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Credit Line Yale Center for British Art, Paul Mellon Collection

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Height [cm] 18

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Subject Terms trees

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John Martin Kensington Gardens
John Martin, 1789–1854
Kensington Gardens
between 1815 and 1816
Not on view
Thomas Stothard The Supper by the Fountain
Thomas Stothard, 1755–1834
The Supper by the Fountain
ca. 1820
Not on view
Thomas Stothard The Garden
Thomas Stothard, 1755–1834
The Garden
ca. 1820
Not on view
John Varley Westminster Abbey from Tothill Fields
John Varley, 1778–1842
Westminster Abbey from Tothill Fields
1832
Not on view
Samuel Palmer The Rising Moon
Print made by Samuel Palmer, 1805–1881
The Rising Moon
1857
Samuel Palmer The Morning of Life
Print made by Samuel Palmer, 1805–1881
The Morning of Life
1860-1861
Samuel Palmer The Weary Ploughman
Print made by Samuel Palmer, 1805–1881
The Weary Ploughman
1858
Samuel Palmer The Rising Moon
Print made by Samuel Palmer, 1805–1881
The Rising Moon
1857
Samuel Palmer The Rising Moon
Print made by Samuel Palmer, 1805–1881
The Rising Moon
1857
Samuel Palmer Rustic Contentment
Samuel Palmer, 1805–1881
Rustic Contentment
undated
Samuel Palmer Timber Wagon Crossing a Stream
Samuel Palmer, 1805–1881
Timber Wagon Crossing a Stream
undated
Samuel Palmer The Crescent Moon
Samuel Palmer, 1805–1881
The Crescent Moon
undated
John Constable Wormingford Church
attributed to John Constable, 1776–1837
Wormingford Church
between 1813 and 1815
John Constable Borrowdale: Evening after a Fine Day, 1 October 1806
John Constable, 1776–1837
Borrowdale: Evening after a Fine Day, 1 October 1806
1806
John Constable Helmingham: The Silent Pool
John Constable, 1776–1837
Helmingham: The Silent Pool
ca. 1800
John Constable Landscape at East Bergholt
John Constable, 1776–1837
Landscape at East Bergholt
ca. 1805
Samuel Palmer Opening the Fold
Print made by Samuel Palmer, 1805–1881
Opening the Fold
plate etched in 1880; impression printed in 1926
Samuel Palmer The Early Ploughman
Print made by Samuel Palmer, 1805–1881
The Early Ploughman
begun before 1861
Samuel Palmer The Early Ploughman
Print made by Samuel Palmer, 1805–1881
The Early Ploughman
begun before 1861
Samuel Palmer The Early Ploughman
Print made by Samuel Palmer, 1805–1881
The Early Ploughman
etching begun before 1861; impression printed in 1926
Samuel Palmer Opening the Fold
Print made by Samuel Palmer, 1805–1881
Opening the Fold
plate etched in 1880; impression printed in 1920
Joseph Mallord William Turner Christ and the Woman of Samaria
Etched by Joseph Mallord William Turner, 1775–1851
Christ and the Woman of Samaria
1819
Joseph Mallord William Turner Apuleia in Search of Apuleius
Etched by Joseph Mallord William Turner, 1775–1851
Apuleia in Search of Apuleius
between 1813 and 1823
Joseph Mallord William Turner Glaucus and Scylla
Print made by Joseph Mallord William Turner, 1775–1851
Glaucus and Scylla
between 1813 and 1823
Joseph Mallord William Turner Glaucus and Scylla
Etched by Joseph Mallord William Turner, 1775–1851
Glaucus and Scylla
1813 to 1823
Joseph Mallord William Turner Glaucus and Scylla
Etched by Joseph Mallord William Turner, 1775–1851
Glaucus and Scylla
between 1813 and 1823
Joseph Mallord William Turner Apuleia in Search of Apuleius
Print made by Joseph Mallord William Turner, 1775–1851
Apuleia in Search of Apuleius
between 1813 and 1823
Joseph Mallord William Turner Jason
Etched by Joseph Mallord William Turner, 1775–1851
Jason
1807
Joseph Mallord William Turner Bridge and Cows
Etched by Joseph Mallord William Turner, 1775–1851
Bridge and Cows
1807
Joseph Mallord William Turner The Woman and Tambourine
Etched by Joseph Mallord William Turner, 1775–1851
The Woman and Tambourine
1807
Joseph Mallord William Turner The Straw Yard
Etched by Joseph Mallord William Turner, 1775–1851
The Straw Yard
