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Credit Line Yale Center for British Art, Paul Mellon Collection

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Work Type watercolor

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George Romney A Procession of the Damned: Study for Dante's "Inferno"
George Romney, 1734–1802
A Procession of the Damned: Study for Dante's "Inferno"
1780s
On view at YUAG
Samuel Palmer Kensington Gardens
Samuel Palmer, 1805–1881
Kensington Gardens
ca. 1848
Samuel Palmer At Hailsham, Sussex: a Storm Approaching
Samuel Palmer, 1805–1881
At Hailsham, Sussex: a Storm Approaching
1821
Samuel Palmer The Bright Cloud
Samuel Palmer, 1805–1881
The Bright Cloud
undated
Samuel Palmer Llwyngwynedd and Part of Llyn-y-ddina Between Capel Curig and Beddegelert, North Wales
Samuel Palmer, 1805–1881
Llwyngwynedd and Part of Llyn-y-ddina Between Capel Curig and Beddegelert, North Wales
1835 or 1836
John Constable Sky Study with Rainbow
John Constable, 1776–1837
Sky Study with Rainbow
1827
John Constable Stoke Poges Church
John Constable, 1776–1837
Stoke Poges Church
1834
Joseph Mallord William Turner A Sea Piece - A Rough Sea with a Fishing Boat
Joseph Mallord William Turner, 1775–1851
A Sea Piece - A Rough Sea with a Fishing Boat
1820 to 1830
Joseph Mallord William Turner The Moselle Bridge, Coblenz
Joseph Mallord William Turner, 1775–1851
The Moselle Bridge, Coblenz
ca. 1847–50
William Blake Introduction (Plate 34)
Print made by William Blake, 1757–1827
Introduction (Plate 34)
1794
William Blake "And none but Bromian can hear my lamentations..." (Plate 6)
Print made by William Blake, 1757–1827
"And none but Bromian can hear my lamentations..." (Plate 6)
1793
William Blake Jerusalem, Tailpiece (Plate 100)
Print made by William Blake, 1757–1827
Jerusalem, Tailpiece (Plate 100)
1804 to 1820
William Blake Jerusalem, Plate 28 Proof Impression
Print made by William Blake, 1757–1827
Jerusalem, Plate 28 Proof Impression
ca. 1820
William Blake "Why wilt thou give to her a Body..." (Plate 12)
Print made by William Blake, 1757–1827
"Why wilt thou give to her a Body..." (Plate 12)
1804 to 1820
William Blake "One hair nor particle of dust..." (Plate 14)
Print made by William Blake, 1757–1827
"One hair nor particle of dust..." (Plate 14)
1804 to 1820
William Blake "And Hand & Hyle rooted into Jerusalem..." (Plate 15)
Print made by William Blake, 1757–1827
"And Hand & Hyle rooted into Jerusalem..." (Plate 15)
1804 to 1820
William Blake "From every-one of the Four Regions..." (Plate 18)
Print made by William Blake, 1757–1827
"From every-one of the Four Regions..." (Plate 18)
1804 to 1820
William Blake "But when they saw Albion fall'n..." (Plate 20)
Print made by William Blake, 1757–1827
"But when they saw Albion fall'n..." (Plate 20)
1804 to 1820
William Blake "Albion thy fear has made me tremble..." (Plate 22)
Print made by William Blake, 1757–1827
"Albion thy fear has made me tremble..." (Plate 22)
1804 to 1820
William Blake "What have I said? What have I done?..." (Plate 24)
Print made by William Blake, 1757–1827
"What have I said? What have I done?..." (Plate 24)
1804 to 1820
William Blake 'Its favours here are trials, not rewards' (Page 12)
Print made by William Blake, 1757–1827
'Its favours here are trials, not rewards' (Page 12)
ca. 1797
William Blake The Prophetess Rising from Her Grave (Design 81)
William Blake, 1757–1827
The Prophetess Rising from Her Grave (Design 81)
between 1797 and 1798
William Blake "A wond'rous boy shall Rinda bear, Who ne'er shall comb his raven hair..." (Design 83)
William Blake, 1757–1827
"A wond'rous boy shall Rinda bear, Who ne'er shall comb his raven hair..." (Design 83)
between 1797 and 1798
William Blake Ode for Music, Performed in the Senate-House; Title Page
