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Credit Line Yale Center for British Art, Paul Mellon Collection

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William Hogarth Study for the Foundlings
William Hogarth, 1697–1764
Study for the Foundlings
ca. 1739
Joseph Mallord William Turner Rome from Monte Mario
Joseph Mallord William Turner, 1775–1851
Rome from Monte Mario
ca. 1818
William Blake 'Teaching, we learn; and giving, we retain' (Page 35)
Print made by William Blake, 1757–1827
'Teaching, we learn; and giving, we retain' (Page 35)
ca. 1797
William Blake The Divine Image (Plate 24)
Print made by William Blake, 1757–1827
The Divine Image (Plate 24)
1789
William Blake The Little Girl Found (Plate 22)
Print made by William Blake, 1757–1827
The Little Girl Found (Plate 22)
1789
William Blake Infant Joy (Plate 28)
Print made by William Blake, 1757–1827
Infant Joy (Plate 28)
1789
William Blake A Cradle Song (Plate 26)
Print made by William Blake, 1757–1827
A Cradle Song (Plate 26)
1789
William Blake Songs of Experience, Frontispiece (Plate 32)
Print made by William Blake, 1757–1827
Songs of Experience, Frontispiece (Plate 32)
1794
William Blake The Fly (Plate 48)
Print made by William Blake, 1757–1827
The Fly (Plate 48)
1794
William Blake Night the First. On Life, Death, and Immortality; Title Page
Print made by William Blake, 1757–1827
Night the First. On Life, Death, and Immortality; Title Page
ca. 1797
William Blake 'Its favours here are trials, not rewards' (Page 12)
Print made by William Blake, 1757–1827
'Its favours here are trials, not rewards' (Page 12)
ca. 1797
William Blake 'The present moment terminates our sight' (Page 13)
Print made by William Blake, 1757–1827
'The present moment terminates our sight' (Page 13)
ca. 1797
William Blake 'The vale of death! that hush'd cimmerian vale' (Page 54)
Print made by William Blake, 1757–1827
'The vale of death! that hush'd cimmerian vale' (Page 54)
ca. 1797
William Blake Preludium. "Of the primeval Priests assum'd power..." (Plate 2b)
Print made by William Blake, 1757–1827
Preludium. "Of the primeval Priests assum'd power..." (Plate 2b)
1794
William Blake Thel I. "The daughters of Mne Seraphim led round their sunny flocks..." (Plate 3)
Print made by William Blake, 1757–1827
Thel I. "The daughters of Mne Seraphim led round their sunny flocks..." (Plate 3)
1789
William Blake III. "Then Thel astonish'd view'd the Worm upon its dewy bed..." (Plate 6)
Print made by William Blake, 1757–1827
III. "Then Thel astonish'd view'd the Worm upon its dewy bed..." (Plate 6)
1789
William Blake III, "But he that loves the lowly, pours his oil upon my head..." (Plate 7)
Print made by William Blake, 1757–1827
III, "But he that loves the lowly, pours his oil upon my head..." (Plate 7)
1789
William Blake IV. "The eternal gates terrific porter lifted the northern bar..." (Plate 8)
Print made by William Blake, 1757–1827
IV. "The eternal gates terrific porter lifted the northern bar..." (Plate 8)
1789
William Blake Songs of Innocence, Title Page (Plate 2)
Print made by William Blake, 1757–1827
Songs of Innocence, Title Page (Plate 2)
1789
William Blake The Ecchoing Green (Plate 8)
Print made by William Blake, 1757–1827
The Ecchoing Green (Plate 8)
1789
William Blake The Chimney Sweeper (Plate 10)
Print made by William Blake, 1757–1827
The Chimney Sweeper (Plate 10)
1789
William Blake The Little Black Boy (Plate 6)
Print made by William Blake, 1757–1827
The Little Black Boy (Plate 6)
1789
William Blake Spring (Plate 12)
Print made by William Blake, 1757–1827
Spring (Plate 12)
1789
