Credit Line: Yale Center for British Art, Paul Mellon Collection / Height [cm]: 13

1. Study for 'Calypso's Grotto'

Creator:: Francis Danby, 1793–1861
Date:: ca. 1843
Materials & Techniques:: Oil on panel
Dimensions:: 5 x 7 1/2 inches (12.7 x 19.1 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

2. Coastal Scene with Cliffs

Creator:: John Constable, 1776–1837
Date:: ca. 1814
Materials & Techniques:: Oil on paper laid on canvas
Dimensions:: 5 × 9 5/8 inches (12.7 × 24.4 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

3. Dedham Lock

Creator:: John Constable, 1776–1837
Date:: between 1819 and 1820
Materials & Techniques:: Oil on paper laid on canvas
Dimensions:: 5 1/4 x 7 3/8 inches (13.3 x 18.7 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

4. Running Greyhound

Creator:: John R. Skeaping, 1901–1980
Date:: 1980
Materials & Techniques:: Bronze
Dimensions:: Overall: 5 1/8 x 14 1/8 x 3 3/8 inches (13 x 35.9 x 8.6 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

5. Kensington Gardens

Creator:: John Martin, 1789–1854
Date:: between 1815 and 1816
Materials & Techniques:: Oil on panel
Dimensions:: 5 1/4 × 7 7/8 inches (13.3 × 20 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

6. Landscape

Creator:: Lionel Constable, 1828–1887
Date:: between 1849 and 1855
Materials & Techniques:: Oil on panel
Dimensions:: 5 1/8 x 9 inches (13 x 22.9 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

7. Foxhunting: Clearing a Bank

Creator:: John Dalby, active 1826–1853
Date:: ca. 1840
Materials & Techniques:: Oil on millboard
Dimensions:: 5 x 6 1/8 inches (12.7 x 15.6 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

8. A Setter: Facing Left, with a Partridge Hiding among Burdocks on the Left

Creator:: unknown artist
Date:: ca. 1805
Materials & Techniques:: Enamel on porcelain
Dimensions:: 5 × 6 3/4 inches (12.7 × 17.1 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

9. Two Hares: On a Hillside

Creator:: unknown artist
Date:: ca. 1805
Materials & Techniques:: Enamel on porcelain
Dimensions:: 5 × 6 3/4 inches (12.7 × 17.1 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

10. Greyhound: Facing Left, with a Dead Hare at His Feet

Creator:: unknown artist
Date:: ca. 1805
Materials & Techniques:: Enamel on porcelain
Dimensions:: 5 × 6 3/4 inches (12.7 × 17.1 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

11. Study of a Greyhound

Creator:: Sir Edwin Henry Landseer, 1802–1873
Date:: ca. 1860
Materials & Techniques:: Oil on card
Dimensions:: 5 x 3 3/4 inches (12.7 x 9.5 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

12. Springer: A Spaniel Bounding Over a Log to Spring a Snipe on the Left

Creator:: unknown artist
Date:: ca. 1805
Materials & Techniques:: Enamel on porcelain
Dimensions:: 5 × 6 3/4 inches (12.7 × 17.1 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

13. Landscape with Lake

Creator:: unknown artist
Date:: 1828 to 1829
Materials & Techniques:: Oil on paper
Dimensions:: 5 1/8 x 11 inches (13 x 27.9 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

14. Studies for the Portraits of Lord Eglinton, Lord Douglas and Lord Stradbroke in `The Waterloo Cup Coursing Meeting' (in the Walker Art Gallery), 1840

Studies for the Portraits of Lord Eglinton, Lord Douglas and Lord Stradbroke in `The Waterloo Cup Coursing Meeting' (in the Walker Art Gallery), 1840

Creator:: Richard Ansdell, 1815–1885
Date:: before 1841
Materials & Techniques:: Oil on millboard
Dimensions:: Overall: 5 1/8 × 4 1/8 inches (13 × 10.5 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

