Credit Line: Yale Center for British Art, Paul Mellon Collection / Work Type: drawing / Subject Terms: study (visual work)

1. Study of Waves

Creator:: attributed to Samuel Palmer, 1805–1881
Date:: undated
Materials & Techniques:: Gray and brown washes with white gouache over graphite on thick, slightly textured, gray wove paper
Dimensions:: Sheet: 5 13/16 × 8 7/8 inches (14.8 × 22.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2. Human Figure, Lateral View (Outline Study in Reverse of Table VIII)

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Graphite and red chalk; verso: graphite and red chalk on thin, smooth, beige wove paper
Dimensions:: Sheet: 19 3/4 x 15 5/8 inches (50.2 x 39.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3. Human Figure, Lateral View (For the key figure to Table XIII)

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 21 x 16 inches (53.3 x 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

4. Human Figure, Lateral View

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Graphite on thin, smooth, beige wove paper
Dimensions:: Sheet: 21 3/8 x 16 inches (54.3 x 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

5. Human Figure, Lateral View (Preliminary draft for the final study for Table VIII)

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Graphite on thin, smooth, beige wove paper
Dimensions:: Sheet: 21 3/8 x 15 7/8 inches (54.3 x 40.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

6. Human Figure, Lateral View (Prepared for transfer to the plate of the key figure to Table XIII)

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Graphite and red chalk on thin, smooth, cream wove paper lined with Japanese paper
Dimensions:: Sheet: 18 1/2 x 15 1/4 inches (47 x 38.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. Human Figure, Lateral View (Related to Table XIII, detailed study of the blood vessels supplying the muscles)

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Graphite and red chalk on thin, smooth, beige wove paper
Dimensions:: Sheet: 19 x 15 3/4 inches (48.3 x 40 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

8. Human Figure, Lateral View (Finished study for an unpublished table, representing the last stage in the dissection)

Creator:: George Stubbs, 1724–1806
Date:: between 1795 and 1806
Materials & Techniques:: Graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 21 1/4 x 16 inches (54 x 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9. Human Figure, Lateral View

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Graphite on thin, smooth, cream wove paper
Dimensions:: Sheet: 21 1/8 x 15 7/8 inches (53.7 x 40.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

10. Human Skeleton, Lateral View

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Graphite and red chalk; verso: graphite on thin, smooth, cream wove paper
Dimensions:: Sheet: 21 1/8 x 15 7/8 inches (53.7 x 40.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11. Human Skeleton, Lateral View (Close to the Final Study for Table III But Differs in Detail)

Creator:: George Stubbs, 1724–1806
Date:: Between 1795 and 1806
Materials & Techniques:: Graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 21 1/2 x 16 inches (54.6 x 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12. Human Skeleton, Lateral View

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Graphite on thick, slightly textured, beige wove paper; pinholes at reference points near head
Dimensions:: Sheet: 21 3/8 x 16 inches (54.3 x 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

13. Human Skeleton, Lateral View (Outline of the skeleton for the key figure to Table III)

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Graphite, squared for transfer on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 18 x 14 1/2 inches (45.7 x 36.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

14. Human Skeleton, Lateral View

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Ink with traces of graphite on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 17 3/4 x 14 inches (45.1 x 35.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15. Human Skeleton, Lateral View

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Pen with iron gall ink, and graphite squared for transfer on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 16 1/4 x 10 3/4 inches (41.3 x 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16. Human Figure, Lateral View

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Graphite on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 21 1/8 x 15 7/8 inches (53.7 x 40.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. Human Skeleton, Lateral View (May have been initially prepared for use as a key figure to Table III but later abandoned)

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Graphite on thick, slightly textured, cream wove paper with traces of a platemark
Dimensions:: Sheet: 19 x 14 7/8 inches (48.3 x 37.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. Human Skeleton, Posterior View

