Credit Line: Yale Center for British Art, Paul Mellon Collection / Work Type: watercolor / Height [cm]: 21

1. Sketch of a Base for the Mill Reef statue, 1972: Base with Statue

Creator:: John R. Skeaping, 1901–1980
Date:: 1972
Materials & Techniques:: Watercolor, graphite, gouache, and pen and red ink on medium, smooth, cream wove paper
Dimensions:: Sheet: 8 1/16 × 12 inches (20.5 × 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2. Swiss Cottage, Hampstead

Creator:: Robert Polhill Bevan, 1865–1925
Date:: between 1912 and 1913
Materials & Techniques:: Black chalk, graphite, and watercolor, squared for transfer on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 3/16 × 13 1/2 inches (25.9 × 34.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3. A Morning at Tattersalls (with further sketches in left margin folded over)

Creator:: Robert Polhill Bevan, 1865–1925
Date:: undated
Materials & Techniques:: Black chalk and colored washes on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 13 3/8 × 17 inches (34 × 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

4. At Hailsham, Sussex: a Storm Approaching

Creator:: Samuel Palmer, 1805–1881
Date:: 1821
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 1/4 × 12 1/2 inches (21 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

5. Windsor Castle and Park with Deer

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: undated
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 1/8 x 11 3/8 inches (20.7 x 28.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

6. Man with Horse and Cart Entering a Quarry

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: ca. 1797
Materials & Techniques:: Watercolor, graphite and gray wash on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 1/8 x 10 3/4 inches (20.7 x 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. St. Augustine's Gate, Canterbury

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: between 1792 and 1793
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 1/4 x 10 5/8in. (21 x 27cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

8. Europe. A Prophecy; Frontispiece

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1820
Materials & Techniques:: Relief and white-line etching printed in brown ink; proof; verso: color printed relief etching with pen and ink; proof on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 12 1/2 x 9 1/4 inches (31.8 x 23.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9. "And Hand & Hyle rooted into Jerusalem..." (Plate 15)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

10. "His Spectre divides & Los in fury compells it to divide..." (Plate 17)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11. "Albion thy fear has made me tremble..." (Plate 22)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12. Fettered Urizen Weeping (Plate 12)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 x 9 5/8 inches (30.2 x 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

13. "Highgates heights & Hampsteads..." (Plate 84)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

14. "Became a Space & an Allegory..." (Plate 85)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15. "I see thy Form O lovely mild Jerusalem..." (Plate 86)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16. "Repelling weeping Enion blind & age-bent..." (Plate 87)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. "Los answer'd sighing like the Bellows of his Furnaces..." (Plate 88)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. "The Feminine separates from the Masculine..." (Plate 90)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. "It is easier to forgive an enemy..." (Plate 91)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. "Enitharmon heard. She raised her head like the mild Moon..." (Plate 93)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. "Albion cold lays on his Rock..." (Plate 94)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. "Awake! Awake Jerusalem..." (Plate 97)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. "Then each an Arrow flaming from his Quiver..." (Plate 98)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. "And the Two that escaped..." (Plate 30)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. "Elevate into the Region of Brotherhood..." (Plate 34)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. "Reuben return'd to his place, in vain..." (Plate 36)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. "With one accord in love sublime..." (Plate 44)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. "From Camberwell to Highgate where the mighty Thames shudders along..." (Plate 47)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief and white-line etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. "The secret coverts of Albion & the hidden places of America..." (Plate 49)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. "In Great Eternity every particular Form..." (Plate 54)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. "When those who disregard all Mortal Things..." (Plate 55)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. "And the voices of Bath & Canterbury & York & Edinburgh, Cry..." (Plate 57)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. "In beauty the Daughters of Albion divide..." (Plate 58)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. "The clouds of Albions Druid Temples..." (Plate 60)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. "Repose on me till the morning of the Grave..." (Plate 62)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. "By those who drink their blood & the blood of their Covenant..." (Plate 67)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. "O Skofield why art thou cruel?..." (Plate 68)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. "Then all the Males conjoined into One Male..." (Plate 69)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. Chapter 4. "The Spectres of Albions Twelve Sons..." (Plate 78)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. "I have mock'd those who refused cruelty..." (Plate 81)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. Five Vignettes of Scenes from Antiquity