15. Horse

Creator:: Tessa Pullan, born 1953
Date:: 1994
Materials & Techniques:: Bronze
Dimensions:: Overall: 5 inches (12.7 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

16. Dr. Syntax: Seated on a Bucket Sketching a Landscape

Creator:: Derby porcelain factory, founded 1756
Date:: undated
Materials & Techniques:: Derby (Stevens & Hancock) fiture
Dimensions:: Sheet: 5 1/8in. (13cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

17. Southdown Ewe: Sandringham Ewe

Creator:: Herbert Haseltine, 1877–1962
Date:: cast 1963 (original model 1933)
Materials & Techniques:: Bronze plated with gold
Dimensions:: Overall: 5 x 5 1/2 x 2 7/8 inches (12.7 x 14 x 7.3 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

18. Foal

Creator:: Tessa Pullan, born 1953
Date:: ca. 1990
Materials & Techniques:: Bronze
Dimensions:: Overall: 5 1/8 x 6 5/8 x 4 1/4 inches (13 x 16.8 x 10.8 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

19. A View on the Orwell

Creator:: attributed to John Constable, 1776–1837
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 × 6 15/16 inches (12.7 × 17.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. Suffolk Landscape

Creator:: John Constable, 1776–1837
Date:: undated
Materials & Techniques:: Watercolor and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 5 x 6 7/8 inches (12.7 x 17.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. View near Arundel

Creator:: John Constable, 1776–1837
Date:: between 1834 and 1835
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 x 8 1/4 inches (12.7 x 21 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. Landscape with Windmill

Creator:: attributed to John Constable, 1776–1837
Date:: between 1825 and 1830
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper laid to card
Dimensions:: Sheet: 4 1/4 x 7 7/8 inches (10.8 x 20 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. The Ruins of Netley Abbey

Creator:: Print made by John Constable, 1776–1837
Date:: 1826
Materials & Techniques:: Etching and drypoint on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 1/16 x 17 5/16 inches (30.7 x 44 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. The Timber Wain

Creator:: Samuel Palmer, 1805–1881
Date:: between 1833 and 1834
Materials & Techniques:: Watercolor and gouache with pen and black ink on medium, smooth, cream wove paper
Dimensions:: Sheet: 5 1/16 x 6 5/16 inches (12.9 x 16 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. The Homeward Star

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: etching begun ca. 1880; impression printed in 1924
Materials & Techniques:: Etching and drypoint, with plate tone on thin, moderately textured, cream laid paper
Dimensions:: Sheet: 6 7/16 x 9 1/2 inches (16.4 x 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. The Sepulchre

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: etching begun ca. 1800; impression printed in 1924
Materials & Techniques:: Etching and drypoint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 9 7/16 x 12 13/16 inches (24 x 32.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. The Weary Ploughman

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1858
Materials & Techniques:: Etching and drypoint on thick, slightly textured, cream wove paper with cream chine collé
Dimensions:: Sheet: 11 3/4 x 17 1/16 inches (29.8 x 43.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. The Weary Ploughman

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1858
Materials & Techniques:: Etching and drypoint, with plate tone on thick, smooth, beige wove paper
Dimensions:: Sheet: 6 7/16 x 9 3/16 inches (16.3 x 23.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. The Cypress Grove

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: plate etched between ca. 1880 and 1883; impression printed in 1924
Materials & Techniques:: Etching and drypoint, with plate tone on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 10 15/16 x 12 1/16 inches (27.8 x 30.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. The Homeward Star

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: begun ca. 1880
Materials & Techniques:: Etching and drypoint, with plate tone on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 6 5/8 x 9 5/16 inches (16.8 x 23.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. The Herdsman's Cottage

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1850
Materials & Techniques:: Etching and drypoint retouched with graphite on thick, slightly textured, cream wove paper with cream chine collé
Dimensions:: Sheet: 11 3/4 x 8 9/16 inches (29.9 x 21.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. The Homeward Star

