Credit Line: Yale Center for British Art, Paul Mellon Collection / Work Type: intaglio print / Width [cm]: 56

1. Perspective View of the Bridge at Sion

Creator:: Edward Rooker, 1724–1774
Date:: 1768
Materials & Techniques:: Line engraving on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 18 3/4 × 24 3/8 inches (47.6 × 61.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2. William of Orange Leaving Hellevoetsluis for England

Creator:: Johannes Tangena, active 1687–1692
Date:: 1688
Materials & Techniques:: Engraving on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 18 7/8 × 22 9/16 inches (47.9 × 57.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3. The Lion and Stag

Creator:: Benjamin Green, ca. 1736–ca. 1800
Date:: 1770
Materials & Techniques:: Mezzotint, second state
Dimensions:: Sheet: 17 3/8 x 22 3/16in. (44.2 x 56.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

4. [Lion and Horse]

Creator:: George Townly Stubbs, 1748–1815
Date:: 1770
Materials & Techniques:: Mezzotint
Dimensions:: Sheet: 17 7/8 x 21 7/8in. (45.4 x 55.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

5. The Right Honourable Lord Pigot, Governor of Madras

Creator:: Benjamin Green, ca. 1736–ca. 1800
Date:: 1769
Materials & Techniques:: Mezzotint, proof before inscriptions
Dimensions:: Sheet: 18 1/8 x 21 7/8in. (46 x 55.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

6. Barbara Duchess of Cleaveland as a Shepherdess

Creator:: William Sherwin, 1645–1711
Date:: 1670
Materials & Techniques:: Engraving
Dimensions:: Sheet: 28 x 22in. (71.1 x 55.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. The Horse Race at Rome During the Carnival

Creator:: Paul Sandby, 1731–1809
Date:: ca. 1781
Materials & Techniques:: Aquatint and etching on medium, moderately textured, cream laid paper
Dimensions:: Mount:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

8. The Victor Conducted in Triumph

Creator:: Paul Sandby, 1731–1809
Date:: ca. 1781
Materials & Techniques:: Aquatint and etching on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 15 9/16 x 22 3/8 inches (39.6 x 56.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9. The Romans Polite to Strangers

Creator:: Paul Sandby, 1731–1809
Date:: ca. 1781
Materials & Techniques:: Aquatint and etching on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 15 1/8 x 22 5/16 inches (38.4 x 56.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

10. Falmouth

Creator:: Print made by Thomas Goff Lupton, 1791–1873
Date:: 1828 to 1856
Materials & Techniques:: Mezzotint with chine collé; engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 × 22 inches (35.6 × 55.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11. Peasants Going to Market

Creator:: Francesco Bartolozzi, 1728–1815
Date:: 1802
Materials & Techniques:: Line engraving and stipple engraving
Dimensions:: Sheet: 18 x 22in. (45.7 x 55.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12. A View of Plymouth Fort and St. Nicholas Island

Creator:: James Mason, 1710–1783
Date:: 1755
Materials & Techniques:: Colored engraving on thick, moderately textured, cream laid paper
Dimensions:: Sheet: 15 × 23 1/8 inches (38.1 × 58.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

13. View of Mount Edgecumbe from the Blockhouse

Creator:: James Mason, 1710–1783
Date:: 1755
Materials & Techniques:: Colored engraving on thick, rough, cream laid paper
Dimensions:: Sheet: 16 1/2 × 23 5/16 inches (41.9 × 59.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

14. Sailors Conversation

Creator:: William Ward, 1766–1826
Date:: 1802
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 19 × 22 15/16 inches (48.3 × 58.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15. Sailors Conversation

Creator:: William Ward, 1766–1826
Date:: 1802
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/8 × 22 inches (46 × 55.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16. The Great Court and Chapel of Trinity College in the University of Cambridge

Creator:: Thomas Malton the Younger, 1748–1804
Date:: 1798
Materials & Techniques:: Aquatint with etched outline on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 21 1/16 × 27 5/16 inches (53.5 × 69.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. The East Front of the Library of Trinity College in the University of Cambridge

