Etched by Joseph Mallord William Turner, 1775–1851
Frontispiece to the 'Liber Studiorum'
1812
2
Print made by William Blake, 1757–1827
Songs of Experience, Frontispiece (Plate 32)
1794
3
Print made by William Blake, 1757–1827
Visions of the Daughters of Albion; Frontispiece (Plate 1)
1793
4
Print made by William Blake, 1757–1827
Jerusalem, Frontispiece (Plate 1)
1804 to 1820
5
Print made by William Blake, 1757–1827
Europe. A Prophecy; Frontispiece
ca. 1820
6
Print made by William Blake, 1757–1827
What is Man!, Frontispiece (Plate 1)
1793
7
Print made by William Blake, 1757–1827
Songs of Innocence, Frontispiece (Plate 1)
1789
8
Print made by William Blake, 1757–1827
The Ancient of Days; Frontispiece (Plate 1)
1794
9
Print made by William Blake, 1757–1827
Albion's Angel; Frontispiece (Plate 1)
1793
10
Print made by William Blake, 1757–1827
"What is Man!"; Frontispiece (Plate 2)
1826
11
Print made by William Blake, 1757–1827
Songs of Innocence, Frontispiece (Plate 1)
1789
12
Print made by William Blake, 1757–1827
There Is No Natural Religion; Frontispiece (Plate 1)
ca. 1788
13
Print made by William Blake, 1757–1827
Illustrations of Imitation of Eclogue I, Frontispiece
1821
14
Wood block engraved by William Blake, 1757–1827
Thenot and Colinet, Frontispiece; Imitation of Eclogue I
1821, reprinted 1977
15
Print made by William Blake, 1757–1827
The Dog; Frontispiece
1805
16
Print made by William Blake, 1757–1827
The Pastorals of Virgil, Volume 2
1821
17
Print made by William Blake, 1757–1827
The Pastorals of Virgil, Volume 1
1821
18
Print made by Edward Goodall, 1795–1870
Frontispiece to Pilgrim's Progress
1836
19
Robert White, 1645–1703
Frontispiece to John Nalson's "Impartial Collection of the Great Affairs of State"
1682
20
Print made by Luigi Schiavonetti, 1765–1810
William Blake, Frontispiece
1808, published 1813
21
Samuel Rawle, 1771–1860
The County Fire and Provident Life Office, Regent Street, Piccadilly (published for the European Magazine - Frontispiece, Volune 77, by J. Asperne); page 71 (Volume One)
1820
22
John Hamilton Mortimer, 1740–1779
Frontispiece dedicated to Sir Joshua Reynolds (no. 1 from Fifteen Etchings dedicated to Sir Joshua Reynolds)
1778
23
Print made by Edward Goodall, 1795–1870
Frontispiece to Pilgrim's Progress
1838
24
Francesco Bartolozzi, 1728–1815
Frontispiece to Volume II of a Book, Woman pointing to a Tablet on which is written "Sanchos letters"
1782
25
Print made by James Girtin, ca. 1780–after 1820
Dedication Page for: to the Right Honorable George Earl of Essex
1803
26
Print made by George Cooke, 1781–1834
Antiquities at Pola, Frontispiece
1818
27
Print made by Frederick Christian Lewis the Elder, 1779–1856
Frontispiece to Mr. Fawkes Catalogue
1820
28
Print made by George Cooke, 1781–1834
Antiquities at Pola, Frontispiece
1818
29
Print made by George Cruikshank, 1792–1878
Frontispiece: The Progress of a Midshipman
1820
30
Print made by Francesco Curti, 1610–1690
Frontispiece: Hercules Fighting the Hydra
ca. 1633
31
Print made by Luigi Schiavonetti, 1765–1810
William Blake, Frontispiece
1808
32
Print made by Luigi Schiavonetti, 1765–1810
William Blake, Frontispiece
1808
33
Print made by Luigi Schiavonetti, 1765–1810
William Blake, Frontispiece
1808
34
Edward Fisher, 1722–1785
Paul Sandby
1742
35
Print made by Edward Goodall, 1795–1870
The Lake of Geneva; Frontispiece, Title Page, and Index
1830
36
Print made by Philippe Soye, active 1565–1568
Frontispiece, Fratris Eremitae Augustiniani XXVII Pontificvm Maximorvm, Elogia et Imagines Accuratissime ad Uiuum Aeneis Typeis Delineatae
1568
37
Print made by James Heath, 1757–1834
A Select Collection of English Songs, Frontispiece