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: etching begun ca. 1880; impression printed in 1924
Materials & Techniques:: Etching and drypoint, with plate tone on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 3/16 x 9 1/16 inches (15.7 x 23 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. The Homeward Star

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: etching begun ca. 1880; impression printed in 1924
Materials & Techniques:: Etching and drypoint, with plate tone on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 10 13/16 x 12 15/16 inches (27.4 x 32.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. Moeris and Galatea

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: plate etched between 1880 and 1883; impression printed in 1924
Materials & Techniques:: Etching and drypoint, with plate tone, retouched with white watercolor, gouache or chalk on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 11 7/16 x 13 13/16 inches (29.1 x 35.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. The Meet

Creator:: Robert Polhill Bevan, 1865–1925
Date:: 1898
Materials & Techniques:: Pastel, graphite and charcoal on medium, smooth, cream laid paper
Dimensions:: Sheet: 5 1/4 × 7 5/16 inches (13.3 × 18.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. The Early Ploughman

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: begun before 1861
Materials & Techniques:: Etching and drypoint, with plate tone on thick, smooth, cream wove paper
Dimensions:: Sheet: 8 11/16 x 12 3/8 inches (22.1 x 31.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. The Early Ploughman

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: etching begun before 1861; impression printed in 1926
Materials & Techniques:: Etching and drypoint, with plate tone on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 15/16 x 13 1/8 inches (25.2 x 33.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. The Early Ploughman

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: begun before 1861
Materials & Techniques:: Etching and drypoint, with plate tone, retouched with white gouache on medium, smooth, beige wove paper
Dimensions:: Sheet: 7 x 9 15/16 inches (17.8 x 25.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. The Weary Ploughman

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1858
Materials & Techniques:: Etching and drypoint on thick, smooth, cream wove paper
Dimensions:: Sheet: 8 7/16 x 11 9/16 inches (21.5 x 29.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. North East View of Grantham Church, Lincolnshire

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: ca. 1797
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper, mounted on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/8 x 7 inches (13 x 17.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. Rhodes

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: between 1823 and 1824
Materials & Techniques:: Watercolor, gouache and scraping out on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/4 x 8 7/8in. (13.3 x 22.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. Fisherman's Cottage, Dover

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: ca. 1790s
Materials & Techniques:: Watercolor, graphite and gray wash on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/4 x 7 7/8 inches (13.3 x 20 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. Albania

Creator:: Edward Lear, 1812–1888
Date:: between 1848 and 1849
Materials & Techniques:: Watercolor with pen in brown ink and brown wash over graphite on thick, rough, cream wove paper
Dimensions:: Sheet: 5 3/16 x 9 13/16 inches (13.2 x 24.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. The Pontine Marshes above Terracina

Creator:: Edward Lear, 1812–1888
Date:: ca. 1880
Materials & Techniques:: Pen in brown ink with brown wash over graphite on very thick, slightly textured, beige wove paper
Dimensions:: Sheet: 9 3/8 x 12 7/16 inches (23.8 x 31.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. From Antique Coins

Creator:: William Blake, 1757–1827
Date:: 1821
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Spine: 7 1/8 inches (18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. Caius Julius Cæsar

Creator:: William Blake, 1757–1827
Date:: 1821
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Spine: 7 1/8 inches (18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. A Sketch of the Monument Erected in the Church of East Dereham in Norfolk in Memory of William Cowper Esq.