Creator:: Thomas Malton the Younger, 1748–1804
Date:: 1800
Materials & Techniques:: Etching and aquatint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 18 3/4 × 25 7/8 inches (47.6 × 65.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. Cambridge University: Emmanuel College

Creator:: Thomas Malton the Younger, 1748–1804
Date:: 1799
Materials & Techniques:: Etching and aquatint on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 19 1/2 × 26 5/16 inches (49.5 × 66.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. Cambridge University: Queens College

Creator:: Print made by Thomas Malton the Younger, 1748–1804
Date:: 1800
Materials & Techniques:: Etching and aquatint on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 18 7/16 × 26 1/16 inches (46.8 × 66.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. Morning

Creator:: Print made by Pierre Charles Canot, ca. 1710–1777
Date:: 1745
Materials & Techniques:: Line engraving and etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 15 x 21 7/8 inches (38.1 x 55.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. The Grand Canal, Venice

Creator:: Print made by William Miller, 1796–1882
Date:: 1838
Materials & Techniques:: Etching with chine collé; engraver's proof, open etched state on thick, moderately textured, cream wove paper
Dimensions:: Sheet: 15 3/8 × 22 inches (39.1 × 55.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. St. Mark's Place, Venice - Juliet and her Nurse

Creator:: Print made by George Hollis, 1792–1842
Date:: 1842
Materials & Techniques:: Etching and engraving; engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 25 3/8 × 33 3/8 inches (64.5 × 84.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. Oberwesel

Creator:: Print made by James Tibbits Willmore, 1800–1863
Date:: 1838-1852
Materials & Techniques:: Etching with chine collé; open etched state on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 16 3/8 × 22 1/8 inches (41.6 × 56.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. Lady Jane Grey

Creator:: after George Vertue, 1684–1756
Date:: 1748
Materials & Techniques:: Stipple engraving and line engraving on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 19 1/2 × 23 5/8 inches (49.5 × 60 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. The Battle Array of Carberry Hill Near Edinburgh with the Surrender of Mary Queen of Scots

Creator:: after George Vertue, 1684–1756
Date:: 1738
Materials & Techniques:: Stipple engraving, line engraving, and etching on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 18 3/4 × 23 3/16 inches (47.6 × 58.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. Powis Castle, Montgomery

Creator:: Print made by James Tibbits Willmore, 1800–1863
Date:: 1835
Materials & Techniques:: Etching with chine-collé; open etched state on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 16 × 22 inches (40.6 × 55.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. Beaumaris, Isle of Anglesea

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1836
Materials & Techniques:: Etching with chine-collé; open etched state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 1/4 × 22 1/8 inches (41.3 × 56.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. Lyme Regis, Norfolk

Creator:: Print made by Thomas Jeavons, ca. 1800–1867
Date:: 1836
Materials & Techniques:: Etching with chine-collé; open etched state on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 16 3/8 × 22 inches (41.6 × 55.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. Kidwelly Castle, South Wales

Creator:: Print made by Thomas Jeavons, ca. 1800–1867
Date:: 1837
Materials & Techniques:: Etching with chine-collé; open etched state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 × 22 1/8 inches (40.6 × 56.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. Whitehaven, Cumberland

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1837
Materials & Techniques:: Etching with chine-collé; open etched state on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 16 1/8 × 22 inches (41 × 55.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. Keswick Lake, Cumberland

Creator:: Print made by William Radclyffe, 1780–1855
Date:: 1837
Materials & Techniques:: Etching with chine-collé; open etched state on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 16 × 22 inches (40.6 × 55.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. Mount St. Michael, Cornwall

Creator:: Print made by S. Fisher, active 1831–1844
Date:: 1838
Materials & Techniques:: Etching with chine-collé; open etched state on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 16 3/8 × 22 inches (41.6 × 55.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. Fishermen

