'The present moment terminates our sight' (Page 13)
ca. 1797
2
Print made by William Blake, 1757–1827
"Appear to the Americans upon the cloudy night..." (Plate 6)
1793
3
William Blake, 1757–1827
The Fatal Sisters, An Ode; Title Page
between 1797 and 1798
4
William Blake, 1757–1827
"Malignant Fate sat by, and smil'd, The slipp'ry verge her feet beguil'd..." (Design 11)
between 1797 and 1798
5
William Blake, 1757–1827
The Bard Weaving Edwards Fate (Design 55)
between 1797 and 1798
6
Robert Smirke, 1752–1845
Study of a Woman, being Taken Away by a Winged Being
undated
7
Benjamin Robert Haydon, 1786–1846
Study of a Military Scene
undated
8
Jacques Le Moyne de Morgues, ca. 1533–before 1588
A Young Daughter of the Picts
ca. 1585
9
Hubert-François Gravelot, 1699–1773
Design for Medal: Both Hands Fil'd for Britain
undated
10
Henry Thomas Alken, 1785–1851
"Scraps", no. 34: Mounted Mameluke Pointing a Pistol
1823
11
Henry Thomas Alken, 1785–1851
"Scraps", no. 35: Mounted Mameluke with Bamboo Spear
undated
12
Henry Thomas Alken, 1785–1851
Symptoms: of Can't Wait, of Come-to Ther Glass, of Blood & Bone-Going Against Time, of the Reduced List, of Out of Cash & a-Little in Debt at an Inn, of In cash-at an Inn
between 1818 and 1822
13
Francis Sartorius, 1734–1804
Hunting in a Wood
undated
14
unknown artist
Classical Scene: Minerva as the Goddess of Arts and Sciences
undated
15
James Gray Mayhew, 1771–1845
Two Horsemen
undated
16
Paul Sandby Munn, 1773–1845
Pale Melancholy
ca. 1804
17
unknown artist
Sketch for the Oil Painting "The Conversion of St. Paul"
undated
18
John Michael Rysbrack, 1694–1770
A Scene on Mount Olympus
undated
19
Alfred Diston, active 1818–1829
Man and woman of Chasna-Tenerife
1828
20
Alfred Diston, active 1818–1829
Peasants of Chasna, Tenerife
1825
21
Francis Cleyn, 1582–1658
A Hunter Holding a Spear in a Woodland Setting
undated
22
unknown artist
Neptune and Britannia
undated
23
John Augustus Atkinson, 1775–1831
A Rifleman at Musketry Practice
undated
24
Mary Hoare, 1744–1820
Arviragus, Bearing Imogen as Dead in his Arms, 'Cymbeline', Act IV, Scene II