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Credit Line Yale Center for British Art, Paul Mellon Collection
Remove constraint Credit Line: Yale Center for British Art, Paul Mellon CollectionWork Type intaglio print
Remove constraint Work Type: intaglio printWidth [cm] 33
Remove constraint Width [cm]: 33Search Results
1
- The Homeward Star
- etching begun ca. 1880; impression printed in 1924
2
- Opening the Fold
- 1880
3
- The Sepulchre
- etching begun ca. 1800; impression printed in 1924
4
- A Horse Affrighted by a Lion
- 1788
5
- The Early Ploughman
- etching begun before 1861; impression printed in 1926
6
- Mer de Glace, Valley of Chamouni, Savoy
- 1812
7
- Sheep-Washing, Windsor
- between 1813 and 1823
8
- The Stork and Aqueduct
- between 1813 and 1823
9
- The Straw Yard
- 1808
10
- 'Like that, the dial speaks; and points to thee' (Page 33)
- ca. 1797
11
- 'Teaching, we learn; and giving, we retain' (Page 35)
- ca. 1797
12
- 'Angels should paint it, angels ever there' (Page 40)
- ca. 1797
13
- Night the Third. Narcissa; Title Page
- ca. 1797
14
- 'Disease invades the chastest temperence' (Page 10)
- ca. 1797
15
- 'Ungrateful, shall we grieve their hovering shades' (Page 55)
- ca. 1797
16
- 'And vapid; sense and reason shew the door' (Page 72)
- ca. 1797
17
- 'His hand the good man fastens on the skies' (Page 86)
- ca. 1797
18
- 'Is lost in love! thou great Philanthropist' (Page 87)
- ca. 1797
19
- 'That touch, with charm celestial heals the soul' (Page 90)
- ca. 1797
20
- 'When faith is virtue, reason makes it so' (Page 92)
- ca. 1797
21
- 'If angels tremble, 'tis at such a sight' (Page 93)
- ca. 1797
22
- 'The Sun beheld it – No, the shocking scene' (Page 75)
- ca. 1797
23
- Night the First. On Life, Death, and Immortality; Title Page
- 1797
24
- 'Oft bursts my song beyond the bounds of life' (Page 16)
- 1797
25
- Night the Second. On Time, Death, and Friendship; Title Page (Page 17)
- 1797
26
- 'Emblem of that which shall awake the dead' (Page 19)
- 1797
27
- 'We censure nature for a span too short' (Page 23)
- 1797
28
- 'Time, in advance, behind him hides his wings' (Page 24)
- 1797
29
- 'Behold him, when past by; what then is seen' (Page 25)
- 1797
30
- 'Measuring his motions by revolving spheres' (Page 26)
- 1797
31
- 'Tis greatly wise to talk with our past hours' (Page 31)
- 1797
32
- 'Like that, the dial speaks; and points to thee' (Page 33)
- 1797
33
- 'Swift on his downy pinion flies from woe' (Page 1)
- 1797
34
- 'Love, and love only, is the loan for love' (Page 37)
- 1797
35
- 'Angels should paint it, angels ever there' (Page 40)
- 1797
36
- 'One radiant mark, – the death-bed of the just' (Page 41)
- 1797
37
- Night the Third. Narcissa; Title Page
- 1797
38
- 'Ungrateful, shall we grieve their hovering shades' (Page 55)
- 1797
39
- 'What, though my soul fantastick measures trod' (Page 4)
- 1797
40
- The Christian Triumph; Title Page
- 1797
41
- 'Till death, that mighty hunter, earths them all' (Page 70)
- 1797
42
- 'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)
- 1797
43
- 'The thunder, if in that the Almighty dwells' (Page 80)
- 1797
44
- 'His hand the good man fastens on the skies' (Page 86)
- 1797
45
- 'That touch, with charm celestial heals the soul' (Page 90)
- 1797
46
- 'When faith is virtue, reason makes it so' (Page 92)
- 1797
47
- 'Till at Death's toll, whose restless iron tongue' (Page 7)
- 1797
48
- 'If angels tremble, 'tis at such a sight' (Page 93)
- 1797
49
- 'Death! great proprietor of all! 'tis thine' (Page 8)
- 1797
50
- 'The goddess bursts in thunder and in flame' (Page 95)
- 1797
51
- 'Disease invades the chastest temperence' (Page 10)
- 1797
52
- 'Its favours here are trials, not rewards' (Page 12)
- 1797
53
- 'The present moment terminates our sight' (Page 13)
- 1797
54
- 'Teaching, we learn; and giving, we retain' (Page 35)
- 1797
55
- 'The longest night though longer far, would fail' (Page 15)
- 1797
56
- 'Till at Death's toll, whose restless iron tongue' (Page 7)
- ca. 1797
57
- The Schinderlin
- 1777
58
- Louisa Finch (née Thynne), Countess of Aylesford
- 1783
59
- Hotel de Sens, Paris
- 1830
60
- The West India Washer-Women
- 1779
61
- A Negroes Dance in the Island of Dominica
- 1779
62
- The Slumbers of Ragotin Interrupted
- 1773
63
- Strephon and Chloe
- 1801
64
- The Relief
- 1781
65
- Presented by the Officers
- after 1813
66
- The Cotillion Dance
- 1771
67
- Mrs. Cosway
- 1787
68
- Autumn - Sowing Grain
- 1812
69
- Wooded Landscape with Herdsman and Cows
- 1797
70
- Henry Scott, Third Duke of Buccleugh and Fifth Duke of Queensberry
- 1771
71
- Content and Innocence
- 1797
72
- Cupid and Cephisa: "Cephisa says, we ought to cut the Wings of Love..."
- 1789
73
- An Aga of the Janizaries
- 1779
74
- John Hamilton Mortimer, Esq
- 1779
75
- Lear, from King Lear, Act III, Scene ii
- 1776
76
- Mrs.Catherine Bunbury (née Horneck)
- 1778
77
- Miss Sarah Campbell
- 1779
78
- Barbara Palmer (née Villiers) Countess of Castlemaine
- undated
79
- George Colman, The Elder
- 1813
80
- Samuel Dyer
- 1773
81
- Sir John Thomas Duckworth, 1st Baronet of Topsham
- 1809
82
- Samuel Foote
- 1771
83
- Frances Teresa Stewart, Duchess of Richmond and Lennox
- 1779
84
- Specimens of Waltzing
- 1817
85
- West Window of the Chapel, New College Oxford: The Virtues - Prudence
- 1782
86
- West Window of the Chapel, New College Oxford: The Virtues - Hope
- 1781
87
- West Window of the Chapel, New College Oxford: The Virtues - Justice
- 1782
88
- West Window of the Chapel, New College Oxford: The Virtues - Charity
- 1781
89
- Venus Childing Cupid
- 1784
90
- King Henry VI, Second Part, Act 3, Scene 3
- 1801
91
- The Mantilla
- 1838
92
- Lucy Hardinge (née Long)
- 1780
93
- John Hawkesworth
- 1773
94
- Mrs. Williams Hope of Amsterdam
- 1788
95
- Lady Caroline Howard
- 1778
96
- St. Martin's Church
- between 1731 and 1754
97
- The West Prospect of the Church and Steeple of St. Mary le Bow in Cheapside
- between 1720 and 1750
98
- Henrietta, Countess of Rochester
- 1779
99
- Traveling in France -or, -Le départ de la diligence
- 1818
100
- Washing the Blackamoor
- 1795