Creator:: George Morland, 1763–1804
Date:: 1793
Materials & Techniques:: Hand colored mezzotint
Dimensions:: Sheet: 17 13/16 x 21 15/16in. (45.2 x 55.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. Smugglers

Creator:: George Morland, 1763–1804
Date:: 1793
Materials & Techniques:: Hand colored mezzotint
Dimensions:: Sheet: 17 15/16 x 21 15/16in. (45.6 x 55.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. Edwin and Angelina

Creator:: Robert Pollard, 1755–1838
Date:: 1785
Materials & Techniques:: Etching and line engraving on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 18 1/8 × 22 inches (46 × 55.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. The Hermitage of Warkworth

Creator:: Robert Pollard, 1755–1838
Date:: 1787
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream laid paper
Dimensions:: Mount: 21 1/4 × 30 1/8 inches (54 × 76.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. Theatrum Sive Coliseum Romanum

Creator:: Print made by Nicolas Beatrizet, 1507 or 1515–ca. 1565
Date:: 1538
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream laid paper
Dimensions:: Mount: 16 7/8 × 22 7/8 inches (42.9 × 58.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. Plymouth

Creator:: Print made by Thomas Goff Lupton, 1791–1873
Date:: 1828 to 1856
Materials & Techniques:: Mezzotint with chine collé; artist's proof on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 15 × 22 inches (38.1 × 55.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. Bellsane and Parcival under the Enchantment of Urma

Creator:: John Raphael Smith, 1752–1812
Date:: 1782
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 19 1/16 × 24 7/8 inches (48.4 × 63.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. The Exhibition of the Royal Academy of Painting 1771

Creator:: Richard Earlom, 1743–1822
Date:: 1772
Materials & Techniques:: Mezzotint
Dimensions:: Sheet: 18 1/2 x 22in. (47 x 55.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. The Silver Age

Creator:: John Raphael Smith, 1752–1812
Date:: 1778
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 19 × 22 9/16 inches (48.3 × 57.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. The Inside of the Pantheon in Oxford Road

Creator:: Richard Earlom, 1743–1822
Date:: 1772
Materials & Techniques:: Mezzotint
Dimensions:: Sheet: 19 1/2 x 21 7/8in. (49.5 x 55.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. A Literary Party at Sir Joshua Reynolds

Creator:: William Walker, 1791–1867
Date:: 1848
Materials & Techniques:: Engraving on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 21 3/16 × 26 1/4 inches (53.8 × 66.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. View of the City with the Louvre taken from Pont Marie

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 1/4 × 24 5/8 inches (41.3 × 62.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. View of the Village of Chaillot and etc. taken from Pont de la Concorde.

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Etching and aquatint on medium, slight textured, cream wove paper
Dimensions:: Image: 5 × 19 inches (12.7 × 48.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. Solitude

Creator:: Print made by William Woollett, 1735–1785
Date:: 1778
Materials & Techniques:: Line engraving and etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 17 1/2 x 21 7/8in. (44.5 x 55.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. Mr. Foote and Mr. Weston in the Characters of the President and Dr. Last

Creator:: Print made by John Finlayson, 1730–1776
Date:: 1769
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 18 1/8 x 22 3/8 inches (46 x 56.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. Thomas King and Sophia Baddely in "The Clandestine Marriage"

Creator:: Richard Earlom, 1743–1822
Date:: 1772
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 18 3/4 x 22 5/8 inches (47.6 x 57.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. Dido and Aeneas

Creator:: William Woollett, 1735–1785
Date:: 1787
Materials & Techniques:: Line engraving and etching
Dimensions:: Plate: 17 7/8 x 22in. (45.4 x 55.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. David Garrick as Sir John Brute in Act IV, the Drunken Scene, in Vanburgh's 'The Provok'd Wife'

Creator:: John Finlayson, 1730–1776
Date:: 1768
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 18 5/8 x 22 5/8 inches (47.3 x 57.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. This View of the Capture of Amoy on the Coast of China, on the 26th August, 1841, by Her Majesty's Combined Forces, under Vice Admiral Sir William Parker K.C.B. and Lieut. General Sir Hugh Gough... Plate 1

