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Credit Line Yale Center for British Art, Paul Mellon Collection

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Work Type drawing

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Height [cm] 21

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John R. Skeaping Sketch of a Base for the Mill Reef statue, 1972: Base with Statue
John R. Skeaping, 1901–1980
Sketch of a Base for the Mill Reef statue, 1972: Base with Statue
1972
Robert Polhill Bevan Swiss Cottage, Hampstead
Robert Polhill Bevan, 1865–1925
Swiss Cottage, Hampstead
between 1912 and 1913
Robert Polhill Bevan Swiss Cottage, Hampstead
Robert Polhill Bevan, 1865–1925
Swiss Cottage, Hampstead
between 1912 and 1913
Robert Polhill Bevan A Morning at Tattersalls (with further sketches in left margin folded over)
Robert Polhill Bevan, 1865–1925
A Morning at Tattersalls (with further sketches in left margin folded over)
undated
Robert Polhill Bevan The Horse Mart (with further sketches in the margin)
Robert Polhill Bevan, 1865–1925
The Horse Mart (with further sketches in the margin)
ca. 1918
Samuel Palmer At Hailsham, Sussex: a Storm Approaching
Samuel Palmer, 1805–1881
At Hailsham, Sussex: a Storm Approaching
1821
Joseph Mallord William Turner Windsor Castle and Park with Deer
Joseph Mallord William Turner, 1775–1851
Windsor Castle and Park with Deer
undated
Joseph Mallord William Turner South Porch and Tower of an Unidentified Church
Joseph Mallord William Turner, 1775–1851
South Porch and Tower of an Unidentified Church
between 1790 and 1795
Joseph Mallord William Turner Man with Horse and Cart Entering a Quarry
Joseph Mallord William Turner, 1775–1851
Man with Horse and Cart Entering a Quarry
ca. 1797
Joseph Mallord William Turner St. Augustine's Gate, Canterbury
Joseph Mallord William Turner, 1775–1851
St. Augustine's Gate, Canterbury
between 1792 and 1793
William Blake Europe. A Prophecy; Frontispiece
Print made by William Blake, 1757–1827
Europe. A Prophecy; Frontispiece
ca. 1820
William Blake "And Hand & Hyle rooted into Jerusalem..." (Plate 15)
Print made by William Blake, 1757–1827
"And Hand & Hyle rooted into Jerusalem..." (Plate 15)
1804 to 1820
William Blake "His Spectre divides & Los in fury compells it to divide..." (Plate 17)
Print made by William Blake, 1757–1827
"His Spectre divides & Los in fury compells it to divide..." (Plate 17)
1804 to 1820
William Blake "Albion thy fear has made me tremble..." (Plate 22)
Print made by William Blake, 1757–1827
"Albion thy fear has made me tremble..." (Plate 22)
1804 to 1820
William Blake "Highgates heights & Hampsteads..." (Plate 84)
Print made by William Blake, 1757–1827
"Highgates heights & Hampsteads..." (Plate 84)
1804 to 1820
William Blake "Became a Space & an Allegory..." (Plate 85)
Print made by William Blake, 1757–1827
"Became a Space & an Allegory..." (Plate 85)
1804 to 1820
William Blake "I see thy Form O lovely mild Jerusalem..." (Plate 86)
Print made by William Blake, 1757–1827
"I see thy Form O lovely mild Jerusalem..." (Plate 86)
1804 to 1820
William Blake "Repelling weeping Enion blind & age-bent..." (Plate 87)
Print made by William Blake, 1757–1827
"Repelling weeping Enion blind & age-bent..." (Plate 87)
1804 to 1820
William Blake "Los answer'd sighing like the Bellows of his Furnaces..." (Plate 88)
Print made by William Blake, 1757–1827
"Los answer'd sighing like the Bellows of his Furnaces..." (Plate 88)
1804 to 1820
William Blake "The Feminine separates from the Masculine..." (Plate 90)
Print made by William Blake, 1757–1827
"The Feminine separates from the Masculine..." (Plate 90)
1804 to 1820
William Blake "It is easier to forgive an enemy..." (Plate 91)
Print made by William Blake, 1757–1827
