<< YCBA Home Yale Center for British Art Yale Center for British Art << YCBA Home

YCBA Collections Search

Search Constraints

Start Over
You searched for:

Credit Line Yale Center for British Art, Paul Mellon Collection

Remove constraint Credit Line: Yale Center for British Art, Paul Mellon Collection

Height [cm] 13

Remove constraint Height [cm]: 13

Search Results

Francis Danby Study for 'Calypso's Grotto'
Francis Danby, 1793–1861
Study for 'Calypso's Grotto'
ca. 1843
Not on view
John Constable Coastal Scene with Cliffs
John Constable, 1776–1837
Coastal Scene with Cliffs
ca. 1814
Not on view
John Constable Dedham Lock
John Constable, 1776–1837
Dedham Lock
between 1819 and 1820
Not on view
John R. Skeaping Running Greyhound
John R. Skeaping, 1901–1980
Running Greyhound
1980
Not on view
John Martin Kensington Gardens
John Martin, 1789–1854
Kensington Gardens
between 1815 and 1816
Not on view
Lionel Constable Landscape
Lionel Constable, 1828–1887
Landscape
between 1849 and 1855
Not on view
John Dalby Foxhunting: Clearing a Bank
John Dalby, active 1826–1853
Foxhunting: Clearing a Bank
ca. 1840
Not on view
unknown artist A Setter: Facing Left, with a Partridge Hiding among Burdocks on the Left
unknown artist
A Setter: Facing Left, with a Partridge Hiding among Burdocks on the Left
ca. 1805
Not on view
unknown artist Two Hares: On a Hillside
unknown artist
Two Hares: On a Hillside
ca. 1805
Not on view
unknown artist Greyhound: Facing Left, with a Dead Hare at His Feet
unknown artist
Greyhound: Facing Left, with a Dead Hare at His Feet
ca. 1805
Not on view
Sir Edwin Henry Landseer Study of a Greyhound
Sir Edwin Henry Landseer, 1802–1873
Study of a Greyhound
ca. 1860
Not on view
unknown artist Springer: A Spaniel Bounding Over a Log to Spring a Snipe on the Left
unknown artist
Springer: A Spaniel Bounding Over a Log to Spring a Snipe on the Left
ca. 1805
Not on view
unknown artist Landscape with Lake
unknown artist
Landscape with Lake
1828 to 1829
Not on view
Richard Ansdell Studies for the Portraits of Lord Eglinton, Lord Douglas and Lord Stradbroke in `The Waterloo Cup Coursing Meeting' (in the Walker Art Gallery), 1840
Richard Ansdell, 1815–1885
Studies for the Portraits of Lord Eglinton, Lord Douglas and Lord Stradbroke in `The Waterloo Cup Coursing Meeting' (in the Walker Art Gallery), 1840
before 1841
Not on view
Tessa Pullan Horse
Tessa Pullan, born 1953
Horse
1994
Not on view
Derby porcelain factory Dr. Syntax: Seated on a Bucket Sketching a Landscape
Derby porcelain factory, founded 1756
Dr. Syntax: Seated on a Bucket Sketching a Landscape
undated
Not on view
Herbert Haseltine Southdown Ewe: Sandringham Ewe
Herbert Haseltine, 1877–1962
Southdown Ewe: Sandringham Ewe
cast 1963 (original model 1933)
Not on view
Tessa Pullan Foal
Tessa Pullan, born 1953
Foal
ca. 1990
Not on view
John Constable A View on the Orwell
attributed to John Constable, 1776–1837
A View on the Orwell
undated
John Constable Suffolk Landscape
John Constable, 1776–1837
Suffolk Landscape
undated
John Constable View near Arundel
John Constable, 1776–1837
View near Arundel
between 1834 and 1835
John Constable Landscape with Windmill
attributed to John Constable, 1776–1837
Landscape with Windmill
between 1825 and 1830
John Constable The Ruins of Netley Abbey
Print made by John Constable, 1776–1837
The Ruins of Netley Abbey
1826
Samuel Palmer The Timber Wain
Samuel Palmer, 1805–1881
The Timber Wain
between 1833 and 1834
Samuel Palmer The Homeward Star
Print made by Samuel Palmer, 1805–1881