This View of the Capture of Amoy on the Coast of China, on the 26th August, 1841, by Her Majesty's Combined Forces, under Vice Admiral Sir William Parker K.C.B. and Lieut. General Sir Hugh Gough... Plate 1

Creator:: Henry Papprill, 1816–d.after 1883
Date:: 1842
Materials & Techniques:: Aquatint on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 12 1/16 × 22 3/16 inches (30.6 × 56.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. Winter

Creator:: Victor Marie Picot, 1744–1805
Date:: 1794
Materials & Techniques:: Engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 17 5/8 × 22 1/8 inches (44.8 × 56.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. English Barracks

Creator:: Etched by Thomas Rowlandson, 1756–1827
Date:: 1791
Materials & Techniques:: Hand colored etching and aquatint on thick, slightly textured, beige wove paper
Dimensions:: Sheet: 17 × 22 1/8 inches (43.2 × 56.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. The Rural Cott

Creator:: William Woollett, 1735–1785
Date:: 1797
Materials & Techniques:: Engraving with chine collé; proof on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 19 1/8 × 24 1/8 inches (48.6 × 61.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. Rustic Felicity

Creator:: James Ward, 1769–1859
Date:: undated
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 18 × 21 7/8 inches (45.7 × 55.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. The Lodge and Stables, &c. at Windsor Great Park

Creator:: James Mason, 1710–1783
Date:: 1772
Materials & Techniques:: Hand colored engraving on thick, rough, cream laid paper
Dimensions:: Sheet: 16 7/8 × 25 1/8 inches (42.9 × 63.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. The Parish Beadle

Creator:: Abraham Raimbach, 1784–1868
Date:: 1834
Materials & Techniques:: Engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 13/16 × 24 5/16 inches (47.8 × 61.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. Ceyx and Alcyone

Creator:: William Woollett, 1735–1785
Date:: 1769
Materials & Techniques:: Line engraving and etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 18 x 22 inches (45.7 x 55.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

59. "William and Margaret"

Creator:: John Raphael Smith, 1752–1812
Date:: 1802
Materials & Techniques:: Mezzotint on thick, moderately textured, cream wove paper
Dimensions:: Sheet: 19 1/2 × 23 11/16 inches (49.5 × 60.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. W. Mulready RA

Creator:: Print made by Charles West Cope, 1811–1890
Date:: 1863
Materials & Techniques:: Etching with chine collé on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 17 1/4 × 11 1/2 inches (43.8 × 29.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. View of the Thuilleries and Bridge, etc., taken from Pont de la Concorde

Creator:: Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 x 26 1/4 inches (46.4 x 66.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. View of the Thuilleries and Bridge, etc., taken from Pont de la Concorde

Creator:: Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Aquatint with soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 x 26 1/4 inches (46.4 x 66.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

63. View of the Gate of St. Denis taken from the Suburbs

Creator:: Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Aquatint with soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. View of Pont au Change, the City Theatre, Pont Neuf, Conciergerie Prison, &c., taken from Pont Notre Dame

Creator:: Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Aquatint with soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

65. View of the Pont au Change, the City Theatre, Pont Neuf, Conciergerie Prison, &c. taken from Pont Notre Dame

Creator:: Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Soft ground etched outline on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

66. View of Grosvenor Square

Creator:: Robert Pollard, 1755–1838
Date:: 1789
Materials & Techniques:: Etching and aquatint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 19 3/4 × 24 13/16 inches (50.2 × 63 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

67. Orchard Bay

Creator:: Print made by John Landseer, 1769–1852
Date:: 1799
Materials & Techniques:: Etching and engraving; Bohn reprint on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 15 1/8 × 22 inches (38.4 × 55.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

68. Alum Bay, Isle of Wight

Creator:: Print made by John Landseer, 1769–1852
Date:: 1799
Materials & Techniques:: Etching and engraving on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 15 1/8 × 22 inches (38.4 × 55.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