William Blake The Lamb (Plate 18)
Print made by William Blake, 1757–1827
The Lamb (Plate 18)
1789
William Blake Songs of Innocence, Frontispiece (Plate 1)
Print made by William Blake, 1757–1827
Songs of Innocence, Frontispiece (Plate 1)
1789
William Blake Albion's Angel; Frontispiece (Plate 1)
Print made by William Blake, 1757–1827
Albion's Angel; Frontispiece (Plate 1)
1793
William Blake Fiery the Angels rose, & as they rose deep thunder roll'd..." (Plate 13)
Print made by William Blake, 1757–1827
Fiery the Angels rose, & as they rose deep thunder roll'd..." (Plate 13)
1793
William Blake America, A Prophecy; Title Page (Plate 2)
Print made by William Blake, 1757–1827
America, A Prophecy; Title Page (Plate 2)
1793
William Blake A Prophecy. "The Guardian Prince of Albion burns in his nightly tent..." (Plate 5)
Print made by William Blake, 1757–1827
A Prophecy. "The Guardian Prince of Albion burns in his nightly tent..." (Plate 5)
1793
William Blake Thel I. "The daughters of Mne Seraphim led round their sunny flocks..." (Plate 3)
Print made by William Blake, 1757–1827
Thel I. "The daughters of Mne Seraphim led round their sunny flocks..." (Plate 3)
1789
William Blake III. "Then Thel astonish'd view'd the Worm upon its dewy bed..." (Plate 6)
Print made by William Blake, 1757–1827
III. "Then Thel astonish'd view'd the Worm upon its dewy bed..." (Plate 6)
1789
William Blake IV. "The eternal gates terrific porter lifted the northern bar..." (Plate 8)
Print made by William Blake, 1757–1827
IV. "The eternal gates terrific porter lifted the northern bar..." (Plate 8)
1789
William Blake III, "But he that loves the lowly, pours his oil upon my head..." (Plate 7)
Print made by William Blake, 1757–1827
III, "But he that loves the lowly, pours his oil upon my head..." (Plate 7)
1789
William Blake "Shot from the heights of Enitharmon..." (Plate 17)
Print made by William Blake, 1757–1827
"Shot from the heights of Enitharmon..." (Plate 17)
1794
William Blake Famine (Plate 8)
Print made by William Blake, 1757–1827
Famine (Plate 8)
1794
William Blake Preludium to the First Book of Urizen, "Of the primeval Priests assum'd power..." (Plate 2)
Print made by William Blake, 1757–1827
Preludium to the First Book of Urizen, "Of the primeval Priests assum'd power..." (Plate 2)
1794
William Blake "The Pensive Selima, Her ears of jet, and emerald eyes, She saw; and purr'd applause..." (Design 9)
William Blake, 1757–1827
"The Pensive Selima, Her ears of jet, and emerald eyes, She saw; and purr'd applause..." (Design 9)
between 1797 and 1798
William Blake Songs of Innocence, Frontispiece (Plate 1)
Print made by William Blake, 1757–1827
Songs of Innocence, Frontispiece (Plate 1)
1789
William Blake The Ecchoing Green (Plate 10)
Print made by William Blake, 1757–1827
The Ecchoing Green (Plate 10)
1789
William Blake The Divine Image (Plate 12)
Print made by William Blake, 1757–1827
The Divine Image (Plate 12)
1789
William Blake Nurse's Song (Plate 22)
Print made by William Blake, 1757–1827
Nurse's Song (Plate 22)
1789
William Blake On Anothers Sorrow (Plate 24)
Print made by William Blake, 1757–1827
On Anothers Sorrow (Plate 24)
1789
William Blake Spring (Plate 26)
Print made by William Blake, 1757–1827
Spring (Plate 26)
1789
William Blake Laughing Song (Plate 28)
Print made by William Blake, 1757–1827
Laughing Song (Plate 28)
1789
William Blake The Little Girl Found (Plate 6)
Print made by William Blake, 1757–1827
The Little Girl Found (Plate 6)
1789
William Blake The Lamb (Plate 8)
Print made by William Blake, 1757–1827
The Lamb (Plate 8)
1789