1808
Joseph Mallord William Turner The Castle above the Meadows
Etched by Joseph Mallord William Turner, 1775–1851
The Castle above the Meadows
1808
Joseph Mallord William Turner Bridge and Cows
Etched by Joseph Mallord William Turner, 1775–1851
Bridge and Cows
1807
Joseph Mallord William Turner The Bridge in Middle Distance
Etched by Joseph Mallord William Turner, 1775–1851
The Bridge in Middle Distance
1808
Joseph Mallord William Turner The Hindoo Worshipper
Etched by Joseph Mallord William Turner, 1775–1851
The Hindoo Worshipper
1811
Joseph Mallord William Turner Rispah: 2nd Book of Samuel, Chap. 21
Etched by Joseph Mallord William Turner, 1775–1851
Rispah: 2nd Book of Samuel, Chap. 21
1812
Joseph Mallord William Turner Juvenile Tricks
Etched by Joseph Mallord William Turner, 1775–1851
Juvenile Tricks
1811
Joseph Mallord William Turner The Hindoo Worshipper
Etched by Joseph Mallord William Turner, 1775–1851
The Hindoo Worshipper
1811
Joseph Mallord William Turner The Castle above the Meadows
Etched by Joseph Mallord William Turner, 1775–1851
The Castle above the Meadows
1808
Joseph Mallord William Turner Bridge and Cows
Etched by Joseph Mallord William Turner, 1775–1851
Bridge and Cows
1807
Joseph Mallord William Turner The Woman and Tambourine
Etched by Joseph Mallord William Turner, 1775–1851
The Woman and Tambourine
1807
Joseph Mallord William Turner Villa in a Valley near Vietri sul Mare
Joseph Mallord William Turner, 1775–1851
Villa in a Valley near Vietri sul Mare
ca. 1794
Joseph Mallord William Turner Villa Salviati on the Arno
Joseph Mallord William Turner, 1775–1851
Villa Salviati on the Arno
between 1796 and 1797
William Blake The Angel (Plate 40)
Print made by William Blake, 1757–1827
The Angel (Plate 40)
1794
William Blake The Divine Image (Plate 24)
Print made by William Blake, 1757–1827
The Divine Image (Plate 24)
1789
William Blake The Little Girl Found (Plate 22)
Print made by William Blake, 1757–1827
The Little Girl Found (Plate 22)
1789
William Blake Night (Plate 30)
Print made by William Blake, 1757–1827
Night (Plate 30)
1789
William Blake Songs of Experience, Frontispiece (Plate 32)
Print made by William Blake, 1757–1827
Songs of Experience, Frontispiece (Plate 32)
1794
William Blake Holy Thursday (Plate 38)
Print made by William Blake, 1757–1827
Holy Thursday (Plate 38)
1794
William Blake The Clod & the Pebble (Plate 36)
Print made by William Blake, 1757–1827
The Clod & the Pebble (Plate 36)
1794
William Blake A Poison Tree (Plate 41)
Print made by William Blake, 1757–1827
A Poison Tree (Plate 41)
1794
William Blake The Tyger (Plate 42)
Print made by William Blake, 1757–1827
The Tyger (Plate 42)
1794
William Blake The Human Abstract (Plate 46)
Print made by William Blake, 1757–1827
The Human Abstract (Plate 46)
1794
William Blake My Pretty Rose Tree (Plate 47)
Print made by William Blake, 1757–1827
My Pretty Rose Tree (Plate 47)
1794
William Blake The Fly (Plate 48)
Print made by William Blake, 1757–1827
The Fly (Plate 48)
1794
William Blake Songs of Innocence, Title Page (Plate 2)
Print made by William Blake, 1757–1827
Songs of Innocence, Title Page (Plate 2)
1789
William Blake Introduction (Plate 3)
Print made by William Blake, 1757–1827
Introduction (Plate 3)
1789
William Blake The Shepherd (Plate 4)
Print made by William Blake, 1757–1827
The Shepherd (Plate 4)
1789
William Blake The Ecchoing Green (Plate 8)
Print made by William Blake, 1757–1827
The Ecchoing Green (Plate 8)
1789
William Blake The Little Black Boy (Plate 6)
Print made by William Blake, 1757–1827
The Little Black Boy (Plate 6)
1789
William Blake Laughing Song (Plate 14)
Print made by William Blake, 1757–1827
Laughing Song (Plate 14)
1789
William Blake Spring (Plate 12)
Print made by William Blake, 1757–1827
Spring (Plate 12)
1789
William Blake The Little Boy Lost (Plate 16)
Print made by William Blake, 1757–1827
The Little Boy Lost (Plate 16)
1789
William Blake The Lamb (Plate 18)
Print made by William Blake, 1757–1827