"It is easier to forgive an enemy..." (Plate 91)
1804 to 1820
William Blake "Enitharmon heard. She raised her head like the mild Moon..." (Plate 93)
Print made by William Blake, 1757–1827
"Enitharmon heard. She raised her head like the mild Moon..." (Plate 93)
1804 to 1820
William Blake "Albion cold lays on his Rock..." (Plate 94)
Print made by William Blake, 1757–1827
"Albion cold lays on his Rock..." (Plate 94)
1804 to 1820
William Blake "Awake! Awake Jerusalem..." (Plate 97)
Print made by William Blake, 1757–1827
"Awake! Awake Jerusalem..." (Plate 97)
1804 to 1820
William Blake "Then each an Arrow flaming from his Quiver..." (Plate 98)
Print made by William Blake, 1757–1827
"Then each an Arrow flaming from his Quiver..." (Plate 98)
1804 to 1820
William Blake "And the Two that escaped..." (Plate 30)
Print made by William Blake, 1757–1827
"And the Two that escaped..." (Plate 30)
1804 to 1820
William Blake "Elevate into the Region of Brotherhood..." (Plate 34)
Print made by William Blake, 1757–1827
"Elevate into the Region of Brotherhood..." (Plate 34)
1804 to 1820
William Blake "Reuben return'd to his place, in vain..." (Plate 36)
Print made by William Blake, 1757–1827
"Reuben return'd to his place, in vain..." (Plate 36)
1804 to 1820
William Blake "With one accord in love sublime..." (Plate 44)
Print made by William Blake, 1757–1827
"With one accord in love sublime..." (Plate 44)
1804 to 1820
William Blake "From Camberwell to Highgate where the mighty Thames shudders along..." (Plate 47)
Print made by William Blake, 1757–1827
"From Camberwell to Highgate where the mighty Thames shudders along..." (Plate 47)
1804 to 1820
William Blake "The secret coverts of Albion & the hidden places of America..." (Plate 49)
Print made by William Blake, 1757–1827
"The secret coverts of Albion & the hidden places of America..." (Plate 49)
1804 to 1820
William Blake "In Great Eternity every particular Form..." (Plate 54)
Print made by William Blake, 1757–1827
"In Great Eternity every particular Form..." (Plate 54)
1804 to 1820
William Blake "When those who disregard all Mortal Things..." (Plate 55)
Print made by William Blake, 1757–1827
"When those who disregard all Mortal Things..." (Plate 55)
1804 to 1820
William Blake "And the voices of Bath & Canterbury & York & Edinburgh, Cry..." (Plate 57)
Print made by William Blake, 1757–1827
"And the voices of Bath & Canterbury & York & Edinburgh, Cry..." (Plate 57)
1804 to 1820
William Blake "In beauty the Daughters of Albion divide..." (Plate 58)
Print made by William Blake, 1757–1827
"In beauty the Daughters of Albion divide..." (Plate 58)
1804 to 1820
William Blake "The clouds of Albions Druid Temples..." (Plate 60)
Print made by William Blake, 1757–1827
"The clouds of Albions Druid Temples..." (Plate 60)
1804 to 1820
William Blake "Repose on me till the morning of the Grave..." (Plate 62)
Print made by William Blake, 1757–1827
"Repose on me till the morning of the Grave..." (Plate 62)
1804 to 1820
William Blake "By those who drink their blood & the blood of their Covenant..." (Plate 67)
Print made by William Blake, 1757–1827
"By those who drink their blood & the blood of their Covenant..." (Plate 67)
1804 to 1820
William Blake "O Skofield why art thou cruel?..." (Plate 68)
Print made by William Blake, 1757–1827
"O Skofield why art thou cruel?..." (Plate 68)
1804 to 1820
William Blake "Then all the Males conjoined into One Male..." (Plate 69)
Print made by William Blake, 1757–1827
"Then all the Males conjoined into One Male..." (Plate 69)
1804 to 1820
William Blake Chapter 4. "The Spectres of Albions Twelve Sons..." (Plate 78)
Print made by William Blake, 1757–1827
Chapter 4. "The Spectres of Albions Twelve Sons..." (Plate 78)
1804 to 1820