William Blake "Highgates heights & Hampsteads..." (Plate 84)
Print made by William Blake, 1757–1827
"Highgates heights & Hampsteads..." (Plate 84)
1804 to 1820
William Blake "To him the mighty mother did unveil Her awful face..." (Design 49)
William Blake, 1757–1827
"To him the mighty mother did unveil Her awful face..." (Design 49)
between 1797 and 1798
William Blake "In Great Eternity every particular Form..." (Plate 54)
Print made by William Blake, 1757–1827
"In Great Eternity every particular Form..." (Plate 54)
1804 to 1820
William Blake "To the Christians..." (Plate 77)
Print made by William Blake, 1757–1827
"To the Christians..." (Plate 77)
1804 to 1820
William Blake The plowman homeward plods his weary way, And leaves the world to darkness, and to me..." (Design 107)
William Blake, 1757–1827
The plowman homeward plods his weary way, And leaves the world to darkness, and to me..." (Design 107)
between 1797 and 1798
William Blake "Some kindred spirit shall inquire thy fate, Haply some hoary-headed swain may say..." (Design 113)
William Blake, 1757–1827
"Some kindred spirit shall inquire thy fate, Haply some hoary-headed swain may say..." (Design 113)
between 1797 and 1798
William Blake A Long Story; Title Page
William Blake, 1757–1827
A Long Story; Title Page
between 1797 and 1798
William Blake "A brace of warriors... rustling in their silks and tissues..."(Design 27)
William Blake, 1757–1827
"A brace of warriors... rustling in their silks and tissues..."(Design 27)
between 1797 and 1798
William Blake Ode to Adversity; Title Page
William Blake, 1757–1827
Ode to Adversity; Title Page
between 1797 and 1798
William Blake The Progress of Poesy, A Pindaric Ode; Title Page
William Blake, 1757–1827
The Progress of Poesy, A Pindaric Ode; Title Page
between 1797 and 1798
William Blake "Yet oft before his infant eyes would run Such forms as glitter in the Muse's ray..." (Design 51)
William Blake, 1757–1827
"Yet oft before his infant eyes would run Such forms as glitter in the Muse's ray..." (Design 51)
between 1797 and 1798
William Blake Pity
Print made by William Blake, 1757–1827
Pity
ca. 1795
William Blake The Little Black Boy (Plate 30)
Print made by William Blake, 1757–1827
The Little Black Boy (Plate 30)
1789
William Blake 'We censure nature for a span too short' (Page 23)
Print made by William Blake, 1757–1827
'We censure nature for a span too short' (Page 23)
ca. 1797
George Romney The Wave
George Romney, 1734–1802
The Wave
undated
George Romney Mythological Group of Women and Children
George Romney, 1734–1802
Mythological Group of Women and Children
late 1770s to early 1780s
George Romney A Mother with Her Child in Her Arms Flying upon the Ramparts of a City in Flames
George Romney, 1734–1802
A Mother with Her Child in Her Arms Flying upon the Ramparts of a City in Flames
undated
Thomas Rowlandson The Return of the Fleet to Great Yarmouth in 1797
Thomas Rowlandson, 1756–1827
The Return of the Fleet to Great Yarmouth in 1797
1797
Francis Wheatley Donnybrook Fair, 1782
Francis Wheatley, 1747–1801
Donnybrook Fair, 1782
1782
William James Muller Study of a Group of Children
Circle of William James Muller, 1812–1845
Study of a Group of Children
undated
William James Muller Study of a Group of Children
Circle of William James Muller, 1812–1845
Study of a Group of Children
undated
George Sidney Shepherd Green Park
George Sidney Shepherd, 1784–1862
Green Park
ca. 1830
William Alexander Conway, North Wales: The Castle and the Old College House
William Alexander, 1767–1816
Conway, North Wales: The Castle and the Old College House
1802
John Absolon Peasant Girls