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Pen with iron gall ink, and graphite on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 17 1/4 x 10 3/8 inches (43.8 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. Human Skeleton, Anterior View (Right Arm Outstretched; finished study for unpublished table)

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Graphite on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 17 3/8 x 11 1/4 inches (44.1 x 28.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. Human Skeleton, Posterior View (Right Arm Outstretched; finished study for an unpublished table)

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Graphite on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 17 5/8 x 11 1/8 inches (44.8 x 28.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. Human Skeleton, Lateral View (in Crawling Posture; finished study for an unpublished table)

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Graphite on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 11 x 17 5/8 inches (28 x 44.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. Human Skeleton, Lateral View

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Pen with iron gall ink, and graphite on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/2 x 17 1/4 inches (26.7 x 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. Human Skeleton, Lateral View

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Pen with iron gall ink, and graphite; verso: ink stain from another drawing on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 16 1/2 x 10 inches (41.9 x 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. Human Skeleton, Lateral View (in Crouching Posture; finished study for an unpublished table)

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Graphite on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 17 5/8 x 11 inches (44.8 x 27.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. Study for the Self-portrait in Enamel

Creator:: George Stubbs, 1724–1806
Date:: ca. 1781
Materials & Techniques:: Graphite on medium, smooth, cream wove paper; squared in graphite for transfer
Dimensions:: Sheet: 12 x 9 1/8 inches (30.5 x 23.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. Fowl Skeleton, Lateral View (Outline drawing)

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Graphite on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 20 1/2 x 14 7/8 inches (52.1 x 37.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. Fowl Skeleton, Lateral View (Outline drawing of the skeleton)

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Graphite on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 20 3/8 x 15 1/2 inches (51.8 x 39.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. Fowl Skeleton, Lateral View

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Graphite on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 20 3/8 x 14 3/8 inches (51.8 x 36.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. Fowl Body, Lateral View (Study for key figure to Table X)

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Graphite, red chalk, and pen with iron gall ink on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 20 7/8 x 15 1/4 inches (53 x 38.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. Fowl Body, Lateral View (Probably Prepared for Transfer to the Plate for Engraving the Key Figure to Table X)

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Graphite and red chalk; verso: graphite and red chalk on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 20 3/8 x 14 inches (51.8 x 35.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. Fowl Body, Lateral View (Study for the Key Figure to Table XV)

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Graphite and red chalk on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 21 1/4 x 14 7/8 inches (54 x 37.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. Fowl Body, Lateral View (Probably Prepared for Transfer to the Plate for Engraving of Table XV)

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Graphite; verso: graphite, and pen with red ink on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 20 3/8 x 15 1/8 inches (51.8 x 38.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. Fowl Body, Lateral View

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Graphite on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 21 1/4 x 16 inches (54 x 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. Fowl Head and Neck, Lateral View

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Graphite, and pen with iron gall ink on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/4 x 8 1/4 inches (26 x 21 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. Dorking Hen Skeleton, Lateral View (Probably prepared for an unpublished key figure)

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Graphite, and pen with iron gall ink on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/2 x 12 1/2 inches (26.7 x 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. Dorking Hen, Lateral View

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Red and black chalk on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/2 x 14 inches (26.7 x 35.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. Study of a Racehorse in Action: Galloping to Left, a Semi-Anatomical Study, with Skin Flayed to Show Action of Muscles

Creator:: George Stubbs, 1724–1806
Date:: undated
Materials & Techniques:: Red chalk and graphite on thin, smooth, cream wove paper
Dimensions:: Sheet: 6 3/4 x 10 5/8 inches (17.1 x 27 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. Human Skeleton, Lateral View (Study for a key figure to an unpublished table showing the abdominal viscera)

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 21 3/8 x 16 inches (54.3 x 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. Human Figure, Lateral View

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Graphite on thin, slightly textured, cream wove paper lined with Japanese paper
Dimensions:: Sheet: 19 3/4 x 15 3/4 inches (50.2 x 40 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. Human Skeleton, Lateral View