William Blake "I have mock'd those who refused cruelty..." (Plate 81)
Print made by William Blake, 1757–1827
"I have mock'd those who refused cruelty..." (Plate 81)
1804 to 1820
Robert Smirke Scene from Timon of Athens
Robert Smirke, 1752–1845
Scene from Timon of Athens
undated
Robert Smirke Five Vignettes of Scenes from Antiquity
Robert Smirke, 1752–1845
Five Vignettes of Scenes from Antiquity
undated
Robert Smirke Scene from Don Quixote
Robert Smirke, 1752–1845
Scene from Don Quixote
undated
Henry Swinburne Entrance of the Torre de las dos Hermanas in the Alhambra
Henry Swinburne, 1743–1803
Entrance of the Torre de las dos Hermanas in the Alhambra
1775 to 1776
Henry Swinburne The Great Bath of the Alhambra
Henry Swinburne, 1743–1803
The Great Bath of the Alhambra
1775 to 1776
Henry Swinburne Arch Near Tivoli
Henry Swinburne, 1743–1803
Arch Near Tivoli
1777 to 1778
Henry Swinburne Vaucluse, France
Henry Swinburne, 1743–1803
Vaucluse, France
undated
Luigi Balugani [One of] Miscellaneous Sketches in Wrapper
Luigi Balugani, 1737–1770
[One of] Miscellaneous Sketches in Wrapper
1770
Luigi Balugani El Hudderi
Luigi Balugani, 1737–1770
El Hudderi
undated
John Inigo Richards Thornbury Castle, Gloucestershire
John Inigo Richards, 1730/31?–1810
Thornbury Castle, Gloucestershire
undated
Thomas Rowlandson Harvesters Resting in a Corn Field
Thomas Rowlandson, 1756–1827
Harvesters Resting in a Corn Field
between 1805 and 1810
Louisa Anne Beresford Haymakers
Louisa Anne Beresford, 1818–1891
Haymakers
undated
James Sowerby A Dog
James Sowerby, 1756–1822
A Dog
undated
James Sowerby A Dog (marked with measurements)
James Sowerby, 1756–1822
A Dog (marked with measurements)
undated
James Sowerby Great Blue Turaco
James Sowerby, 1756–1822
Great Blue Turaco
undated
James de Carle Sowerby A Cockatoo
James de Carle Sowerby, 1787–1871
A Cockatoo
undated
James Sowerby A Wren
James Sowerby, 1756–1822
A Wren
undated
Thomas Rowlandson A Pier at Amsterdam (Version A)
Thomas Rowlandson, 1756–1827
A Pier at Amsterdam (Version A)
1792
James Sowerby A Sea Eagle
James Sowerby, 1756–1822
A Sea Eagle
undated
James Sowerby Two Birds on a Branch
James Sowerby, 1756–1822
Two Birds on a Branch
undated
James Sowerby Elephant with Rider
James Sowerby, 1756–1822
Elephant with Rider
undated
James Ward Elijah Casting off His Mantle
James Ward, 1769–1859
Elijah Casting off His Mantle
undated
Robert Smirke Illustration for Don Quixote (with figures on a donkey)
Robert Smirke, 1752–1845
Illustration for Don Quixote (with figures on a donkey)
undated
Robert Smirke Launce with his Dog Crab
Robert Smirke, 1752–1845
Launce with his Dog Crab
ca. 1821
Capt. Thomas Hastings Near Saint Lawrence, Isle of Wight
Capt. Thomas Hastings, 1778–1854
Near Saint Lawrence, Isle of Wight
1826
unknown artist West View of the Ruins of Gleaston Castle, Gleaston, Aldingham, Lancashire, and The Castle or Tower of Dalton, Dalton-in-Furness, Dalton Town with Newton, Lancashire
unknown artist
West View of the Ruins of Gleaston Castle, Gleaston, Aldingham, Lancashire, and The Castle or Tower of Dalton, Dalton-in-Furness, Dalton Town with Newton, Lancashire
1805
Sir Robert Smirke the younger Specimens of the Private Houses of Venice
Sir Robert Smirke the younger, 1781–1867
Specimens of the Private Houses of Venice
1802-1804
Sir Robert Smirke the younger Another Specimen of the Same Style
Sir Robert Smirke the younger, 1781–1867
Another Specimen of the Same Style
1802-1804
Sir Robert Smirke the younger Specimens of a Private House in Venice
Sir Robert Smirke the younger, 1781–1867
Specimens of a Private House in Venice
1802-1804
Sir Robert Smirke the younger At Ancona, Italy
Sir Robert Smirke the younger, 1781–1867
At Ancona, Italy
1802-1804