Creator:: Robert Smirke, 1752–1845
Date:: undated
Materials & Techniques:: Watercolor and graphite on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 8 1/4 × 11 1/4 inches (21 × 28.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. Scene from Don Quixote

Creator:: Robert Smirke, 1752–1845
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, gouache, graphite, and varnish, with scratching out; squared for transfer on moderately thick, moderately textured, beige laid paper
Dimensions:: Image: 8 3/8 × 6 3/8 inches (21.3 × 16.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. Entrance of the Torre de las dos Hermanas in the Alhambra

Creator:: Henry Swinburne, 1743–1803
Date:: 1775 to 1776
Materials & Techniques:: Pen and gray ink, gray wash and graphite on medium, moderately textured, cream laid paper
Dimensions:: Mount: 11 1/16 × 16 3/8 inches (28.1 × 41.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. The Great Bath of the Alhambra

Creator:: Henry Swinburne, 1743–1803
Date:: 1775 to 1776
Materials & Techniques:: Pen and black ink, gray ink, gray wash and graphite on medium, moderately textured, cream laid paper
Dimensions:: Mount: 11 1/16 × 16 3/8 inches (28.1 × 41.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. El Hudderi

Creator:: Luigi Balugani, 1737–1770
Date:: undated
Materials & Techniques:: Watercolor, gouache and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 3/8 x 13 1/2 inches (21.3 x 34.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. Thornbury Castle, Gloucestershire

Creator:: John Inigo Richards, 1730/31?–1810
Date:: undated
Materials & Techniques:: Watercolor and pen and gray ink on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 8 3/8 × 12 5/8 inches (21.3 × 32.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. Harvesters Resting in a Corn Field

Creator:: Thomas Rowlandson, 1756–1827
Date:: between 1805 and 1810
Materials & Techniques:: Watercolor, pen and black ink, pen and red ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 1/8 × 11 3/4 inches (20.6 × 29.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. Haymakers

Creator:: Louisa Anne Beresford, 1818–1891
Date:: undated
Materials & Techniques:: Graphite, watercolor and gouache on very thick, moderately textured, cream wove paper
Dimensions:: Sheet: 8 3/8 × 19 1/2 inches (21.3 × 49.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. A Dog

Creator:: James Sowerby, 1756–1822
Date:: undated
Materials & Techniques:: Watercolor over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 8 1/4 × 11 3/4 inches (21 × 29.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. Great Blue Turaco

Creator:: James Sowerby, 1756–1822
Date:: undated
Materials & Techniques:: Watercolor over graphite on medium, smooth, cream wove paper
Dimensions:: Sheet: 8 1/4 × 13 1/4 inches (21 × 33.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. A Cockatoo

Creator:: James de Carle Sowerby, 1787–1871
Date:: undated
Materials & Techniques:: Watercolor over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 1/4 × 7 1/8 inches (21 × 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. A Pier at Amsterdam (Version A)

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1792
Materials & Techniques:: Watercolor with pen and red-brown and brown ink over graphite on medium, slightly textured, wove paper
Dimensions:: Sheet: 8 7/16 x 11 1/8 inches (21.4 x 28.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. Specimens of the Private Houses of Venice

Creator:: Sir Robert Smirke the younger, 1781–1867
Date:: 1802-1804
Materials & Techniques:: Brown wash and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 8 5/16 × 5 1/2 inches (21.1 × 14 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. Another Specimen of the Same Style

Creator:: Sir Robert Smirke the younger, 1781–1867
Date:: 1802-1804
Materials & Techniques:: Brown wash and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 8 7/16 × 5 1/2 inches (21.4 × 14 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. Specimens of a Private House in Venice