William Blake, 1757–1827
Ode for Music, Performed in the Senate-House; Title Page
between 1797 and 1798
William Blake A Genius Driving Away "Comus & his midnight-crew..." (Design 95)
William Blake, 1757–1827
A Genius Driving Away "Comus & his midnight-crew..." (Design 95)
between 1797 and 1798
William Blake "Leaning from her golden cloud, The venerable Marg'ret see!..." (Design 99)
William Blake, 1757–1827
"Leaning from her golden cloud, The venerable Marg'ret see!..." (Design 99)
between 1797 and 1798
William Blake "Became a Space & an Allegory..." (Plate 85)
Print made by William Blake, 1757–1827
"Became a Space & an Allegory..." (Plate 85)
1804 to 1820
William Blake "Tho divided by the Cross & Nails & Thorns & Spear..." (Plate 89)
Print made by William Blake, 1757–1827
"Tho divided by the Cross & Nails & Thorns & Spear..." (Plate 89)
1804 to 1820
William Blake "What do I see! The Briton Saxon Roman Norman..." (Plate 92)
Print made by William Blake, 1757–1827
"What do I see! The Briton Saxon Roman Norman..." (Plate 92)
1804 to 1820
William Blake "Awake! Awake Jerusalem..." (Plate 97)
Print made by William Blake, 1757–1827
"Awake! Awake Jerusalem..." (Plate 97)
1804 to 1820
William Blake 'Its favours here are trials, not rewards' (Page 12)
Print made by William Blake, 1757–1827
'Its favours here are trials, not rewards' (Page 12)
1797
William Blake "Jerusalem, Chapter 2. Every ornament of perfection..." (Plate 28)
Print made by William Blake, 1757–1827
"Jerusalem, Chapter 2. Every ornament of perfection..." (Plate 28)
1804 to 1820
William Blake "To the Public. After my three years slumber..." (Plate 3)
Print made by William Blake, 1757–1827
"To the Public. After my three years slumber..." (Plate 3)
1804 to 1820
William Blake "Headlong, from the mountain's height, Deep in the roaring tide he plung'd to endless night." (Design 65)
William Blake, 1757–1827
"Headlong, from the mountain's height, Deep in the roaring tide he plung'd to endless night." (Design 65)
between 1797 and 1798
William Blake The Fatal Sisters, An Ode; Title Page
William Blake, 1757–1827
The Fatal Sisters, An Ode; Title Page
between 1797 and 1798
William Blake "And One stood forth from the Divine Family..." (Plate 37)
Print made by William Blake, 1757–1827
"And One stood forth from the Divine Family..." (Plate 37)
1804 to 1820
William Blake "By Satan's Watch-fiends tho' they search..." (Plate 39)
Print made by William Blake, 1757–1827
"By Satan's Watch-fiends tho' they search..." (Plate 39)
1804 to 1820
William Blake "Jerusalem, Chapter 1. Of the Sleep of Ulro!..." (Plate 4)
Print made by William Blake, 1757–1827
"Jerusalem, Chapter 1. Of the Sleep of Ulro!..." (Plate 4)
1804 to 1820
William Blake "They saw their Wheels rising up poisonous..." (Plate 43)
Print made by William Blake, 1757–1827
"They saw their Wheels rising up poisonous..." (Plate 43)
1804 to 1820
William Blake "The banks of the Thames are clouded..." (Plate 5)
Print made by William Blake, 1757–1827
"The banks of the Thames are clouded..." (Plate 5)
1804 to 1820
William Blake "Jerusalem, Chapter 3. But Los, who is the Vehicular Form..." (Plate 53)
Print made by William Blake, 1757–1827
"Jerusalem, Chapter 3. But Los, who is the Vehicular Form..." (Plate 53)
1804 to 1820
William Blake "And the voices of Bath & Canterbury & York & Edinburgh, Cry..." (Plate 57)
Print made by William Blake, 1757–1827
"And the voices of Bath & Canterbury & York & Edinburgh, Cry..." (Plate 57)
1804 to 1820
William Blake "To decide Two Worlds with a great decision..." (Plate 65)
Print made by William Blake, 1757–1827
"To decide Two Worlds with a great decision..." (Plate 65)
1804 to 1820
William Blake "Then all the Males conjoined into One Male..." (Plate 69)