The Homeward Star
etching begun ca. 1880; impression printed in 1924
Samuel Palmer The Sepulchre
Print made by Samuel Palmer, 1805–1881
The Sepulchre
etching begun ca. 1800; impression printed in 1924
Samuel Palmer The Weary Ploughman
Print made by Samuel Palmer, 1805–1881
The Weary Ploughman
1858
Samuel Palmer The Weary Ploughman
Print made by Samuel Palmer, 1805–1881
The Weary Ploughman
1858
Samuel Palmer The Cypress Grove
Print made by Samuel Palmer, 1805–1881
The Cypress Grove
plate etched between ca. 1880 and 1883; impression printed in 1924
Samuel Palmer The Homeward Star
Print made by Samuel Palmer, 1805–1881
The Homeward Star
begun ca. 1880
Samuel Palmer The Herdsman's Cottage
Print made by Samuel Palmer, 1805–1881
The Herdsman's Cottage
1850
Samuel Palmer The Homeward Star
Print made by Samuel Palmer, 1805–1881
The Homeward Star
etching begun ca. 1880; impression printed in 1924
Samuel Palmer The Homeward Star
Print made by Samuel Palmer, 1805–1881
The Homeward Star
etching begun ca. 1880; impression printed in 1924
Samuel Palmer Moeris and Galatea
Print made by Samuel Palmer, 1805–1881
Moeris and Galatea
plate etched between 1880 and 1883; impression printed in 1924
Robert Polhill Bevan The Meet
Robert Polhill Bevan, 1865–1925
The Meet
1898
Samuel Palmer The Early Ploughman
Print made by Samuel Palmer, 1805–1881
The Early Ploughman
begun before 1861
Samuel Palmer The Early Ploughman
Print made by Samuel Palmer, 1805–1881
The Early Ploughman
etching begun before 1861; impression printed in 1926
Samuel Palmer The Early Ploughman
Print made by Samuel Palmer, 1805–1881
The Early Ploughman
begun before 1861
Samuel Palmer The Weary Ploughman
Print made by Samuel Palmer, 1805–1881
The Weary Ploughman
1858
Joseph Mallord William Turner North East View of Grantham Church, Lincolnshire
Joseph Mallord William Turner, 1775–1851
North East View of Grantham Church, Lincolnshire
ca. 1797
Joseph Mallord William Turner Rhodes
Joseph Mallord William Turner, 1775–1851
Rhodes
between 1823 and 1824
Joseph Mallord William Turner Fisherman's Cottage, Dover
Joseph Mallord William Turner, 1775–1851
Fisherman's Cottage, Dover
ca. 1790s
Edward Lear Albania
Edward Lear, 1812–1888
Albania
between 1848 and 1849
Edward Lear The Pontine Marshes above Terracina
Edward Lear, 1812–1888
The Pontine Marshes above Terracina
ca. 1880
William Blake From Antique Coins
William Blake, 1757–1827
From Antique Coins
1821
William Blake Caius Julius Cæsar
William Blake, 1757–1827
Caius Julius Cæsar
1821
William Blake A Sketch of the Monument Erected in the Church of East Dereham in Norfolk in Memory of William Cowper Esq.
Print made by William Blake, 1757–1827
A Sketch of the Monument Erected in the Church of East Dereham in Norfolk in Memory of William Cowper Esq
1804
William Blake There Is No Natural Religion, Plate 1, Frontispiece (Bentley a1)
Print made by William Blake, 1757–1827
There Is No Natural Religion, Plate 1, Frontispiece (Bentley a1)
ca. 1788
William Blake There Is No Natural Religion, Plate 11, "II Reason or the ratio . . . . " (Bentley b4)
Print made by William Blake, 1757–1827
There Is No Natural Religion, Plate 11, "II Reason or the ratio . . . . " (Bentley b4)
ca. 1788
William Blake There Is No Natural Religion, Plate 2, "The Argument . . . . " (Bentley a3)
Print made by William Blake, 1757–1827
There Is No Natural Religion, Plate 2, "The Argument . . . . " (Bentley a3)
ca. 1788
William Blake There Is No Natural Religion, Plate 4, "II Man by his reasoning power . . . ." (Bentley a5)
