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Credit Line Yale Center for British Art, Paul Mellon Collection
Remove constraint Credit Line: Yale Center for British Art, Paul Mellon CollectionHeight [cm] 17
Remove constraint Height [cm]: 17Search Results
1
- Flatford Mill
- between 1810 and 1811
- Not on view
2
- Stormy Sea, Brighton
- ca. 1828
- Not on view
3
- Undergrowth
- ca. 1815
- Not on view
4
- Summer - Evening Landscape
- ca. 1825
- Not on view
5
- Cloud Study with Trees
- 1821
- Not on view
6
- George Stubbs
- 1775
- Not on view
7
- A Married Sailor's Adieu
- ca. 1800
- Not on view
8
- ?Petit Andeleys on the Seine
- 1822 to 1825
- Not on view
9
- Mountainous Landscape with Figures by a Lake
- 1825 to 1830
- Not on view
10
- A Harvest Scene with Workers Loading Hay on to a Farm Wagon
- ca. 1800
- Not on view
11
- At South Mickleham
- 1829
- Not on view
12
- Landscape with Trees and a Figure
- ca. 1840
- Not on view
13
- Steeplechasing: The Brook
- 1869
- Not on view
14
- October Morning, Buckingham Palace - Rehearsal for the Opening of Parliament
- undated
- Not on view
15
- Sheep Grazing
- 1835
- Not on view
16
- A River Landscape, Sunset
- ca. 1860
- Not on view
17
- The Old Fishmarket, Norwich
- 1825
- Not on view
18
- The Haymarket, Norwich
- 1825
- Not on view
19
- A View of Eton and the Fellows Eyot
- ca. 1840
- Not on view
20
- A View of the Valley of Rocks near Mittlach (Alsace)
- ca. 1830
- Not on view
21
- Lincoln Ram: Challenger
- 1966
- Not on view
22
- Mare and Foal
- 1984
- Not on view
23
- Sir Isaac Newton
- ca. 1735
- Not on view
24
- William Congreve
- ca. 1715
- Not on view
25
- The Bellman
- 1879
26
- The Bellman
- 1879
27
- The Homeward Star
- begun ca. 1880
28
- The Lonely Tower
- 1879
29
- Foxgloves
- undated
![George Stubbs A Lion [A recumbent Lion]](https://media.collections.yale.edu/thumbnail/ycba/a3e0a688-dd65-4193-b627-21b22d75629a)
30
- A Lion [A recumbent Lion]
- 1788
31
- Study of a Racehorse in Action: Galloping to Left, a Semi-Anatomical Study, with Skin Flayed to Show Action of Muscles
- undated
32
- A Country Girl in the Lake District
- 1806
33
- Two Studies of Dedham Church from the East
- between 1806 and 1808
34
- High Street, Edinburgh
- ca. 1818
35
- Sir William Hamilton's Villa
- ca. 1795
36
- Visions of the Daughters of Albion; Frontispiece (Plate 1)
- 1793
37
- Visions. "Enslav'd, the Daughters of Albion weep..." (Plate 4)
- 1793
38
- "And none but Bromian can hear my lamentations..." (Plate 6)
- 1793
39
- Visions of the Daughters of Albion; Title Page (Plate 2)
- 1793
40
- "But when the morn arose, her lamentation renewd..." (Plate 8)
- 1793
41
- "In happy copulation; if in evening mild, wearied with work..." (Plate 10)
- 1793
42
- "Such visions have appeared to me..."; Chapter 2 Frontispiece (Plate 26)
- 1804 to 1820
43
- Preludium. "Of the primeval Priests assum'd power..." (Plate 2b)
- 1794
44
- Chapter V, "Two Nostrils bent down to the deep..." (Plate 11)
- 1794
45
- Los with the child Orc and Enitharmon (Plate 18)
- 1794
46
- "The Ox in the slaughter house moans..." (Plate 23)
- 1794
47
- Preludium to the First Book of Urizen, "Of the primeval Priests assum'd power..." (Plate 2)
- 1794
48
- Chapter V, "The globe of life blood trembled..." (Plate 17)
- 1794
49
- Preludium to the First Book of Urizen, "Of the primeval Priests assum'd power..." (Plate 2)
- 1794
50
- Praying Child and Howling Dog (Plate 25)
- 1794
51
- Caius Julius Cæsar
- 1821
52
- Epicurus
- 1821
53
- A View of the Harbour at Cannes
- 1869
54
- A View of the Pine Woods Above Cannes
- 1869
55
- Profile of a Grotesque Head Facing Right
- late 1780s-early 1790s
56
- The Peasants' Nest: Cowper's tame Hares
- 1802
57
- Scene from Shakespeare's, Romeo and Juliet
- undated
58
- Bachanalia Scene
- undated
59
- Untitled: Cupid
60
- Eastnor Castle
- ca. 1835
61
- Ticket of Admission for a Performance of Horace's 'Carmen Seculare'
- 1779
62
- Plan of the Palaces of Charles the Fifth, and of the Moorish Kings in the Alhambra of Granada
- 1775 to 1776
63
- Measures of Mequita as it was in the Time of the Arabians
- 1775 to 1776
64
- The Tempietto in San Pietro in Montorio, Italy
- 1777 to 1778
65
- Landscape with Figure, Standing on Large Rock
- undated
66
- Mountain Landscape View of a River Flowing through a Town
- undated
67
- Bagneres-de-Bigoree, France
- undated
68
- St. Bertrand, France
- undated
69
- View from Klein Zicker, Thiessow, Germany
- undated
70
- Fitting out. - Plate 1
- 1820
71
- Wooded Landscape
- ca. 1812
72
- A Dell, Helmingham Park, Suffolk
- 1830
73
- Stoke by Neyland, Suffolk
- 1829
74
- The Spring Flood
- 1865
75
- Castle Above a Waterfall
- ca. 1830
76
- The Black Tower Norwich
- between 1810 and 1811
77
- The Guards on the March for the Duke of York's Campaign in France
- undated
78
- Milkmaid and Dog in a Landscape
- undated
79
- Tea Room at Wentworth Woodhouse, Yorkshire
- undated
80
- A Sun-Bear
- undated
81
- Golden Eagle
- undated
82
- A Classical City
- 1816
83
- Cavalry Troops and Camp Followers on the Move
- undated
84
- Small Boats in Harbor
- undated
85
- Study of Undergrowth
- undated
![Robert Smirke Scenes from an Eastern Romance [Arabian Nights]](https://media.collections.yale.edu/thumbnail/ycba/95364f08-fc87-4e6e-901b-6a2cbe751cea)
86
- Scenes from an Eastern Romance [Arabian Nights]
- undated
87
- Lac de Killin
- 1826
88
- Les Pendus
- ca. 1826
89
- Vue Generale des Ruines du Château d'Arlay
- 1827
90
- Viola and Olivia
- 1822
91
- Feste, as Sir Topas, addressing Malvolio
- 1822
92
- Juliet About to Take her Sleeping Draught
- 1825
93
- Hotspur and the Plotters at Bangor
- 1825
94
- Untitled: Cesar Passing the Rubicon
95
- The Terrace
- ca. 1844
96
- Scene Illustration: Milton's 'L'Allegro'
- between 1860 and 1885
97
- The Prosperity of Egypt
98
- Hope
- 1765
99
- Intemperance
- undated
100
- Duke's Place
- 1793