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Graphite on thick, slightly textured, cream wove paper with traces of platemark
Dimensions:: Sheet: 18 7/8 x 14 7/8 inches (47.9 x 37.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. Human Skeleton, Anterior View

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Pen with iron gall ink, and graphite on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 17 1/4 x 10 3/4 inches (43.8 x 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. Tiger Body, Standing in Human Posture

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Graphite on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 10 3/4 x 9 1/2 inches (27.3 x 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. Fowl Skeleton, Lateral View (Study for the key figure to Table V)

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Pen with iron gall ink, and graphite on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 20 x 14 1/2 inches (50.8 x 36.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. Fowl Skeleton, Lateral View (Outline drawing of the skeleton prepared for the key figure to Table V)

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Graphite on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 19 x 13 3/4 inches (48.3 x 34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. Fowl Skeleton, Lateral View

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 20 1/2 x 14 1/4 inches (52.1 x 36.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. Fowl Skeleton, Lateral View (Probably Basic Study of the Proportions of the Fowl Skeleton Used for Other Drawings)

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Graphite; verso: graphite on medium, slightly textured, cream wove paper; pin pricks above beak
Dimensions:: Sheet: 20 1/4 × 13 3/4 inches (51.4 × 34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. Fowl Body, Lateral View (Outline drawing, related to Table XV)

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Graphite on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 20 3/4 x 15 inches (52.7 x 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. Fowl Body, Lateral View

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Graphite on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 21 1/4 x 16 inches (54 x 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. Fowl Body, Lateral View (Highly Finished Study for an Unpublished Table; Shows the Last Stage in Dissection)

Creator:: George Stubbs, 1724–1806
Date:: between 1795 and 1806
Materials & Techniques:: Graphite on thick, moderately textured, cream wove paper with traces of well-defined platemarks along margins
Dimensions:: Sheet: 21 1/4 x 16 inches (54 x 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. Dorking Hen Skeleton, Lateral View (Finished study for an unpublished table)

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Graphite on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 11 x 15 3/4 inches (27.9 x 40 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. Owl Standing, Anterior View

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Graphite and red chalk on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 x 9 7/8 inches (36.8 x 25.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. Dorking Hen Body, Lateral View (Outline drawing of the muscles)

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Graphite, pen with iron gall ink, with traces of red ink on thin, slightly textured, cream wove paper laid down on cream moderately thick, moderately textured, wove paper
Dimensions:: Sheet: 10 1/4 x 12 3/4 inches (26 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. Owl Standing, Anterior View

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Graphite on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 15 1/2 x 10 1/2 inches (39.4 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. Monkey Standing, Anterior View

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Pen with iron gall ink, and graphite; verso: ink stain on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/8 x 13 1/4 inches (28.3 x 33.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. Dorking Hen Body, Lateral View (Study of the muscles of the body and limbs at a later stage of dissection)

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Graphite on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/2 x 12 1/2 inches (26.7 x 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. Study for Hay Carts, Cumberland Market

Creator:: Robert Polhill Bevan, 1865–1925
Date:: ca. 1915
Materials & Techniques:: Black chalk on medium, smooth, cream wove paper
Dimensions:: Sheet: 13 15/16 × 18 1/2 inches (35.4 × 47 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. The Dead Sea, 16 and 17 April 1858

Creator:: Edward Lear, 1812–1888
Date:: April 16 and 17, 1858
Materials & Techniques:: Pen and brown ink with watercolor over graphite on thick, rough, cream wove paper
Dimensions:: Sheet: 14 1/2 x 21 3/4 inches (36.8 x 55.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. Siracusa, 12. June 1847

Creator:: Edward Lear, 1812–1888
Date:: 1847
Materials & Techniques:: Pen in brown ink over graphite on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 15 13/16 x 11 9/16 inches (40.2 x 29.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