Print made by William Blake, 1757–1827
There Is No Natural Religion, Plate 4, "II Man by his reasoning power . . . ." (Bentley a5)
ca. 1788
William Blake There Is No Natural Religion, Plate 5, "III From a perception . . . . " (Bentley a6)
Print made by William Blake, 1757–1827
There Is No Natural Religion, Plate 5, "III From a perception . . . . " (Bentley a6)
ca. 1788
William Blake There Is No Natural Religion, Plate 9, "Therefore God becomes . . . . " (Bentley b12)
Print made by William Blake, 1757–1827
There Is No Natural Religion, Plate 9, "Therefore God becomes . . . . " (Bentley b12)
ca. 1788
William Blake There Is No Natural Religion, Plate 10, "I Mans perceptions are not bounded . . . . " (Bentley b3)
Print made by William Blake, 1757–1827
There Is No Natural Religion, Plate 10, "I Mans perceptions are not bounded . . . . " (Bentley b3)
ca. 1788
William Blake There Is No Natural Religion, Plate 3, "I Man cannot naturally . . . ." (Bentley a4)
Print made by William Blake, 1757–1827
There Is No Natural Religion, Plate 3, "I Man cannot naturally . . . ." (Bentley a4)
ca. 1788
William Blake There Is No Natural Religion, Plate 6, "IV None could have . . . ." (Bentley a7)
Print made by William Blake, 1757–1827
There Is No Natural Religion, Plate 6, "IV None could have . . . ." (Bentley a7)
ca. 1788
William Blake There Is No Natural Religion, Plate 7, "V Mans desires . . . . " (Bentley a8)
Print made by William Blake, 1757–1827
There Is No Natural Religion, Plate 7, "V Mans desires . . . . " (Bentley a8)
ca. 1788
William Blake There Is No Natural Religion, Plate 8, "VI The desires & perceptions . . . . " (Bentley a9)
Print made by William Blake, 1757–1827
There Is No Natural Religion, Plate 8, "VI The desires & perceptions . . . . " (Bentley a9)
ca. 1788
William Blake Songs of Innocence and of Experience, Plate 34, "Introduction" (Bentley 30)
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 34, "Introduction" (Bentley 30)
1794
Sir Robert Smirke the younger Porch to a Private House in Padua
Sir Robert Smirke the younger, 1781–1867
Porch to a Private House in Padua
1802-1804
Sir Robert Smirke the younger Sketch of Three Standing Gravestones
Sir Robert Smirke the younger, 1781–1867
Sketch of Three Standing Gravestones
1802-1804
Sir Robert Smirke the younger Threee Ornate Tombstones
Sir Robert Smirke the younger, 1781–1867
Threee Ornate Tombstones
1802-1804
Sir Robert Smirke the younger Raby Castle
Sir Robert Smirke the younger, 1781–1867
Raby Castle
1802-1804
Capt. Thomas Hastings Sketch of Ships near West Cowes, Isle of Wight
Capt. Thomas Hastings, 1778–1854
Sketch of Ships near West Cowes, Isle of Wight
between 1826 and 1830
Capt. Thomas Hastings Near Falmouth
Capt. Thomas Hastings, 1778–1854
Near Falmouth
1834
Capt. Thomas Hastings Near the Entrance to Newport from East Cowes
Capt. Thomas Hastings, 1778–1854
Near the Entrance to Newport from East Cowes
between 1826 and 1830
Capt. Thomas Hastings Sketch of a Landscape with a Distant Harbor
Capt. Thomas Hastings, 1778–1854
Sketch of a Landscape with a Distant Harbor
between 1826 and 1830
Capt. Thomas Hastings Sketch of Sailing Boats in a Harbor
Capt. Thomas Hastings, 1778–1854
Sketch of Sailing Boats in a Harbor
between 1826 and 1830
Capt. Thomas Hastings Sketch of a Sailing Boat
Capt. Thomas Hastings, 1778–1854
Sketch of a Sailing Boat
between 1826 and 1830
Capt. Thomas Hastings Near Freshwater, Isle of Wight
Capt. Thomas Hastings, 1778–1854
Near Freshwater, Isle of Wight
1830