Creator:: Print made by William Blake, 1757–1827
Date:: 1804
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Binding: 11 1/2 inches (29.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. There Is No Natural Religion, Plate 1, Frontispiece (Bentley a1)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1788
Materials & Techniques:: Color-printed relief etching and watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/4 x 4 inches (13.3 x 10.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. There Is No Natural Religion, Plate 11, "II Reason or the ratio . . . . " (Bentley b4)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1788
Materials & Techniques:: Color-printed relief etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/4 x 4 inches (13.3 x 10.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. There Is No Natural Religion, Plate 2, "The Argument . . . . " (Bentley a3)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1788
Materials & Techniques:: Color-printed relief etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/4 x 4 inches (13.3 x 10.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. There Is No Natural Religion, Plate 4, "II Man by his reasoning power . . . ." (Bentley a5)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1788
Materials & Techniques:: Color-printed relief etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/4 x 4 inches (13.3 x 10.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. There Is No Natural Religion, Plate 5, "III From a perception . . . . " (Bentley a6)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1788
Materials & Techniques:: Color-printed relief etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/4 x 4 inches (13.3 x 10.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. There Is No Natural Religion, Plate 9, "Therefore God becomes . . . . " (Bentley b12)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1788
Materials & Techniques:: Color-printed relief etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/4 x 4 inches (13.3 x 10.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. There Is No Natural Religion, Plate 10, "I Mans perceptions are not bounded . . . . " (Bentley b3)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1788
Materials & Techniques:: Color-printed relief etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/4 x 4 inches (13.3 x 10.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. There Is No Natural Religion, Plate 3, "I Man cannot naturally . . . ." (Bentley a4)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1788
Materials & Techniques:: Color-printed relief etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/4 x 4 inches (13.3 x 10.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. There Is No Natural Religion, Plate 6, "IV None could have . . . ." (Bentley a7)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1788
Materials & Techniques:: Color-printed relief etching and watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/4 x 4 inches (13.3 x 10.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. There Is No Natural Religion, Plate 7, "V Mans desires . . . . " (Bentley a8)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1788
Materials & Techniques:: Color-printed relief etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/4 x 4 inches (13.3 x 10.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. There Is No Natural Religion, Plate 8, "VI The desires & perceptions . . . . " (Bentley a9)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1788
Materials & Techniques:: Color-printed relief etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/4 x 4 inches (13.3 x 10.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

59. Songs of Innocence and of Experience, Plate 34, "Introduction" (Bentley 30)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. Porch to a Private House in Padua

Creator:: Sir Robert Smirke the younger, 1781–1867
Date:: 1802-1804
Materials & Techniques:: Brown wash, graphite, pen and brown ink on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 5 1/4 × 4 1/16 inches (13.3 × 10.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. Sketch of Three Standing Gravestones

Creator:: Sir Robert Smirke the younger, 1781–1867
Date:: 1802-1804
Materials & Techniques:: Brown wash and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 5 1/16 × 4 11/16 inches (12.9 × 11.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. Threee Ornate Tombstones

Creator:: Sir Robert Smirke the younger, 1781–1867
Date:: 1802-1804
Materials & Techniques:: Brown wash and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 4 15/16 × 4 11/16 inches (12.5 × 11.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

63. Raby Castle

Creator:: Sir Robert Smirke the younger, 1781–1867
Date:: 1802-1804
Materials & Techniques:: Graphite on medium, moderately textured, beige laid paper
Dimensions:: Sheet: 5 × 7 1/2 inches (12.7 × 19.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. Sketch of Ships near West Cowes, Isle of Wight

Creator:: Capt. Thomas Hastings, 1778–1854
Date:: between 1826 and 1830
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 × 7 3/8 inches (12.7 × 18.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

65. Near Falmouth

Creator:: Capt. Thomas Hastings, 1778–1854
Date:: 1834
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/8 × 7 1/4 inches (13 × 18.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

66. Near the Entrance to Newport from East Cowes

Creator:: Capt. Thomas Hastings, 1778–1854
Date:: between 1826 and 1830
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 × 7 3/8 inches (12.7 × 18.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

67. Sketch of a Landscape with a Distant Harbor

Creator:: Capt. Thomas Hastings, 1778–1854
Date:: between 1826 and 1830
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 × 7 3/8 inches (12.7 × 18.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

