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Credit Line Yale Center for British Art, Paul Mellon Collection

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Height [cm] 17

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Subject Terms women

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Julius Caesar Ibbetson A Married Sailor's Adieu
Julius Caesar Ibbetson, 1759–1817
A Married Sailor's Adieu
ca. 1800
Not on view
William Blake Jerusalem, Plate 26, "Such Visions Have...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 26, "Such Visions Have...."
1804 to 1820
William Blake The First Book of Urizen, Plate 11, "Two nostrils bent down to the deep . . . ." (Bentley 13)
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 11, "Two nostrils bent down to the deep . . . ." (Bentley 13)
1794
William Blake The First Book of Urizen, Plate 18 (Bentley 21)
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 18 (Bentley 21)
1794
William Blake The First Book of Urizen, Plate 23: "The Ox in the slaughter house moans . . . ." (Bentley 25)
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 23: "The Ox in the slaughter house moans . . . ." (Bentley 25)
1794
William Blake The First Book of Urizen, Plate 2(b), "Preludium" (Bentley 2b)
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 2(b), "Preludium" (Bentley 2b)
1794
William Blake Visions of the Daughters of Albion, Plate 6, "And none but Bromian . . . . "
William Blake, 1757–1827
Visions of the Daughters of Albion, Plate 6, "And none but Bromian . . . . "
1793
William Blake Visions of the Daughters of Albion, Plate 8, "But when the morn arose . . . . "
William Blake, 1757–1827
Visions of the Daughters of Albion, Plate 8, "But when the morn arose . . . . "
1793
William Blake Visions of the Daughters of Albion, Plate 2, Title Page
William Blake, 1757–1827
Visions of the Daughters of Albion, Plate 2, Title Page
1793
William Blake Visions of the Daughters of Albion, Plate 10, "In happy copulation . . . . "
William Blake, 1757–1827
Visions of the Daughters of Albion, Plate 10, "In happy copulation . . . . "
1793
William Blake Visions of the Daughters of Albion, Plate 1, Frontispiece
William Blake, 1757–1827
Visions of the Daughters of Albion, Plate 1, Frontispiece
1793
William Blake The First Book of Urizen, Plate 2, "Preludium to the Book of Urizen" (Bentley 2)
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 2, "Preludium to the Book of Urizen" (Bentley 2)
1794
William Blake The First Book of Urizen, Plate 2, "Preludium to the Book of Urizen" (Bentley 2a)
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 2, "Preludium to the Book of Urizen" (Bentley 2a)
1794
Thomas Stothard The Fortune Teller
Thomas Stothard, 1755–1834
The Fortune Teller
1827
Peter Casteels Feeding Ducks
Peter Casteels, 1684–1749
Feeding Ducks
undated
Thomas Rowlandson Loading Sacks into a Cart
Thomas Rowlandson, 1756–1827
Loading Sacks into a Cart
undated
Gavin Hamilton Andromache Mourning the Death of Hector
Gavin Hamilton, 1723–1798
Andromache Mourning the Death of Hector
between 1760 and 1763
William Hamilton Figures Harvesting
William Hamilton, 1751–1801
Figures Harvesting
undated
Sir George Howland Beaumont seventh Baronet The Picnic
attributed to Sir George Howland Beaumont seventh Baronet, 1753–1827
The Picnic
undated
Paul Sandby Two Women holding a Basket
Paul Sandby, 1731–1809
Two Women holding a Basket
ca. 1759
Thomas Hearne Haymaking
Thomas Hearne, 1744–1817
Haymaking
undated
James Malton Preparatory drawing for Design 21, Plate 19 of A Collection of Designs for Rural Retreats
James Malton, 1761–1803
Preparatory drawing for Design 21, Plate 19 of A Collection of Designs for Rural Retreats
1802
John William Inchbold In Richmond Park
John William Inchbold, 1830–1888
In Richmond Park
1869
Sir David Wilkie The Chelsea Pensioners Reading the Waterloo Dispatch
Sir David Wilkie, 1785–1841
The Chelsea Pensioners Reading the Waterloo Dispatch
before 1822