69. Freshwater Bay

Creator:: Print made by John Landseer, 1769–1852
Date:: 1799
Materials & Techniques:: Etching and engraving; Bohn reprint on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 15 1/4 × 22 inches (38.7 × 55.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

70. Alum Bay and the Needles

Creator:: Print made by John Landseer, 1769–1852
Date:: 1799
Materials & Techniques:: Etching and engraving on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 15 1/8 × 21 7/8 inches (38.4 × 55.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

71. Shanklin Castle

Creator:: Print made by John Landseer, 1769–1852
Date:: 1799
Materials & Techniques:: Etching and engraving; Bohn reprint on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 14 7/8 × 22 inches (37.8 × 55.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

72. Cowes

Creator:: Print made by John Landseer, 1769–1852
Date:: 1799
Materials & Techniques:: Etching and engraving; Bohn reprint on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 15 × 21 7/8 inches (38.1 × 55.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

73. Tynemouth, Northumberland

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1827-1838
Materials & Techniques:: Etching; open etched state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 3/8 × 22 inches (41.6 × 55.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

74. Rochester, Stroud and Chatham, Medway

Creator:: Print made by J. C. Varrall, active 1815–1827
Date:: 1838
Materials & Techniques:: Etching with chine-collé; open etched state on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 16 3/8 × 22 inches (41.6 × 55.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

75. Aldborough

Creator:: Print made by James C. Allen, active 1821–1831
Date:: ca. 1830
Materials & Techniques:: Etching and engraving with chine collé; unpublished first state on thick, slightly textured, beige wove paper
Dimensions:: Sheet: 14 5/8 × 21 7/8 inches (37.1 × 55.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

76. Ehrenbreitstein, During the Demolition of the Fortress in 1817

Creator:: Print made by James C. Allen, active 1821–1831
Date:: 1824
Materials & Techniques:: Etching and engraving with chine collé; engraver's proof (b) on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 15 1/2 × 22 inches (39.4 × 55.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

77. Lancaster Sands

Creator:: Print made by Robert Brandard, 1805–1862
Date:: 1827-1838
Materials & Techniques:: Etching with chine collé; open etched state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 1/8 × 22 1/8 inches (41 × 56.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

78. Plymouth, Devonshire

Creator:: Print made by William John Cooke, 1797–1865
Date:: 1832
Materials & Techniques:: Etching; open etched state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 5/8 × 22 1/8 inches (42.2 × 56.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

79. Warwick Castle, Warwickshire

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1832
Materials & Techniques:: Etching with chine-collé; open etched state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 1/4 × 22 inches (41.3 × 55.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

80. Kenilworth Castle, Warwickshire

Creator:: Print made by Thomas Jeavons, ca. 1800–1867
Date:: 1832
Materials & Techniques:: Etching with chine-collé; open etched state on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 16 1/2 × 22 inches (41.9 × 55.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

81. Ely Cathedral, Cambridgeshire

Creator:: Print made by Thomas Higham, 1796–1844
Date:: 1833
Materials & Techniques:: Etching with chine-collé; open etched state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 1/8 × 22 inches (41 × 55.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

82. Nottingham, Nottinghamshire

Creator:: Print made by William John Cooke, 1797–1865
Date:: 1833
Materials & Techniques:: Etching with chine-collé; open etched state on thick, slightly textured, beige wove paper
Dimensions:: Sheet: 16 × 21 7/8 inches (40.6 × 55.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

83. Leicester Abbey, Leicestershire

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1834
Materials & Techniques:: Etching with chine-collé; open etched state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 1/8 × 22 inches (41 × 55.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

84. Longships Lighthouse, Lands End

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1836
Materials & Techniques:: Etching and engraving with chine collé; first published state on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 16 3/8 × 22 inches (41.6 × 55.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