attributed to John Absolon, 1815–1895
Peasant Girls
undated
Robert Smirke Falstaff at Herne's Oak
Robert Smirke, 1752–1845
Falstaff at Herne's Oak
1821
Daniel Lysons Brass Plate Monument of the Duchess of Northumberland and Her Daughters, Chelsea Church
Daniel Lysons, 1762–1834
Brass Plate Monument of the Duchess of Northumberland and Her Daughters, Chelsea Church
between 1796 and 1811
Frederick William Hulme Welsh Children
Frederick William Hulme, 1816–1884
Welsh Children
1851
John Linnell Horses in a Paddock
John Linnell, 1792–1882
Horses in a Paddock
1811
John Hamilton Mortimer Two Heads in a Roundel
attributed to John Hamilton Mortimer, 1740–1779
Two Heads in a Roundel
undated
unknown artist Cottage
unknown artist
Cottage
undated
unknown artist Faces
unknown artist
Faces
undated
Francis Wheatley Olivia Returns to Her Family
Francis Wheatley, 1747–1801
Olivia Returns to Her Family
undated
Paul Sandby London Cries: A Fishmonger
Paul Sandby, 1731–1809
London Cries: A Fishmonger
ca. 1759
Paul Sandby London Cries: Fun upon Fun
Paul Sandby, 1731–1809
London Cries: Fun upon Fun
1759
Thomas Shotter Boys A Christening
Thomas Shotter Boys, 1803–1874
A Christening
undated
Samuel Prout Bathing Tents on the Beach, Ostend
Samuel Prout, 1783–1852
Bathing Tents on the Beach, Ostend
undated
Charles Cooper Henderson A Hay Wagon Drawn by Four Horses
Charles Cooper Henderson, 1803–1877
A Hay Wagon Drawn by Four Horses
undated
Thomas Rowlandson A Crowded Race Meeting
Thomas Rowlandson, 1756–1827
A Crowded Race Meeting
between 1805 and 1810
Julius Caesar Ibbetson Blazing on the Hearth, The Father Recounting the History to His Children
Julius Caesar Ibbetson, 1759–1817
Blazing on the Hearth, The Father Recounting the History to His Children
undated
James Pollard The North Country Mails at The Peacock Inn, Islington
James Pollard, 1792–1867
The North Country Mails at The Peacock Inn, Islington
1815
Thomas Rowlandson Greenwich
Thomas Rowlandson, 1756–1827
Greenwich
1795 to 1800
John Varley An Arch at Holy Island, Northumberland
John Varley, 1778–1842
An Arch at Holy Island, Northumberland
1809
Samuel Jackson St. Michael's Hill, Bristol
Samuel Jackson, 1794–1869
St. Michael's Hill, Bristol
ca. 1824
James Malton A Military Encampment in Hyde Park
James Malton, 1761–1803
A Military Encampment in Hyde Park
1785
John Linnell A Study of Children
John Linnell, 1792–1882
A Study of Children
1811
Paul Sandby A Carriage and Pair, with Coachman
Paul Sandby, 1731–1809
A Carriage and Pair, with Coachman
1774
Julius Caesar Ibbetson Skating in Hyde Park
Julius Caesar Ibbetson, 1759–1817
Skating in Hyde Park
ca. 1785
C. Blake "The Poacher's Progress:" Poachers in Prison (The Pardon)
C. Blake, active 1825–1826
"The Poacher's Progress:" Poachers in Prison (The Pardon)
undated
C. Blake "The Poacher's Progress:" Poachers Before the Magistrates
C. Blake, active 1825–1826
"The Poacher's Progress:" Poachers Before the Magistrates
undated
James Pollard Cottager's Hospitality to Travellers of The Coach Broke Down
James Pollard, 1792–1867
Cottager's Hospitality to Travellers of The Coach Broke Down
1819
William Turner of Oxford The Exeter College Eight on the Isis, Oxford
William Turner of Oxford, 1789–1862
The Exeter College Eight on the Isis, Oxford
1824
Thomas Rowlandson Four O'Clock in the Country
Thomas Rowlandson, 1756–1827
Four O'Clock in the Country
between 1788 and 1790
John Linnell Job and His Family
circle of John Linnell, 1792–1882
Job and His Family
undated
John Linnell Job and His Daughters
circle of John Linnell, 1792–1882
Job and His Daughters
undated