59. A Study of Ferns, Civitella

Creator:: Edward Lear, 1812–1888
Date:: 1842
Materials & Techniques:: Oil on moderately thick, moderately textured, green wove paper
Dimensions:: Sheet: 6 3/16 x 7 9/16 inches (15.7 x 19.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. Study of a Clouded Moonlit Sky

Creator:: George Romney, 1734–1802
Date:: undated
Materials & Techniques:: Black wash on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 4 3/8 × 6 3/4 inches (11.1 × 17.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. A Seated Woman

Creator:: George Romney, 1734–1802
Date:: undated
Materials & Techniques:: Graphite with pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 7/8 × 6 1/2 inches (20 × 16.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. Study of a Lady Standing

Creator:: George Romney, 1734–1802
Date:: undated
Materials & Techniques:: Gray wash over graphite on medium slightly textured cream laid paper
Dimensions:: Sheet: 18 x 11 1/2 inches (45.7 x 29.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

63. A Procession of the Damned: Study for the Damned in Dante's "Inferno"

Creator:: George Romney, 1734–1802
Date:: undated
Materials & Techniques:: Brown wash with pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 1/4 x 10 3/8 inches (15.9 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. Watermill

Creator:: William Callow, 1812–1908
Date:: undated
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 × 5 5/8 inches (10.2 × 14.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

65. A Brown long-eared bat (Plecotus auritus)

Creator:: James Ward, 1769–1859
Date:: undated
Materials & Techniques:: Watercolor over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 5/8 x 13 1/8 inches (19.4 x 33.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

66. Study for the Oil Painting "The Children of Theophilus Levitt, Esquire."

Creator:: James Ward, 1769–1859
Date:: 1820 to 1830
Materials & Techniques:: Black chalk and white chalk on medium, slightly texture, brown wove paper mounted moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 5 1/8 x 3 3/4 inches (13 x 9.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

67. Main Entrance of Great Mosque, (Ulu cami) Bursa, Turkey,

Creator:: John Frederick Lewis, 1804–1876
Date:: between 1840 and 1841
Materials & Techniques:: Watercolor, gouache and graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 11 3/4 x 18 3/4 inches (29.8 x 47.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

68. Study of a Girl for "Mary, Queen of Scots, Escaping from Loch Leven Castle"

Creator:: Sir David Wilkie, 1785–1841
Date:: 1833
Materials & Techniques:: Black chalk with brown wash on thick, slightly textured, beige card
Dimensions:: Sheet: 18 1/8 × 11 3/8 inches (46 × 28.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

69. Study of a Seated Woman

Creator:: attributed to James Ward, 1769–1859
Date:: 1787
Materials & Techniques:: Gray wash over graphite on medium, smooth, cream laid paper
Dimensions:: Sheet: 9 1/2 x 7 1/8 inches (24.1 x 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

70. A Study for the Central Character in Ward's Painting "The Deer Stealer"

Creator:: James Ward, 1769–1859
Date:: 1820
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 12 3/4 × 7 7/8 inches (32.4 × 20 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

71. Study of a Calf

Creator:: James Ward, 1769–1859
Date:: undated
Materials & Techniques:: Graphite and black and white chalk on medium, moderately textured, beige wove paper
Dimensions:: Sheet: 10 7/8 x 8 3/4 inches (27.6 x 22.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

72. Bridge and Trees

Creator:: Cornelius Varley, 1781–1873
Date:: ca. 1810
Materials & Techniques:: Watercolor and graphite on medium, slightly-textured, cream laid paper
Dimensions:: Sheet: 8 x 12 1/16 inches (20.3 x 30.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

73. Diana and Actaeon: A Study for a Panel on a Staircase

Creator:: follower of Sir James Thornhill, 1675–1734
Date:: undated
Materials & Techniques:: Watercolor with pen and brown ink and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 x 6 1/4in. (15.2 x 15.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