Sir Robert Smirke the younger Gateway to a House in Ancona
Sir Robert Smirke the younger, 1781–1867
Gateway to a House in Ancona
1802-1804
Sir Robert Smirke the younger View of the Interior of One of the Churches in Ancona
Sir Robert Smirke the younger, 1781–1867
View of the Interior of One of the Churches in Ancona
1802-1804
Sir Robert Smirke the younger In One of the Churches of Ancona
Sir Robert Smirke the younger, 1781–1867
In One of the Churches of Ancona
1802-1804
Sir Robert Smirke the younger The Plains of Senta
Sir Robert Smirke the younger, 1781–1867
The Plains of Senta
1803
Sir Robert Smirke the younger Ruins of the Temple of Jupiter on the Plains of Nemea
Sir Robert Smirke the younger, 1781–1867
Ruins of the Temple of Jupiter on the Plains of Nemea
1803
Sir Robert Smirke the younger Kalamata, Greece
Sir Robert Smirke the younger, 1781–1867
Kalamata, Greece
1802-1804
Sir Robert Smirke the younger Kalamata, Greece
Sir Robert Smirke the younger, 1781–1867
Kalamata, Greece
1802-1804
Sir Robert Smirke the younger One of the Lions Taken From the Piraeus Port of Athens
Sir Robert Smirke the younger, 1781–1867
One of the Lions Taken From the Piraeus Port of Athens
1802-1804
Sir Robert Smirke the younger Study of an Older Palace in Venice
Sir Robert Smirke the younger, 1781–1867
Study of an Older Palace in Venice
1802-1804
Sir Robert Smirke the younger A Carita - On the Walls of a Hospital or Public School, Venice
Sir Robert Smirke the younger, 1781–1867
A Carita - On the Walls of a Hospital or Public School, Venice
1802-1804
Sir Robert Smirke the younger Part of Lyons From the Convent of the Chartreux, Mont Blanc in the Distance
Sir Robert Smirke the younger, 1781–1867
Part of Lyons From the Convent of the Chartreux, Mont Blanc in the Distance
1802-1804
Sir Robert Smirke the younger The Amphitheatre at Nîmes
Sir Robert Smirke the younger, 1781–1867
The Amphitheatre at Nîmes
1803
Sir Robert Smirke the younger Sketch of a Lion, From a Sculpture
Sir Robert Smirke the younger, 1781–1867
Sketch of a Lion, From a Sculpture
1802-1804
John White Abbott A View of Core's Library, Dawlish, Devon
John White Abbott, 1763–1851
A View of Core's Library, Dawlish, Devon
1837
William Beilby Syon House
William Beilby, 1740–1819
Syon House
undated
William Beilby Syon House: Chapel
William Beilby, 1740–1819
Syon House: Chapel
undated
William Beilby Alnwick Castle
William Beilby, 1740–1819
Alnwick Castle
undated
William Beilby Brick Bridge
William Beilby, 1740–1819
Brick Bridge
undated
William Beilby Gateway Alnwick
William Beilby, 1740–1819
Gateway Alnwick
1786
William Bradford Pass in the Mountains Between Nisa and Villa Velha
William Bradford, active 1809
Pass in the Mountains Between Nisa and Villa Velha
1809
James Holland The Facade of the Royal Naval College, Greenwich
James Holland, 1799–1870
The Facade of the Royal Naval College, Greenwich
undated
Gangaram Chintaman Navgire Tambat Devotee in a Green Turban
Gangaram Chintaman Navgire Tambat, active 1790s
Devotee in a Green Turban
between 1790 and 1796
Gangaram Chintaman Navgire Tambat Praying Man
Gangaram Chintaman Navgire Tambat, active 1790s
Praying Man
undated
Giovanni Battista Borra Aquedotto Angolare
Giovanni Battista Borra, 1713–1770
Aquedotto Angolare
ca. 1750
Benjamin Robert Haydon Study of a Nude Figure
Benjamin Robert Haydon, 1786–1846
Study of a Nude Figure
1806 to 1816
Benjamin Robert Haydon Study of a Man with Outstretched Arm
Benjamin Robert Haydon, 1786–1846
Study of a Man with Outstretched Arm
undated
Benjamin Robert Haydon Study of the Resurrection of Lazarus
Benjamin Robert Haydon, 1786–1846
Study of the Resurrection of Lazarus
undated
Pierre-Etienne Falconet George Stubbs
Pierre-Etienne Falconet, 1741–1791
George Stubbs
undated