68. Sketch of Sailing Boats in a Harbor

Creator:: Capt. Thomas Hastings, 1778–1854
Date:: between 1826 and 1830
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 × 7 1/4 inches (12.7 × 18.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

69. Sketch of a Sailing Boat

Creator:: Capt. Thomas Hastings, 1778–1854
Date:: between 1826 and 1830
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 × 7 3/8 inches (12.7 × 18.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

70. Near Freshwater, Isle of Wight

Creator:: Capt. Thomas Hastings, 1778–1854
Date:: 1830
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 × 7 3/8 inches (12.7 × 18.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

71. Untitled: Two Classical Domestic Scenes

Creator:: Robert Smirke, 1752–1845
Materials & Techniques:: Engraving
Dimensions:: Sheet: 5 3/4 × 8 1/2 inches (14.6 × 21.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

72. Designs for the Great Room of the Society of Arts (4 of 1 sheet)

Creator:: James Mitan, 1776–1822
Date:: 1808
Materials & Techniques:: Engraving
Dimensions:: Sheet: 5 x 9in. (12.7 x 22.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

73. Bois, France

Creator:: Henry Swinburne, 1743–1803
Date:: undated
Materials & Techniques:: Pen and brown ink, gray wash, and graphite on medium, moderately textured, cream laid paper
Dimensions:: Mount: 16 3/8 × 11 1/8 inches (41.6 × 28.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

74. Now Sir, You're a Complete Macaroni

Creator:: Print made by James Caldwall, 1739–1819
Date:: 1772
Materials & Techniques:: Line engraving, stipple engraving, and etching on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 11 1/8 x 8 1/8 inches (28.2 x 20.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

75. Spring

Creator:: Print made by David Lucas, 1802–1881
Date:: 1829 to 1830
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 3/4 x 17 inches (29.8 x 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

76. Harlech Castle

Creator:: Print made by John Sell Cotman, 1782–1842
Date:: undated
Materials & Techniques:: Soft-ground etching on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 5 1/4 x 7 5/16 inches (13.4 x 18.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

77. Study of Trees on the Banks of the Yare

Creator:: Print made by Miles Edmund Cotman, 1810–1858
Date:: 1846
Materials & Techniques:: Etching on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 5 1/4 x 6 5/8 inches (13.3 x 16.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

78. Tobias and the Angel

Creator:: Print made by John Smith, 1652–1743
Date:: ca. 1685
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 5 1/16 x 6 9/16 inches (12.8 x 16.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

79. View of the Cappuccini Mount, the Po & the Bridge from the Road to the Palatine"

Creator:: Henry Swinburne, 1743–1803
Date:: 1764
Materials & Techniques:: Pen and black ink, gray ink, and graphite on medium, moderately textured, cream laid paper
Dimensions:: Mount: 16 3/8 × 11 inches (41.6 × 27.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

80. Valencia, Spain

Creator:: Henry Swinburne, 1743–1803
Date:: 1775 to 1776
Materials & Techniques:: Pen and brown ink, over graphite on medium, moderately textured, cream laid paper
Dimensions:: Mount: 16 1/4 × 11 1/8 inches (41.3 × 28.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

81. View from the Gallows Hill

Creator:: Henry Swinburne, 1743–1803
Date:: undated
Materials & Techniques:: Pen and brown ink, over graphite on medium, moderately textured, cream laid paper
Dimensions:: Mount: 11 × 16 1/4 inches (27.9 × 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

82. Testa di Fecco

Creator:: Luigi Balugani, 1737–1770
Date:: undated
Materials & Techniques:: Graphite on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 5 1/4 x 7 3/4 inches (13.3 x 19.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

83. [One of] Miscellaneous Sketches in Wrapper

Creator:: Luigi Balugani, 1737–1770
Date:: undated
Materials & Techniques:: Graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 5 1/4 x 7 inches (13.3 x 17.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

