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Credit Line Yale Center for British Art, Paul Mellon Collection
Remove constraint Credit Line: Yale Center for British Art, Paul Mellon CollectionHeight [cm] 14
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1
- The Avon Gorge at Sunset
- ca. 1850
- Not on view
2
- Interior of a Stable
- between 1830 and 1840
- Not on view
3
- A View of Oxford
- mid-19th century
- Not on view
4
- Pylons at Karnak, the Theban Mountains in the Distance
- 1873 or 1874
- Not on view
5
- Windsor Castle from the Thames
- ca. 1825
- Not on view
6
- The Burning of the Houses of Parliament
- ca. 1834
- Not on view
7
- Sunny Landscape with Trees and Monument on a Hill
- ca. 1830
- Not on view
8
- The Monument and London Bridge
- ca. 1825
- Not on view
9
- Somerset House, London
- ca. 1825
- Not on view
10
- Rochester Cathedral and Castle
- ca. 1825
- Not on view
11
- London from Hampstead Heath
- ca. 1825
- Not on view
12
- The Thames and Waterloo Bridge from Somerset House
- ca. 1825
- Not on view
13
- Westminster Bridge
- ca. 1825
- Not on view
14
- Middle-White Sow: Wharfedale Royal Lady
- 1984
- Not on view
15
- Berkshire Boar: Highfield Royal Pygmalion
- 1968
- Not on view
16
- The Taglioni Coach and Other Scenes
- ca. 1840
- Not on view
17
- Antique Letter Box Converted into a Humidor
- ca. 1840
- Not on view
18
- Draped Torso
- ca. 1953
- Not on view
19
- Sketch of a Base for the Mill Reef Statue, 1972: Base Without Statue, End View
- 1972
20
- Huntsman and Hounds
- ca. 1896
21
- The Morning of Life
- 1860-1861
22
- Brighton Beach Looking West
- undated
23
- Colombus breaking the Egg
- 1753
24
- The Morning of Life
- 1860-1861
25
- Fishing Boats Becalmed off le Havre
- undated
26
- Monaco at Sunset from the Southwest
- 1838
27
- Ship Aground, Brighton, with the Chain Pier Beyond
- ca. 1827
28
- Figures on Margate Beach
- undated
29
- The Fortified Rock of Monaco from the East
- ca. 1838
30
- St. Mawes, Cornwall
- ca. 1823
31
- Rome from Monte Mario
- ca. 1818
32
- Shipping
- between 1828 and 1830
33
- Foul by God: River Landscape with Anglers Fishing From a Weir
- ca. 1830
34
- Visions of the Daughters of Albion; Title Page (Plate 2)
- 1793
35
- For Children. The Gates of Paradise; Title Page (Plate 2)
- 1793
36
- Water (Plate 4)
- 1793
37
- Earth (Plate 5)
- 1793
38
- Air (Plate 6)
- 1793
39
- I Have Said to the Worm, Thou Art My Mother & My Sister (Plate 18)
- 1793
40
- What is Man!, Frontispiece (Plate 1)
- 1793
41
- I Found Him Beneath a Tree (Plate 3)
- 1793
42
- Fire (Plate 7)
- 1793
43
- At Length for Hatching Ripe He Breaks the Shell (Plate 8)
- 1793
44
- My Son! My Son! (Plate 10)
- 1793
45
- Alas! (Plate 9)
- 1793
46
- Aged Ignorance (Plate 13)
- 1793
47
- Help! Help! (Plate 12)
- 1793
48
- I Want! I Want! (Plate 11)
- 1793
49
- Fear & Hope Are -- Vision (Plate 15)
- 1793
50
- Does Thy God O Priest Take such Vengeance as This? (Plate 14)
- 1793
51
- The Traveller Hasteth in the Evening (Plate 16)
- 1793
52
- Death's Door (Plate 17)
- 1793
53
- IV. "The eternal gates terrific porter lifted the northern bar..." (Plate 8)
- 1789
54
- Chapter III, "As the stars are apart from the earth..." (Plate 9)
- 1794
55
- IV. "The eternal gates terrific porter lifted the northern bar..." (Plate 8)
- 1789
56
- I. "Mans perceptions are not bounded by organs of perception..." (Plate 10)
- ca. 1788
57
- III. "From a perception of only 3 senses..." (Plate 5)
- ca. 1788
58
- "Therefore God becomes as we are..." (Plate 9)
- ca. 1788
59
- There Is No Natural Religion; Frontispiece (Plate 1)
- ca. 1788
60
- II. "Reason or the ratio of all we have already known..." (Plate 11)
- ca. 1788
61
- The Argument. "Man has no notion of moral fitness..." (Plate 2"
- ca. 1788
62
- I. "Man cannot naturally Percieve..."(Plate 3)
- ca. 1788
63
- II. "Man by his reasoning power can only compare..." (Plate 4)
- ca. 1788
64
- IV. "None could have other than natural or organic thoughts..." (Plate 6)
- ca. 1788
65
- V. "Mans desires are limited by his perceptions..." (Plate 7)
- ca. 1788
66
- VI. "The desires & perceptions of man untaught..." (Plate 8)
- ca. 1788
67
- The Entrance Front of Hayley's House at Eartham
- 1801
68
- For Children. The Gates of Paradise, London, by William Blake
- 1793
69
- There is No Natural Religion
- ca. 1788
70
- Illustration to Tennyson's "The Gardener's Daughter:" Mount Lebanon, Syria - `A Cedar spread his dark green layers of shade'
- undated
71
- Le Repos
- 1826
72
- The Sentinel
- 1857
73
- Study of a Woman, Imploring for the Return of Her Captive Child
- undated
74
- Scene of a Bacchanalia
- undated
75
- Study of a Soldier Attacking a Woman
- undated
76
- Untitled: Cupid
77
- Battle Scene
- undated
78
- Osteria e Posta di Boccano
- 1777 to 1778
79
- Landscape of Buildings Along a Cliff
- undated
80
- From the Inn at Colman
- 1775 to 1776
81
- Château Fort de Lourdes
- undated
82
- Paladi Pontine da Velletri
- 1777 to 1778
83
- The Most Considerable Remains of the Walls of Gnatia
- 1777 to 1778
84
- Krieglach, Austria
- 1779
85
- Welden, Germany
- 1779
86
- View of Maison From Le Mesnil-le-Roi
- undated
87
- Landscape, With view of coast and Palm trees in the Distance
- undated
88
- Wooded Landscape, Showing a View of a City, Built on a Hillside, in the background, and Two Figures Walking up a Dirt Path, in the Foreground
- undated
89
- Abyssinian Lady of Quality
- undated
90
- Bohur
- undated
91
- Guizotia Abyssinica
- undated
92
- A Macarony at a Sale of Pictures
- 1771
93
- The Gipsy Encampment
- 1830
94
- A Mill
- 1830
95
- A Heath
- 1831
96
- A Mill
- 1830
97
- Mill Stream
- 1831
98
- A Lock on the Stour, Suffolk
- 1831
99
- Stoke by Neyland, Suffolk
- 1829
100
- View on the Orwell
- 1830