Creator:: Sir Robert Smirke the younger, 1781–1867
Date:: 1802-1804
Materials & Techniques:: Brown wash and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 8 7/16 × 5 1/2 inches (21.4 × 14 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. Gateway to a House in Ancona

Creator:: Sir Robert Smirke the younger, 1781–1867
Date:: 1802-1804
Materials & Techniques:: Brown wash and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 8 5/16 × 5 7/16 inches (21.1 × 13.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. View of the Interior of One of the Churches in Ancona

Creator:: Sir Robert Smirke the younger, 1781–1867
Date:: 1802-1804
Materials & Techniques:: Brown wash and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 8 5/16 × 5 7/16 inches (21.1 × 13.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. In One of the Churches of Ancona

Creator:: Sir Robert Smirke the younger, 1781–1867
Date:: 1802-1804
Materials & Techniques:: Brown wash and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 8 5/16 × 5 1/2 inches (21.1 × 14 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

59. The Plains of Senta

Creator:: Sir Robert Smirke the younger, 1781–1867
Date:: 1803
Materials & Techniques:: Brown wash and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 8 1/4 × 11 1/2 inches (21 × 29.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. Ruins of the Temple of Jupiter on the Plains of Nemea

Creator:: Sir Robert Smirke the younger, 1781–1867
Date:: 1803
Materials & Techniques:: Watercolor and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 8 7/16 × 11 3/8 inches (21.4 × 28.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. Kalamata, Greece

Creator:: Sir Robert Smirke the younger, 1781–1867
Date:: 1802-1804
Materials & Techniques:: Gray wash and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 8 1/16 × 11 7/16 inches (20.5 × 29.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. Kalamata, Greece

Creator:: Sir Robert Smirke the younger, 1781–1867
Date:: 1802-1804
Materials & Techniques:: Gray wasn and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 8 1/16 × 11 1/2 inches (20.5 × 29.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

63. Study of an Older Palace in Venice

Creator:: Sir Robert Smirke the younger, 1781–1867
Date:: 1802-1804
Materials & Techniques:: Brown wash, graphite, pen and brown ink on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 8 3/16 × 5 1/2 inches (20.8 × 14 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. A Carita - On the Walls of a Hospital or Public School, Venice

Creator:: Sir Robert Smirke the younger, 1781–1867
Date:: 1802-1804
Materials & Techniques:: Graphite and brown wash on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 8 3/8 × 5 1/2 inches (21.3 × 14 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

65. The Amphitheatre at Nîmes

Creator:: Sir Robert Smirke the younger, 1781–1867
Date:: 1803
Materials & Techniques:: Watercolor and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 8 1/4 × 11 1/4 inches (21 × 28.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

66. A View of Core's Library, Dawlish, Devon

Creator:: John White Abbott, 1763–1851
Date:: 1837
Materials & Techniques:: Watercolor, pen and black ink and graphite on medium, slightly textured, cream laid paper, laid on contemporary mount
Dimensions:: Sheet: 5 1/4 x 8 inches (13.3 x 20.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

67. Syon House

Creator:: William Beilby, 1740–1819
Date:: undated
Materials & Techniques:: Watercolor and pen and black ink over graphite on moderately thick, slightly textured, white laid paper
Dimensions:: Sheet: 8 3/8 × 10 5/8 inches (21.3 × 27 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

68. Syon House: Chapel

Creator:: William Beilby, 1740–1819
Date:: undated
Materials & Techniques:: Watercolor and pen and black ink on medium, slightly textured, white laid paper
Dimensions:: Sheet: 8 1/4 x 10 3/4 inches (21 x 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

69. Alnwick Castle

Creator:: William Beilby, 1740–1819
Date:: undated
Materials & Techniques:: Watercolor with pen and black ink over graphite on medium, slightly textured, white laid paper
Dimensions:: Sheet: 8 3/16 x 10 7/16 inches (20.8 x 26.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