84. Wooded Landscape with a River Leading to Distant Buildings

Creator:: Print made by Jean B. C. Chatelain, 1710–1771
Date:: undated
Materials & Techniques:: Etching on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 5 3/16 × 6 5/8 inches (13.1 × 16.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

85. A Macarony Alderman and His Rib

Creator:: Print made by James Caldwall, 1739–1819
Date:: 1772
Materials & Techniques:: Line engraving, stipple engraving, and etching on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 11 x 7 13/16 inches (27.9 x 19.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

86. Egham

Creator:: Sir Francis Seymour Haden, 1818–1910
Date:: 1859
Materials & Techniques:: Etching and drypoint, with plate tone on medium, slightly thick, cream laid paper
Dimensions:: Sheet: 6 1/4 x 9 1/4 inches (15.9 x 23.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

87. A Fireworks Display

Creator:: John Wilson Carmichael, 1799–1868
Date:: undated
Materials & Techniques:: Pen and black ink and watercolor and white gouache on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 1/4 x 5 3/4in. (10.8 x 14.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

88. Fife

Creator:: Sir David Wilkie, 1785–1841
Date:: undated
Materials & Techniques:: Watercolor over graphite on medium, slightly textured, beige wove paper mounted on card
Dimensions:: Sheet: 5 1/8 x 7 1/8 inches (13 x 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

89. Gulliver Bound by the Lilliputians

Creator:: Richard Wilson, 1713/4–1782
Date:: undated
Materials & Techniques:: Graphite on medium, rough, blue laid paper
Dimensions:: Mount: 6 7/8 x 9 5/8 inches (17.5 x 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

90. River Ferry with Many Passengers and Animals

Creator:: Paul Sandby, 1731–1809
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 5 x 17 3/8 inches (12.7 x 44.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

91. Dr. Syntax Made Free of the Cellar

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor with pen and brown and gray ink on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 5 1/4 x 8 3/8 inches (13.3 x 21.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

92. Study for the Oil Painting "The Children of Theophilus Levitt, Esquire."

Creator:: James Ward, 1769–1859
Date:: 1820 to 1830
Materials & Techniques:: Black chalk and white chalk on medium, slightly texture, brown wove paper mounted moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 5 1/8 x 3 3/4 inches (13 x 9.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

93. Fulham Palace, Porter's Lodge

Creator:: John Gendall, 1790–1865
Date:: undated
Materials & Techniques:: Brown wash, pen and brown ink with white gouache over graphite on thick, textured, card
Dimensions:: Sheet: 5 × 5 15/16 inches (12.7 × 15.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

94. Church House - Hackney

Creator:: M. A. Gliddon, active 1840
Date:: 1841
Materials & Techniques:: Watercolor and pen and brown ink over traces of graphite on wove paper
Dimensions:: Sheet: 5 1/8 x 8in. (13 x 20.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

95. Hackney Charity Schools

Creator:: M. A. Gliddon, active 1840
Date:: 1841
Materials & Techniques:: Watercolor with pen and black ink over traces of graphite on wove paper
Dimensions:: Sheet: 5 1/8 x 8 11/16in. (13 x 22.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

96. A View from St. Mary's, Southwark, Looking Towards Westminster

Creator:: Wenceslaus Hollar, 1607–1677
Date:: ca. 1638
Materials & Techniques:: Pen and black ink over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/8 × 12 1/8 inches (13 × 30.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

97. A Bear Attacking a Fallen Indian

Creator:: Samuel Howitt, 1756–1822
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/8 × 7 1/8 inches (13 × 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

98. A Tiger Pierced with an Arrow

Creator:: Samuel Howitt, 1756–1822
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/8 × 7 1/8 inches (13 × 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

99. A Bull Attacking a Dog

Creator:: Samuel Howitt, 1756–1822
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/8 × 7 1/8 inches (13 × 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

100. Lion Attacking a Stag

Creator:: Samuel Howitt, 1756–1822
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 × 7 1/8 inches (12.7 × 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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Credit Line Yale Center for British Art, Paul Mellon Collection