Robert Smirke Lysander Awakening to See Helena
Robert Smirke, 1752–1845
Lysander Awakening to See Helena
1825
William Hay Seamstresses, St. Kitts, Carribean
William Hay, active 1776–1797
Seamstresses, St. Kitts, Carribean
1798
Peter DeWint The Harvesters
attributed to Peter DeWint, 1784–1849
The Harvesters
undated
Robert Dighton The Travelling Musicians
Robert Dighton, 1752–1814
The Travelling Musicians
undated
Robert Dighton Canvasing for Member of Parliament
Robert Dighton, 1752–1814
Canvasing for Member of Parliament
undated
Robert Dighton A Country Amusement - Bull Baiting
Robert Dighton, 1752–1814
A Country Amusement - Bull Baiting
undated
Robert Dighton The Travelling Show Man
Robert Dighton, 1752–1814
The Travelling Show Man
undated
Robert Dighton The Ferry
Robert Dighton, 1752–1814
The Ferry
undated
Robert Dighton Relieving the Distressed Travellers
Robert Dighton, 1752–1814
Relieving the Distressed Travellers
undated
Robert Dighton The Harmonious Family
Robert Dighton, 1752–1814
The Harmonious Family
undated
Thomas Girtin Tynemouth Priory, Northumberland
Thomas Girtin, 1775–1802
Tynemouth Priory, Northumberland
ca. 1793
Thomas Rowlandson View of the Church and Village of St. Cue, Cornwall
Thomas Rowlandson, 1756–1827
View of the Church and Village of St. Cue, Cornwall
ca. 1812
Sir Charles D'Oyly A Punca Bearer
Print made by Sir Charles D'Oyly, 1781–1845
A Punca Bearer
ca. 1830
Sir Charles D'Oyly Nuts or Indian Jugglers
Print made by Sir Charles D'Oyly, 1781–1845
Nuts or Indian Jugglers
ca. 1830
Henry Thomas Alken Symptoms: of None of Your Stuff, of a Declaration, of a Meltonian, of Is that a Writ I See Before Me, of a Love Feast, of a Buck
Henry Thomas Alken, 1785–1851
Symptoms: of None of Your Stuff, of a Declaration, of a Meltonian, of Is that a Writ I See Before Me, of a Love Feast, of a Buck
between 1818 and 1822
Henry Thomas Alken Symptoms: of Unwelcome Guests, of Being Off the Curb, of Can't Exactly Say: No Consulation of Physicians, of W'ont Exactly Say: No Consultations of Lawyers.
Henry Thomas Alken, 1785–1851
Symptoms: of Unwelcome Guests, of Being Off the Curb, of Can't Exactly Say: No Consulation of Physicians, of W'ont Exactly Say: No Consultations of Lawyers
between 1818 and 1822
Thomas Rowlandson The Vicar of Wakefield: Frontispiece
Thomas Rowlandson, 1756–1827
The Vicar of Wakefield: Frontispiece
1817
Henry Thomas Alken "Landscape Scenery", No. 10: Scenes with Wood-Cutters
Henry Thomas Alken, 1785–1851
"Landscape Scenery", No. 10: Scenes with Wood-Cutters
1821
Sir Charles D'Oyly Female Attendants
Print made by Sir Charles D'Oyly, 1781–1845
Female Attendants
ca. 1830
Thomas Rowlandson Embarkation at Southampton, June 20th 1794
Thomas Rowlandson, 1756–1827
Embarkation at Southampton, June 20th 1794
1794
Richard Corbould Winter
Richard Corbould, 1757–1831
Winter
ca. 1802
Thomas Rowlandson Netting a Salmon Pool
Thomas Rowlandson, 1756–1827
Netting a Salmon Pool
undated
Thomas Shotter Boys Quayside, Notre Dame in Distance
Print made by Thomas Shotter Boys, 1803–1874
Quayside, Notre Dame in Distance
undated
Robert Dighton Administering the Oath at Highgate
Robert Dighton, 1752–1814
Administering the Oath at Highgate
undated
Robert Dighton The Produce of Industry
Robert Dighton, 1752–1814
The Produce of Industry
undated
Thomas Creswick The Terrace
Print made by Thomas Creswick, 1811–1869
The Terrace
ca. 1844
Robert Smirke Bachanalia Scene
Robert Smirke, 1752–1845
Bachanalia Scene
undated
Bradshaw & Blacklock Double Hairpin Set
Print made by Bradshaw & Blacklock, active ca.1850
Double Hairpin Set
after 1850
Guillaume Sulpice Chevalier Intemperance
Print made by Guillaume Sulpice Chevalier, 1804–1866
Intemperance
undated
Bradshaw & Blacklock Castles in England
Print made by Bradshaw & Blacklock, active ca.1850
Castles in England
after 1850
Richard Parkes Bonington Les Pendus
Print made by Richard Parkes Bonington, 1802–1828
Les Pendus
ca. 1826
Robert Smirke Viola and Olivia
Robert Smirke, 1752–1845
Viola and Olivia
1822