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Credit Line Yale Center for British Art, Paul Mellon Collection
Remove constraint Credit Line: Yale Center for British Art, Paul Mellon CollectionWork Type frontispiece
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1
- Frontispiece
- 1812
2
- Illustrations of Imitation of Eclogue I, Frontispiece
- 1821
3
- Songs of Innocence, Plate 1, Frontispiece (Bentley 2)
- 1789
4
- There Is No Natural Religion, Plate 1, Frontispiece (Bentley a1)
- ca. 1788
5
- Europe. A Prophecy, Frontispiece Proof Impression
- ca. 1820
6
- America. A Prophecy, Plate 1, Frontispiece
- 1793
7
- Jerusalem, Plate 1, Frontispiece
- 1804 to 1820
8
- What is Man!, Frontispiece; Plate 1
- 1793
9
- Songs of Innocence and of Experience, Plate 1, Innocence Frontispiece (Bentley 2)
- 1789
10
- Songs of Innocence and of Experience, Plate 32, Experience Frontispiece (Bentley 28)
- 1794
11
- Visions of the Daughters of Albion, Plate 1, Frontispiece
- 1793
12
- For the Sexes: The Gates of Paradise, Plate 2, Frontispiece, "What is Man!"
- 1826
13
- Europe. A Prophecy, Plate 1, Frontispiece
- 1794
14
- The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 1: Frontispiece: Thenot: 'Is it not Colinet I lonesome see,/ leaning with folded arms against the tree?'
- 1821, reprinted 1977
15
- Frontispiece to John Nalson's "Impartial Collection of the Great Affairs of State"
- 1682
16
- Frontispiece to Mr. Fawkes Catalogue
- 1820
17
- Antiquities at Pola, Frontispiece
- 1818
18
- Antiquities at Pola, Frontispiece
- 1818
19
- Original Frontispiece for 'Book of Ballads' (Bon Gaultier)
- ca. 1845
20
- Frontispiece for 'Pilgrim's Progress'
- 1836
21
- Frontispiece: Hercules Fighting the Hydra
- ca. 1633
22
- Titlepage and thirteen sheets of ms. description for "Thoughts and Pencillings"
- undated
23
- Design for a Frontispiece: Group of Allegorical Figures
- undated
24
- Travels to Discover the Source of the Nile. Edinburgh: J. Ruthven, for G. G. J. and J. Robinson, 1790
- 1770
25
- Design for a Frontispiece: Shepherds with Flock
- undated
26
- Design for a Frontispiece: A Bishop Conferring an Honor, Scene Within a Cartouche
- undated
27
- Drawing for a Frontispiece: "The Toast"
- 1735
28
- Frontispiece design for John Fayram's "Eight Views after Nature"
- ca. 1739
29
- Design for a Frontispiece: Bust of a Roman Man
- undated
30
- Design for a Frontispiece: Allegorical Landscape
- undated
31
- The Vicar of Wakefield: Frontispiece
- 1817
32
- Dedication Page for: to the Right Honorable George Earl of Essex
- 1803
33
- A Tiger Resting: the frontispiece for "Oriental Field Sports"
- 1805
34
- Frontispiece: The Progress of a Midshipman
- 1820
35
- Frontispiece for Costume of China
- ca. 1804
36
- Frontispiece - Peter Simon Pallas
- ca. 1837
37
- Frontispiece to Volume II of a Book, Woman pointing to a Tablet on which is written "Sanchos letters"
- 1782
38
- William Blake, Frontispiece
- 1808, published 1813
39
- The County Fire and Provident Life Office, Regent Street, Piccadilly (published for the European Magazine - Frontispiece, Volune 77, by J. Asperne); page 71 (Volume One)
- 1820
40
- Frontispiece (Fisher's `Pilgrim's Progress)
- 1838
41
- Frontispiece dedicated to Sir Joshua Reynolds (no. 1 from Fifteen Etchings dedicated to Sir Joshua Reynolds)
- 1778
42
- The Lake of Geneva; Frontispiece, Title Page, and Index
- 1830
43
- Frontispiece, Fratris Eremitae Augustiniani XXVII Pontificvm Maximorvm, Elogia et Imagines Accuratissime ad Uiuum Aeneis Typeis Delineatae
- 1568
44
- Paul Sandby
- 1742
45
- Frontispiece: Conrad Gesner 1516-1565
- ca. 1837
46
- Songs of Innocence and Experience, pl. 33: 'Experience, Frontispiece'
- ca. 1808
47
- Songs of Innocence and Experience, pl. 4: Innocence, Frontispiece: [A shepherd in tights leads his grazing flock through a forest and glances upward at a naked boy on a cloud.]
- ca. 1808
48
- William Blake, Frontispiece
- 1808
49
- William Blake, Frontispiece
- 1808
50
- William Blake, Frontispiece
- 1808