74. The Fall of Phaeton: A Study for a Ceiling

Creator:: follower of Sir James Thornhill, 1675–1734
Date:: undated
Materials & Techniques:: Watercolor with pen and brown ink and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 x 6 3/8 inches (15.2 x 16.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

75. Sky Study

Creator:: James Ward, 1769–1859
Date:: undated
Materials & Techniques:: Brown wash and gray wash over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 5/8 x 6 3/4 inches (14.3 x 17.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

76. Study of a Hill Top and Sky

Creator:: James Ward, 1769–1859
Date:: undated
Materials & Techniques:: Watercolor over graphite and black chalk on medium, smooth, cream wove paper
Dimensions:: Sheet: 4 x 8 1/2 inches (10.2 x 21.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

77. Study for "The Goose", 1867: Interior of a Barn

Creator:: George John Pinwell, 1842–1875
Date:: 1866
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 3/4 × 5 1/16 inches (17.1 × 12.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

78. Study for, In Mr. Barnard's Boat, Kingston

Creator:: John Nixon, ca. 1760–1818
Date:: undated
Materials & Techniques:: Graphite and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/2 × 10 1/8 inches (19.1 × 25.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

79. Study for a Stable Court of Kirkdale, Wigtownshire, Scotland

Creator:: Robert Adam, 1728–1792
Date:: between 1770 and 1780
Materials & Techniques:: Watercolor, pen and black ink, gouache, and graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 11 7/8 × 18 5/8 inches (30.2 × 47.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

80. Study of a Lioness

Creator:: John Frederick Lewis, 1804–1876
Date:: ca. 1824
Materials & Techniques:: Watercolor and gouache over graphite on buff wove paper
Dimensions:: Sheet: 14 5/16 x 16 9/16 inches (36.4 x 42.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

81. Study for a Portrait of a Woman

Creator:: Allan Ramsay, 1713–1784
Date:: undated
Materials & Techniques:: Black chalk with graphite on medium, slightly textured, brown laid paper
Dimensions:: Sheet: 8 1/2 x 6 1/4 inches (21.6 x 15.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

82. Study for The Mother's Bribe, or The Temptation to be Washed

Creator:: James Ward, 1769–1859
Date:: undated
Materials & Techniques:: Graphite and gray wash on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 5 3/8 x 6 7/8 inches (13.7 x 17.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

83. The Chelsea Pensioners Reading the Waterloo Dispatch

Creator:: Sir David Wilkie, 1785–1841
Date:: before 1822
Materials & Techniques:: Brown ink on medium, slightly textured, cream wove paper, mounted in moderately thick, slightly textured, cream wove paper
Dimensions:: Mount: 10 1/2 x 12 5/16 inches (26.6 x 31.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

84. Study of a Cossack: Gregory Yellowstuff

Creator:: James Ward, 1769–1859
Date:: 1814
Materials & Techniques:: Watercolor and black chalk and varnish on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 14 1/2 x 10 3/4 inches (36.8 x 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

85. Study for the View of Cambridge from Castle Hill

Creator:: James Ward, 1769–1859
Date:: undated
Materials & Techniques:: Brown ink over graphite on medium, smooth, beige wove paper
Dimensions:: Sheet: 14 × 21 7/8 inches (35.6 × 55.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

86. Windmill

Creator:: William Callow, 1812–1908
Date:: undated
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 3 3/8 × 5 inches (8.6 × 12.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

87. A Study in Pinks and Roses

Creator:: Stefano della Bella, 1610–1664
Date:: undated
Materials & Techniques:: Pen and brown ink and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 3 3/4 × 21 1/2 inches (9.5 × 54.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

88. A Study of Pinks and Roses

Creator:: Stefano della Bella, 1610–1664
Date:: undated
Materials & Techniques:: Pen and brown ink over graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 3 3/4 × 21 1/2 inches (9.5 × 54.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

89. A Study of Pinks and Roses

Creator:: Stefano della Bella, 1610–1664
Date:: undated
Materials & Techniques:: Pen and brown ink over graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 3 3/4 × 21 1/2 inches (9.5 × 54.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

