of the Travels of Lord Valentia: Two Volumes

No cover image available
Creator:
Henry Salt, 1780–1827
Date:
1802-1806
Materials & Techniques:
Watercolor, pen and ink and wash, and graphite
Dimensions:
Sheet: 14 5/16 x 8 7/16in. (36.4 x 21.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

585. Illustrations of the Travels of Lord Valentia: Two Volumes

No cover image available
Creator:
Henry Salt, 1780–1827
Date:
1802-1806
Materials & Techniques:
Watercolor, pen and ink and wash, and graphite
Dimensions:
Sheet: 14 5/16 x 8 7/16in. (36.4 x 21.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

586. Illustrations of the Travels of Lord Valentia: Two Volumes

No cover image available
Creator:
Henry Salt, 1780–1827
Date:
1802-1806
Materials & Techniques:
Watercolor, pen and ink and wash, and graphite
Dimensions:
Sheet: 14 5/16 x 8 7/16in. (36.4 x 21.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

587. Illustrations of the Travels of Lord Valentia: Two Volumes

No cover image available
Creator:
Henry Salt, 1780–1827
Date:
1802-1806
Materials & Techniques:
Watercolor, pen and ink and wash, and graphite
Dimensions:
Sheet: 14 5/16 x 8 7/16in. (36.4 x 21.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

588. Illustrations of the Travels of Lord Valentia: Two Volumes

No cover image available
Creator:
Henry Salt, 1780–1827
Date:
1802-1806
Materials & Techniques:
Watercolor, pen and ink and wash, and graphite
Dimensions:
Sheet: 14 5/16 x 8 7/16in. (36.4 x 21.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

589. Illustrations of the Travels of Lord Valentia: Two Volumes

No cover image available
Creator:
Henry Salt, 1780–1827
Date:
1802-1806
Materials & Techniques:
Watercolor, pen and ink and wash, and graphite
Dimensions:
Sheet: 14 5/16 x 8 7/16in. (36.4 x 21.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

590. Illustrations of the Travels of Lord Valentia: Two Volumes

No cover image available
Creator:
Henry Salt, 1780–1827
Date:
1802-1806
Materials & Techniques:
Watercolor, pen and ink and wash, and graphite
Dimensions:
Sheet: 14 5/16 x 8 7/16in. (36.4 x 21.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

591. Illustrations of the Travels of Lord Valentia: Two Volumes

No cover image available
Creator:
Henry Salt, 1780–1827
Date:
1802-1806
Materials & Techniques:
Watercolor, pen and ink and wash, and graphite
Dimensions:
Sheet: 14 5/16 x 8 7/16in. (36.4 x 21.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

592. Illustrations of the Travels of Lord Valentia: Two Volumes

No cover image available
Creator:
Henry Salt, 1780–1827
Date:
1802-1806
Materials & Techniques:
Watercolor, pen and ink and wash, and graphite
Dimensions:
Sheet: 14 5/16 x 8 7/16in. (36.4 x 21.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

593. Illustrations of the Travels of Lord Valentia: Two Volumes

No cover image available
Creator:
Henry Salt, 1780–1827
Date:
1802-1806
Materials & Techniques:
Watercolor, pen and ink and wash, and graphite
Dimensions:
Sheet: 14 5/16 x 8 7/16in. (36.4 x 21.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

594. Illustrations of the Travels of Lord Valentia: Two Volumes

No cover image available
Creator:
Henry Salt, 1780–1827
Date:
1802-1806
Materials & Techniques:
Watercolor, pen and ink and wash, and graphite
Dimensions:
Sheet: 14 5/16 x 8 7/16in. (36.4 x 21.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

595. Illustrations of the Travels of Lord Valentia: Two Volumes

No cover image available
Creator:
Henry Salt, 1780–1827
Date:
1802-1806
Materials & Techniques:
Watercolor, pen and ink and wash, and graphite
Dimensions:
Sheet: 14 5/16 x 8 7/16in. (36.4 x 21.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

596. Illustrations of the Travels of Lord Valentia: Two Volumes

No cover image available
Creator:
Henry Salt, 1780–1827
Date:
1802-1806
Materials & Techniques:
Watercolor, pen and ink and wash, and graphite
Dimensions:
Sheet: 14 5/16 x 8 7/16in. (36.4 x 21.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

597. Illustrations of the Travels of Lord Valentia: Two Volumes

No cover image available
Creator:
Henry Salt, 1780–1827
Date:
1802-1806
Materials & Techniques:
Watercolor, pen and ink and wash, and graphite
Dimensions:
Sheet: 14 5/16 x 8 7/16in. (36.4 x 21.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

598. Illustrations of the Travels of Lord Valentia: Two Volumes

No cover image available
Creator:
Henry Salt, 1780–1827
Date:
1802-1806
Materials & Techniques:
Watercolor, pen and ink and wash, and graphite
Dimensions:
Sheet: 14 5/16 x 8 7/16in. (36.4 x 21.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

599. The Cornfield

No cover image available
Creator:
Print made by David Lucas, 1802–1881
Date:
1833
Materials & Techniques:
Mezzotint on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 26 7/8 × 21 1/8 inches (68.3 × 53.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

600. Dedham Vale

No cover image available
Creator:
Print made by David Lucas, 1802–1881
Date:
1838
Materials & Techniques:
Mezzotint and etching on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 27 × 21 3/4 inches (68.6 × 55.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection