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Credit Line Yale Center for British Art, Paul Mellon Collection
Remove constraint Credit Line: Yale Center for British Art, Paul Mellon CollectionHeight [cm] 12
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1
- Sketch for "The Hay Wain"
- ca. 1820
- Not on view
2
- Imogen and the Shepherds, 'Cymbeline,' Act IV, scene II
- ca. 1874
- Not on view
3
- Sky Study
- ca. 1850
- Not on view
4
- A Grey Day
- ca. 1845
- Not on view
5
- Coast with Cliffs and Boats
- early 19th century
- Not on view
6
- Haymakers Resting
- ca. 1825
- Not on view
7
- An Imaginary Landscape with a Wagon and a Distant View of a Town
- ca. 1749
- Not on view
8
- Steeplechasing: At the Start
- 1869
- Not on view
9
- Steeplechasing: The Hurdle
- 1869
- Not on view
10
- Landscape near Swansea, South Wales
- ca. 1805
- Not on view
11
- A Wooded Landscape with a Stream and a Fisherman
- ca. 1749
- Not on view
12
- The Rising Moon
- 1857
13
- The Rising Moon
- 1857
14
- The Rising Moon
- 1857
15
- The Herdsman's Cottage
- 1850
16
- The Vine
- 1852
17
- The Rising Moon
- 1857
18
- Christmas
- 1850
19
- The Rising Moon
- 1857
20
- Opening the Fold
- 1880
21
- The Sleeping Shepherd
- 1857
22
- The Sleeping Shepherd
- 1857
23
- Christmas
- 1877
24
- Christmas
- 1850
25
- Opening the Fold
- plate etched in 1880; impression printed in 1920
26
- Opening the Fold
- plate etched in 1880; impression printed in 1926
27
- The Skylark
- 1850
28
- The Skylark
- 1850
29
- The Willow
- 1850
30
- Tours: Sunset: Looking Backwards
- between 1826 and 1830
31
- Amada, 9:30 am, 12 February 1867
- 1867
32
- Albania
- between 1848 and 1849
33
- Octavius Augustus Cæsar
- 1821
34
- Songs of Innocence, Plate 8, "The Lamb" (Bentley 8)
- 1789
35
- Illustrations of The Book of Job, Title Page
- 1825
36
- Songs of Innocence and of Experience, Plate 18, "The Lamb" (Bentley 8)
- 1789
37
- Songs of Innocence and of Experience, Plate 48, "The Fly" (Bentley 40)
- 1794
38
- Songs of Innocence and of Experience, Plate 2, Innocence Title Page (Bentley 3)
- 1789
39
- Songs of Innocence and of Experience, Plate 16, "The Little Boy Lost" (Bentley 13)
- 1789
40
- Songs of Innocence and of Experience, Plate 33, Experience Title Page (Bentley 29)
- 1794
41
- Songs of Innocence and of Experience, Plate 35, "Earth's Answer" (Bentley 31)
- 1794
42
- Songs of Innocence and of Experience, Plate 44, "A Little Girl Lost" (Bentley 51)
- 1794
43
- Songs of Innocence, Plate 2, Title Page (Bentley 3)
- 1789
44
- Songs of Innocence, Plate 20, "The Little Boy Lost" (Bentley 13)
- 1789
45
- Songs of Innocence, Plate 22, "Nurse's Song" (Bentley 38)
- 1789
46
- Songs of Innocence, Plate 3, "Introduction" (Bentley 4)
- 1789
47
- Songs of Innocence, Plate 4, "A Dream" (Bentley 26)
- 1789
48
- Songs of Innocence and of Experience, Plate 14, "Laughing Song" (Bentley 15)
- 1789
49
- The Pastorals of Virgil, London, 1821
- 1821, reprinted 1977
50
- The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 5: Colinet: 'My piteous plight in yonder naked tree,/ which bears the thunder-scar too plain, I see:'
- 1821, reprinted 1977
51
- The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 7: Thenot: 'Nor fox, nor wolf, nor rot among our sheep:/ from these good shepherd's care his flock may keep/ against ill luck,'
- 1821, reprinted 1977
52
- The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 13: Thenot: 'for him our yearly wakes and feasts we hold,/ and choose the fairest firstlings from the fold;'
- 1821, reprinted 1977
53
- The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 14: Thenot: 'This night thy care with me forget, and fold/ thy flock with mine, to ward th' injurious cold.'