90. A Study of Pinks and Roses

Creator:: Stefano della Bella, 1610–1664
Date:: undated
Materials & Techniques:: Pen and brown ink over graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 3 3/4 × 21 1/2 inches (9.5 × 54.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

91. Study for a Girl Reading

Creator:: William Mulready, 1786–1863
Date:: undated
Materials & Techniques:: Watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 5/8 × 3 inches (11.7 × 7.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

92. Study of Trees

Creator:: Benjamin West, 1738–1820
Date:: undated
Materials & Techniques:: Pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:: Mount: 12 x 8 1/2 inches (30.5 x 21.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

93. Tree Study

Creator:: Sir David Wilkie, 1785–1841
Date:: 1810
Materials & Techniques:: Graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 7 1/4 x 5 1/2 inches (18.4 x 14 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

94. Study for "The Penny Wedding"

Creator:: Sir David Wilkie, 1785–1841
Date:: ca. 1818
Materials & Techniques:: Watercolor over graphite on medium, slightly textured, light blue wove paper
Dimensions:: Sheet: 3 5/8 × 2 7/8 inches (9.2 × 7.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

95. Sketch for "Reading the Will"

Creator:: Sir David Wilkie, 1785–1841
Date:: before 1820
Materials & Techniques:: Pen and brown ink on medium, moderately textured, cream laid paper, mounted in moderately thick, moderately textured, cream laid paper
Dimensions:: Mount: 8 1/4 × 10 inches (21 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

96. A Study of Agostino Cornacchini's Statue of Charlemagne, St. Peter's Basilica, Rome

Creator:: Joseph Wilton, 1722–1803
Date:: Between 1747 and 1755
Materials & Techniques:: Graphite, pen and brown ink and brown wash on medium, moderately textured cream laid paper
Dimensions:: Sheet: 10 × 6 1/8 inches (25.4 × 15.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

97. Study of Two Laid Up Sailing Vessels

Creator:: Samuel Prout, 1783–1852
Date:: undated
Materials & Techniques:: Graphite on moderately thick, rough, beige wove paper
Dimensions:: Sheet: 9 1/2 × 11 7/8 inches (24.1 × 30.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

98. Head of Girl Standing in the Center

Creator:: Sir David Wilkie, 1785–1841
Date:: 1806
Materials & Techniques:: Graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 4 x 3 3/4 inches (10.2 x 9.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

99. Classical Study of Three Figures

Creator:: Isaac Oliver, ca. 1565–1617
Date:: undated
Materials & Techniques:: Gray wash and brown wash with pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 2 11/16 × 4 1/8 inches (6.8 × 10.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

100. Study of a Mountain with Trees

Creator:: James Ward, 1769–1859
Date:: undated
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 x 14 7/8 inches (27.9 x 37.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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Credit Line Yale Center for British Art, Paul Mellon Collection

Work Type drawing

Subject Terms study (visual work)

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1. Study of Waves

2. Human Figure, Lateral View (Outline Study in Reverse of Table VIII)

3. Human Figure, Lateral View (For the key figure to Table XIII)

4. Human Figure, Lateral View

5. Human Figure, Lateral View (Preliminary draft for the final study for Table VIII)

6. Human Figure, Lateral View (Prepared for transfer to the plate of the key figure to Table XIII)

7. Human Figure, Lateral View (Related to Table XIII, detailed study of the blood vessels supplying the muscles)

8. Human Figure, Lateral View (Finished study for an unpublished table, representing the last stage in the dissection)

9. Human Figure, Lateral View

10. Human Skeleton, Lateral View

11. Human Skeleton, Lateral View (Close to the Final Study for Table III But Differs in Detail)

12. Human Skeleton, Lateral View

13. Human Skeleton, Lateral View (Outline of the skeleton for the key figure to Table III)

14. Human Skeleton, Lateral View

15. Human Skeleton, Lateral View

16. Human Figure, Lateral View

17. Human Skeleton, Lateral View (May have been initially prepared for use as a key figure to Table III but later abandoned)