85. Kilgarren Castle, Pembroke

Creator:: Print made by James Tibbits Willmore, 1800–1863
Date:: 1827-1838
Materials & Techniques:: Etching with chine collé; open etched state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 5/8 × 22 inches (42.2 × 55.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

86. Lowestoffe, Suffolk

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1837
Materials & Techniques:: Etching with chine-collé; open etched state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 1/8 × 22 1/8 inches (41 × 56.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

87. View of Oxford from the South Side of Heddington Hill

Creator:: Print made by James Basire II, 1769–1822
Date:: 1808
Materials & Techniques:: Etching and engraving; engraver's proof (b) on medium, smooth, cream wove paper
Dimensions:: Sheet: 15 1/4 × 22 inches (38.7 × 55.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

88. Gibside, County of Durham

Creator:: Print made by Samuel Rawle, 1771–1860
Date:: 1819
Materials & Techniques:: Etching and engraving with chine collé; first published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 1/8 × 21 7/8 inches (38.4 × 55.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

89. Simmer Lake, near Askrig

Creator:: Print made by Henry Le Keux, 1787–1868
Date:: 1822
Materials & Techniques:: Etching; open etched state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 1/16 × 22 inches (38.3 × 55.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

90. Ingleborough, from Hornby Castle Terrace

Creator:: Print made by Charles Heath, 1785–1848
Date:: 1818-1823
Materials & Techniques:: Etching with chine collé; open etched state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 1/4 × 22 1/8 inches (38.7 × 56.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

91. View of the City with the Louvre & Taken from Pont Marie

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Etching and aquatint with tracing on verso on medium, slightly textured. cream wove paper
Dimensions:: Sheet: 15 3/4 × 24 5/8 inches (40 × 62.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

92. St. James's Park

Creator:: Francis David Soiron, Born 1764
Date:: 1790
Materials & Techniques:: Stipple engraving on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 19 1/16 × 22 inches (48.4 × 55.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

93. Plate VIII: St Stephen's Chapel

Creator:: Print made by James Basire, 1730–1802
Date:: 1795
Materials & Techniques:: Line engraving on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 15 3/8 × 22 1/16 inches (39.1 × 56 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

94. Plate XI: St Stephen's Chapel

Creator:: Print made by James Basire, 1730–1802
Date:: 1795
Materials & Techniques:: Line engraving on slightly textured, moderately thick, white wove paper
Dimensions:: Sheet: 16 × 23 5/8 inches (40.6 × 60 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

95. Plate XIII: St Stephen's Chapel

Creator:: Print made by James Basire, 1730–1802
Date:: 1795
Materials & Techniques:: Line engraving on slightly textured, moderately thick, white wove paper
Dimensions:: Sheet: 16 × 22 1/8 inches (40.6 × 56.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

96. Plate XII: St Stephen's Chapel

Creator:: Print made by James Basire, 1730–1802
Date:: 1795
Materials & Techniques:: Line engraving on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 16 × 22 inches (40.6 × 55.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

97. A View in the Island of Jamaica, of the Spring-head of Roaring River on the Estate of William Beckford Esq.r

Creator:: Print made by James Mason, 1710–1783
Date:: 1778
Materials & Techniques:: Line engraving on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 18 1/2 × 22 1/4 inches (47 × 56.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

98. Vol. 6, Plate XXVII: The Painted Chamber

Creator:: Print made by James Basire II, 1769–1822
Date:: 1842
Materials & Techniques:: Line engraving on moderately thick, smooth, white wove paper
Dimensions:: Sheet: 15 1/8 × 21 7/8 inches (38.4 × 55.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

99. Vol. 6, Plate XXVIII

Creator:: Print made by G.F. Storm, active mid–19th century
Date:: 1842
Materials & Techniques:: Etching on moderately thick, smooth, white wove paper
Dimensions:: Sheet: 15 1/8 × 21 7/8 inches (38.4 × 55.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

100. Vol. 6, Plate XXXIII: The Captivity of Jehoiachin King of Israel. Continuation of the Story, of the Captivity of the Jews