70. Brick Bridge

Creator:: William Beilby, 1740–1819
Date:: undated
Materials & Techniques:: Pen and black ink and watercolor on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 1/4 × 10 7/8 inches (21 × 27.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

71. Gateway Alnwick

Creator:: William Beilby, 1740–1819
Date:: 1786
Materials & Techniques:: Pen and black ink and watercolor on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 3/8 × 10 7/8 inches (21.3 × 27.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

72. Pass in the Mountains Between Nisa and Villa Velha

Creator:: William Bradford, active 1809
Date:: 1809
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper mounted to card
Dimensions:: Sheet: 8 1/8 × 12 inches (20.6 × 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

73. The Facade of the Royal Naval College, Greenwich

Creator:: James Holland, 1799–1870
Date:: undated
Materials & Techniques:: Pen and black ink and watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 8 3/8 × 5 3/4 inches (21.3 × 14.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

74. Devotee in a Green Turban

Creator:: Gangaram Chintaman Navgire Tambat, active 1790s
Date:: between 1790 and 1796
Materials & Techniques:: Watercolor, graphite, and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 9 × 6 inches (22.9 × 15.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

75. Praying Man

Creator:: Gangaram Chintaman Navgire Tambat, active 1790s
Date:: undated
Materials & Techniques:: Watercolor, gouache, and graphite with pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 3/8 × 6 7/8 inches (21.3 × 17.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

76. Aquedotto Angolare

Creator:: Giovanni Battista Borra, 1713–1770
Date:: ca. 1750
Materials & Techniques:: Gray wash with black and brown ink over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 14 7/8 x 21 1/4 inches (37.8 x 54 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

77. George Stubbs

Creator:: Pierre-Etienne Falconet, 1741–1791
Date:: undated
Materials & Techniques:: Pen and black ink and gray wash on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 1/4 × 6 inches (21 × 15.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

78. Portrait of John Saxby

Creator:: attributed to John Hamilton Mortimer, 1740–1779
Date:: undated
Materials & Techniques:: Brown wash and pen and brown ink on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 8 1/4 x 7 inches (21 x 17.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

79. Boats and Men on Beach

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, graphite, gum arabic, and scratching out on thick, rough, cream wove paper
Dimensions:: Sheet: 8 7/16 × 7 1/2 inches (21.4 × 19.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

80. Elevation of a Proposed Design for Cambridge Colleges

Creator:: William Wilkins, 1778–1839
Date:: ca. 1823
Materials & Techniques:: Watercolor, pen and black ink, and gray wash on slightly textured, medium, cream wove paper
Dimensions:: Sheet: 8 1/4 × 15 3/4 inches (21 × 40 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

81. South View of St. Neot's Bridge, Built About 1589 Out of the Ruins of the Priory

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Watercolor, graphite, pen and black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 1/16 × 11 3/16 inches (20.5 × 28.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

82. Stowe House, Buckingham

Creator:: Robert Streatfeild, 1786–1852
Date:: 1797
Materials & Techniques:: Watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 7/8 × 8 1/2 inches (14.9 × 21.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

83. Kielder Castle, Northumberland

Creator:: William Beilby, 1740–1819
Date:: undated
Materials & Techniques:: Watercolor on slightly textured, medium, beige laid paper
Dimensions:: Sheet: 8 1/4 × 10 3/4 inches (21 × 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

84. Hogarth Painting in Vauxhall Gardens in the Presence of Jonathan Tyers

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 7/8 × 9 3/4 inches (32.7 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

85. Self-Portrait with Two Young Men

Creator:: Louis Philippe Boitard, active 1734–1760
Date:: between 1730 and 1740
Materials & Techniques:: Watercolor and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 1/4 × 11 inches (21 × 27.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

86. The Assignation

Creator:: Johann Heinrich Ramberg, 1763–1840
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 1/4 × 11 1/8 inches (21 × 28.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