The Lamb (Plate 18)
1789
William Blake The Little Girl Lost (Plate 20)
Print made by William Blake, 1757–1827
The Little Girl Lost (Plate 20)
1789
William Blake Songs of Innocence, Frontispiece (Plate 1)
Print made by William Blake, 1757–1827
Songs of Innocence, Frontispiece (Plate 1)
1789
William Blake Illustrations of Eclogue I, Introductory, The Giant Polypheme
Print made by William Blake, 1757–1827
Illustrations of Eclogue I, Introductory, The Giant Polypheme
1821
William Blake Illustrations of Imitation of Eclogue I, Page 16
Print made by William Blake, 1757–1827
Illustrations of Imitation of Eclogue I, Page 16
1821
Luigi Balugani Chista-Cachemantia (Annona squamosa)
Luigi Balugani, 1737–1770
Chista-Cachemantia (Annona squamosa)
undated
Luigi Balugani Accasia (Acacia)
Luigi Balugani, 1737–1770
Accasia (Acacia)
undated
Charles Bretherton Postiglione Germanico
Print made by Charles Bretherton, ca. 1760–1783
Postiglione Germanico
1772
David Lucas A Mill
Print made by David Lucas, 1802–1881
A Mill
1830
David Lucas Castle Acre Priory
Print made by David Lucas, 1802–1881
Castle Acre Priory
1830 to 1831
David Lucas A Heath
Print made by David Lucas, 1802–1881
A Heath
1831
John Sell Cotman A Bridge
Print made by John Sell Cotman, 1782–1842
A Bridge
undated
John Sell Cotman Tan-y-Bwlch, Merionethshire, North Wales
Print made by John Sell Cotman, 1782–1842
Tan-y-Bwlch, Merionethshire, North Wales
between 1810 and 1817
John Sell Cotman Castle Above a Waterfall
Print made by John Sell Cotman, 1782–1842
Castle Above a Waterfall
ca. 1830
James Ward House among Trees
James Ward, 1769–1859
House among Trees
undated
James Duffield Harding Gorge du Mont Terrible
James Duffield Harding, 1798–1863
Gorge du Mont Terrible
undated
Thomas Bewick The Wild Bull of Chillingham
Print made by Thomas Bewick, 1753–1828
The Wild Bull of Chillingham
1781
David Lucas Sir Richard Steele's Cottage
Print made by David Lucas, 1802–1881
Sir Richard Steele's Cottage
1845
John Sell Cotman Castle in a Landscape
John Sell Cotman, 1782–1842
Castle in a Landscape
undated
F. Norice Windsor Castle From the Long Walk
F. Norice, 19th century
Windsor Castle From the Long Walk
undated
John Robert Cozens Vernazza
John Robert Cozens, 1752–1797
Vernazza
undated
John Robert Cozens Gaeta
John Robert Cozens, 1752–1797
Gaeta
undated
John Robert Cozens From the Villa at Posillipo, July 29
John Robert Cozens, 1752–1797
From the Villa at Posillipo, July 29
undated
John Robert Cozens The Temple of Venus on the Bay of Baia, December 2
John Robert Cozens, 1752–1797
The Temple of Venus on the Bay of Baia, December 2
undated
John Robert Cozens Mont Cenis, October 20
John Robert Cozens, 1752–1797
Mont Cenis, October 20
undated
John Robert Cozens Grand Chartreuse, October 24
John Robert Cozens, 1752–1797
Grand Chartreuse, October 24
undated
John Robert Cozens Grand Chartreuse, October 24
John Robert Cozens, 1752–1797
Grand Chartreuse, October 24
undated
John Robert Cozens Ronciglione
John Robert Cozens, 1752–1797
Ronciglione
undated
John Robert Cozens Saint Michele, Piedmont, October 18
John Robert Cozens, 1752–1797
Saint Michele, Piedmont, October 18
undated
John Robert Cozens The Euganean Hills
John Robert Cozens, 1752–1797
The Euganean Hills
undated
John Robert Cozens Villas on a Hillside
John Robert Cozens, 1752–1797
Villas on a Hillside
undated
John Robert Cozens The Coast Towards Amalfi from Vietri, September 19
John Robert Cozens, 1752–1797
The Coast Towards Amalfi from Vietri, September 19
undated
John Robert Cozens Near Chambéry
John Robert Cozens, 1752–1797
Near Chambéry
undated
Bradshaw & Blacklock Cathedrals in England
Print made by Bradshaw & Blacklock, active ca.1850
Cathedrals in England
after 1850
William Byrne View of Leiston Abbey
Print made by William Byrne, 1743–1805
View of Leiston Abbey
1781
John Varley A Castle at the Waterside
John Varley, 1778–1842
A Castle at the Waterside
undated
unknown artist Cottage
unknown artist
Cottage
undated