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Credit Line Yale Center for British Art, Paul Mellon Collection
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1
- A Grey Day
- ca. 1845
- Not on view
2
- The Willow
- 1850
3
- The Pastorals of Virgil, London, 1821
- 1821, reprinted 1977
4
- The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 5: Colinet: 'My piteous plight in yonder naked tree,/ which bears the thunder-scar too plain, I see:'
- 1821, reprinted 1977
5
- The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 7: Thenot: 'Nor fox, nor wolf, nor rot among our sheep:/ from these good shepherd's care his flock may keep/ against ill luck,'
- 1821, reprinted 1977
6
- The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 13: Thenot: 'for him our yearly wakes and feasts we hold,/ and choose the fairest firstlings from the fold;'
- 1821, reprinted 1977
7
- The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 14: Thenot: 'This night thy care with me forget, and fold/ thy flock with mine, to ward th' injurious cold.'
- 1821, reprinted 1977
8
- The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 15: Thenot: 'New milk, and clouted cream, mild cheese and curd,/ with some remaining fruit of last year's hoard,/ shall be our ev'ning fare.'
- 1821, reprinted 1977
9
- The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 1: Frontispiece: Thenot: 'Is it not Colinet I lonesome see,/ leaning with folded arms against the tree?'
- 1821, reprinted 1977
10
- The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 12: Colinet: 'In vain, O Colinet, thy pipe, so shrill,/ charms every vale, and gladdens every hill:'
- 1821, reprinted 1977
11
- Each creature, Thenot, to his task is born
- 1821, reprinted 1977
12
- The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 3: Thenot: 'Yet though with years my body downward tend,/ as trees beneath their fruit in autumn bend,'
- 1821, reprinted 1977
13
- The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 4: Colinet: 'Thine ewes will wander; and their heedless lambs,/ in loud complaints, require their absent dams.'
- 1821, reprinted 1977
14
- Or blasting winds o'er blossom'd hedge-rows pass
- 1821, reprinted 1977
15
- The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 8: Colinet: 'Ah silly I! more silly than my sheep,/ which on thy flow'ry banks I wont to keep.'
- 1821, reprinted 1977
16
- The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 9: Colinet: 'A fond desire strange lands and swains to know./ Ah me! that ever I should covet wo.'
- 1821, reprinted 1977
17
- The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 10: Thenot: 'A rolling stone is ever bare of moss;/ and, to their cost, green years old proverbs cross.'
- 1821, reprinted 1977
18
- My sheep quite spent through travel and ill fare
- 1821, reprinted 1977
19
- And now behold the sun's departing ray
- 1821, reprinted 1977
20
- The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 17: Thenot: '
- 1821, reprinted 1977
21
- Vue de l'Eglise Cathedrale de S. Paul du cote d'Occident Avant le feu de 1666
- undated
22
- Man Hunting with a Pointed Staff and a Hound
- ca. 1645-1650
23
- Illustration to Aesop's Fables: The Fox & the Crane
- undated
24
- Fire at Sea (vignette)
- 1835
25
- A Village Street with Cattle and Sheep Being Driven Through
- undated
26
- Fingal's Cave, Staffa
- 1834
27
- Ticket for the Theatre Royal, Covent Garden
- Between 1775 and 1800
28
- Ticket for the Brandenbourg House Masquerade
- ca. 1797
29
- Ticket to a Concert of Ancient Vocal and Instrumental Music
- 1786
30
- Ticket to Concert of Ancient Vocal and Instrumental Music
- 1786
31
- Goats
- undated
32
- Head of a Foxhound, in Profile Right
- undated
33
- Head of a Pointer, in Profile Left
- undated
34
- Nantes
- 1833
35
- Sir Peter Lely
- undated
36
- Ticket to a Concert of Ancient Vocal and Instrumental Music
- 1786
![Mrs. P. D. H. Page Remora, Ventral View, After the Original by John White in the British Museum [Caribbean and Oceanic, No. 29 A]](https://media.collections.yale.edu/thumbnail/ycba/ab4894fb-eb9e-432e-a542-268202beb433)
37
- Remora, Ventral View, After the Original by John White in the British Museum [Caribbean and Oceanic, No. 29 A]
- undated
38
- Head and Shoulders of a Boxer Dog, Profile Left, Wearing a Leather Collar A ttached to a Ring Post
- undated
39
- A. Marlow Lock; B. Figures on a Barge, Possibly a Sketch Relating to This Drawing of Marlow Lock
- undated
40
- Two Shetland Ponies With a Groom
- 1834
41
- The Tithe Barn at Abbotsbury with the Abbey on the hill..
- ca. 1795
42
- Study of a Deer Resting, back view
- ca. 1801
43
- Cottage Amongst Trees
- undated
44
- William Woollet
- 1795
45
- John Hawkesworth
- 1806
46
- Sir William Chambers
- 1769
47
- Sir Thomas Graham, 1st Baron Lynedoch
- 1813
48
- Lieutenant General, Henry Paget, the Earl of Uxbridge
- 1813
49
- Fingal's Cave, Staffa
- 1834
50
- Her Majesty Queen Victoria & Family
- ca. 1851
51
- The Death of Ophelia
- ca. 1810
52
- Part of Christ's Hospital
53
- Stoke Park, Buckingshire
- undated
54
- Cheapside, Poultry and Bucklersbury
55
- Saumur
- 1833
56
- The West Front of Holland House, Kensington
- undated
57
- Edgar's Tower, Worcester
- 1786
58
- Fingal's Cave, Staffa
- 1833
59
- Personal Security
- 1825
60
- Children Leaning From a Window
- 1805
61
- In Vicenza
- 1802-1804
62
- The Power of Love
- 1783
63
- Ticket for the Benefit of Mr. Dragonetti
- 1792
64
- At Naples
- undated
65
- Alexander and Diogenes
66
- The Power of Beauty
- 1783
67
- Mrs. Gautherot
- 1790
68
- At the Villa Aldobrandini at Rome
- undated
69
- Vue de la Partie exterieure du Choeur, du Cote D'Accident Avant le feu de Tot
70
- Landscape with Animals beneath a rugged cliff
- ca. 1745