87. Government House from St. Andrew's Library - Calcutta

Creator:: Sir Charles D'Oyly, 1781–1845
Date:: between 1833 and 1838
Materials & Techniques:: Watercolor, pen and brown ink, brown wash, white gouache, and graphite on thick, moderately textured, blue/gray, wove paper
Dimensions:: Mount: 8 3/16 × 20 15/16 inches (20.8 × 53.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

88. A Parrot

Creator:: James de Carle Sowerby, 1787–1871
Date:: undated
Materials & Techniques:: Watercolor, blue gouache, and graphite on medium, smooth, cream wove paper
Dimensions:: Sheet: 8 3/16 × 5 5/8 inches (20.8 × 14.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

89. A European Goldfinch

Creator:: James Sowerby, 1756–1822
Date:: undated
Materials & Techniques:: Watercolor, gouache, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 1/4 × 6 3/8 inches (21 × 16.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

90. Meadow Pipit

Creator:: James Sowerby, 1756–1822
Date:: undated
Materials & Techniques:: Watercolor and gouache over graphite on medium, slightly textured, cream wove paper mounted on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 8 1/8 x 6 1/4in. (20.6 x 15.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

91. A Bird

Creator:: James Sowerby, 1756–1822
Date:: undated
Materials & Techniques:: Watercolor over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 1/8 × 13 inches (20.6 × 33 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

92. A Shrew

Creator:: James Sowerby, 1756–1822
Date:: undated
Materials & Techniques:: Watercolor and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 8 1/4 × 11 7/8 inches (21 × 30.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

93. A Storm Damaged Windmill

Creator:: John Middleton, 1826–1856
Date:: undated
Materials & Techniques:: Watercolor and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 8 3/8 x 11 7/8in. (21.3 x 30.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

94. In the Friedrich's Shape

Creator:: Sir Robert Smirke the younger, 1781–1867
Date:: 1802-1804
Materials & Techniques:: Brown wash and graphite on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 8 3/16 × 5 3/4 inches (20.8 × 14.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

95. Sketch of a Monument in the Basilica of Saint Anthony of Padua

Creator:: Sir Robert Smirke the younger, 1781–1867
Date:: 1802-1804
Materials & Techniques:: Brown wash and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 8 3/8 × 5 1/2 inches (21.3 × 14 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

96. Battle Abbey, Sussex

Creator:: David Cox, 1783–1859
Date:: undated
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Mount: 8 5/16 × 10 3/8 inches (21.1 × 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

97. Richmond Bridge

Creator:: David Cox, 1783–1859
Date:: undated
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Mount: 8 5/16 × 10 5/16 inches (21.1 × 26.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

98. Lincoln Cathedral From Brayford Pool

Creator:: David Cox, 1783–1859
Date:: ca. 1808
Materials & Techniques:: Watercolor, graphite and gouache on medium, slightly textured, cream laid paper
Dimensions:: Mount: 8 3/8 x 11 inches (21.3 x 27.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

99. A Struggle With a Load of Clay

Creator:: James Abbott Pasquier, active 1851–1872
Date:: 1855
Materials & Techniques:: Watercolor, pen and brown ink, graphite, and gouache on medium, slightly textured, brown wove paper
Dimensions:: Mount: 8 3/8 × 13 1/2 inches (21.3 × 34.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

100. Group of Indians Roud a Fire, after the Original by John White in the British Museum [Sir Walter Raleigh's Virginia, No. 43 A]

Creator:: Mrs. P. D. H. Page, 20th century
Date:: undated
Materials & Techniques:: Watercolor, with pen in brown ink, over graphite, with gouache on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 8 3/8 × 7 5/8 inches (21.3 × 19.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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Credit Line Yale Center for British Art, Paul Mellon Collection