18. Human Skeleton, Posterior View

19. Human Skeleton, Anterior View (Right Arm Outstretched; finished study for unpublished table)

20. Human Skeleton, Posterior View (Right Arm Outstretched; finished study for an unpublished table)

21. Human Skeleton, Lateral View (in Crawling Posture; finished study for an unpublished table)

22. Human Skeleton, Lateral View

23. Human Skeleton, Lateral View

24. Human Skeleton, Lateral View (in Crouching Posture; finished study for an unpublished table)

25. Study for the Self-portrait in Enamel

26. Fowl Skeleton, Lateral View (Outline drawing)

27. Fowl Skeleton, Lateral View (Outline drawing of the skeleton)

28. Fowl Skeleton, Lateral View

29. Fowl Body, Lateral View (Study for key figure to Table X)

30. Fowl Body, Lateral View (Probably Prepared for Transfer to the Plate for Engraving the Key Figure to Table X)

31. Fowl Body, Lateral View (Study for the Key Figure to Table XV)

32. Fowl Body, Lateral View (Probably Prepared for Transfer to the Plate for Engraving of Table XV)

33. Fowl Body, Lateral View

34. Fowl Head and Neck, Lateral View

35. Dorking Hen Skeleton, Lateral View (Probably prepared for an unpublished key figure)

36. Dorking Hen, Lateral View

37. Study of a Racehorse in Action: Galloping to Left, a Semi-Anatomical Study, with Skin Flayed to Show Action of Muscles

38. Human Skeleton, Lateral View (Study for a key figure to an unpublished table showing the abdominal viscera)

39. Human Figure, Lateral View

40. Human Skeleton, Lateral View

41. Human Skeleton, Anterior View

42. Tiger Body, Standing in Human Posture

43. Fowl Skeleton, Lateral View (Study for the key figure to Table V)

44. Fowl Skeleton, Lateral View (Outline drawing of the skeleton prepared for the key figure to Table V)

45. Fowl Skeleton, Lateral View

46. Fowl Skeleton, Lateral View (Probably Basic Study of the Proportions of the Fowl Skeleton Used for Other Drawings)

47. Fowl Body, Lateral View (Outline drawing, related to Table XV)

48. Fowl Body, Lateral View

49. Fowl Body, Lateral View (Highly Finished Study for an Unpublished Table; Shows the Last Stage in Dissection)

50. Dorking Hen Skeleton, Lateral View (Finished study for an unpublished table)

51. Owl Standing, Anterior View

52. Dorking Hen Body, Lateral View (Outline drawing of the muscles)

53. Owl Standing, Anterior View

54. Monkey Standing, Anterior View

55. Dorking Hen Body, Lateral View (Study of the muscles of the body and limbs at a later stage of dissection)

56. Study for Hay Carts, Cumberland Market

57. The Dead Sea, 16 and 17 April 1858

58. Siracusa, 12. June 1847

59. A Study of Ferns, Civitella

60. Study of a Clouded Moonlit Sky

61. A Seated Woman

62. Study of a Lady Standing

63. A Procession of the Damned: Study for the Damned in Dante's "Inferno"

64. Watermill

65. A Brown long-eared bat (Plecotus auritus)

66. Study for the Oil Painting "The Children of Theophilus Levitt, Esquire."

67. Main Entrance of Great Mosque, (Ulu cami) Bursa, Turkey,

68. Study of a Girl for "Mary, Queen of Scots, Escaping from Loch Leven Castle"

69. Study of a Seated Woman

70. A Study for the Central Character in Ward's Painting "The Deer Stealer"

71. Study of a Calf

72. Bridge and Trees

73. Diana and Actaeon: A Study for a Panel on a Staircase