Print made by William Blake, 1757–1827
"Then all the Males conjoined into One Male..." (Plate 69)
1804 to 1820
William Blake "And this the form of mighty Hand..." (Plate 70)
Print made by William Blake, 1757–1827
"And this the form of mighty Hand..." (Plate 70)
1804 to 1820
William Blake "Rose up against me thundering..." (Plate 8)
Print made by William Blake, 1757–1827
"Rose up against me thundering..." (Plate 8)
1804 to 1820
William Blake "I have heard Jerusalems groans..." (Plate 82)
Print made by William Blake, 1757–1827
"I have heard Jerusalems groans..." (Plate 82)
1804 to 1820
William Blake "Corruptability appears upon thy limbs..." (Plate 83)
Print made by William Blake, 1757–1827
"Corruptability appears upon thy limbs..." (Plate 83)
1804 to 1820
William Blake "Nor fear the rocks, nor seek the shore..." (Design 101)
William Blake, 1757–1827
"Nor fear the rocks, nor seek the shore..." (Design 101)
between 1797 and 1798
William Blake "Oft did the harvest to their sickle yield..." (Design 109)
William Blake, 1757–1827
"Oft did the harvest to their sickle yield..." (Design 109)
between 1797 and 1798
William Blake "Somevillage-Hampden, that with dauntless breast, The little tyrant of his fields withstood..," (Design 111)
William Blake, 1757–1827
"Somevillage-Hampden, that with dauntless breast, The little tyrant of his fields withstood..," (Design 111)
between 1797 and 1798
William Blake A Shepherd Reading the Epitaph (Design 115)
William Blake, 1757–1827
A Shepherd Reading the Epitaph (Design 115)
between 1797 and 1798
William Blake Ode on a Distant Prospect of Eton College; Title Page
William Blake, 1757–1827
Ode on a Distant Prospect of Eton College; Title Page
between 1797 and 1798
William Blake "The laughing flowers, that round them blow, Drink life and fragrance as they flow..." (Design 43)
William Blake, 1757–1827
"The laughing flowers, that round them blow, Drink life and fragrance as they flow..." (Design 43)
between 1797 and 1798
Edward Lear Illustration to Tennyson's "You Ask Me Why": Areka Palms, Ratanapooru, Ceylon - `I will see before I die The Palms and Temples of the South'
Edward Lear, 1812–1888
Illustration to Tennyson's "You Ask Me Why": Areka Palms, Ratanapooru, Ceylon - `I will see before I die The Palms and Temples of the South'
undated
Edward Lear Wied Zurrik (Malta)
Edward Lear, 1812–1888
Wied Zurrik (Malta)
1848
Edward Lear Abu Simbel, 11-11:30 am, 8 February 1867 (374)
Edward Lear, 1812–1888
Abu Simbel, 11-11:30 am, 8 February 1867 (374)
1867
Edward Lear View near Palermo
Edward Lear, 1812–1888
View near Palermo
1847
Edward Lear Amada, 9:30 am, 12 February 1867
Edward Lear, 1812–1888
Amada, 9:30 am, 12 February 1867
1867
Edward Lear A View of the Harbour at Cannes
Edward Lear, 1812–1888
A View of the Harbour at Cannes
1869
Edward Lear The Dead Sea, 16 and 17 April 1858
Edward Lear, 1812–1888
The Dead Sea, 16 and 17 April 1858
April 16 and 17, 1858
Edward Lear Tollygunge, Calcutta
Edward Lear, 1812–1888
Tollygunge, Calcutta
undated
Edward Lear A View of the Pine Woods Above Cannes
Edward Lear, 1812–1888
A View of the Pine Woods Above Cannes
1869
Willey Reveley Views in the Levant: Temple Ruins at Paestum
Willey Reveley, 1760–1799
Views in the Levant: Temple Ruins at Paestum
ca. 1785
John Henry Mole Study of a Cottage Interior
John Henry Mole, 1814–1886
Study of a Cottage Interior
undated
Paul Sandby The Bayswater Turnpike
Paul Sandby, 1731–1809
The Bayswater Turnpike
undated
Francis Towne Dunkerswell Abbey, August 20, 1783
Francis Towne, 1740–1816
Dunkerswell Abbey, August 20, 1783
1783
unknown artist Dover
unknown artist
Dover
undated
unknown artist Seascape with Ship and Overhanging Sky
unknown artist
Seascape with Ship and Overhanging Sky
undated
Francis Towne Houses near Plymouth