Creator:: Print made by James Basire II, 1769–1822
Date:: 1842
Materials & Techniques:: Hand colored engraving on smooth, moderately thick, white wove paper
Dimensions:: Sheet: 15 1/8 × 21 7/8 inches (38.4 × 55.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

Refine your search

Search Constraints

Credit Line Yale Center for British Art, Paul Mellon Collection

Work Type intaglio print

Width [cm] 56

Search Results

1. Perspective View of the Bridge at Sion

2. William of Orange Leaving Hellevoetsluis for England

3. The Lion and Stag

4. [Lion and Horse]

5. The Right Honourable Lord Pigot, Governor of Madras

6. Barbara Duchess of Cleaveland as a Shepherdess

7. The Horse Race at Rome During the Carnival

8. The Victor Conducted in Triumph

9. The Romans Polite to Strangers

10. Falmouth

11. Peasants Going to Market

12. A View of Plymouth Fort and St. Nicholas Island

13. View of Mount Edgecumbe from the Blockhouse

14. Sailors Conversation

15. Sailors Conversation

16. The Great Court and Chapel of Trinity College in the University of Cambridge

17. The East Front of the Library of Trinity College in the University of Cambridge

18. Cambridge University: Emmanuel College

19. Cambridge University: Queens College

20. Morning

21. The Grand Canal, Venice

22. St. Mark's Place, Venice - Juliet and her Nurse

23. Oberwesel

24. Lady Jane Grey

25. The Battle Array of Carberry Hill Near Edinburgh with the Surrender of Mary Queen of Scots

26. Powis Castle, Montgomery

27. Beaumaris, Isle of Anglesea

28. Lyme Regis, Norfolk

29. Kidwelly Castle, South Wales

30. Whitehaven, Cumberland

31. Keswick Lake, Cumberland

32. Mount St. Michael, Cornwall

33. Fishermen

34. Smugglers

35. Edwin and Angelina

36. The Hermitage of Warkworth

37. Theatrum Sive Coliseum Romanum

38. Plymouth

39. Bellsane and Parcival under the Enchantment of Urma

40. The Exhibition of the Royal Academy of Painting 1771

41. The Silver Age

42. The Inside of the Pantheon in Oxford Road

43. A Literary Party at Sir Joshua Reynolds

44. View of the City with the Louvre taken from Pont Marie

45. View of the Village of Chaillot and etc. taken from Pont de la Concorde.

46. Solitude

47. Mr. Foote and Mr. Weston in the Characters of the President and Dr. Last

48. Thomas King and Sophia Baddely in "The Clandestine Marriage"

49. Dido and Aeneas

50. David Garrick as Sir John Brute in Act IV, the Drunken Scene, in Vanburgh's 'The Provok'd Wife'

51. This View of the Capture of Amoy on the Coast of China, on the 26th August, 1841, by Her Majesty's Combined Forces, under Vice Admiral Sir William Parker K.C.B. and Lieut. General Sir Hugh Gough... Plate 1

52. Winter

53. English Barracks

54. The Rural Cott

55. Rustic Felicity

56. The Lodge and Stables, &c. at Windsor Great Park

57. The Parish Beadle

58. Ceyx and Alcyone

59. "William and Margaret"

60. W. Mulready RA

61. View of the Thuilleries and Bridge, etc., taken from Pont de la Concorde

62. View of the Thuilleries and Bridge, etc., taken from Pont de la Concorde

63. View of the Gate of St. Denis taken from the Suburbs

64. View of Pont au Change, the City Theatre, Pont Neuf, Conciergerie Prison, &c., taken from Pont Notre Dame

65. View of the Pont au Change, the City Theatre, Pont Neuf, Conciergerie Prison, &c. taken from Pont Notre Dame

66. View of Grosvenor Square

67. Orchard Bay

68. Alum Bay, Isle of Wight

69. Freshwater Bay

70. Alum Bay and the Needles

71. Shanklin Castle

72. Cowes

73. Tynemouth, Northumberland