Height [cm] 13

Search Results

1. Study for 'Calypso's Grotto'

2. Coastal Scene with Cliffs

3. Dedham Lock

4. Running Greyhound

5. Kensington Gardens

6. Landscape

7. Foxhunting: Clearing a Bank

8. A Setter: Facing Left, with a Partridge Hiding among Burdocks on the Left

9. Two Hares: On a Hillside

10. Greyhound: Facing Left, with a Dead Hare at His Feet

11. Study of a Greyhound

12. Springer: A Spaniel Bounding Over a Log to Spring a Snipe on the Left

13. Landscape with Lake

14. Studies for the Portraits of Lord Eglinton, Lord Douglas and Lord Stradbroke in `The Waterloo Cup Coursing Meeting' (in the Walker Art Gallery), 1840

15. Horse

16. Dr. Syntax: Seated on a Bucket Sketching a Landscape

17. Southdown Ewe: Sandringham Ewe

18. Foal

19. A View on the Orwell

20. Suffolk Landscape

21. View near Arundel

22. Landscape with Windmill

23. The Ruins of Netley Abbey

24. The Timber Wain

25. The Homeward Star

26. The Sepulchre

27. The Weary Ploughman

28. The Weary Ploughman

29. The Cypress Grove

30. The Homeward Star

31. The Herdsman's Cottage

32. The Homeward Star

33. The Homeward Star

34. Moeris and Galatea

35. The Meet

36. The Early Ploughman

37. The Early Ploughman

38. The Early Ploughman

39. The Weary Ploughman

40. North East View of Grantham Church, Lincolnshire

41. Rhodes

42. Fisherman's Cottage, Dover

43. Albania

44. The Pontine Marshes above Terracina

45. From Antique Coins

46. Caius Julius Cæsar

47. A Sketch of the Monument Erected in the Church of East Dereham in Norfolk in Memory of William Cowper Esq.

48. There Is No Natural Religion, Plate 1, Frontispiece (Bentley a1)

49. There Is No Natural Religion, Plate 11, "II Reason or the ratio . . . . " (Bentley b4)

50. There Is No Natural Religion, Plate 2, "The Argument . . . . " (Bentley a3)

51. There Is No Natural Religion, Plate 4, "II Man by his reasoning power . . . ." (Bentley a5)

52. There Is No Natural Religion, Plate 5, "III From a perception . . . . " (Bentley a6)

53. There Is No Natural Religion, Plate 9, "Therefore God becomes . . . . " (Bentley b12)

54. There Is No Natural Religion, Plate 10, "I Mans perceptions are not bounded . . . . " (Bentley b3)

55. There Is No Natural Religion, Plate 3, "I Man cannot naturally . . . ." (Bentley a4)

56. There Is No Natural Religion, Plate 6, "IV None could have . . . ." (Bentley a7)

57. There Is No Natural Religion, Plate 7, "V Mans desires . . . . " (Bentley a8)

58. There Is No Natural Religion, Plate 8, "VI The desires & perceptions . . . . " (Bentley a9)

59. Songs of Innocence and of Experience, Plate 34, "Introduction" (Bentley 30)

60. Porch to a Private House in Padua

61. Sketch of Three Standing Gravestones

62. Threee Ornate Tombstones

63. Raby Castle

64. Sketch of Ships near West Cowes, Isle of Wight

65. Near Falmouth

66. Near the Entrance to Newport from East Cowes

67. Sketch of a Landscape with a Distant Harbor

68. Sketch of Sailing Boats in a Harbor

69. Sketch of a Sailing Boat

70. Near Freshwater, Isle of Wight

71. Untitled: Two Classical Domestic Scenes

72. Designs for the Great Room of the Society of Arts (4 of 1 sheet)

73. Bois, France

74. Now Sir, You're a Complete Macaroni