Francis Towne, 1740–1816
Houses near Plymouth
1810
Cornelius Varley View in Suffolk
Cornelius Varley, 1781–1873
View in Suffolk
1803
unknown artist Landscape with Figures
unknown artist
Landscape with Figures
undated
unknown artist Mountainous Landscape
unknown artist
Mountainous Landscape
undated
William Callow Walenstadt, from Weesen, Switzerland
William Callow, 1812–1908
Walenstadt, from Weesen, Switzerland
1842
Thomas Shotter Boys View Near Arundel Castle
Thomas Shotter Boys, 1803–1874
View Near Arundel Castle
1823 and 1874
William Callow Château d'Ecouen
William Callow, 1812–1908
Château d'Ecouen
1833
Thomas Shotter Boys Street Scene at Stratford by Bow
Thomas Shotter Boys, 1803–1874
Street Scene at Stratford by Bow
undated
Thomas Shotter Boys Notre Dame, Paris
Thomas Shotter Boys, 1803–1874
Notre Dame, Paris
between 1831 and 1845
Thomas Shotter Boys Versailles
Thomas Shotter Boys, 1803–1874
Versailles
between 1831 and 1837
Thomas Shotter Boys Fountain in the Gardens, Paris: Evening
Thomas Shotter Boys, 1803–1874
Fountain in the Gardens, Paris: Evening
undated
William Callow Madonna with a Rabbit
William Callow, 1812–1908
Madonna with a Rabbit
undated
William Callow Landscape with Sheep
William Callow, 1812–1908
Landscape with Sheep
undated
John Linnell Ascent of Balloon from Burlington House, Piccadilly, from the Window at Mr. B. Palmer's
John Linnell, 1792–1882
Ascent of Balloon from Burlington House, Piccadilly, from the Window at Mr. B. Palmer's
after 1812
David Charles Read Landscape With Figures and a Wagon
David Charles Read, 1790–1851
Landscape With Figures and a Wagon
undated
David Charles Read Landscape With a Ploughed Field in the Foreground
David Charles Read, 1790–1851
Landscape With a Ploughed Field in the Foreground
undated
David Charles Read Landscape with Hills in the Distance
David Charles Read, 1790–1851
Landscape with Hills in the Distance
undated
David Charles Read Landscape with Trees
David Charles Read, 1790–1851
Landscape with Trees
undated
David Charles Read Landscape with Trees; a River in the Background
David Charles Read, 1790–1851
Landscape with Trees; a River in the Background
undated
Edward Brian Seago The Hayfield, Norfolk
Edward Brian Seago, 1910–1974
The Hayfield, Norfolk
undated
Thomas Hearne A View on the Island of Antigua: the English Barracks and Saint John's Church Seen from the Hospital
Thomas Hearne, 1744–1817
A View on the Island of Antigua: the English Barracks and Saint John's Church Seen from the Hospital
ca. 1775
Alfred Gomersal Vickers Kits Coty House, Near Maidstone, Kent
Alfred Gomersal Vickers, 1810–1837
Kits Coty House, Near Maidstone, Kent
undated
Paul Sandby North West View of Wakefield Lodge in Whittlebury Forest, Northamptonshire
Paul Sandby, 1731–1809
North West View of Wakefield Lodge in Whittlebury Forest, Northamptonshire
1767
William Callow Plymouth Dockyard after the Fire
William Callow, 1812–1908
Plymouth Dockyard after the Fire
1840
James Holland Greenwich
James Holland, 1799–1870
Greenwich
undated
James Holland Evening Sky on the Coast
James Holland, 1799–1870
Evening Sky on the Coast
between 1859 and 1861
James Duffield Harding Naples from the Strada Nouva, Nov.26, 1830
James Duffield Harding, 1798–1863
Naples from the Strada Nouva, Nov.26, 1830
1830
James Duffield Harding French Coast Scene with Fisherboy
James Duffield Harding, 1798–1863
French Coast Scene with Fisherboy
1829
James Duffield Harding Lyons from Quayside on the Rhone
James Duffield Harding, 1798–1863
Lyons from Quayside on the Rhone
ca. 1824
James Duffield Harding The Grand Canal, Venice
James Duffield Harding, 1798–1863
The Grand Canal, Venice
1835
Claude Hayes Moorland with Sheep and Shepherd
Claude Hayes, 1852–1922
Moorland with Sheep and Shepherd
undated