Robert Smirke Untitled: Two Classical Domestic Scenes
Robert Smirke, 1752–1845
Untitled: Two Classical Domestic Scenes
James Mitan Designs for the Great Room of the Society of Arts (4 of 1 sheet)
James Mitan, 1776–1822
Designs for the Great Room of the Society of Arts (4 of 1 sheet)
1808
Henry Swinburne Bois, France
Henry Swinburne, 1743–1803
Bois, France
undated
James Caldwall Now Sir, You're a Complete Macaroni
Print made by James Caldwall, 1739–1819
Now Sir, You're a Complete Macaroni
1772
David Lucas Spring
Print made by David Lucas, 1802–1881
Spring
1829 to 1830
John Sell Cotman Harlech Castle
Print made by John Sell Cotman, 1782–1842
Harlech Castle
undated
Miles Edmund Cotman Study of Trees on the Banks of the Yare
Print made by Miles Edmund Cotman, 1810–1858
Study of Trees on the Banks of the Yare
1846
John Smith Tobias and the Angel
Print made by John Smith, 1652–1743
Tobias and the Angel
ca. 1685
Henry Swinburne View of the Cappuccini Mount, the Po & the Bridge from the Road to the Palatine"
Henry Swinburne, 1743–1803
View of the Cappuccini Mount, the Po & the Bridge from the Road to the Palatine"
1764
Henry Swinburne Valencia, Spain
Henry Swinburne, 1743–1803
Valencia, Spain
1775 to 1776
Henry Swinburne View from the Gallows Hill
Henry Swinburne, 1743–1803
View from the Gallows Hill
undated
Luigi Balugani Testa di Fecco
Luigi Balugani, 1737–1770
Testa di Fecco
undated
Luigi Balugani [One of] Miscellaneous Sketches in Wrapper
Luigi Balugani, 1737–1770
[One of] Miscellaneous Sketches in Wrapper
undated
Jean B. C. Chatelain Wooded Landscape with a River Leading to Distant Buildings
Print made by Jean B. C. Chatelain, 1710–1771
Wooded Landscape with a River Leading to Distant Buildings
undated
James Caldwall A Macarony Alderman and His Rib
Print made by James Caldwall, 1739–1819
A Macarony Alderman and His Rib
1772
Sir Francis Seymour Haden Egham
Sir Francis Seymour Haden, 1818–1910
Egham
1859
John Wilson Carmichael A Fireworks Display
John Wilson Carmichael, 1799–1868
A Fireworks Display
undated
Sir David Wilkie Fife
Sir David Wilkie, 1785–1841
Fife
undated
Richard Wilson Gulliver Bound by the Lilliputians
Richard Wilson, 1713/4–1782
Gulliver Bound by the Lilliputians
undated
Paul Sandby River Ferry with Many Passengers and Animals
Paul Sandby, 1731–1809
River Ferry with Many Passengers and Animals
undated
Thomas Rowlandson Dr. Syntax Made Free of the Cellar
Thomas Rowlandson, 1756–1827
Dr. Syntax Made Free of the Cellar
undated
James Ward Study for the Oil Painting "The Children of Theophilus Levitt, Esquire."
James Ward, 1769–1859
Study for the Oil Painting "The Children of Theophilus Levitt, Esquire."
1820 to 1830
John Gendall Fulham Palace, Porter's Lodge
John Gendall, 1790–1865
Fulham Palace, Porter's Lodge
undated
M. A. Gliddon Church House - Hackney
M. A. Gliddon, active 1840
Church House - Hackney
1841
M. A. Gliddon Hackney Charity Schools
M. A. Gliddon, active 1840
Hackney Charity Schools
1841
Wenceslaus Hollar A View from St. Mary's, Southwark, Looking Towards Westminster
Wenceslaus Hollar, 1607–1677
A View from St. Mary's, Southwark, Looking Towards Westminster
ca. 1638
Samuel Howitt A Bear Attacking a Fallen Indian
Samuel Howitt, 1756–1822
A Bear Attacking a Fallen Indian
undated
Samuel Howitt A Tiger Pierced with an Arrow
Samuel Howitt, 1756–1822
A Tiger Pierced with an Arrow
undated
Samuel Howitt A Bull Attacking a Dog
Samuel Howitt, 1756–1822
A Bull Attacking a Dog
undated
Samuel Howitt Lion Attacking a Stag
Samuel Howitt, 1756–1822
Lion Attacking a Stag
undated