Work Type watercolor

Height [cm] 21

Search Results

1. Sketch of a Base for the Mill Reef statue, 1972: Base with Statue

2. Swiss Cottage, Hampstead

3. A Morning at Tattersalls (with further sketches in left margin folded over)

4. At Hailsham, Sussex: a Storm Approaching

5. Windsor Castle and Park with Deer

6. Man with Horse and Cart Entering a Quarry

7. St. Augustine's Gate, Canterbury

8. Europe. A Prophecy; Frontispiece

9. "And Hand & Hyle rooted into Jerusalem..." (Plate 15)

10. "His Spectre divides & Los in fury compells it to divide..." (Plate 17)

11. "Albion thy fear has made me tremble..." (Plate 22)

12. Fettered Urizen Weeping (Plate 12)

13. "Highgates heights & Hampsteads..." (Plate 84)

14. "Became a Space & an Allegory..." (Plate 85)

15. "I see thy Form O lovely mild Jerusalem..." (Plate 86)

16. "Repelling weeping Enion blind & age-bent..." (Plate 87)

17. "Los answer'd sighing like the Bellows of his Furnaces..." (Plate 88)

18. "The Feminine separates from the Masculine..." (Plate 90)

19. "It is easier to forgive an enemy..." (Plate 91)

20. "Enitharmon heard. She raised her head like the mild Moon..." (Plate 93)

21. "Albion cold lays on his Rock..." (Plate 94)

22. "Awake! Awake Jerusalem..." (Plate 97)

23. "Then each an Arrow flaming from his Quiver..." (Plate 98)

24. "And the Two that escaped..." (Plate 30)

25. "Elevate into the Region of Brotherhood..." (Plate 34)

26. "Reuben return'd to his place, in vain..." (Plate 36)

27. "With one accord in love sublime..." (Plate 44)

28. "From Camberwell to Highgate where the mighty Thames shudders along..." (Plate 47)

29. "The secret coverts of Albion & the hidden places of America..." (Plate 49)

30. "In Great Eternity every particular Form..." (Plate 54)

31. "When those who disregard all Mortal Things..." (Plate 55)

32. "And the voices of Bath & Canterbury & York & Edinburgh, Cry..." (Plate 57)

33. "In beauty the Daughters of Albion divide..." (Plate 58)

34. "The clouds of Albions Druid Temples..." (Plate 60)

35. "Repose on me till the morning of the Grave..." (Plate 62)

36. "By those who drink their blood & the blood of their Covenant..." (Plate 67)

37. "O Skofield why art thou cruel?..." (Plate 68)

38. "Then all the Males conjoined into One Male..." (Plate 69)

39. Chapter 4. "The Spectres of Albions Twelve Sons..." (Plate 78)

40. "I have mock'd those who refused cruelty..." (Plate 81)

41. Five Vignettes of Scenes from Antiquity

42. Scene from Don Quixote

43. Entrance of the Torre de las dos Hermanas in the Alhambra

44. The Great Bath of the Alhambra

45. El Hudderi

46. Thornbury Castle, Gloucestershire

47. Harvesters Resting in a Corn Field

48. Haymakers

49. A Dog

50. Great Blue Turaco

51. A Cockatoo

52. A Pier at Amsterdam (Version A)

53. Specimens of the Private Houses of Venice

54. Another Specimen of the Same Style

55. Specimens of a Private House in Venice

56. Gateway to a House in Ancona

57. View of the Interior of One of the Churches in Ancona

58. In One of the Churches of Ancona

59. The Plains of Senta

60. Ruins of the Temple of Jupiter on the Plains of Nemea

61. Kalamata, Greece

62. Kalamata, Greece

63. Study of an Older Palace in Venice

64. A Carita - On the Walls of a Hospital or Public School, Venice

65. The Amphitheatre at Nîmes

66. A View of Core's Library, Dawlish, Devon

67. Syon House

68. Syon House: Chapel

69. Alnwick Castle

70. Brick Bridge

71. Gateway Alnwick

72. Pass in the Mountains Between Nisa and Villa Velha

73. The Facade of the Royal Naval College, Greenwich