- 1821, reprinted 1977
54
- The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 15: Thenot: 'New milk, and clouted cream, mild cheese and curd,/ with some remaining fruit of last year's hoard,/ shall be our ev'ning fare.'
- 1821, reprinted 1977
55
- The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 1: Frontispiece: Thenot: 'Is it not Colinet I lonesome see,/ leaning with folded arms against the tree?'
- 1821, reprinted 1977
56
- The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 12: Colinet: 'In vain, O Colinet, thy pipe, so shrill,/ charms every vale, and gladdens every hill:'
- 1821, reprinted 1977
57
- Each creature, Thenot, to his task is born
- 1821, reprinted 1977
58
- The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 3: Thenot: 'Yet though with years my body downward tend,/ as trees beneath their fruit in autumn bend,'
- 1821, reprinted 1977
59
- The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 4: Colinet: 'Thine ewes will wander; and their heedless lambs,/ in loud complaints, require their absent dams.'
- 1821, reprinted 1977
60
- Or blasting winds o'er blossom'd hedge-rows pass
- 1821, reprinted 1977
61
- The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 8: Colinet: 'Ah silly I! more silly than my sheep,/ which on thy flow'ry banks I wont to keep.'
- 1821, reprinted 1977
62
- The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 9: Colinet: 'A fond desire strange lands and swains to know./ Ah me! that ever I should covet wo.'
- 1821, reprinted 1977
63
- The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 10: Thenot: 'A rolling stone is ever bare of moss;/ and, to their cost, green years old proverbs cross.'
- 1821, reprinted 1977
64
- My sheep quite spent through travel and ill fare
- 1821, reprinted 1977
65
- And now behold the sun's departing ray
- 1821, reprinted 1977
66
- The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 17: Thenot: '
- 1821, reprinted 1977
67
- The Fort of Zakynthos, Greece
- 1802-1804
68
- Suburbs of Corfu
- 1802-1804
69
- Inscriptions in Greek Alphabet
- 1802-1804
70
- Palazzo di Vicenza
- 1802-1804
71
- View of Vienna from the Gardens of Schonbrunn
- 1802-1804
72
- A Cow House, Attached to a Villa Near Dresden
- 1802-1804
73
- A Villa Near Potsdam
- 1802-1804
74
- One of the Entrances to Potsdam
- 1804
75
- Iron Locks to the Entryway, Entrance of a Villa in the Suburbs of Dresden
- 1802-1804
76
- Sketch of a Tombstone
- 1802-1804
77
- Sketch of a Sculpture of the Face of a Mythical Creature
- 1802-1804
78
- Study of a Chandelier
- 1802-1804
79
- Above West Cowes, 8 February 1826
- 1826
80
- Near Saint Lawrence, 14 January 1826
- 1826
81
- Near West Cowes
- between 1826 and 1830
82
- Sketch of a Large Tree and a Cottage
- between 1826 and 1830
83
- Appuldurcombe, Isle of Wight, 29 December 1826
- 1826
84
- Lord Henry Seymour's from West Cowes
- 1825
85
- In Godshill, Isle of Wight
- between 1826 and 1830
86
- On the Parade, West Cowes, Isle of Wight
- between 1826 and 1830
87
- West Cowes, Isle of Wight
- between 1826 and 1830
88
- Sketch of a Group of People
- between 1826 and 1830
89
- Flamstead End, Old Ruskin's Cottage near Cheshunt, May 1814
- 1814
90
- By Captain Landon's Cottage near Cheshunt, 21 May 1814
- 1814
91
- Mayo's Island, Cheshunt, 23 May 1814
- 1814
92
- Cheshunt Church, 23 May 1814
- 1814
93
- View of Mayo's Island, Cheshunt, 23 May 1814
- 1814
94
- Morning Prayer
- 1844
95
- Cader Idris
- between 1824 and 1830
96
- Harlech Castle
- undated
97
- Tobias and the Angel
- ca. 1685
98
- The Most Considerable Remains of the Walls of Gnatia
- 1777 to 1778
99
- Pietra Mala
- 1777 to 1778
100
- Palestrina, Italy
- 1777 to 1778